from start to finish the buffalo dancers lynn brenner katz slideshare

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Page 1: From start to finish the buffalo dancers lynn brenner katz slideshare
Page 2: From start to finish the buffalo dancers lynn brenner katz slideshare

An initial sketch is done as a snap shot in time showing native dancers and other related

cultural symbols.

Page 3: From start to finish the buffalo dancers lynn brenner katz slideshare
Page 4: From start to finish the buffalo dancers lynn brenner katz slideshare
Page 5: From start to finish the buffalo dancers lynn brenner katz slideshare
Page 6: From start to finish the buffalo dancers lynn brenner katz slideshare

The latex inside is a negative version of the scene, which is then prepped to receive a liquid polyresin material that hardens in a few minutes.

Page 7: From start to finish the buffalo dancers lynn brenner katz slideshare
Page 8: From start to finish the buffalo dancers lynn brenner katz slideshare
Page 9: From start to finish the buffalo dancers lynn brenner katz slideshare

Once the resin is hardened, the mother mold and latex is pulled away to reveal

a “duplicate”/copy of the original piece.

Page 10: From start to finish the buffalo dancers lynn brenner katz slideshare
Page 11: From start to finish the buffalo dancers lynn brenner katz slideshare

Pigments, and bronzing is applied to give the piece its’ final bronze appearance.