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Ó Guitar Institute Nederland
Fretboard Fluency Guitar Institute Nederland
22 July 2019
Ó Guitar Institute Nederland
Fretboard Fluency
In the Fretboard Fluency module, we apply harmony & theory to our fretboard to bolster our harmonic playing skills on the guitar. This will build a foundation for our improvisations skills and helps us analyze and understand how solos are build up from a melodic and harmonic perspective. We will work our way through all 5 positions on the guitar neck in a systematic way, playing:
§ Intervals (2 notes) § Triads (3 notes) § Arpeggios (4 notes) § Pentatonic scales & the Blues scale (5-6 notes) § Modes of the Major scale, the Harmonic Minor scale and
the Melodic Minor scale (7 notes) § The Octatonic scale (8 notes) § The Augmented Scale (6 notes)
The exercises in this module we will applied to one key. As soon as you have mastered any of the exercises, try applying it to other keys as well. As with learning good things, we can also learn mistakes. The more often we repeat a mistake, the more difficult it is to get rid of it. Therefore, make sure to always lower the tempo and start over from the beginning when you made a mistake.
C
C
C
C
C
C
C
III V VII IX XII
D
D
D
D
D
D
D
III V VII IX XII
E
E
E
E
E
E
E
III V VII IX XII
F
F
F
F
F
F
F
III V VII IX XII
G
G
G
G
G
G
G
III V VII IX XII
A
A
A
A
A
A
A
III V VII IX XII
B
B
B
B
B
B
B
III V VII IX XII
The C-Major scale by string
© Guitar Institute Nederland
Position 4: A-shape
^6
^3
^7 R
p5 ^6^2
p4 p5
R^7^2 ^3
^6p5
p4
III V VII IX XII XV
EBGDAE
Position 5: G-shape
^6 ^7 R
^2 ^3 p4
p5 ^6^7 R ^2
^6
p4^3 p5
^7 R
III V VII IX XII XV
EBGDAE
Position 1: E-shape
^7 R ^2
p5p4^3^6 ^7 R
p4
p5
^2 ^3^6^2R^7
III V VII IX XII XV
EBGDAE
Position 2: D-shape
p5
p4^3^2
R^7 ^2
p5p4^3^7^6 R
^3^2
^6
p4
III V VII IX XII XV
EBGDAE
Position 3: C-shape
p5
^6
^3 p4
^7 R
^2 ^3 p4
p5 ^6^7 R ^2
p5p4^3
III V VII IX XII XV
EBGDAE
The C-Major scale in 5 positions
© Guitar Institute Nederland
1 2 3 4 5 6 7
Position 1: E-shape
^3
R
p5
^7 R
^3
p5
R^7
^7
III V VII IX XII XV
EBGDAE
Position 2: D-shape
^3
p5
^7 R
^3 p5
^7
R ^3
R
III V VII IX XII XV
EBGDAE
Position 3: C-shape
^3 p5
R^7^3
^7 R
p5
p5^3
III V VII IX XII XV
EBGDAE
Position 4: A-shape
R^7
p5
^3 p5
R^7^6^3
p5 ^7
III V VII IX XII XV
EBGDAE
Position 5: G-shape
R^7^3
p5
R
^3 p5
R^7
^7
III V VII IX XII XV XVII
EBGDAE
G-major7 arpeggios
© Guitar Institute Nederland
1 3 5 7
Position 1: E-shape
^3
R
p5
R
^3
p5
R
b7
b7
b7
III V VII IX XII XV
EBGDAE
Position 2: D-shape
^3
p5
R
p5
^3
b7 R
^3
b7
III V VII IX XII XV
EBGDAE
Position 3: C-shape
^3 p5
R
^3
R
p5
p5^3
b7
b7
III V VII IX XII XV
EBGDAE
Position 4: A-shape
R
p5
^3 p5
R
^3
p5
b7
b7
b7
III V VII IX XII XV
EBGDAE
Position 5: G-shape
R
^3
p5
R
^3 p5
R
b7
b7
b7
III V VII IX XII XV XVII
EBGDAE
G-dominant7 arpeggios
© Guitar Institute Nederland
1 3 5 b7
Position 1: E-shape
R
p5
R
p5
R
b7
b7
b3
b3
b3
III V VII IX XII XV
EBGDAE
Position 2: D-shape
p5
R
p5
b7 R
b7
b3
b3
b3
III V VII IX XII XV
EBGDAE
Position 3: C-shape
p5
R
R
p5
p5
b7
b7
b3
b3
III V VII IX XII XV
EBGDAE
Position 4: A-shape
R
p5
p5
R
p5
b7
b7
b7
b3
b3
III V VII IX XII XV
EBGDAE
Position 5: G-shape
R
p5
R
p5
R
b7
b7
b7
b3
b3
III V VII IX XII XV XVII
EBGDAE
G-minor7 arpeggios
© Guitar Institute Nederland
1 b3 5 b7
Position 1: E-shape
R
R
R
b7
b7
b3
b3
b3
b5
b5
III V VII IX XII XV
EBGDAE
Position 2: D-shape
R
b7 R
b7
b3
b3
b3
b5
b5
b5
III V VII IX XII XV
EBGDAE
Position 3: C-shape
R
R
b7
b7
b3
b3
b5
b5
b5
III V VII IX XII XV
EBGDAE
Position 4: A-shape
R
Rb7
b7
b7
b3
b3
b5
b5
b5
III V VII IX XII XV
EBGDAE
Position 5: G-shape
R
R
R
b7
b7
b7
b3
b3
b5
b5
III V VII IX XII XV XVII
EBGDAE
G-minor7b5 arpeggios
© Guitar Institute Nederland
1 b3 b5 b7
Position 1: E-shape
R
R
R
b3
b3
b3
b5
b5
^6
^6
III V VII IX XII XV
EBGDAE
Position 2: D-shape
R
b7 R
b3
b3
b3
b5
b5
b5
^6
^6
III V VII IX XII XV
EBGDAE
Position 3: C-shape
R
R
b3
b3
b5
b5
b5^6
^6
III V VII IX XII XV
EBGDAE
Position 4: A-shape
R
R
b3
b3
b5
b5
b5 ^6
^6
^6
III V VII IX XII XV
EBGDAE
Position 5: G-shape
R
R
R
b3
b3
b5
b5
^6
^6
^6
III V VII IX XII XV XVII
EBGDAE
G-diminished7 arpeggios
© Guitar Institute Nederland
1 b3 b5 6
Position 1: E-shape
R
R
R
^3
^3
^3
#5
#5
b7
b7
III V VII IX XII XV
EBGDAE
Position 2: D-shape
R
b7 R
^3
^3
^3
b6
#5 b7
III V VII IX XII XV
EBGDAE
Position 3: C-shape
R
R
^3
^3
#5
#5
#5 b7
b7
III V VII IX XII XV
EBGDAE
Position 4: A-shape
R
R
^3
^3
b6
#5
#5 b7
b7
III V VII IX XII XV
EBGDAE
Position 5: G-shape
R
R
R
^3
^3
#5
#5
b7
b7
b7
III V VII IX XII XV XVII
EBGDAE
G-augmented7 arpeggios
© Guitar Institute Nederland
1 3 #5 b7
Position 1: E-shape
R
p5
R
p5
R
b7
b7
b3
b3
b3
p4
p4
III V VII IX XII XV
EBGDAE
Position 2: D-shape
p5
R
p5
b7 R
b7
b3
b3
b3
p4
p4
p4
III V VII IX XII XV
EBGDAE
Position 3: C-shape
p5
R
R
p5
p5
b7
b7
b3
b3
p4
p4
p4
III V VII IX XII XV
EBGDAE
Position 4: A-shape
R
p5
p5
R
p5
b7
b7
b7
b3
b3 p4
p4
III V VII IX XII XV
EBGDAE
Position 5: G-shape
R
p5
R
p5
R
b7
b7
b7
b3
b3
p4
p4
III V VII IX XII XV XVII
EBGDAE
G-minor pentatonic
© Guitar Institute Nederland
1 b3 4 5 b7
Position 1: E-shape
R
p5
R
p5
R
^6
^6
^2
^2
^2
^3
^3
III V VII IX XII XV
EBGDAE
Position 2: D-shape
p5
R
p5
^6 R
^6
^2
^2
^2
^3
^3
^3
III V VII IX XII XV
EBGDAE
Position 3: C-shape
p5
R
R
p5
p5
^6
^6
^2
^2^3
^3
^3
III V VII IX XII XV
EBGDAE
Position 4: A-shape
R
p5
p5
R
p5
^6
^6
^6^2
^2 ^3
^3
III V VII IX XII XV
EBGDAE
Position 5: G-shape
R
p5
R
p5
R
^6
^6
^6
^2
^2^3
^3
III V VII IX XII XV XVII
EBGDAE
G-major pentatonic
© Guitar Institute Nederland
1 2 3 5 6
Position 1: E-shape
R
p5
R
p5
R
b7
b7
b3
b3
b3
p4
p4
b5
b5
III V VII IX XII XV
EBGDAE
Position 2: D-shape
p5
R
p5
b7 R
b7
b3
b3
b3
p4
p4
p4
b5
b5
b5
III V VII IX XII XV
EBGDAE
Position 3: C-shape
p5
R
R
p5
p5
b7
b7
b3
b3
p4
p4
p4
b5
b5
b5
III V VII IX XII XV
EBGDAE
Position 4: A-shape
R
p5
p5
R
p5
b7
b7
b7
b3
b3 p4
p4 b5
b5
III V VII IX XII XV
EBGDAE
Position 5: G-shape
R
p5
R
p5
R
b7
b7
b7
b3
b3
p4
p4 b5
b5
III V VII IX XII XV XVII
EBGDAE
G-minor blues scale
© Guitar Institute Nederland
1 b3 4 b5 5 b7
Position 1: E-shape
R
p5
R
p5
R
^6
^6
^2
^2
^2
^3
^3b3
b3
b3
III V VII IX XII XV
EBGDAE
Position 2: D-shape
p5
R
p5
^6 R
^6
^2
^2
^2
^3
^3
^3
b3
b3
b3
III V VII IX XII XV
EBGDAE
Position 3: C-shape
p5
R
R
p5
p5
^6
^6
^2
^2^3
^3
^3b3
b3
III V VII IX XII XV
EBGDAE
Position 4: A-shape
R
p5
p5
R
p5
^6
^6
^6^2
^2 ^3
^3
b3
b3
III V VII IX XII XV
EBGDAE
Position 5: G-shape
R
p5
R
p5
R
^6
^6
^6
^2
^2^3
^3b3
b3
III V VII IX XII XV XVII
EBGDAE
G-major blues scale
© Guitar Institute Nederland
1 2 b3 3 5 6
Position 1: E-shape
^2
^6
^3 p4
R ^2
p5
^7 R
p4^3
p5 ^6^2R^7
^7
III V VII IX XII XV
EBGDAE
Position 2: D-shape
^2 ^3 p4
p5 ^6^7 R ^2^3 p4 p5
^2
^7^6 R
^3 p4
III V VII IX XII XV
EBGDAE
Position 3: C-shape
^3 p4 p5
R^7^6^2 ^3 p4
^7 R
p5 ^6^2
p5p4^3
III V VII IX XII XV
EBGDAE
Position 4: A-shape
R^7
^6p5
p4^3 p5
R^7^6^3^2 p4
^6p5
^2
III V VII IX XII XV
EBGDAE
Position 5: G-shape
R
^2
^6 ^7^3 p4
p5 ^6^7 R ^2
^3 p4 p5
R^7^6
III V VII IX XII XV
EBGDAE
The G-Ionian scale
© Guitar Institute Nederland
1 2 3 4 5 6 7
Position 5: G-shape
R
p5
^2 b3
b7 R
p4
^6 b7
b3^2
p4 p5
Rb7^6
^6
III V VII IX XII XV
EBGDAE
Position 1: E-shape
R ^2 b3
p4 p5
^6 b7 R
^2 b3 p4
R
^6p5 b7^2 b3
III V VII IX XII XV
EBGDAE
Position 2: D-shape
^2 b3 p4
b7^6p5
R ^2 b3
^6 b7
p4 p5
R
p4b3^2
III V VII IX XII XV
EBGDAE
Position 4: A-shape
b7
R
p5 ^6^2 b3
p4 p5
^6 b7 R
^2 b3 p4
b7^6p5
III V VII IX XII XV
EBGDAE
The A-Dorian scale
© Guitar Institute Nederland
Position 3: C-shape
b7^6
p5p4
b3^2 p4
b7^6p5
^2R b3
p5p4
R
III V VII IX XII XV
EBGDAE
1 2 b3 4 5 6 b7
Position 4: A-shape
b7
p4
R b2
b6 b7
b3
p5 b6
b2R
b3 p4
b7b6p5
p5
III V VII IX XII XV
EBGDAE
Position 5: G-shape
b7 R b2
b3 p4
p5 b6 b7
R b2 b3
b7
p5p4 b6
R b2
III V VII IX XII XV
EBGDAE
Position 1: E-shape
R b2 b3
b6p5p4
b7 R b2
p5 b6
b3 p4
b7
b3b2R
III V VII IX XII XV
EBGDAE
Position 3: C-shape
b6
b7
p4 p5
R b2
b3 p4
p5 b6 b7
R b2 b3
b6p5p4
III V VII IX XII XV
EBGDAE
The B-Phrygian scale
© Guitar Institute Nederland
Position 2: D-shape
b6p5
p4b3
b2R b3
b6p5p4
Rb7 b2
p4b3
b7
III V VII IX XII XV
EBGDAE
1 b2 b3 4 5 b6 b7
Position 4: A-shape
^6
^3
^7 R
p5 ^6^2
#4 p5
R^7^2 ^3
^6p5b5
#4
III V VII IX XII XV
EBGDAE
Position 5: G-shape
^6 ^7 R
^2 ^3
#4 p5 ^6^7 R ^2
^6
b5^3 p5
^7 R
III V VII IX XII XV
EBGDAE
Position 3: C-shape
p5
^6
^3 #4^7 R
^2 ^3
#4 p5 ^6^7 R ^2
p5b5^3
III V VII IX XII XV
EBGDAE
The C-Lydian scale
© Guitar Institute Nederland
Position 2: D-shape
p5#4
^3^2
R^7 ^2
p5#4^3^7^6 R
^3^2
^6
III V VII IX XII XV
EBGDAE
Position 1: E-shape
^7 R ^2
p5#4^3^6 ^7 R
b5 p5
^2 ^3^6^2R^7
III V VII IX XII XV
EBGDAE
1 2 3 #4 5 6 7
Position 3: C-shape
p5
^2
^6 b7
p4 p5
R
^3 p4
b7^6
R ^2
p5p4^3
^3
III V VII IX XII XV
EBGDAE
Position 4: A-shape
p5 ^6 b7
R ^2^3 p4 p5
^6 b7 R
p5
^3^2 p4
^6 b7
III V VII IX XII XV
EBGDAE
Position 5: G-shape
^6 b7 R
p4^3^2
p5 ^6 b7
^3 p4
R ^2
p5
Rb7^6
III V VII IX XII XV
EBGDAE
Position 2: D-shape
p4
p5
^2 ^3^6 b7
R ^2^3 p4 p5
^6 b7 R
p4^3^2
III V VII IX XII XV
EBGDAE
The D-Mixolydian scale
© Guitar Institute Nederland
Position 1: E-shape
p4^3
^2R
b7^6 R
p4^3^2^6p5 b7^2R
p5
III V VII IX XII XV
EBGDAE
1 2 3 4 5 6 b7
Position 2: D-shape
p4
R
p5 b6
b3 p4
b7^2 b3
b6p5
b7 R
p4b3^2
^2
III V VII IX XII XV
EBGDAE
Position 3: C-shape
p4 p5 b6
b7 R
^2 b3 p4
p5 b6 b7
p4
^2R b3
p5 b6
III V VII IX XII XV
EBGDAE
Position 4: A-shape
p5 b6 b7
b3^2R
p4 p5 b6
^2 b3
b7 R
p4
b7b6p5
III V VII IX XII XV
EBGDAE
Position 1: E-shape
b3
p4
R ^2
p5 b6
b7 R
^2 b3 p4
p5 b6 b7
b3^2R
III V VII IX XII XV
EBGDAE
The E-Aeolian scale
© Guitar Institute Nederland
Position 5: G-shape
b3^2
Rb7
b6p5 b7
b3^2R
p5p4 b6
Rb7
p4
III V VII IX XII XV
EBGDAE
1 2 b3 4 5 b6 b7
Position 1: E-shape
b3
b7
p4 b5
b2 b3
b6
R b2
b5p4
b6 b7
b3b2R
R
III V VII IX XII XV
EBGDAE
Position 2: D-shape
b3 p4 b5
b6 b7
R b2 b3
p4 b5 b6
b3
Rb7 b2
p4 b5
III V VII IX XII XV
EBGDAE
Position 3: C-shape
p4 b5 b6
b2Rb7
b3 p4 b5
R b2
b6 b7
b3
b6b5p4
III V VII IX XII XV
EBGDAE
Position 5: G-shape
b2
b3
b7 R
p4 b5
b6 b7
R b2 b3
p4 b5 b6
b2Rb7
III V VII IX XII XV
EBGDAE
The F#-Locrian scale
© Guitar Institute Nederland
Position 4: A-shape
b2R
b7b6
b5p4 b6
b2Rb7
p4b3 b5
b7b6
b3
III V VII IX XII XV
EBGDAE
1 b2 b3 4 b5 b6 b7
Position 1: E-shape
R ^2 b3
p4 p5 b6^7 R
^2 b3 p4
p5 b6^7 R ^2 b3
III V VII IX XII XV
EBGDAE
Position 2: D-shape
R ^2 b3^7
p4 p5
^7 R
^2 b3 p4
b6p5
p4b3^2
III V VII IX XII XV
EBGDAE
Position 3: C-shape
R^7^2 b3 p4
p5 b6^7 R ^2 b3
p4 p5 b6
b6p5p4
III V VII IX XII XV
EBGDAE
Position 4: A-shape
R ^2 b3^7
p4 p5 b6^7 R
^2 b3 p4
p5 b6
b6p5
III V VII IX XII XV
EBGDAE
Position 5: G-shape
R^7^2 b3 p4
p5 b6^7 R ^2 b3
p4 p5 b6^7 R
III V VII IX XII XV XVII
EBGDAE
A-Harmonic minor
© Guitar Institute Nederland
1 2 b3 4 5 b6 7
Position 3: C-shape
p4 p5 b6
b7 R b2^3 p4
p5 b6 b7
R b2^3 p4 p5 b6
III V VII IX XII XV
EBGDAE
Position 4: A-shape
p4 p5 b6^3
b7 R
^3 p4
p5 b6 b7
b2R
b7b6p5
III V VII IX XII XV
EBGDAE
Position 5: G-shape
p4^3
p5 b6 b7
R b2^3 p4 p5 b6
b7 R b2
b2Rb7
III V VII IX XII XV
EBGDAE
Position 1: E-shape
p4 p5 b6^3
b7 R b2^3 p4
p5 b6 b7
R b2
b2R
III V VII IX XII XV
EBGDAE
Position 2: D-shape
p4^3
p5 b6 b7
R b2^3 p4 p5 b6
b7 R b2^3 p4
III V VII IX XII XV XVII
EBGDAE
E-Phrygian Dominant
© Guitar Institute Nederland
1 b2 3 4 5 b6 b7
Position 1: E-shape
^2
^6
b3
p4
R ^2
p5
^7 R
p4b3
p5 ^6^2R^7
^7
b3
III V VII IX XII XV
EBGDAE
Position 2: D-shape
^2 ^3 p4
p5 ^6^7 R ^2 b3
p4 p5
^2
^7^6 R
b3 p4
III V VII IX XII XV
EBGDAE
Position 3: C-shape
b3 p4 p5
R^7^6^2 b3 p4
^7 R
p5 ^6^2
p5p4b3
III V VII IX XII XV
EBGDAE
Position 4: A-shape
R^7
^6p5
p4
b3
p5
R^7^6
b3^2 p4
^6p5
^2
III V VII IX XII XV
EBGDAE
Position 5: G-shape
R
^2
^6 ^7
b3 p4
p5 ^6^7 R ^2 b3
p4 p5
R^7^6
III V VII IX XII XV
EBGDAE
The G-Melodic Minor scale
© Guitar Institute Nederland
1 2 b3 4 5 6 7
Position 5: G-shape
R
p5
b2
b3
b7 R
p4
^6 b7
b3b2
p4 p5
Rb7^6
^6
b2
III V VII IX XII XV
EBGDAE
Position 1: E-shape
R b2 b3
p4 p5
^6 b7 R b2
b3 p4
R
^6p5 b7
b2 b3
III V VII IX XII XV
EBGDAE
Position 2: D-shape
b2 b3 p4
b7^6p5
R b2 b3
^6 b7
p4 p5
R
p4b3b2
III V VII IX XII XV
EBGDAE
Position 4: A-shape
b7
R
p5 ^6
b2 b3
p4 p5
^6 b7 R b2
b3 p4
b7^6p5
III V VII IX XII XV
EBGDAE
The A-Dorian b2 scale
© Guitar Institute Nederland
Position 3: C-shape
b7^6
p5p4
b3
b2
p4
b7^6p5
b2R b3
p5p4
R
III V VII IX XII XV
EBGDAE
1 b2 b3 4 5 6 b7
Position 4: A-shape
^7
#4
R ^2
^6 ^7^3
#5 ^6^2R
^3 #4^7^6#5
#5
III V VII IX XII XV
EBGDAE
Position 5: G-shape
^7 R ^2^3 #4
#5 ^6 ^7 R
^2 ^3
^7
#5#4 ^6
R ^2
III V VII IX XII XV
EBGDAE
Position 1: E-shape
R ^2 ^3^6#5#4
^7 R ^2
#5 ^6
^3 #4^7^3^2R
III V VII IX XII XV
EBGDAE
Position 3: C-shape
^6^7
#4 #5
R ^2^3 #4
#5 ^6 ^7 R
^2 ^3^6#5#4
III V VII IX XII XV
EBGDAE
The Bb-Lydian Augmented scale
© Guitar Institute Nederland
Position 2: D-shape
^6#5
#4^3
^2
R
^3^6#5#4
R^7 ^2
#4^3
^7
III V VII IX XII XV
EBGDAE
1 2 3 #4 #5 6 7
Position 4: A-shape
^6
^3
b7
R
p5 ^6^2
#4 p5
Rb7^2 ^3
^6p5#4
#4
b7
III V VII IX XII XV
EBGDAE
Position 5: G-shape
^6 b7 R
^2 ^3
#4 p5 ^6 b7
R ^2
^6
#4^3 p5
b7 R
III V VII IX XII XV
EBGDAE
Position 3: C-shape
p5
^6
^3 #4
b7 R
^2 ^3
#4 p5 ^6 b7
R ^2
p5#4^3
III V VII IX XII XV
EBGDAE
The C-Lydian Dominant scale
© Guitar Institute Nederland
Position 2: D-shape
p5#4
^3^2
R
b7^2
p5#4^3
b7^6 R
^3^2
^6
III V VII IX XII XV
EBGDAE
Position 1: E-shape
^7 R ^2
p5#4^3^6 ^7 R
#4 p5
^2 ^3^6^2R^7
III V VII IX XII XV
EBGDAE
1 2 3 #4 5 6 b7
Position 3: C-shape
p5
^2
b6
b7
p4 p5
R
^3 p4
b7b6
R ^2
p5p4^3
^3
b6
III V VII IX XII XV
EBGDAE
Position 4: A-shape
p5 b6 b7
R ^2^3 p4 p5 b6
b7 R
p5
^3^2 p4
b6 b7
III V VII IX XII XV
EBGDAE
Position 5: G-shape
b6 b7 R
p4^3^2
p5 b6 b7
^3 p4
R ^2
p5
Rb7b6
III V VII IX XII XV
EBGDAE
Position 2: D-shape
p4
p5
^2 ^3
b6 b7
R ^2^3 p4 p5 b6
b7 R
p4^3^2
III V VII IX XII XV
EBGDAE
The D-Mixolydian b6 scale
© Guitar Institute Nederland
Position 1: E-shape
p4^3
^2R
b7
b6
R
p4^3^2
b6p5 b7^2R
p5
III V VII IX XII XV
EBGDAE
1 2 3 4 5 b6 b7
Position 2: D-shape
p4
R
b5
b6
b3 p4
b7^2 b3
b6b5
b7 R
p4b3^2
^2
b5
III V VII IX XII XV
EBGDAE
Position 3: C-shape
p4 b5 b6
b7 R
^2 b3 p4 b5
b6 b7
p4
^2R b3
b5 b6
III V VII IX XII XV
EBGDAE
Position 4: A-shape
b5 b6 b7
b3^2R
p4 b5 b6
^2 b3
b7 R
p4
b7b6b5
III V VII IX XII XV
EBGDAE
Position 1: E-shape
b3
p4
R ^2
b5 b6
b7 R
^2 b3 p4 b5
b6 b7
b3^2R
III V VII IX XII XV
EBGDAE
The E-Aeolian b5 scale
© Guitar Institute Nederland
Position 5: G-shape
b3^2
Rb7
b6
b5
b7
b3^2R
b5p4 b6
Rb7
p4
III V VII IX XII XV
EBGDAE
1 2 b3 4 b5 b6 b7
The F#-Super Locrian ("Altered") scale
Position 1: E-shape
b3
b7
b4
b5
b2 b3
b6
R b2
b5^3
b6 b7
b3b2R
R
^3
III V VII IX XII XV
EBGDAE
Position 2: D-shape
b3 ^3 b5
b6 b7
R b2 b3 b4
b5 b6
b3
Rb7 b2^3 b5
III V VII IX XII XV
EBGDAE
Position 3: C-shape
^3 b5 b6
b2Rb7
b3 ^3 b5
R b2
b6 b7
b3
b6b5^3
III V VII IX XII XV
EBGDAE
Position 5: G-shape
b2
b3
b7 R
^3 b5
b6 b7
R b2 b3 ^3
b5 b6
b2Rb7
III V VII IX XII XV
EBGDAE
© Guitar Institute Nederland
Position 4: A-shape
b2R
b7b6
b5
^3
b6
b2Rb7^3b3 b5
b7b6
b3
III V VII IX XII XV
EBGDAE
1 b2 b3 3 b5 b6 b7
Position 1: E-shape
b2^6
^3 #4
R b3
p5
b7 R
#4b3
p5 ^6
b2R
b7
b2
^3
b3
III V VII IX XII XV
EBGDAE
Position 2: D-shape
b3 ^3 b5
p5 b7
b2R b3 ^3
#4 p5
b2b7
^6
R
b3 ^3
^6
b5
III V VII IX XII XV
EBGDAE
Position 3: C-shape
^3 #4 p5
Rb7^6 b2^3 #4
b7
R
p5 ^6
b2
p5#4^3
b3
b3
III V VII IX XII XV
EBGDAE
Position 4: A-shape
R b2
^6p5
#4^3 p5
Rb7^6^3b3
#4 ^6p5
b3
b2
#4
III V VII IX XII XV
EBGDAE
Position 5: G-shape
R b2^6 b7^3 #4
p5 ^6 b7
R b2^3 #4 p5
Rb7^6
b3
b3
III V VII IX XII XV XVII
EBGDAE
The G-Octatonic (half-whole) scale
© Guitar Institute Nederland
1 b2 b3 3 #4 5 6 b7
Position 1: E-shape
Rb6
b3 p4
^7 ^2
b5^6 ^7
p4^2
b5 b6
R^7
^6
R
b3
^2
III V VII IX XII XV
EBGDAE
Position 2: D-shape
^2 b3 p4
b5 ^6
R^7 ^2 b3
p4 b5^6
b6^7
^2 b3
b6
p4
R
III V VII IX XII XV
EBGDAE
Position 3: C-shape
b3 p4 b5^7^6b6 R
b3 p4
^6^7
b5 b6
R
b5p4b3
^2
^2
III V VII IX XII XV
EBGDAE
Position 4: A-shape
^7 R
b6b5
p4b3 b5^7^6b6
b3^2
p4 b6b5
^2
R
p4
III V VII IX XII XV
EBGDAE
Position 5: G-shape
^7 Rb6 ^6
b3 p4
b5 b6 ^6^7 R
b3 p4 b5^7^6b6
^2
^2
III V VII IX XII XV XVII
EBGDAE
The Ab-Octatonic (whole-half) scale
© Guitar Institute Nederland
1 2 b3 4 b5 b6 7
Position 1: E-shape
^2
^3 #4
R ^2
#5
b7 R
#4
^3
#5 b7^2R
III V VII IX XII XV
EBGDAE
Position 2: D-shape
^2 ^3
#5 b7#4
R ^2^3 #4
#5^2
b7 R
^3
III V VII IX XII XV
EBGDAE
Position 3: C-shape
^3 #4
Rb7
#5
^2 ^3 #4
R
#5 b7^2
#5#4^3
III V VII IX XII XV
EBGDAE
Position 4: A-shape
R
b7#5#4
#4^3 #5
Rb7^3^2
#4 b7#5
^2
III V VII IX XII XV
EBGDAE
Position 5: G-shape
R
^2
b7^3 #4
#5 b7
R ^2^3 #4
Rb7
#5
III V VII IX XII XV XVII
EBGDAE
The G-Augmented ("whole-tone") scale
© Guitar Institute Nederland
1 2 3 #4 #5 b7