frequency response of amplifiers and 3-db bandwidth
TRANSCRIPT
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Ching-Yuan Yang
National Chung-Hsing UniversityDepartment of Electrical Engineering
Frequency Response of Amplifiers
類比電路設計(3349) - 2004
6-1 Ching-Yuan Yang / EE, NCHU Analog-Circuit Design
Overview
Reading
B. Razavi Chapter 6.
Introduction
In this lecture, we study the response of single-stage and differential
amplifiers in the frequency domain. Following a review of basic concepts, we
analyze the high-frequency behavior of common-source and common-gate
stages and source followers. Next, we deal with cascode and differential
amplifiers. Finally, we consider the effect of active current mirrors on the
frequency response of differential pairs.
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6-2 Ching-Yuan Yang / EE, NCHU Analog-Circuit Design
Miller effect
Application of Miller effect to a floating impedance
=−
=−
2
1
Z
V
Z
V V
Z
V
Z
V V
Y X Y
X Y X
That is,
−
=
−=
Y
X
X
Y
V
V
Z Z
V
V
Z Z
1
1
2
1
6-3 Ching-Yuan Yang / EE, NCHU Analog-Circuit Design
The overall transfer function can be written as
We may say “each node in the circuit contributes one pole to the transfer function.”
The pole is determined by the total capacitance seen from each node to ground
multiplied by the total resistance seen at the node to ground.
In general, the transfer function is given as
where each pole with one node of the circuit, i.e., , where τ j is the productof the capacitance and resistance seen at node j to ground.
Association of poles with nodes
( )s C R s C R
A s C R
A s V V
P N in S in
out
21
21
11
11 +⋅
+⋅
+=
( )
j
j v
j
j
j in
out
s A
s
A s
V
V
ω ω +
∏=+
∏=1
1
1
1−= j j τ ω
Cascade of amplifiers
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6-4 Ching-Yuan Yang / EE, NCHU Analog-Circuit Design
Common-source stage
High-frequency model of a CS stage
( Miller multiplication)
(Assume λ = 0 and M 1 operates in saturation)
At the input node, the total capacitance seen
from X to ground is equal to
C in = C GS + (1 − A v )C GD ,
where A v = − g m R D .
The input pole is( )[ ]GD D m GS S
in C R g C R ++
=1
1ω
At the output node, the total capacitance seen to ground is equal to
C out = C DB + (1 − A v −1)C GD ≈ C DB + C GD
The input pole is
( )GD DB D out C C R +=
1
ω
6-5 Ching-Yuan Yang / EE, NCHU Analog-Circuit Design
Common-source stage (cont’d)
Model for calculation of output impedance
(If R S is relative large, the effect of R S is neglected.)
The output pole:
where
Thus, the output pole is roughly equal to
Finally, we surmise that the transfer function is
⋅
+=
1
1||
1
m GD
GS GD
eq
X g C
C C
s C Z
GS GD
GS GD eq
C C
C C C
+=
( )DB eq m GD
GS GD D
out
C C g C
C C R +
⋅
+=
1
1
1ω
( )
+
+
−=
out in
D m
in
out
s s
R g s
V
V
ω ω 11
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6-6 Ching-Yuan Yang / EE, NCHU Analog-Circuit Design
Common-source stage (cont’d)
Equivalent circuit of CS stage
( ) ( )
( ) ( )[ ] 112 ++++++−
=⇒s C C R C R C R g R s R R
R g s C s
V
V
DB GD D GS S GD D m S D S
D m GD
in
out
ξ
where ξ = C GS C GD + C GS C DB + C GD C DB .
Note the transfer function is of second order even through the circuit contains three
capacitors. While the denominator appears rather complicated, it can yield intuitive
expressions for the two poles, ω p 1 and ω p 2, if we assume |ω p 1| (1 + g m R D )C GD + R D (C GD + C DB )/R S ,
then ( ) ( ) out DB GD D DB GS GD GS D S GS S
p C C R C C C C R R
C R ω ω =
+=
+≈
12
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6-8 Ching-Yuan Yang / EE, NCHU Analog-Circuit Design
Common-source stage (cont’d)
Feedforward path through C GD
The transfer function exhibits a zero given by ω z = +g m /C GD . Located in
the right half plane, the zero arises from direct coupling of the input to the
output through C GD at very high frequency. Note that a zero in the righthalf plane introduces stability issues in feedback amplifiers
6-9 Ching-Yuan Yang / EE, NCHU Analog-Circuit Design
Common-source stage (cont’d)
Calculation of the zero in a CS stage
Zero:
For a finite V in , this means that V out (s z ) = 0 and hence the output can
be shorted to ground at the frequency with no current. Therefore, the
currents through C GD and M 1 are equal and opposite:
V 1C GD s z = g m V 1.
That is , s z = +g m /C GD .
( ) 0== z in
out
s s s
V
V
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6-10 Ching-Yuan Yang / EE, NCHU Analog-Circuit Design
Common-source stage (cont’d)
Input impedance
At high frequency, the effect of the output node must be
taken into account.
hence
( )
( )( )s C R R g s C
s C C R
I
V Z
V s C
I
s C R
R V g I
DB D D m GD
DB GD D
X
X X
X
GD
X
DB D
D X m X
++++==⇒
=++
−
1
1
1
s C Z Z
GS
X in
1=
At frequencies where |R D (C GD + C DB )s |
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6-12 Ching-Yuan Yang / EE, NCHU Analog-Circuit Design
Source followers (cont’d)
Input impedance
C GD is ignored, we have
s C g s C g
s C I V Z
s C g s C
I g I
s C
I V
L mb GS
m
GS X
X in
L mb GS
X m X
GS
X X
+
++==∴
++=
111
11
At relative low frequencies, g mb >> |C L s | and
indicating that the equivalent input capacitance is equal to C GS g mb / (g m + g mb ).
By Miller approximation: The low-frequency gain A v = g m / (g m + g mb )
Thus, C eq = C GS (1 − A v ) = C GS g mb / (g m + g mb ), and
mb GS
mb m
mb mb mb
m
GS
in g
s C g g
g g g
g
s C Z
1111
1+
+
=+
+≈
mb m
mb GS GD total in
g g
g C C C
++=,
At high-frequencies, g mb 1
S
m
R g
<1
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6-14 Ching-Yuan Yang / EE, NCHU Analog-Circuit Design
Source followers (cont’d)
Equivalent output impedance of a source follower
If Z 1 = Z out , find R 1, R 2 and L :
Take R 2 = 1/g m , R 1 = R S − 1/g m , then
That is, the dependence of L upon R S implies that if a source follower is driven by alarge resistance, then it exhibits substantial inductive behavior.
s C g g
R s C
g Z
GS m
m S GS
m
out +
−
=−
1
1
−=⇒
+=
−
+−
=−
⇒
m
S
m
GS
m
S
m
GS
m
S
m
out
g R
g
C L
Ls R
g R
g
s C g
R g
Z
1
11
1
1
1
1
1
1
1
6-15 Ching-Yuan Yang / EE, NCHU Analog-Circuit Design
Common-gate stage
CG stage at high frequencies
Input impedance , where
Since Z in now depends on Z L , it is difficult to associate a pole with the input node.
1
1−
+=
mb m
S S in g g
R C ω , where C S = C GS + C SB
ω out = ( R D C D )−1, where C D = C DG + C DB
At low frequency,
Thus,
An important property of CG stage is that it exhibits no Miller multiplication of
capacitances, potentially achieving a wide band.
( )( ) S mb m
D mb m v
R g g
R g g A
+++
=1
( ) ( )( )
( )s C R s R g g
C R g g
R g g
s s A s
V
V
D D
S mb m
S S mb m
D mb m
out in
v
in
out
+
++
+++
+=
+
+
⋅=
− 11
1
111
1
1ω ω
( ) mb m o mb m L
in g g r g g
Z Z
++
+≈
1
s C R Z
D
D L
1=
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6-16 Ching-Yuan Yang / EE, NCHU Analog-Circuit Design
Common-gate stage (cont’d)
CG stage
Transfer function:
The gain at low frequencies is equal to 1 + g m r o .
Input impedance:
As C L or s increases, Z in approaches
1/(g m + g mb ) and hence the input pole
can be defined as
( )
( )
( )( )[ ] 11
12
11
11
++++++=⇒
=−−−
−=++−
s R C r g R C C r s R C C r
r g s
V
V
V V V g s C V r
V V R s C V s C V
S L o m S in L o S in L o
o m
in
out
out m L out o
in S in L out
( ) o mb m L mb m in
r g g s C g g Z
+⋅+
+=
111
in
mb m
S
in p
C g g
R
+
=1
1,ω
6-17 Ching-Yuan Yang / EE, NCHU Analog-Circuit Design
Cascode stage
High-frequency model of a cascode stage
Cascode stage = CS stage (input impedance) + CG stage (suppressing the millereffect)
Gain:
Node A:
Node X:
Node Y:
In actual design, ω p ,X is typically chosen to be farther from the origin than the other
two. This choice plays an important role in the stability of op amps.
mb m
m
A
X
g g
g
V
V
+−≈
2
1
+
++
=
1
2
11
,
1
1
GD
mb m
m GS S
A p
C
g g
g C R
ω
2211
1
22
22,
1 GS SB DB GD m
mb m
mb m X p
C C C C g
g g
g g
+++
++
+=ω
( )22,
1
GD L DB D
Y p C C C R ++
=ω
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6-18 Ching-Yuan Yang / EE, NCHU Analog-Circuit Design
Cascode stage (cont’d)
Simplified model of a cascode stage with a current source
V X = −(V out C Y s + I in ) / (C X s )
I D 2 = −g m V GS 2 = g m 2V X = − g m 2 (V out C Y s + I in ) / (C X s )
for g m 2r o 2 >> 1 and g m 2r o 2C Y /C X >> 1 (i.e., C Y > C X ),
hence
We can find that the pole at node X is given by g m 2 / C X .Neglecting C GD 1 and C Y , we have Z out = (1 + g m r o 2)Z X + r o 2, where Z X = r o 1||(C X s )
−1.
( ) ( )
( ) s r C C
C r g s C
r g
I
V
V s C I s C V s C V s C
g
I s C V r
o Y
X
Y o m
X
o m
in
out
out X
in Y out Y out X
m
in Y out o
222
22
2
2
11
11
1
+++⋅
+−=⇒
=+−
++−
s C g C
C s C
g
I
V
Y m
X
Y X
m
in
out
+−≈
2
2 1
s C g s C C
g g
I
V
V
I
V
V
X m X Y
m m
in
out
in
in
in
out
+−≈=
/
1
2
21
6-19 Ching-Yuan Yang / EE, NCHU Analog-Circuit Design
Differential pair
Differential pair
Equivalent circuit for common-mode input
If the output pole is much farther from the origin than
is the pole at node P , the common-mode rejection of
the circuit degrades considerably at high frequencies.
( ) 11
1
321
,
+
+
∆
−=
s C r g g
s C R g
A
P
o m m
L
D m
CM v
Half-circuit equivalent
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6-20 Ching-Yuan Yang / EE, NCHU Analog-Circuit Design
Differential pair (cont’d)
Effect of high-frequency supply noise in differential pair
If the supply voltage contains high-frequency noise and the circuit exhibits
mismatches, the resulting common-mode distance at node P leads to a differential
noise component at the output.
A trade-off between voltage headroom and CMRR : To minimize the headroom
consumed by M 3
, its width is maximized, introducing substantial capacitance at the
sources of M 1 and M 2 and degrading the high-frequency CMRR . The issue
becomes more serious at low supply voltages.
6-21 Ching-Yuan Yang / EE, NCHU Analog-Circuit Design
Differential pair (cont’d)
Differential pair with current-source loads
Node G is an ac ground.
The output pole is given by , the dominant pole.( ) L o o
out C r r 31
1=ω
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6-24 Ching-Yuan Yang / EE, NCHU Analog-Circuit Design
Differential pair (cont’d)
In addition, there is a zero with a
magnitude of in the left half
plane. The appearance of such a zero
is that the circuit consists of a “slowpath” (M 1, M 3 and M 4) in parallel witha “fast path” (M 1 and M 2).
Representing the two paths, we have
That is, the system exhibits a zero at
2ω p 2.
( )( )( )
( )( )2120
1
0
21
0
/1/1
/2
/1/1/1
p p
p
p p p in
out
s s
s A
s
A
s s
A
V
V
ω ω
ω
ω ω ω
++
+=
++
++=
E
mP
C
g 2
6-25 Ching-Yuan Yang / EE, NCHU Analog-Circuit Design
Differential pair (cont’d)
Determine the zero (method)
For zero frequency, I L = 0 and I D 4 = I X .
We have
I D 4 = −g mP V E I X = V E (g mP + C E s )
Thus, −g mP V E = V E (g mP + C E s )
E
mP z
C
g 2−=ω
I L
I D4
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Small-signal analysis applies when transistors can be adequately characterized by their
operating points and small linear changes about the points.
The use of this technique has led to application of frequency-domain techniques to the
analysis of the linear equivalent circuits derived from small-signal models.
The transfer function of analog circuits to be discussed can be written in rational form
with real-valued coefficients, that is as a ratio of polynomials in Laplace Transformvariable s,
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3
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4.1.2 First order circuits
It is a first-order low-pass transfer function.
It arises naturally when a resistance and capacitance are combined.
It is often used as a simple model of more complex circuits, such as OpAmp.
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Step response of first order circuitsAnother common means of characterizing linear circuits is to excite the with step inputs
(such a square waveform).
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4.1.3 second order low-pass H(s) with real
poles
Here, w0 is the resonant or pole frequency and Q the quality factor, K the DC gain of H(s).
Equating yields
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wp1, wp2 are widely-spaced real poles
The step response consists of two first-order terms, and when wp1 1/wp2, the first term dominates.
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Chapter 4 Figure 04
4.1.4 Bode plot
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4.1.5 Second-order low-pass H(s) with
complex poles
Recall
Subt. In
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4.1.5 Second-order low-pass H(s) with
complex poles1. The step response in this case has sinusoidal term whose envelope
exponentially decays with a time constant equal to the inverse of real parts of
poles, 1/wr=2Q/w0.
2. A system with high Q factor will have oscillation and ringing for some time. The
oscillation frequency is determined by the imaginary parts of the poles.3. In summary, when Q0,5,
there are overshoot and ringing.
Chapter 4 Figure 09
Chapter 4 Figure 10
t
11
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4.2. Frequency response of elementary
circuitsSmall-signal analysis is implicitly assumed as only linear circuits can have well-defined
frequency response.
The procedure for small-signal analysis remains the same as that in Chapter 3 for
single-stage amplifiers, however parasitic capacitance are now included.
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Chapter 4 Figure 12
Chapter 4 Figure 11
4.2.1 High frequency small-signal model
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Chapter 4 Figure 13
4.2.2 Common-source amplfier
Chapter 4 Figure 14
Note: assumed that Q1, Q2 are in active mode.
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If
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One more reason why analog design is tough.
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Chapter 4 Figure 15
4.2.3 Miller effect
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Chapter 4 Figure 17
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Chapter 4 Figure 18
Miller effect applied to CS amplifier
Chapter 4 Figure 14
19
Miller effect allows one to quickly estimate the 3dB bandwidth in many cases.
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4.2.4 Zero-value time constant methodExcept Miller effect, the most common and powerful technique for frequency response
analysis of complex circuits is the zero-value time constant analysis method.
It is very powerful in estimating a circuit’s 3dB bandwidth with minimal complication and
also in determine which nodes are most important.
Generally, the approach is to calculate a time-constant for each capacitor in the circuit by
assuming all other capacitors are zero, then sum all time constants to estimate the 3dB
bandwidth.
Detailed procedure:
20
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Example 4.9 (page 174)
The same as obtained previously21
Chapter 4 Figure 14
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Chapter 4 Figure 13
Design example 4.11 (page 177)
In this example, the load capacitance is modest and source resistance is high, so C gd1 may
become a major limitation of the bandwidth. This means that W1 should be small.
So, given a current, Veff1 has to be relatively large: choose Veff1 to be 0.3V
Then suppose L1rds1 so R2=rds1 and A0=-gm1rds1
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Design example 4.11 (page 177)
Then solve L1 to be
Then note that increasing drain current of Q1 while keeping Veff1=0.3V will increase gm1
and reduce rds1 roughly in proportion, which results in about the same gain, but a smaller
R2 is achieved which increase 3db bandwidth. So, bandwidth is maximized by maximizing
he drain current of Q1.
Then, we can compute the required gate width
To ensure L2>>L1, we can take L2=3L1=0.72μm
Then, we can arbitrarily and conveniently set W2=3W1
Finally, Q3 is sized to provide the desired current mirror ratio
Then, need to make sure that all transistors are in active region 23
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Chapter 4 Figure 13
Design example 4.12 (page 178)
In this example, the load capacitance is very large and source resistance is small, so C 2
may become a major limitation of the bandwidth, so
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Chapter 4 Figure 13
Design example 4.12 (page 178)
25
rds=2rds1
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The above two design examples illustrate the manual analysis to provide an initial design
solution, which thereafter needs to be refined iteratively using simulation. A number of
challenges here:
1. there is no guarantee that the initial solution is valid or good;2. the refinement may take many many iterations until a good design is achieved;
3. at each iteration, what are not working or good in the circuit, what parameters to
modify, and how to modify them requires in depth understanding of analog circuits.
What about those cases when it is hard to decide which capacitance dominates?
Experience counts here, after you had many designs and were aware of the biasing
conditions, capacitance conditions?
The time domain response of common-source amplifier? (two widely spaced poles)
26
Comments
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Chapter 4 Figure 20
4.2.6 Common-gate amplifier
Chapter 3 Figure 09
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Chapter 4 Figure 21
We estimate the time constant associated with Cgs (note that Cgs is connected between
source and ground therefore may need to include Csb).
Superior 3dB bandwidth, but input impedance is too small.
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Compared to CS amplifier, CG amplifier has much better 3dB bandwidth, but much
smaller input impedance.
To achieve a good tradeoff, we can combine a CG amplifier with a CS amplifier.
4.3 Cascode gain stage
Chapter 4 Figure 22
Telescopic Folded-cascode
rin2
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Chapter 4 Figure 23
Small-signal model for the cascode
Cout=Cgd2+Cdb2+ CL+Cbias
Cs2=Cdb1+Csb2+Cgs2
Please derive Rout
Using zero-value time constant method
rin2
The total resistance seen at the drain of Q1 is
30
See Slide 21
See slides 30 (Ch3)
Miller effect
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Chapter 4 Figure 24
31
On the Miller effect on Cgd1
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32
Example 4.13, 4.14 (page 184-185)
Recall that a large gain of the cascode amplifier requires the Ibias to have an
output resistance on the order of In this case, and especially when
there is also a large load capacitance CL, the output time constant
would dominate.
This approximation is valid since Rs is the same order as rds
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Chapter 4 Figure 26
33
4.3 Source follower amplifierThe SF amplifier may have complex poles and therefore ringing and overshoot may
happen for a pulse input.
Norton equivalent circuit
Q1
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Chapter 4 Figure 27
34
Cs=CL+Csb1
Chapter 4 Figure 28
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35
Next we find the admittance Yg looking into the gate of Q1 (but not
including Cgd1 as it is already combined into Cin’).
Recall Q
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Chapter 4 Figure 32
37
4.5 Differential pairWhen using T model for differential pair, the analysis may be simpler compared to the
hybird-pi model.
CL
Vs
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38
4.5.2 Symmetric differential pairIn the small-signal model, half circuit is analyzed to allow simpler analysis.
Also note that the Vs node is small-signal ground due to symmetry, so Csb1 and Csb2 can
be neglected.
The half circuit corresponds to that of a CS amplifier, so the 3dB bandwidth is either
or 1/[R2 * (Cgd1 + Cdb1 + CL)]
Which one is the 3dB bandwidth depends on the CL.
Where R2 = RD||rds1
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39
Active loaded differential pairAgain note that Vs is at small-signal ground, so half circuit can be used for analysis.
Again the load capacitor will determine which one is the 3dB bandwidth.
]))//(1[(2
1
])[//(2
1
11311
2
313131
1
gs gd oom s
b
dbdb gd gd Loo
b
C C r r g R f
C C C C C r r f
Vs
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Chapter 3 Figure 19
Capacitance at input node of the current mirror:
Capacitance at the output node:
Note that Q1 will conduct an current of gmVid/2
flowing through Q3 (the parallel of 1/gm3 and Cm),
where we neglected the effect of rds1 and rds2, so
Va
From Miller effect
Current-mirror loaded differential pair
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41
Capacitance at input node of the current mirror:
Capacitance at the output node:
CL
Cm
RL
-Ix4
-Ix4
Va
Va
Io
-Ix4-Ix3
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42
Capacitance at input node of the current mirror:
Capacitance at the output node:
We can them multiply Gm with the total load
impedance to obtain the voltage Vo
CL
Cm
RL
Io
Compared to the fully differential version, the current-mirror differential amplifier
adds one more pole to the transfer function, therefore may significantly affect the
frequency response.
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43
Chapter 4 Figure 37
If output load capacitance is dominated, then the following simple model can be used.
Simplified small-signal model for
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Chapter 4 Figure 34
44
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Chapter 4 Figure 35
45
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Chapter 4 Figure 36
46
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Ching-Yuan Yang
National Chung-Hsing UniversityDepartment of Electrical Engineering
Stability and Frequency Compensation
類比電路設計(3349) - 2004
10-1 Ching-Yuan Yang / EE, NCHU Analog-Circuit Design
Overview
Reading
B. Razavi Chapter 10.
Introduction
In this lecture, we deal with the stability and frequency compensation of
linear feedback systems to the extent necessary to understand design
issues of analog feedback circuits. Beginning with a review of stability
criteria and the concept of phase margin, we study frequency compensation,introducing various techniques suited to different op amp topologies. We
also analyze the impact of frequency compensation on the slew rate of two-
stage op amps.
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10-2 Ching-Yuan Yang / EE, NCHU Analog-Circuit Design
Basic negative-feedback system
General considerations
Close-loop transfer function:
if β H (s = j ω 1) = −1, the gain goes to infinity,
and the circuit can amplify is own noise untilit eventually begins to oscillate at frequency
ω 1.
Barkhausen’s Criteria:
| β H (s = j ω 1)| = 1∠ β H (s = j ω 1) = −180o .
The total phase shift around the loop at ω 1 is 360o because negative
feedback itself introduces 180o of phase shift. The 360o phase shift isnecessary for oscillation since the feedback must add in phase to theoriginal noise to allow oscillation buildup. By the same token, a loop
gain of unity (or greater) is also required to enable growth of theoscillation amplitude.
( ))(1
)(
s H
s H s
X
Y
β +=
10-3 Ching-Yuan Yang / EE, NCHU Analog-Circuit Design
Bode diagram of loop gain
A negative feedback system may oscillate at ω 1 if
(1) the phase shift around the loop at this frequency is so much that the
feedback becomes positive.
(2) the loop gain is still enough to allow signal buildup.
Unstable system Stable system
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10-4 Ching-Yuan Yang / EE, NCHU Analog-Circuit Design
Time-domain response
Root locus: Pole frequency sP = j ω P + σ P
σ P > 0, unstable with growing
amplitude
σ P = 0, unstable with constant-
amplitude oscillation
σ P < 0, stable
a
b
c
10-5 Ching-Yuan Yang / EE, NCHU Analog-Circuit Design
Bode plots of one-pole system
Assuming H (s) = A0/(1 + s/ω 0), β is less than or equal to unity and doesnot depend on the frequency, we have
Bode plots of loop gain: Root locus: sP = −ω 0(1 + β A0)
A single pole cannot contribute a
phase shift greater than 90o and
the system is unconditionally
stable for all non-negative
valuesof β .
( )
( )00
0
0
11
1
)(1
)(
A
s
A
A
s H
s H s
X
Y
β ω
β
β
++
+=
+=
20dB/dec
10ω00.1ω0
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10-6 Ching-Yuan Yang / EE, NCHU Analog-Circuit Design
Bodes plots of two-pole system
Assuming the open-loop transfer function
Bode plots of loop gain:
The system is stable because | β H | drops to below
unity at a frequency for which ∠ β H < −180o.To reduce the amount of feedback, we decrease
β , obtaining the gray magnitude plot in the figure.
For a logarithmic vertical axis, a change in β
translates the magnitude plot vertically. Note that
the phase plot does not change.
The stability is obtained at the cost of weaker
feedback.
+
+
=
21
0
11
)(
p p
s s
A s H
ω ω
10-7 Ching-Yuan Yang / EE, NCHU Analog-Circuit Design
Bodes plots of three-pole system
Assuming the open-loop transfer function
Bode plots of loop gain:
If the feedback factor β decreases, the
circuit becomes more stable because the
gain crossover moves toward the origin
while the phase crossover remains
constant.
+
+
+
=
321
0
111
)(
p p p
s s s
A s H
ω ω ω
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10-8 Ching-Yuan Yang / EE, NCHU Analog-Circuit Design
Phase margin
Close-loop frequency and time response
Small margin Large margin
10-9 Ching-Yuan Yang / EE, NCHU Analog-Circuit Design
Phase margin (cont’d)
Phase margin (PM) is defined as
PM = 180o + ∠ β H (ω = ω 1)
where ω 1 is the gain crossover frequency.
Example
A two-pole feedback system is designed such that | β H (ω = ω P 2)| = 1 and
| ω P 1|
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10-10 Ching-Yuan Yang / EE, NCHU Analog-Circuit Design
How much phase margin is adequate?
For PM = 45o, at the gain crossover frequency ∠ β H (ω 1) = −135o and
| β H (ω 1)| = 1, yielding
It follows that
The frequency response of the feedback
system suffers from a 30% peak at ω = ω 1.
Close-loop frequency response for 45o
phase margin:
( ) j j H
j
j H
X
Y
71.029.0
)(
135exp11
)( 11
−=
°−⋅+=
ω ω
β β
3.1
71.029.0
11≈
−
⋅=
j X
Y
10-11 Ching-Yuan Yang / EE, NCHU Analog-Circuit Design
How much phase margin is adequate? (cont’d)
Close-loop time response for 45o, 60o, and 90o phase margin:
For PM = 60o, Y ( j ω 1)/ X ( j ω 1) = 1/ β , suggesting a negligible frequency peaking.
This typically means that the step response of the feedback system exhibitslittle ringing, providing a fast settling. For greater phase margins, the systemis more stable but the time response slows down. Thus, PM = 60o is typicallyconsidered the optimum value.
The concept of phase margin is well-suited to the design of circuits thatprocess small signals. In practice, the large-signal step response offeedback amplifiers does not follow the illustration of the above figure. Forlarge-signal applications, time-domain simulations of the close-loop systemprove more relevant and useful than small-signal ac computations of theopen-loop amplifier.
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10-12 Ching-Yuan Yang / EE, NCHU Analog-Circuit Design
How much phase margin is adequate? (cont’d)
Example:
Unity-gain buffer: PM ≈ 65o, unity-gain frequency = 150 MHz.However, the large-signal step response suffers from significant ringing.
The large-signal step response of feedback amplifiers is not only due toslewing but also because of the nonlinear behavior resulting from largeexcursions in the bias voltages and currents of the amplifier. Suchexcursions in fact cause the pole and zero frequencies to vary during thetransient, leading to a complicated time response. Thus, for large-signalapplications, time-domain simulations of the close-loop system prove more
relevant and useful than small-signal ac computations of the open-loopamplifier.
10-13 Ching-Yuan Yang / EE, NCHU Analog-Circuit Design
Frequency compensation
Typical op amp circuits contain many poles. For this reason, op amps must
usually be “compensated,” that is, the open-loop transfer function must be
modified such that the closed-loop circuit is stable and the time response is
well-behaved.
Stability can be achieved by minimizing the
overall phase shift, thus pushing the phase
crossover out . Moving PX out
Discussion :
This approach requires that we attempt
to minimize the number of poles in the
signal path by proper design.
Since each additional stage contributes
at least one pole, this means the number
of stages must be minimized, a remedy
that yields low voltage gain and/or limited
output swings.
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10-14 Ching-Yuan Yang / EE, NCHU Analog-Circuit Design
Frequency compensation (cont’d)
Stability can be achieved by dropping Moving GX in
the gain thereby pushing the gain
crossover in.
Discussion:
This approach retains the low
frequency gain and the output
swings but it reduces the
bandwidth by forcing the gain
to fall at lower frequencies.
10-15 Ching-Yuan Yang / EE, NCHU Analog-Circuit Design
Telescopic op amp with single-ended output
Determine the poles of the circuit:
We identify a number of poles in the signal paths:
path 1 contains a high-frequency pole at the source
of M 3, a mirror pole at node A, and another
high-frequency pole at the source of M 7, whereas
path 2 contains a high-frequency pole at the source
of M 4. The two paths share a pole at the output.
Dominant pole: the closest to the origin.
ω p,out = 1/(R out C L), usually sets the open-loop3-dB bandwidth.
Nondominant poles:
ω p, A = g m5/C A, the closest pole to the origin after ω p,out . Pole locations:
where C A = C GS5 + C GS6 + C DB5 + 2C GD6 + C DB3 + C GD3.
ω p,N = g m7/C N , ω p, X = g m3/C X = g m4/C Y = ω p,Y .
Since g m = 2I D/|V GS − V TH |, if M 4 and M 7 aredesigned to have the same overdrive, they exhibit
the same transconductance. From square-law characteristics, we have
W 4/W 7 = µ p/µ n ≈ 1/3. Thus, nodes N and X (Y ) see roughly equal small-signalresistances but node N suffers from much more capacitance.
(mirror pole)
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10-16 Ching-Yuan Yang / EE, NCHU Analog-Circuit Design
Telescopic op amp with single-ended output (cont’d)
Bode plots of loop gain for op amp: using β = 1 for the worst case.
The mirror pole ω p, A typically limits the phase margin because its phase
contribution occurs at lower frequencies than that other nondominant
poles.
10-17 Ching-Yuan Yang / EE, NCHU Analog-Circuit Design
Telescopic op amp with single-ended output (cont’d)
Translating the dominant pole toward origin to compensate the op amp:
Assuming ω p, A > 10ω p,out , we must force
the loop gain crossover point moves
toward the origin. We can simply lower
the frequency of the dominant pole
(ω p,out ) by increasing the load capacitance.
The key point is that the phase contributionof the dominant pole in the vicinity of the
gain or phase crossover points is close to
90o and relatively independent of the
location of the pole. That is, translating
the dominant pole toward the origin affects
the magnitude plot but not the critical part
of the phase plot.
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10-20 Ching-Yuan Yang / EE, NCHU Analog-Circuit Design
Compensation of two-stage op amps
We identify three poles at X (or Y ), E (or F ) and A(or B).
A pole at X (or Y ) lies at relatively high frequencies. Since the small-signalresistance seen at E is quite high, even the capacitances of M 3, M 5 and M 9can create a pole relatively close to the origin. At node A, the small-signalresistance is lower but the value of C L may be quite high. Consequently, thecircuit exhibits two dominant poles.
One of the dominant poles must be moved toward the origin so as to placethe gain crossover well below the phase crossover. If the magnitude of ω p,E is to be reduced, the available bandwidth is limited to approximately ω p, A, a
low value. Furthermore, this required dominant pole translates to a verylarge compensation capacitor.
10-21 Ching-Yuan Yang / EE, NCHU Analog-Circuit Design
Miller compensation of a two-stage op amp
In a two-stage amp as shown in Fig.(a), the first stage exhibits a high output
impedance and the second stage provides a moderate gain, therebyproviding a suitable environment for Miller multiplication of capacitors.
In Fig.(b), we create a large capacitance at E , the pole is
As a result, a low-frequency pole can be established with a moderate
capacitor value, saving considerable chip area.
In addition to lowering the required capacitor value, Miller compensation
entails a very important property: it moves the output pole away from the
origin. ( pole splitting )
( )[ ]C v E out E p
C AC R 21,
1
1
++=ω
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10-22 Ching-Yuan Yang / EE, NCHU Analog-Circuit Design
Miller compensation of a two-stage op amp (cont’d)
Pole splitting as a result of Miller compensation.
Discussion
Two poles: (based on the assumption |ω p,1| > C E , ω p,2 ≈ g m9/(C E + C L).
Typically C E
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10-24 Ching-Yuan Yang / EE, NCHU Analog-Circuit Design
Miller compensation of a two-stage op amp (cont’d)
Addition of R z to move the right hand plane zero.
The zero is given by .If , then ω z ≤ 0.
We may move the zero well into the left plane so as to cancel the firstnondominant pole. That is
, because C E
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10-26 Ching-Yuan Yang / EE, NCHU Analog-Circuit Design
Miller compensation of a two-stage op amp (cont’d)
Method of defining g m9 with respect to R S.
Goal: ⋅⋅⋅⋅⋅⋅⋅⋅ (A)
The technique incorporates M b1-M b4
along with R S to generate
Thus,
Proper ratioing of R Z and R S therefore
ensures (A) is valid even with temperature
and process variations
C m
C L z
C g
C C R
9
+=
2−∝ S b R I
11199
−∝∝∝ S D Dm R I I g
10-27 Ching-Yuan Yang / EE, NCHU Analog-Circuit Design
Effect of increased load capacitance on step response
In one-stage op amps, a higher load capacitance brings the dominant polecloser to the origin, improving the phase margin (albeit making the feedback
system more overdamped).
In two-stage op amps, since Miller compensation establishes the dominant
pole at the output of the first stage, a higher load capacitance presented to
the second stage moves the second pole toward the origin, degrading the
phase margin.
Illustrated in the figure is the step response of a unity-gain feedback
amplifier, suggesting that the response approaches an oscillatory behavior if
the load capacitance seen by the two-stage op amp increases.
One-stage op amps: Two-stage op amps:
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10-28 Ching-Yuan Yang / EE, NCHU Analog-Circuit Design
Slewing in two-stage op amps
The positive slew rate equals I SS /C C . During slewing, M 5 must provide two
currents: I SS and I 1. If M 5 is not wide enough to sustain I SS + I 1 in saturation,
then V X drops significantly, possibly driving M 1 into the triode region.
During negative slew rate, I 1 must support both I SS and I D5. For example,
if I 1 = I SS, then V X rises so as to turn off M 5. If I 1 < I SS, then M 3 enters the
triode region and the slew rate is given by I D3 /C C .
Positive slewing: negative slewing:
10-29 Ching-Yuan Yang / EE, NCHU Analog-Circuit Design
Compensation technique using a source follower
Two-stage op amp with right half plane zero due to C C :
Addition of a source follower to remove zero:
Since C GS of M 2 is typically much less than C C , we
expect the right frequencies.
and , then
Assume ω p 1 > 1,
(1 + g m 1g m 2R L R S )C C >> g m 2R L C L , we have
Equivalent circuit :
Source follower
( ) ( )s C R R g V
V s C R V V g L L L m
out L L out m +−
=+=− − 1 1
1111
S
in
C m
out
R
V I
s C g
V V 1
2
1
11 =+
+
−
[ ] 22212
2
21
)1()1(
)(
m L L m C S L m m S m C L L
C m S L m
in
out
g s C R g C R R g g s R g C C R
s C g R R g
V
V
++++++−
=
Zero in the left hand plane
L
m
L L C
g
C R11 →
C S L m
p C R R g 1
1
1≈ω
L
m p
C
g 12 ≈ω and (Note ω p 2: )
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10-30 Ching-Yuan Yang / EE, NCHU Analog-Circuit Design
Compensation technique using a CG stage
The primary issue is that the source follower limits the lower end of the
output voltage to V GS 2 + V I 2. In the CG topology, C C and the CG stage M 2convert the output voltage swing to a current, returning the result to the
gate of M 1.
, and , we obtain
Using approximations, and .
222 V
sC
V g V
C
mout −=+ 2211
1V g sC
RV V g m L
L
out m =
++ 22
1 V g R
V I m
S
in +=
( )( )[ ] 2221
221
1 m L LmC C LmS mC L L
S m LS m
in
out
g sC R g C C R g R g sC C R
sC g R R g
I
V
++++++−
=
C S Lm
pC R R g 1
11≈ω
L
mS m p
C g R g 12
2 ≈ω
Equivalent circuit :
10-31 Ching-Yuan Yang / EE, NCHU Analog-Circuit Design
Compensation technique using a CG stage (cont’d)
For positive slewing, M 2 and I 1 must support I SS,
requiring I 1 ≥ I SS + I D1. If I 1 is less, then V P drops,
turning M 1 off, and if I 1 < I SS, M 0 and its tail
current source must enter the triode region,
yielding a slew rate equal to I 1/C C .
For negative slewing, I 2 must support both I SS
and I D2. As I SS flows into node P , V P tends to rise,increasing I
D1. Thus, M
1absorbs the current
produced by I 3 through C C , tuning off M 2 and
opposing the increase in V P . We can therefore
consider P a virtual ground node.
For equal positive and negative slew rates, I 3
(and hence I 2) must be as large as I SS, raising the
power dissipation.
Positive slewing:
Negative slewing:
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10-32 Ching-Yuan Yang / EE, NCHU Analog-Circuit Design
Alternative method of compensation two-stage op amps