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Major Research AreasHistorical musicology and French musical heritageThis area of scholarship deals primarily with western music andmusical phenomena using a diachronic approach. Historicalmusicology may focus on composition, performance, criticism,or the popularity of a musical genre, or on an individualcomposer or musical style (secular music, religious music,music of the royal court, etc.) in a given period.French historical musicology employs various methods to studyand analyze musical sources. These include historiographybased on musical or stylistic analysis, iconography, linguistics,paleography and philology.In France, special importance is given to the study of thenational musical heritage, such as the body of work of Frenchlutenists and the monumental publication of the works of Lully.

EthnomusicologyEtymologically, ethnomusicology refers to the music of othercultures. Thus it is sometimes known as musical ethnography ormusical anthropology, depending on the subject and themethods employed in a given study.Although it is often considered to be the study of non-Europeanmusic, ethnomusicology may take as its object of study awestern musical phenomenon, seen from a sociological oranthropological point of view.French ethnomusicology studies multicultural musical andchoreographic expressions in urban and suburban settings, aswell as in France’s overseas territories and other parts of theFrench-speaking world

Sociology of MusicThe sociology of music combines musicology and sociology toexamine the social aspects of music and its role in society.Therefore it sometimes resembles ethnomusicology in itsmethods, although it emphasizes the observation of musicalbehaviors and interactions in society, often using questionnairesand economic data. The sociology of music generally focuseson musical phenomena in contemporary industrializedsocieties.

Popular and commercial musicThis area of musicology studies recorded music and, byextension, the musical, technical, and social processesassociated with recording. Scholars in this field grapple with thequestion of “music in the making”, a task that encompassesmusical performance and interpretation in the studio, inrehearsal, and before a live audience.Among other things, this field deals with the history, sociology,and practice of current popular music such as jazz, rock, pop,hip-hop, and electronic.

Musical theory, analysis and compositionMusical theory focuses on music’s “internal operations,” primarilymusical language and notation. The goal is to identify the mo-dels and structures at work in the techniques of individual com-posers, genres, styles, or historical periods. Generally speaking,musical theory analyzes the basic components of music: rhythm,harmony, melody, structure, form, texture, tone, and so on.

Musical psychology, cognition, and learningThe psychology of music is the scientific investigation of therelations between music and the human mind. It encompassesseveral cognitive disciplines dealing with emotion, learning,perception, language, and modeling.Historically, this branch of musicology has centered on studiesof perfect pitch, tests of musical aptitude, tonal memory,musical creativity in children, the psychological function ofcortical stimulation, and other facets of psychoacoustics andauditory perception.

Acoustics and musical computingMusical acoustics is a branch of acoustics and musicology thatstudies the role and use of sound in musical creativity andperception. Scholars study the physical description of music,that is, how sound functions as musical sound. They examinedifferent types of musical sound and sound-producinginstruments and devices, including the human voice (spokenand sung), as well as computer analysis of melody and even theclinical use of music as therapy.

MusicologicalResearch

in FranceIt was in the nineteenth century that the term musicologie appeared in the French language to denote a scientific discipline devotedto musical theory, esthetics, history, creativity, and criticism. Musical research–ars musica in the medieval lexicon, orMusikwissenschaft in German—has developed its own methods of research and scholarship derived from the humanities (literatureand linguistics), the social sciences (anthropology and ethnology), and exact sciences (physics and mathematics)The French tradition of theoretical and scientific study of music is long, comprising René Descartes (Abrégé de musique, 1618), Jean-Jacques Rousseau (Dictionnaire de musique, 1767), Jacques Chailley (Historical Treatise of Harmonic Analysis, 1951), Pierre Boulez(On Music Today, 1963). Music scholarship has developed alongside intense musical activity. In 2010, France’s 139 conservatoriesenrolled 140,000 students; 1,500 professional classical musicians gave 2,000 concerts; and 40,000 popular music concerts attractednearly 20 million listeners. Emblematic of research tied to musical practice—as exemplified by the recently established Doctorate ininterpretation—organizations such as the Institut de Recherche et Coordination Acoustique/Musique (IRCAM, institute for acousticaland musical research and coordination) and the Cité de la Musique bring together musicians, composers, and scholars to collaborateon exploring and advancing the French ars musica.

Major laborator ies andMusicological research is carried out in university settings bor specialized in musicology. Research is also carried out in sev

Université Paris-Sorbonne (Paris 4)OMF : Observatoire Musical Français (EA 206)http://www.omf.paris-sorbonne.frThis team studies all musicological topics between the 19th centuryand the contemporary period—jazz, song, and popular music; com-puters and new technologies; music and the plastic arts, music andsociety, learning and cognition, musicological languages—in their es-thetic and theoretical dimensions.PLM : Patrimoines et Langages Musicaux (EA 4087)http://www.plm.paris-sorbonne.frThis team concentrates on the study of musical institutions and repre-sentations, and on the analysis of musical performance and icono-graphy. Members of the team are also working on questions ofreligious anthropology with ethnomusicologists and on semio-stylis-tics, musical practice, and critical studies of sources with musicolo-gists specializing in musical history and analysis.École Doctorale « Concepts et langages » (ED 433)http://www.paris-sorbonne.fr>La recherche>Les Écoles Doctorales

Université Pierre et Marie Curie (Paris 7)Institut Jean Le Rond d'Alembert (UMR 7190)http://www.dalembert.upmc.fr/ijlrda/The institute’s string-instruments team treats sound and music ascultural objects and from dual perspective: that of the engineer(physics, acoustics, signal processing) and the humanist(psychology, cognition, linguistics).École Doctorale « Sciencesmécaniques, acoustique et électronique de Paris » (ED 391)http://www.ed391.upmc.fr

Université Paris 8 Saint-DenisEsthétique, musicologie et création musicale (EA 1572)http://www.univ-paris8.fr>Recherche>Les équipes de recherche>Les équipesd’accueil (EA)This team performs research in musical creation and creativity,focusing on understanding musical works and processes and on therelation between music and other forms of art. With an emphasis onthe modern and contemporary periods, the team includes musicalscholars from several disciplines—analysis, interpretation, history,esthetics—and from various sectors (written music, jazz, musicalcomputing, ethnomusicology, dance, and musical dramaturgy).École Doctorale « Esthétique, sciences et technologies des arts » (ED 159)http://www-edesta.univ-paris8.fr

Université de PoitiersCESCM : Centre d’Études Supérieures de Civilisation Médiévale(UMR 6223)http://www.mshs.univ-poitiers.fr/cescm/This team maintains the Fontes Musicae database (digital images ofmusical fragments and of the same piece of music taken from differentmanuscript sources) and concentrates on musical iconography (no-tably Roman wall paintings), epigraphy, and medieval writing.École Doctorale « Lettres, pensée, arts et histoire » (ED 525)http://lpah.ed.univ-poitiers.fr

Université François Rabelais de ToursCESR : Centre d’Études Supérieures de la Renaissance (UMR 6576)http://cesr.univ-tours.frWithin a cross-disciplinary team, a cluster of researchers specializingin musicology is studying various aspects of musical productionduring the Renaissance: Franco-Flemish writing, musicalfoundations, motets, and song (especially French spiritual song).Team members are also studying the diffusion and reception ofmusical studies and texts, as well text–music relations within themusical theory of the Renaissance and cultural transfers fromantiquity to the Renaissance, particularly in France and Italy.Recherches transversales en musicologie (EA 3252)http://rtm.univ-tours.frAnother team at Université de Tours engages in cross-disciplinaryscholarship on historical periods (from the Baroque to the 20thcentury), musical genres (written for or arising from ethnomusicology,jazz, or opera), and scientific approaches in musicology (historical,social, anthropological, acoustical, and pedagogical).École Doctorale « Sciences de l’homme et de la société » (ED 240)http://www.univ-tours.fr>Recherche>Écoles doctorales

Research on music and musicology

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Interdisciplinary research: music, arts, and sciences

d research centersby host teams (EAs) and mixed research units (UMRs) affiliated with doctoral departments (EDs) that may be interdisciplinaryveral laboratories of CNRS, the French national center for scientific research.

Université Aix-Marseille 1LÉSA : Laboratoire d'Études en Sciences des Arts (EA 3274)http://gsite.univ-provence.fr>La recherche>La recherche à l'UP>Lettres etSciences Humaines> Études en sciences de l'artThis laboratory deals chiefly with esthetics applied to poetics and arttheory. It also grapples with the question of the meaning of the work inmusicology from a hermeneutic perspective.École Doctorale « Langues, lettre et arts » (ED 354)http://gsite.univ-provence.fr/gsite/index.php?project=ed354

Université de Picardie Jules Verne - AmiensCentre de recherche en arts "images et formes" (EA 4291)http://www.u-picardie.fr>Recherche>Équipes de rechercheThis team works on the representational, plastic, and performing arts.Its members consider questions tied to the history of the arts, and byextension the history of tastes, cultures, and artistic representation.École Doctorale « Sciences humaines et sociales » (ED 238)http://www.u-picardie.fr/EDSHS/

Université Bordeaux 3 Michel de MontaigneCLARE : Cultures, Littératures, Arts, Représentations,Esthétiques (EA 4593) - http://clare.u-bordeaux3.frThis team takes a cross-disciplinary approach to the links between li-terature and languages (with emphasis on the Germanic and Scandi-navian) and the arts (plastic, performing, musical) in their esthetic andhistoric dimension.École Doctorale « Montaigne Humanités » (ED 480)http://www.u-bordeaux3.fr/fr/recherche/ecole_doctorale.html

Université du Maine – Le MansLAUM : Laboratoire d’Acoustique de l’Université du Maine(UMR 6613) - http://laum.univ-lemans.frA team dedicated to the physics of musical instruments pursues acous-tical and mechanical projects applied to wind instruments (reeds andbrass) and to plucked string instruments. Studies take various forms: ex-perimental, modeling, simulation. These are applied to instrument ma-king and handling, and to organology.École Doctorale « Sciences pour l’ingénieur, géosciences, architecture » (ED 498)http://www.ed391.upmc.fr

Universités de Metz et Nancy 2CRULH : Centre de Recherche Universitaire Lorrain d'Histoire(EA 3945) - http://www.univ-metz.fr/ufr/sha/crulh/A predominantly historical team that undertakes the full set of histori-cal themes: political, economic, social, and military history, internatio-nal relations, religious and cultural history.École Doctorale « Langages, temps, sociétés » (ED 78)http://ecoledoctoralelts.univ-nancy2.fr

Université Paul Valery Montpellier 3RIRRA21 : Représenter/Inventer la Réalité du Romantismeà l’Aube du XXIe siècle (EA 4209)http://recherche.univ-montp3.fr/rirra21/Specialists in the contemporary period working primarily on the linksbetween literature and media; critical, social, and artistic discourse(the latter embracing poetics and esthetics); and historical discourse(archives and heritage).École Doctorale « Langues, littératures, cultures, civilisation » (ED 58)http://ufr3.univ-montp3.fr/index.php?page=doctorat

Université de NantesCERCI : Centre de Recherche sur les Conflits d'Interprétation (EA 3824)http://www.univ-nantes.fr>La recherche>Laboratoires et structures de recherche>Par départements scientifiques nationaux>Sciences humaines et humanitésResearch on translation and the science of translation in connec-tion with the arts (theater, opera, literature) and the history of ideas(philosophy).École Doctorale « Sociétés, cultures, échanges » (ED 496)http://www.univ-nantes.fr/edsce

Université Panthéon-Sorbonne (Paris 1)IDEAC : Institut d'Esthétique Des Arts Contemporains (UMR 8153)http://ideac-cnrs.univ-paris1.frThis institute specializing in contemporary artistic output is pursuingseveral music-related research projects from a theoretical or esthe-tic point of view and in connection with other performing arts andtechnologies.École Doctorale «Arts plastiques, esthétique et sciences de l'art » (ED 279)http://www.univ-paris1.fr/fr/ecoles-doctorales/arts-plastiques-esthetique-sciences-de-lart-ed-279/

Université Paris Ouest Nanterre la DéfenseLESC : Laboratoire d'Ethnologie et de Sociologie Comparative(UMR 7186) - http://www.mae.u-paris10.fr/lesc/Operating within this lab, the Centre de Recherche en Ethnomusicologie(CREM,center for research inethnomusicology)dedicates itself to thestudyofmusicalpracticesandknowledge,consideredbothasprocessesofsocio-cul-tural differentiationandasuniversal human formsof expression.Histoire des arts et des représentationshttp://har.u-paris10.frA team specializing in the history of art and concentrating on theatri-cal, cinematographic, and esthetic research.École Doctorale « Milieux, cultures et sociétés du passé et du présent » (ED 395)http://www.u-paris10.fr>Recherche>Ecoles doctorales>ED 395

Université Paris-Est CréteilLIttératures, SAvoirs et Arts (EA 4120)http://lisaa.univ-mlv.frResearch into the production of artistic works and the influence of tech-nical change on creativity. Links between scientific transformations, es-thetic revolutions, and writing processes (literary, illustrative, musical,cinematographic).École Doctorale « Cultures et sociétés » (ED 529)http://www.univ-paris-est.fr/fr/-ecole-doctorale-cultures-et-societes-cs-/

Écoles des Hautes Études en Sciences Sociales (EHESS)CRAL : Centre de Recherches sur les Arts et le Langage(UMR 8566) - http://cral.ehess.frCRAL is devoted to the study of the arts (painting and the plastic arts,literature, music, photography, film, etc.) and esthetics. The center as-sembles philosophers, estheticians, art historians, musicologists, spe-cialists in narrative and literary research, and sociologists of art andliterature.École Doctorale « Hautes Études en Sciences Sociales » (ED 286)http://www.ehess.fr

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RESEARCH AND PRACTICE: THE DOCTORATE IN INTERPRETATIONAt the interface of musical performance and musicological research is a Doctorate in musical interpretation that allows musicians to doresearch in connection with their playing. That research takes a traditional academic form (preparation of a dissertation) while also havinga performance component (one or more concerts). The doctorate is offered in three universities—Jean Monnet Saint Etienne, Lyon Lumière(Lyon 2) and Paris-Sorbonne (Paris 4)—in connection with the national conservatories of Paris and Lyon. The 3-year program includesinstrumental courses, research seminars, and the writing of a dissertation.• CNSMD de Lyon – Doctorate in musical interpretation in partnership with the universities Jean Monnet Saint Etienne and LyonLumière (Lyon 2), ED Lettres, langues, linguistique et arts (ED 484): http://www.cnsmd-lyon.fr/e.php?lsd=10x63x&cc=1101&tc=1

• CNSMD de Paris – Doctorate in musical interpretation in partnership with Université Paris-Sorbonne (Paris 4), ED Concepts etlangages (ED 433): http://www.cnsmdp.fr/enseign/cursus_diplomes/brochure_LMD.pdf

Open by a very selective examination to candidates holding either (i) a French or foreign master or the equivalent or (ii) a DFS (Diplômede Formation Supérieure) from the CNSMD of Paris or a DNSEM (Diplôme National Supérieur d'Études Musicales) from the CNSMDof Lyon (song, instrument, jazz, ancient music, chamber music)..

École Pratique des Hautes Études (EPHE) – ParisSavoirs et pratiques, du Moyen Âge à l’époque moderne (EA 4116)http://ephe.sorbonne.fr>Recherche>Équipes, Unités et laboratoires>En scienceshistoriques, philologiques et religieusesResearch into cultural history and long-term change (from the MiddleAges to the 19th century) using an approach that compares variouscreative domains (sciences, artistic techniques, medicine, the art ofnegotiation).École Doctorale « École Pratique des Hautes Études » (ED 520)http://www.ephe.sorbonne.fr/recherche/ecole-doctorale/

Université de PoitiersMIMMOC : Mémoire, Identités, Marginalités dans le Monde Occi-dental Contemporain (EA 3812)http://mimmoc.labo.univ-poitiers.frResearch into social and knowledge networks in Europe and the Ame-ricas along two major tracks: a political track (institutional forms, powernetworks, and networks of opposition to power), and a cultural track (so-cial networks and cultural imagination, knowledge networks).GERHICO-CERHILIM : Groupe d’Études et de Recherches enHistoire du Centre-Ouest Atlantique - Centre de Recherche His-torique de l’Université de Limoges, Poitiers/Limoges (EA 4270)http://gerhico.labo.univ-poitiers.frHistory of art and history of law and institutions.École Doctorale « Lettres, pensée, arts et histoire » (ED 525)http://lpah.ed.univ-poitiers.fr/

Université Rennes 2 Haute-BretagneHistoire et critique des arts (EA 3831)http://www.univ-rennes2.fr/histoire-critique-artsA team specializing in history and the history of art that grapples withthe question of the national image (16th to 20th century) and withcontemporary art theory and criticism.

Arts : pratiques et poétiques (EA 3208)http://www.univ-rennes2.fr/arts-pratiques-poetiquesAn association of three labs: The work and the image (plastic arts),The presence and the image (cinematographic and theatrical studies),and Music and image: analysis and creation (music).École Doctorale « Arts, lettres et langues » (ED 506)http://www.univ-rennes2.fr>Recherche>Écoles Doctorales

Université de RouenGRHIS : Groupe de Recherche d'HIStoire (EA 3831)http://www.univ-rouen.fr>Recherche>Laboratoires par composanteHistorical research team working on the question of identity, heritage,and location, and on the historical anthropology of identities.École Doctorale « Sociétés, cultures, échanges » (ED 496)http://www.univ-rouen.fr/DOSCE/0/fiche_SGR__structure/

Université de StrasbourgACCRA : Approches Contemporaines de la Créationet de la Réflexion et Artistiques (EA 3402)http://www.unistra.fr>Recherche>Secteur "Lettres, sciences humaines et sociales">LaboratoiresDefined by its contemporary approach to music and musicology (me-thods, esthetics, and analysis of contemporary music, the psychologyand teaching of music), this team studies the problem of publicly com-missioned art (the place of contemporary art in public spaces) and thinkscritically about contemporary creativity, representations of the real, and(mis)representations in film, theater, dance, and the plastic arts.École Doctorale « Humanités » (ED 520) - http://www-umb.u-strasbg.fr/edh.html

Universités Jean Monnet Saint Etienne/Lumière (Lyon 2)CIEREC : Centre Interdisciplinaire d'Études et de Recherchessur l'Expression Contemporainehttp://portail.univ-st-etienne.fr>Recherche>Les équipes>DSPT 6 (ALL)Specialists in the contemporary, this team concentrates on estheticsand theory in the arts, taking an interdisciplinary approach to the plas-tic arts, literature, music, design, and theater.École Doctorale « Lettres, langues, linguistiques, arts » (ED 484)http://edhum.univ-lyon2.fr

Université Toulouse 2 Le MirailLLA : Lettres, Langues et Arts - http://w3.lla.univ-tlse2.frWith a predominantly literary slant (French literature, literary theory,comparative literature, didactics, semantics, stylistics, poetics, Hispa-nic and Slavic studies), the team also takes on cross-disciplinary ques-tions in the plastic and applied arts, theater studies, and musicology.École Doctorale « Arts, lettres, langues, philosophie et communication » (ED 328)http://allpha.univ-tlse2.fr

THE MUSEUMOF MUSICAL INSTRUMENTS

AT THE CITÉ DE LA MUSIQUE IN PARIS

http://mediatheque.cite-musique.fr/masc/

The Museum of Musical Instruments pursues a mission of pre-serving and promoting its collections of instruments, paintings,photos, and other music-related objects. Essential to that mis-sion is the museum’s laboratory, which manages restorations ofinstruments in the collection. As a research site, the lab operateswithin the fields of history and organology as well as the che-mistry and physics of materials.In addition to conventional equipment for monitoring and treat-ment, the laboratory also possesses its own fluorescent spec-trometer, an X-ray system, a real-time modal analysis machine,a mechanical test bench, and a controlled climate chamber.

CURRENT RESEARCH•Wood: Preventive conservation to keep stringed instruments inplayable condition, changes in the mechanical properties ofvibrating wood under variable conditions of heat and humidity.

• Varnishes: The chemical composition of the varnishes appliedto antique violins and lutes is studied using techniques of mi-croscopic, spectroscopic, and microchemical analysis.

• Leather: The physico-chemical and mechanical characteris-tics of leathers used on piano hammers and the dynamics ofthe hammer mechanisms are studied through experimentswith high-speed cameras and digital simulations.

Institut de Recherche et d'Histoire des Textes (IRHT)Section de musicologie et de liturgie médiévalesEstablished in 1977 with the participation of Michel Huglo, 2 yearsbefore the opening of the Centre Augustin Thierry, the IRHT affiliatein Orléans, the musicology section pursues its own programs thatcover various aspects of the wide field of medieval music. After aneclectic period during which scholars investigated subjects fromantiquity to the Renaissance, the section returned its attention to theMiddle Ages, with an emphasis on the Latin liturgical repertory. Itendeavors to strike a balance between the production of researchtools (catalogs and inventories) and more specialized researchaligned with projects at the international level.http://www.irht.cnrs.fr

Centre de Recherche Français à Jérusalem (CRFJ)Communautés religieuses dans l’espace israélo-palestinienThe theme of religious communities in the Israeli and Palestinianareas guides the work of Olivier Tourny on the Jewish and Christianliturgical music of the Holy Land, and particularly the comparativeuse of the psalms in those liturgies. Research work falls under twoprograms, one musicological, the other multidisciplinary. The sametheme guides the new program of Florence Heymann on changesin religious identity in Israeli society.http://www.crfj.org

Institut de Recherche sur le Patrimoine Musical en France (IRPMF)The IRPMF was founded in 1996. Its scientific programs bear onlearned music composed and played in France. Its multiplemissions and research initiatives accommodate widely diverseapproaches to musical heritage—including critical editions of thecomplete works and correspondence of a composer, historicalstudies of a period or of an aspect of music, analysis of a musicalgenre, and the creation of research tools.http://www.irpmf.cnrs.fr

Centre de Musique Baroque de Versailles (CMBV)The CMBV embraces several priorities in research, publishing, andthe promotion of musical heritage, all focused on the less-studiedmusical genres and periods. Its activities have generatedacademic results of great importance that have taken the form ofpublished works of musicology, critical and practical editions,digital catalogs by genre and author, and scholarly colloquia andseminars. Together these have rehabilitated entire segments of thenation’s musical heritage or contributed to the rediscovery of majorcomposers whose works had undeservedly been neglected.http://www.cmbv.fr

IRCAM

http://www.ircam.fr

The Institut de Recherche et Coordination Acoustique/Musique(IRCAM, the institute for acoustical/musical research andcoordination) was founded in 1974 in affiliation with thePompidou Center in Paris and the CNRS. It is a place for musicalcreativity as well as for musicological, scientific, and technicalresearch.IRCAM’s distinctive feature is its support for the airing and thecoordination of varied scientific views on the musicalphenomenon drawn from physics, signal processing,computing, cognitive psychology, and musicology.• To contribute, through the advancement of science andtechnology, to the continuous renewal of contemporarymusical creativity.

• To apply the expertise generated through research to socialand business issues (media, education, cultural diffusion, andso on).

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Musical research at the Centre Nationalde la Recherche Scientifique (CNRS)

Société Française de Musicologiehttp://www.sfmusicologie.fr

Cité de la musique – Laboratoire du muséehttp://www.cite-musique.fr>Musée

Association Entretempshttp://www.association-entre-temps.com

Association Philippe Lescathttp://apl.apinc.org

Association pour un Centre de recherchessur les arts du spectacle aux XVIIe et XVIIe siècleshttp://acras17-18.org

Centre d'Études Supérieures de la CivilisationMédiévale (CESCM)http://www.mshs.univ-poitiers.fr/cescm/

Centre d'Études Supérieures de la Renaissance(CESR)http://cesr.univ-tours.fr

Centre de Documentation Claude Debussyhttp://www.debussy.fr

Centre de Documentation de la MusiqueContemporainehttp://www.cdmc.asso.fr

Centre de Musique Baroque de Versailles (CMBV)http://www.cmbv.fr

Centre de Musique Médiévale de Parishttp://cmmp.pagesperso-orange.fr

Centre National de Création Musicale (CIRM)http://www.cirm-manca.org

Confédération Musicale de Francehttp://www.cmf-musique.org

Centre International de RecherchesInterdisciplinaires en Ethnomusicologie de la Francehttp://cirief.fr

Fondation Francis et Mica Salaberthttp://www.fondation-salabert.org

Fondation Royaumonthttp://www.royaumont.com/fondation_abbaye/

GRAME – Centre national de création musicale(Lyon)http://www.grame.fr

Groupe de recherches musicales (GRM)http://www.ina-sup.com/recherche/le-grm/

Institut de Recherche et Coordination AcoustiqueMusique(IRCAM – Paris)http://www.ircam.fr

Institut de Recherche sur le Patrimoine Musical enFrance (IRPMF)http://www.irpmf.cnrs.fr

Institut International de Musique Électroacoustiquede Bourges (IMEB)http://www.imeb.net

Le Hall de la Chanson - Centre nationaldu Patrimoine, de la Chanson, des Variétéset des Musiques actuelleshttp://www.lehall.com

Opéra de Paris / Base Chronopérahttp://chronopera.free.fr

Société Française d'Acoustique (SFA)http://sfa.asso.fr/fr/accueil

Société Française d'Analyse Musicale (SFAM)http://www.sfam.org

Société Française d'Ethnomusicologiehttp://www.ethnomusicologie.fr

Société des Auteurs, Compositeurs et Editeursde Musique (SACEM)http://www.sacem.fr

Syndicat National des Auteurs et des Compositeurs(SNAC)http://www.snac.fr/

International Musicological Society (IMS)http://www.ims-online.ch

Bulletin Charpentierhttp://philidor.cmbv.fr>Bulletin Charpentier

Cahiers de l'Association Internationale des Étudesfrançaises (AIEF)http://www.aief.fr/cahiers/

Cahiers Debussyhttp://www.debussy.fr>Cahiers Debussy

Cahiers rémois de musicologiehttp://www.univ-reims.fr>Éditions>Revues

Dix-huitième sièclehttp://sfeds.ish-lyon.cnrs.fr>Publications

L'Éducation musicalehttp://www.leducation-musicale.com

Entretempshttp://www.entretemps.asso.fr/Revue/

Études grégorienneshttp://www.abbayedesolesmes.fr>Grégorien

Filigrane : musique, esthétique, scienceshttp://www.revue-filigrane.org

Le Jardin de musiquehttp://www.plm.paris-sorbonne.fr/spip.php?article36

Journal de Recherche en Éducation Musicalehttp://omf.paris-sorbonne.fr>MUSECO>JREM

La Lettre du Musicienhttp://www.lalettredumusicien.fr

Le Magazine de l’orguehttp://www.lemagazinedel.org

Musicorumhttp://www.musicorum.net

Musique – Images – Instrumentshttp://www.irpmf.cnrs.fr>Productions scientifiques

Musurgia : analyse et pratique musicaleshttp://musurgia.free.fr

Opéra baroquehttp://operabaroque.fr

L'Orguehttp://www.symetrie.com>Distribution

L'Orgue francophonehttp://www.ffao.com

Ostinato rigore : Revue internationale d'étudesmusicaleshttp://www.jmplace.com/fr>Ostinato rigore

Revue de musicologiehttp://www.sfmusicologie.fr

Romantisme : revue du dix-neuvième sièclehttp://www.armand-colin.com/revue/13/

Seizième sièclehttp://www.sfdes.fr

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Useful links: French research centers, institutes, and associations

French reviews and journals

A complete list of Doctoral departments in France can be found online at www.campusfrance.org/en

The online catalog provides direct links to the research units within each Doctoral department.A bilingual (French and English) search engine enables users to obtain results by selecting fromamong 20,000 keywords and 80 disciplinary themes. Departmental profiles are also provided.www.campusfrance.org>Find your program>Level Doctoral