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TRANSCRIPT
ArtisticIdentity:
MusicandtheMirror
AppendixF
FolioofScores
BelindaJaneWoodsORCIDiD:0000‐0001‐7374‐6119
TableofContents
TheUndisclosedQuestion Page1
Pardalote Page5
TheDividePt.II Page6
TheDividePt.III Page10
Fortunata Page13
ThroughtheCracks Page14
ForgetMeNot Page18
LongthandtheSlodge Page21
Voyeur Page22
TheDivide Page24
ISaidOnlyOnce Page26
Ophelia’sDance Page29
Evangelist Page33
Pardalote Page34
CutLunch Page36
Etchings Page39
Poly Page39
There’saTigerontheRun Page40
TheSistersofMercy Page53
SyntheticStrings Page60
23HeadsonaHighway Page65
TheElevator Page69
TheGoodnightPharmaceuticalCompany Page81
LaSortie Page87
Saveja Page95
The Undisclosed Questionq=100
q=100
Belinda Woods
Flute
Harp
2
Fl.
Hp.
3
Fl.
Hp.
4
Fl.
Hp.
33 fingernail down string
accel......5:4
3
3 3 3
accel......
1
q=120
q=120
5
Fl.
Hp.
q=100
q=100
6
Fl.
Hp.
7
Fl.
Hp.
8
Fl.
Hp.
3
3
3
3
2
9
Fl.
Hp.
13
Fl.
Hp.
17
Fl.
Hp.
21
Fl.
Hp.
4:3
4
4
44
3
25
Fl.
Hp.
29
Fl.
Hp.
4:3
4
4
Pardalote
Belinda Woods
Flute
Harp
5
6
7
8
9
D> D>/A E(b9)/G# Asus F6 A/E C#07
Bb^7#11 A-7b9(@11)
3 3 3 3
A-7b5/Eb A-7b5/D
3 3 3 3
E-7b9 D-6/F
3 3 3 3
A-6(#11)/C B7b9b6
3 3 3 3
Bb^7#11 Asusb9
3 3 3 3
5
q=52
The Divide Pt. II Belinda Woods
Alto Flute
Harp
5
10
15
19
21
stately
mp 3
3
p
mf
3 3 3
mp
f f3
3
mf
cresc.. mf mp
3
cresc...
6
22
24
26
28
f
expressive and dramatic
3 3 3
f
5
3
7
30
32
34
38
42
3 3 3
B>^7 A#>6
G^7b5 F#7
B>^7 G^7b5
E>7 F#7
G^7#9 A#0 F#7
B>/D
C#>7b5 F#/G
F#/A# B>
G> F#+ B-sus C#0 B>/D
8
46
51
55
E>/G G>^7b5 F#7 Eb7 Ab>6
mf
9
Belinda Woods
Performance Notes:
This piece is designed to incorporate improvisation. Where there is space, shape this space with sound.
The notated scales in the harp part indicate tuning and should not be reproduced as written. These pitches are a guide only.
The Divide Pt. III
10
The Divide Pt. III
Flute
Harp
2
Fl.
Hp.
3
Fl.
Hp.
4
Fl.
Hp.
5
Fl.
Hp.
cont...
improvise gesturallyusing the following tuning
strum chords using this tuning
cont...
improvisation module
cont...
continue improvising morphing into this tuning
cont...
throbbing, irregular bisbigliando
cont...
keep within 2 or 3 notes following this tuningwork down the strings very slowly cont...
cont...
11
12
Fortunata Belinda Woods
6
12
18
Rubato first time
3
3
G-
D
Eb
C-
G-/Bb
3 3
D
G-
D
G-
D
Eb
C-
G-/Bb
D
G-
F/A
Bb
D
Eb
C-
Bb
D
G-
D
Fine
13
Belinda Woods
Through the cracks
Flute
2
Fl.
3
Fl.
Hp.
4
Fl.
Hp.
5
Hp.
6
Hp.
Rubato
3 3
3
6
3
3
ad lib harmonics
prepared harp
Create a pad over which to improvise pulling a ribbon around these notes
B.^7 D.b6 D.^7b6 F+^7
14
8 Hp.
10
Hp.
12
Hp.
15
Hp.
18
Fl.
Hp.
19
Fl.
Hp.
D.^7
F.^7add4E.6
Texture begining to thicken throughout ensemble
slowly build up tempo, adding in chords
ad lib until flute cue
Jet Stream
9
3
3
15
20
Fl.
Hp.
23
Fl.
Hp.
25
Fl.
Hp.
l.v.
3
L.V.
X4
3 3
16
28 Fl.
32 Fl.
38 Fl.
42
Fl.
3 X3
17
Belinda WoodsForget Me Not
5
10
16
G#7b9 E^7@6 Eb7b9 Ab. Db.7@6
Eb7/Cb Eb7b6/G Ab7b9 Db.9 C7b6 F.7 F.^7/Bb
3
Double Time q = h
C.7 B0 Bb6 Ab^7 Ab^7 F.6
G7b6 B0 C.7 B0 Bb6 Ab^7
18
22
26
30
34
40
46
51
56 64
Ab^7 F.6 G7b6 B0
C.7 Eb^7/Bb Ab6 Fsus%
Eb+^7 D7b9 G.^7 G.^7
Ab.
Db.7@6
Eb7/Cb
SOLOS
Eb7b6/G
Ab7b9
Db.9
Eb7b9
Ab.
Db.7@6
Eb7/Cb
Eb7b6/G
Ab7b9
Db.9
C7b6 F.7
F.^7/Bb
F./Bb
C.7
B0
Bb6
Ab^7
Ab^7
F.6
G7b6
B0
C.7
Eb^7/Bb
Ab6
Fsus%
Eb+^7
D7b9
G.^7
D.S al Coda
G.^7
19
72
C.7 B0
CODA
Bb6
Ab^7 x4
20
LONGTH AND THE SLODGEBelinda Woods
3
5
7
9
10
x4 (1st and last)x2 (2nd)
Unison
D.C.
SOLO
21
Voyeur Belinda Woods
Gtr
Bass
3
5
9
13
Intro
Melody Enters - return to start and repeat bars 1-12 until cue
22
15
20
25
33
38
45
48
52
53
HORNS
E13
SOLOS
G^7#11
E13
CODA
G^7#11
23
q=52
The DivideBelinda Woods
Alto Flute
Tpt & Sax
5
8
11
15
18
22
25
D
B¨‹ D B¨‹
mp
D B¨‹ D B¨‹
3
3
p
D B¨‹ D B¨‹
Trumpet joins melody
mf
D B¨‹3
mp
D B¨‹ D B¨‹ D
Sax joins melody
B¨‹
f
3 3
F#± G& F#± G& F#± G& F#± G&
f3
3
cresc..
F#± G& F#± G& F#± G&
mf3
F#± G&
mp
F#± G& F#± G& B^7¨6¨9
f
expressive and dramatic
B>^7 A#>6 G^7b5 F#7 B>^7 G^7b5
E>7 F#7 B>^7 A#>6 G^7b5 F#7
24
28
31
34 38
42
46
51
55
B>^7 G^7b5 E>7 F#7 B>^7 A#>65
G^7b5 F#7 B>^7 G^7b5 E>7 F#7
B>^7 A#>6
G^7b5 F#7
SOLOS
B>^7 G^7b5
E>7 F#7
G^7#9 A#0 F#7
B>/D
C#>7b5 F#/G
F#/A# B>
G> F#+ B-sus C#0 B>/D
E>/G G>^7b5
rall.
F#7 Eb7 Ab>6
rit.
25
I Said Only OnceBelinda Woods
Horns
Guitar
Bass
2
3
4
3
3
26
5
7
8
9
3
27
10
11
3
28
Ophelia's Dance Belinda Woods
Trumpet
Flute
Tenor Sax
Bass
5
9
E. F#-7b5 E. B7 E. F#-7b5 E. B7
E. F#-7b5 E. B7 E. F#-7b5 E. B7
29
13
17
20
E. F#-7b5 E. B7 E. F#-7b5 E. B7
3 3
3
E. F#-7b5 E. B7 E. F#-7b5
3 3 3
3
E. B7 E. F#-7b5 E. B7
3 3 3 3 3 3
3
30
23
27
31
35
A. E. A. E A. E. B7
3
3
3
3
3 3 3 3 3
E. F#-7b5 E. B7
SOLOS
E. F#-7b5 E. B7
A. E. A. E A. E.
B7
31
32
EVANGELISTBelinda Woods
Flute
Tenor Sax
Trumpet
5
9
14
18
22
E6 E+/F# F-/D Eb+7 Bbsus7/F Bb7/D
Absus9 Bb(add9) D+7 F-7b5 Eb-6 Eb-7
Db6 B9 Bbsus4 B9 Bb7
Last time, 4 bar tag
Fine
E6
E+/F#
SOLOS
F-/D Eb+7
Bbsus7/F Bb7/D
Absus9
Bb(add9) D+7
F-7b5
Eb-6 Eb-7
Db6
B9
Bbsus4
B9
Bb7
33
PardaloteBelinda Woods
Flute
Trumpet
Sax
5
9
D> D>/A E(b9)/G# Asus F6 A/E C#07
D> D>/A E(b9)/G# Asus F6 A/E C#07
34
13
14
15
16
17
Bb^7#11
SOLOS
A-7b9(@11)3 3 3 3
A-7b5/Eb A-7b5/D3 3 3 3
E-7b9 D-6/F3 3 3 3
A-6(#11)/C B7b9b6
3 3 3 3
Bb^7#11 A-7b9(@11)
3 3 3 3
35
Cut Lunch Belinda Woods
Flute
Sax
Tpt
Bass
5
9
4
4
4
36
13
17
21
25
4
4
4
4
A
SOLOSB
37
38
EtchingsBelinda Woods
6
10
15
Belinda Woods
19
Poly
23
Ab-^7 C7 Ab7(b5) G-7
Gb7 A7(b9) A7(b5) C^9
Ab- G7 C(b13) D7(b9) G-9
Bass sets up groove.....G minor
G-
3G-7b5 E-7b5 Eb6
3 3 3
EbALT E+ Db7 F+
3 3 3
39
Flute
Tenor Sax
Trumpet
Guitar
Bass
C-^7(add6) A¨-^7 G-7 G¨^7 F6(#4) E¨^9
7
D-9 E¨^9 A¨^7(add6) B-9
Belinda Woods
There's a tiger on the run
40
13
C-^7(add6) A¨-^7 G¨-^7 E-^7 D-^7
18
E-9(#11)
Build Up
41
21
24
E-9(#11)
A
42
28
32
E-9(#11)
Aa
43
36
40
G-9(#11)
B
44
44
G-9(#11)
48
E-9(#11)
Theme
45
52
G-9(#11)
56
E-9(#11)
A2
46
58
60
47
62
64
G-9(#11)
G-9(#11)
B2
48
66
68
49
70
72
E-9(#11)
E-9(#11)
Theme
50
76
G-9(#11)
G-9(#11)
80
E-9(#11)82
G-9(#11)86
Fine
Break Down
Solos
51
C-^7(add6)90
A¨-^7(#11)94
G¨-^798
E¨ALT/E D-^7102
D.S al Fine
52
Flute
Tenor Sax
Trumpet
Bass
q=112
q=112
B7(¨9) Cm^7 D7(#11)6
Belinda Woods
The Sisters of Mercy
53
B7(¨9) Cm^7 D7(#11) B7(¨9) Cm^7 D7(#11)11
B7(¨9) Cm^7 D7(#11)15
19
cont...
54
23
27
30
55
C^7(#11)33
D%37
E¨-7¨5(¨6)41
GUITAR SOLO
X4
X4
X4
X4
56
43
B7(¨9) Cm^7 D7(#11)45
49
cont...
57
53
57
61
58
65
59
Alto Sax
C Sax
Trumpet
Guitar
Bass
q=76
q=76
q=76
5
Belinda Woods
Synthetic Strings
60
9
13
61
15
17
62
20
23
25
SOLOS
Horn accompaniment over end of solo
63
C7 E¨6 D7 D¨629
33
35
X4
X4
DC al coda
64
Flute
Tenor Sax
Trumpet
Guitar
Bass
F-^7 C7 F-^7 C7
F-^7 C7 F-^7 C7
F-^7 C7 F-^7 C7
F-^7 C7 F-^7 C7 C71. 2.
5
F-^7 C7 F-^7 C7 C71. 2.
F-^7 C7 F-^7 C7 C7
Belinda Woods
23 heads on a highway
3
3
3 3
65
B¨-7 C7 B¨-710
B¨-7 C7 B¨-7
B¨-7 C7 B¨-7
C7 B¨-7 C713
C7 B¨-7 C7
C7 B¨-7 C7
3 3
3 3
66
B¨-7 C716
B¨-7 C7
B¨-7 C7
F-^7 C7 F-^7 C718
F-^7 C7 F-^7 C7
F-^7 C7 F-^7 C7
3
3
67
F-^7 C7 F-^7 C722
F-^7 C7 F-^7 C7
F-^7 C7 F-^7 C7
F-^7 C7 F-^7 C726
B¨-7 C7 B¨-7 C730
3
3
3
3 3
3
3
3 3
3
3
3 3
SOLOS
On Cue from soloist
68
Flute
Tenor Sax
Trumpet
Guitar
Bass
q=72
E¨m/D¨ D¨+q=72
5
Am/D¨ B¨m#11/D¨ D¨^7(#11)
A
Belinda Woods
The Elevator
69
9
D¨+ D¨-^7 G/D¨ D¨6
13
E¨Ø/D¨ F#m/C# D¨06 D¨-^7 D¨0
70
17
B¨#11 B(#11) A¨(#11) A7 G7(¨9) A¨-7 A-7
18
B¨#11
BRIDGE
X4
X4
pitch bend slowly up and down, singing a Bb
X4
X4
X4
71
19
A¨^7#11 B¨^7#11
A¨^7#11 B¨^7#11
21
A¨^7#11 B¨^7#11
A¨^7#11 B¨^7#11
C
72
23
A¨^7#11 B¨^7#11 A¨^7#11
A¨^7#11 B¨^7#11 A¨^7#11
26
B¨^7#11
B¨^7#11
D
73
29
32
74
35
B¨#11 B(#11) A¨(#11) A¨^7#11 G7(¨9) A¨-7 A-7
36
B¨#11 A¨^7#11 B¨^7#11
A¨^7#11 B¨^7#11
BRIDGE
X4
X4
pitch bend slowly up and down, singing a Bb
X4
X4
X4
C
75
39
A¨^7#11 B¨^7#11
A¨^7#11
41
A¨^7#11 B¨^7#11
A¨^7#11 B¨^7#11
76
43
A¨^7#11 B¨^7#11
A¨^7#11 B¨^7#11
E¨^9 A¨9 E¨^9 A¨945
D
SOLOS
77
49
52
D
78
55
57
B¨#11 B(#11) A¨(#11) A7 G7(¨9) A¨-7 A-7
BRIDGE
X4
X4
pitch bend slowly up and down, singing a Bb
X4
X4
X4
79
58
B¨#11
B¨#11
80
Alto Flute
Tenor Sax
Trumpet
Guitar
Bass
q=86
E¨^7#11 E¨^7#11 Dsus4 Cm7 Cm7
5
E¨^7#11 E¨^7#11 Dsus4 Cm7
The Goodnight Pharmaceutical Company(Lo-Res)
Belinda Woods
A1
81
A¨^7 B¨68
Cm7 A¨^7 B¨6
Cm711
Cm7 Cm7
82
13
E¨^7#11 Dsus4
15
Cm7
A2
2nd time only
83
17
E¨^7#11 Dsus4 Cm7
20
A¨^7 B¨6
A¨^7 B¨6
84
1. 2.23
Cm7 Dm7 Cm7
26
Dm7 Cm7 Dm7 Cm7 Dm7 Cm7
B
x4
85
q=15729
Dm7(¨9) Cm7(¨9)
B¨^732
SOLO FORM: Guitar starts, Horns join, Drums amp up and start disintegrating
86
Guitar
Bass
q=112
Ten. Sax.
E. Gtr.
Bass
3
Ten. Sax.
E. Gtr.
Bass
7
x4
Belinda WoodsLa Sortie
87
Ten. Sax.
E. Gtr.
Bass
11
Ten. Sax.
E. Gtr.
Bass
15
Ten. Sax.
E. Gtr.
Bass
19
88
Ten. Sax.
E. Gtr.
Bass
23
Fl.
Ten. Sax.
Tpt.
E. Gtr.
Bass
27
89
Fl.
Ten. Sax.
Tpt.
E. Gtr.
Bass
31
Fl.
Ten. Sax.
Tpt.
E. Gtr.
Bass
35
90
Fl.
Ten. Sax.
Tpt.
E. Gtr.
Bass
39
Fl.
Ten. Sax.
Tpt.
E. Gtr.
Bass
43
91
Fl.
Ten. Sax.
Tpt.
E. Gtr.
Bass
47
Fl.
Ten. Sax.
Tpt.
E. Gtr.
Bass
51
92
Fl.
Ten. Sax.
Tpt.
E. Gtr.
Bass
55
Fl.
Ten. Sax.
Tpt.
E. Gtr.
Bass
58
A-9 A-6
A-9 A-6
repeat and fade to end
Bass solo
93
Fl.
Ten. Sax.
Tpt.
E. Gtr.
Bass
66
G13 A-9
G13 A-9
94
B7(áÆ)
5
B7(áÆ) Dsusb9
9
B7(áÆ) Dsusb9 B7(áÆ)11
15
G(b13)
Rit.....
16
Belinda Woods
Saveja
IMPRO - using this tuning - occasionally add a D
Lead into...
95
Minerva Access is the Institutional Repository of The University of Melbourne
Author/s:
Woods, Belinda Jane
Title:
Artistic identity: music and the mirror
Date:
2016
Persistent Link:
http://hdl.handle.net/11343/112457
File Description:
Musical scores of creative works