fmc how to export canadian folk music to usa, europe and australia

F o l k M u s i c C a n a d a w w w . f o l k m u s i c c a n a d a . c a i n f o @ f o l k m u s i c c a n a d a . c a

Export Ready, Set, Go! Tamara Kater Exporting Canadian folk music to United States, Europe and Australia

April 2013

08 Fall

Export Ready Set Go! [email protected]

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Table of Contents

Introduction 3 Export ready or not? 4 Overview of export markets 5 United States 5 Immigration overview 5 Networking and contact events for the USA 5 Touring patterns 6 Regional snapshots 6 Northeast 6 Mid-‐West 7 Southeast/mid south 7 Pacific region 7 Record labels 7 Licensing 8

Europe 8 Networking and contact events for Europe 8 UK 8 Western Europe 10 Immigration overview 11 Other relevant links to music organizations in Europe 11

Australia 11 Networking and contact events for Australia 12 Touring patterns 12 Record Labels 12 Immigration overview 12 Other relevant link 12

APPENDIX 13 List of contacts engaged in Export Development Program 13

Thank you to our program partners.


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Introduction As part of an Export Development initiative, culminating in a showcase program at Folk Alliance 2013, Folk Music Canada undertook a project to expand export opportunities for the folk music sector in Canada. Targeted to performers, artist representatives, record labels and other industry members, the program also sought to gather market intelligence, increase business to business contacts and generate deeper interest in Canadian folk music. As part of this project, Folk Music Canada attended ten international industry networking events and festivals, and liaised with hundreds of new contacts. The areas targeted were the United States, the United Kingdom, Western Europe and Australia. Due to the importance of live performance in the current music business model, this project, and the ensuing market intelligence, stems from a premise that an export career is best developed through touring. As such, much of the information gathered in this report will focus on how best to secure live performances in export markets, using publicity, label and other relationships to compliment touring. Thank you to our program partners.


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Export ready or not? Before undertaking any export activity, artists (and their representatives) should invest significant time in considering the factors that contribute to success in export career development. While exceptions may always be pointed out, in general, an artist should consider the following before investing significantly in an export career, and spend significant time creating a plan to support an export strategy. The vast majority of folk artists who build export careers do so with a well established team, and a thorough plan. While each artists’ needs are unique, here are some of the elements to consider before building an international touring career.


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Overview of export markets

United States The United States is the closest, largest and most obvious market in which Canadian folk performers may develop an export career. While the population density and market particularities vary from region to region, a well-‐developed plan, focused on a relevant geographic area, can be one of the most effective ways in which to begin building an export career. As well, the US market is the most lucrative market in which to leverage licensing opportunities as part of an export plan, either concurrent with career development, or as a product of extensive touring. Many artists achieve best results by exploring the US region closest to their touring home base (ie British Columbia based artists work the Pacific North West before expanding into new regions) and building from there. While immigration regulations have changed over the past few decades, and proper work permits require careful planning and investment, Canadian artists should not view immigration as a significant barrier to successful career development in this area but should be prepared to integrate immigration into their plan. See below for further information, or consult with the Canadian Federation of Musicians who can assist in preparing immigration applications. While we maintain that exporting artists will find the greatest export success when surrounded by a solid team, artists who are self-‐represented will find the USA to be the easiest market to develop without the support of a full team.

Immigration overview http://www.cfmusicians.org/services/work-‐permits

Networking and contact events for the USA Folk Alliance, MusExpo, South by SouthWest, Americana Music Conference, International Bluegrass Music Association (IBMA), New Music Seminar, Association of Performing Arts Presenters (APAP), and National Association of Campus Activities (NACA).


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Touring patterns The map below outlines the concentration of major music festivals and draws some common patterns in touring strategies.

Regional snapshots

Northeast Because of its population density, close association with the folk revival and proliferation of successful music venues/festivals, this is one of the easiest areas of the USA in which to build a touring career. For the emerging artist, there are many options for developing a touring strategy through a combination of house concerts (of which there are many) and small venues/coffee houses. This network can best be accessed through attendance at NERFA. For the established and mid-‐career artist, there are a significant number of opportunities available through summer music festivals, year-‐round performance series and performance venues. To access these opportunities, artists can attend various Canadian regional conferences (OCFF, ECMA, BreakOut West) depending on their annual priorities, APAP and Folk Alliance. Networking organizations and contact events for this region: Folk Alliance Region Midwest (FARM), Arts MidWest, Montana Performing Arts Consortium.


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Mid-‐West With less population density and greater distances between major urban centres, this area requires calculated planning and careful budgeting of tour costs. However, many key arts centres, festivals and ‘tastemakers’ exist in this region, such as The Old Town School of Folk Music and Prairie Home Companion for example. And this region can provide excellent ‘routing’ opportunities for an artist looking to compliment a cross-‐Canada or cross-‐North America tour. Networking organizations and contact events for this region: Folk Alliance Region Midwest (FARM), Arts MidWest, Montana Performing Arts Consortium.

Southeast/mid south Much like the northeast, this region is easier to tour because of population density, however regional musical tastes mean that artists must be sure there is demand for their particular musical style. As with other southern regions, this one offers many festival performance opportunities that compliment the northern festival season, as the climate fosters outdoor festivals within the spring and fall. Fewer festival opportunities will be available through the summer seasons, so this area can compliment a summer festival tour anchored in the north. Networking organizations and contact events for this region: Arts Mid-‐West, SouthWest Regional Folk Alliance (SWERFA) and SouthEast Regional Folk Alliance (SERFA).

Pacific region The northern coastal areas have enough population density and significant festivals/presenters to make touring this area very viable, especially when considered in conjunction with a tour of pacific/western Canada. Tours can also be extended through to California, with significant presenter density in the southern area. In southern areas of this region, many outdoor festivals take place in the spring/fall, helping to compliment the summer festival season in other regions. Networking and contact events for this region: Arts NorthWest, Western Arts Alliance, California Presenters and Folk Alliance Region West

Record labels While the support of a label for physical distribution and promotional support help to buttress an export development strategy, it is possible to work in the USA as a means to secure such support. In other words, it may be possible to obtain label support before


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touring the USA, but often the interest from the label will come once a touring career has been launched. Red House Records, Ramseur Records, Rounder Records, Anti-‐ Records, Bloodshot Records, Signature Sounds, Lost Highway, Sub Pop and many others.

Licensing The vast majority of music supervisors work out of southern California, which can provide cross over opportunities for artists touring this area.

Europe This area offers a myriad of touring opportunities, and a diverse array of music markets, all within a very close geographic area that is relatively easy to tour compared to the US and Australia. Immigration is feasible, although the process differs for the UK and continental Europe (see below).

Networking and contact events for Europe World of music expo (WOMEX), UK FolkEx, Reeperbahn, Midem, The Great Escape, Celtic Connections, Folk Arts England and many more. A thorough listing can be found here: http://www.cimamusic.ca/Storage/54/4634_EuropeanShowcasingFestivalList.pdf

UK For many artists, the UK represents a wealth of performance and album sales opportunities. While the initial investment in travel and immigration arrangements is high, the density of performance venues, clubs and festivals make this a viable and valuable area to develop an export career. There are nearly 300 folk festivals in the UK – not to mention the number of venues and folk clubs. While many of the festivals focus exclusively on local talent, the sheer quantity of festivals is a good indicator of the market demand for folk music. While regional particularities abound, there is a very healthy appetite for singer songwriters, celtic and folk music based in traditional forms – an appetite that is not often found in other markets. Americana and bluegrass musicians will find an audience in major markets, but are generally less popular than other folk sub-‐genres. While self-‐represented artists may find it possible explore the USA, the UK is not as accessible to an artist who does not have representation. In general, the best strategy to approach this market would be to find representation through attendance at


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networking events and/or to work with an artist who already has an established circuit and demand in the UK.

Touring patterns The map below outlines the concentration of major music festivals and helps to illustrate some common patterns in touring strategies.

Immigration overview http://www.ukba.homeoffice.gov.uk/sitecontent/documents/visitingtheuk/entertainer-‐artist.pdf

List of UK festivals This list will give a good introduction to the diversity of UK folk festivals. http://ukfolkfestivals.co.uk


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Western Europe In general, within Western Europe, the best market opportunities for folk music are concentrated in Germany, the Netherlands, Belgium and Denmark. While other countries do have touring circuits, and a significant music industry, the work that Folk Music Canada undertook in this research revealed that these markets are the ones most easily accessed for an export-‐ready Canadian folk artist. Within these markets, all folk genres are sought after, but Americana, singer-‐songwriter and indie-‐folk are the sub-‐genres that are most easily developed. Much like the UK, the density of population, and geographic proximity of major markets, makes this area very easy to tour. As well, it is challenging to plan an export strategy in this area without the support of a manager and/or agent.



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Immigration overview http://on-‐the-‐move.org/news/article/19/new-‐eu-‐visa-‐code-‐in-‐force/ http://on-‐the-‐move.org/practicsinfotools/regulatoryissues

Other relevant links to music organizations in Europe European Council of Artists, ECA – the umbrella organization for national councils of artists in Europe: eca.dk European Live Music Forum: europeanlivemusicforum.org European Forum of Worldwide Music Festivals: efwmf.org Womex – the World Music Expo: womex.com

Australia With a thriving folk community, and a solid base of festivals and music venues, Australia can be a cornerstone of an export development career if the fit is right. Initial travel costs are the highest of any export market, but with focused planning, an artist can make this market work for them. As well, with a climate and festival season that is opposite to the northern hemisphere (their season runs from October to April), the Australian market can compliment an artists work in the US, Canada and Europe. Australia's touring circuit is focused on the East and West Coast. Touring acts will commonly perform in the major East Coast cities including Adelaide, Melbourne, Canberra, Sydney and Brisbane. Many tours also incorporate Tasmania and Western Australia. Folk acts in Australia often drive between the East Coast cities and play regional shows to fill out the week. There is an established circuit of venues, particularly between Sydney and Brisbane. However, it can be difficult to pick up Mon/Tue/Wed shows in any regional areas nationwide and therefore more bands are choosing to fly between main cities and only play these shows. There are currently a number of initiatives with government funding behind them to develop this regional circuit for both Australian and international artists.


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Melbourne has 460 music venues according to a 2013 Live Music Census completed by NMIT. This establishes it as one of the live music capitals of the world. Brisbane, Sydney, Adelaide, Hobart, Perth and Canberra also have developed music scenes with specialty 100 -‐ 10,000 capacity music venues.

Networking and contact events for Australia Big Sound, Australian World Music Expo, West Australian Music Expo.


Record Labels Vitamin Records/Little Valley Distribution, MGM Distirbution, Shock Records, Inertia (only release overseas catalogues), Dew Process, Popboomerang Records, Laughing Outlaw, Ivy League, Liberation Music.

Immigration overview http://www.immi.gov.au/visas/temporary-‐visa/420/

Other relevant link Touring Australia guide from 2010 http://www.caama.org/pdf/TheSouthernCompass-‐2010.pdf


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APPENDIX

List of contacts engaged in Export Development Program (for a more comprehensive list, including contact information, please email [email protected]) Role Name

Organization Market

Manager Alastair Burns Alastair Burns Management

Australia

Festival Peter Noble Byron Bay Bluesfest Australia

Agency/venue Geoff Trio Code One Agency Australia

Agency Josh Daly Harbour Agency Australia

Festival Chris Murphy Reds Whites and Blues Festival

Australia

Association Millie Millgate Sounds Australia Australia

Festival Bill Hauritz Woodford Folk Festival Australia

Festival Chloe Goodyear Woodford Folk Festival Australia

Label/Agency Rochholz Tess AdP Records Europe

Presenter Mathieu Aymonod Association culturelle Grand-‐Mère Europe

Festival Robert Mauries Cahoors Blues Festival Europe

Organization Ian Smith Creative Scotland Europe

Presenter Roger Boowens

Cultural Centre Leopoldsburg /Toernee Mondial Europe

Organization Morton Alfred Danish Roots Europe Agent Westera Silke FKP Scorpio Europe

Media Mike Kamp Folker Magazine Europe


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Venue Robbie Klanderman Klanderman Promotion Europe

Agency Patrick de Loecker Loecker Folk Artist Agency Europe

Festival Patrick de Loecker North Sea Folk & Shanty Festival Europe

Publicist/Agent Riedel Anne Queen About Music Europe

Conference

Reeperbahn Festival Europe

Festival Bernhard Hanneken Rudolstadt Festival Europe

Presenter Goran Berg Stiftelsen Musik i VŠst Europe

PR Christian Hald Buhl The Rocking Factory Europe

Presenter Chris Pentney The Sage Gateshead (Folkworks Programme) Europe

Festival Carsten Panduro Tonder Festival Europe Media Philippe Krumm Trad Magazine Europe

Organization Ben Mandelson WOMEX Europe

Media Marco Werman BBC UK Media DJ Ritu

BBC UK

Publicist Loudon Temple Bloodygreatpr UK

Agency/Venue Brenda Wainwrith Brookfield-‐Knights UK

Festival Eddie Barcan Cambridge Folk Festival UK Presenter David Messer DMP Concerts UK

Festival Neil Pearson English Folk and Dance Song Society UK

Media Ian Anderson fRoots UK Media Sarah Coxson fRoots UK

Publicist Geraint Jones G Promo PR UK


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Festival Helen Gregory Glastonbury UK

Agency Matt Bartlett Midnight Mango UK Presenter Mark Meharry Music Glue UK

Agency Terry O'Brien Playpen Management and Agency UK

Presenter Will Rees Pull Up The Roots UK

Festival Davie Henderson Shetland Folk Festival UK

Organization Lisa Whytock Showcase Scotland UK

Festival Neil Pearson Shrewsbury Folk Festival UK Media Simon Broughton Songlines Mag UK

Media Colin Irwin The Guardian/Melody Maker UK

Presenter Howard Monk The Local UK

Presenter David Agnew The Met in Bury UK Agent Mark Anstey Unique Gravity UK Publicist Will McCarthy Will McCarthy UK

Radio

Acoustic Café Radio USA

Festival Glynn Zeigler Albino Skunk Fest USA

Festival

Albuquergue Folk Festival USA

Festival

Alma Highland Festival USA

Festival

American Folk Festival USA

Festival Heather McCarthy American Folk Festival on the Bangor Waterfront USA

Festival Sean Timmons Appel Farm USA


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Music Supervisor/Licencing Ron Proulx Arpix Media USA

Festival

Austin City Limits USA

Festival

Beverley Festival USA Venue Michael Jaworek Birchmere USA

Festival

Bristol Rhythm & Roots Reunion USA

Festival

Brooklyn Folk Festival USA

Festival Chris Porter Bumbershoot/One Reel USA

Festival Christine Myers California World Fest USA

Festival

Cambridge Folk Festival USA

Presenter Gerald Seligman Caravan Arts Consultancy USA

Festival

Central Ohio Folk Festival USA

Festival

Champlain Valley Folk Festival USA

Festival Dan DeWayne Chico Performances USA

Agent Davis McClarty Davis McClarty Agency USA

Broadcasting Venue Taylor Denn E-‐Town USA

Agency Bill Smith Eye For Talent USA

Festival

Falcon Ridge Folk Festival USA

Festival Suzy Thompson Festival of American Fiddle Tunes USA


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Festival

Festival of Friends USA

Festival

Finger Lakes Grassroots Festival USA

Festival

Flagstaff Folk Festival USA

Festival

Florida Folk Festival USA

Festival

Folk College with Simple Gifts USA

Festival

Folkmoot USA -‐ NC Int. Folk Festival USA

Festival Christa Munro FolkWest USA

Festival

Fort Armstrong Folk Festival USA

Festival Michael

Grand Performances USA

Festival

Great Lakes Folk Festival USA

Festival

Great River Folk Festival USA

Festival

Great Waters Music Festival USA

Festival Dana Smith Hardly Strictly/Great American Music Hall USA

Agent Brian Jonas High Road Touring USA

Music Supervisor Bob Hunka Hunka Arts USA

Conference

IBMA World of Bluegrass USA

Music Supervisor John McCoullough

Independant Music Supervisor USA


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Presenter Matt Silverstein Iron Horse Entertainment Group USA

Presenter Diana Ezerins John F. Kennedy Centre for the Performing Arts USA

Festival

Kerrville Folk Festival USA

Festival

Kerrville Wine and Music Fest USA

Venue Frank

Knuckleheads USA

Festival

Kutztown Folk Festival USA

Festival

Lake Eden Arts Festival USA

Radio

Live from Mountain Stage USA

Festival

Lowell Folk Festival USA

Festival

Memphis Music & Heritage Festival USA

Festival

Middlebury Festival on the Green USA

Festival

Millpond Music Festival USA

Festival

Moab Folk Festival USA

Presenter Madeleine Remez National Council for Traditionnal Arts USA

Presenter Julia Olin National Council for Traditionnal Arts USA


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Festival

National Folk Festival USA

Festival

National Oldtime Fiddlers' Festival USA

Presenter/festival Phil McIntyre New England Celtic Arts USA

Festival Jay Sweet Newport Folk Festival USA

Festival

Newport Folk Festival USA

Festival

Northwest Folklife Festival USA

Festival

Old Songs Festival USA

Venue/Festival/School Troy

Hansbrough

Old Town School of Folk Music USA

Festival Michael Cloeren Pennslvania State USA

Media Mary Armstrong Philadelphia City Paper USA

Festival Jesse Lundy Philadelphia Folk Festival USA Festival

Pickathon USA

Presenter William Lewis

Pinecone: Piedmont Council of Traditional Music USA

Fesitval Steve Szymanski

Planet Bluegrass/RockyGrass/Telluride USA

Festival

Portland Folk Festival USA

Festival

Prescott Park Arts Festival USA


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Music Supervisor Rick Farrell Rick Farrell supervisor USA

Festival

Rocky Mountain Folks Festival USA

Festival

San Francisco Free Folk Festival USA

Festival

Sark Folk Festival USA

Festival

Sea Music Festival USA

Festival Cloud Moss Sebastapol / Kate Wolf Festival USA

Festival Sara Waters

Shakori Hills Community Arts Centre/Grassroots Festival USA

Media Mark Moss Sing Out magazine! USA

Festival

Sisters Folk Festival USA

Festival

Smithsonian Folklife Festival USA

Festival

Southern Shore Music Festival USA

Music Supervisor Aminé Ramer States of Sound USA Festival Charlie Cran Strawb Fest USA

Management Michael Nieves Sugaroo! USA

Presenter Marcia Egan Susquehanna Folk Music Society USA

Presenter Jess Hayden Susquehanna Folk Music Society USA

Conference Brad First SXSW USA


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Festival

Takoma Park Folk Festival USA

Festival

Texas Folklife Festival USA Presenter Anya Siglund The Ark USA

Presenter Lara Sunday The Green Room USA

Presenter Jennifer Gilson The Living Room USA

Promotions

The Planetary Group USA

Festival

Topanga Banjo Fiddle Contest & Folk Festival USA

Festival

Virginia Key Grassroots Festival USA

Festival

Walnut Valley Festival USA

Music Supervisor Niki Sherrod Warner Bros Studios/Films USA

Festival

Whispering Beard Folk Festival USA

Festival

White Squirrel Festival USA

Festival

WoodyFest USA

Media David Dye World Cafe/NPR USA

Festival

Yungaburra Folk Festival USA

Radio/Web DJ Bob McWilliams

West Side Folk USA

Presenter/Promoter

Nancy Emrich Freeman

Lil Fest USA

Organization/Society/Arts Office

Millie Millgate

Sounds Australia

Australia


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Booking Agent Nancy Fly

Nancy Fly Agency USA Radio/Web DJ Mark Corso

WRSU-‐FM USA

Presenter/Promoter Jim Magill

The Swannanoa Gathering USA

Presenter/Promoter Carleigh Welsh

Levitt Pavilion Westport USA

Presenter/Promoter Liz Levitt Hirsch

Levitt Pavilions USA

Presenter/Promoter George Jones


Presenter/Promoter Carleigh Welsch


Presenter/Promoter Eddie Cota


Radio/Web DJ John Sincock

KBCS Radio USA

Booking Agent Susie Giang

Fleming Artists USA

Artist Manager Robyn Davis

Indie Squared Entertainment USA

Artist Manager Jon Lindström

Sepia USA

Artist Manager

William [Biff] Kennedy

Charterhouse Music Group USA

Booking Agent Laura Thomas

ComboPlate Booking USA

Booking Agent Lucy Haislip

The Americana Agency USA

Booking Agent John Laird

The Americana Agency USA

Booking Agent Ian Davies

IDEA -‐ Ian Davies Entertainment Agency USA

Booking Agent Anna Creek

Quicksilver Productions USA

Booking Agent Mary Granata

The Granata Agency/NERFA USA


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Booking Agent David Tamulevich

Tamulevich Artist Management USA

Booking Agent Mike Green

Mike Green & Associates USA

Booking Agent Matt Greenhill

Folklore Productions International USA

Booking Agent Bill Smith

Eye for Talent USA

Festival Jim Gillespie

Blissfest USA

Booking Agent Mark Lourie

Skyline Music USA

Online Music Service Molly King

CD Baby USA

Online Music Service Linda Fahey

FolkAlley.com/WKSU 89.7 FM USA

Online Music Service Matt Watroba

FolkAlley.com/WKSU 89.7 FM USA

Online Music Service Madalyn Sklar

GoGirlsMusic.com USA


Cheryl Prashker

NERFA USA


Troy Campbell

The House of Songs USA

Organization/Society/Arts Office Jed Hilly

Americana Music Association USA


Katie Weatherall

British Underground USA


Crispin Parry

British Underground USA

Organization/Society/Arts Office Katy Spicer

English Folk Dance and Song Society USA


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Organization/Society/Arts Office Kelly Wells

Folk School of St. Louis USA


Antwn Owen-‐Hicks

Arts Council of Wales USA


Erika Wollam-‐Nichols

The Bluebird Cafe/Nashville Songwriters Association International USA

Radio/Web DJ Joan Kornblith

Voice of America USA

Other Rebecca Kemp

On Tour Logistics USA


Dianne Tankle

NERFA Conference Director USA

Presenter/Promoter Art Menius

The ArtsCenter/WMMT-‐FM/WCOM-‐FM/WCHL-‐AM/FM USA

Presenter/Promoter Donald Davidoff

Swallow Hill Music Association USA

Presenter/Promoter Thomas Belinoski

Onion Creek House Concerts USA

Presenter/Promoter Jimmy Duke

Dark Thirty Productions USA

Presenter/Promoter Rick Hinterthuer

Buffalo River Concerts & Roots Festival USA

Presenter/Promoter Shirley Montague

Trails Tales & Tunes Festival USA

Presenter/Promoter Laurie Laba

Fox Run Concerts USA

Presenter/Promoter Patricia Tanner

Calliope: The Pittsburgh Folk Music Society USA


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Presenter/Promoter Marianne James

The Ark USA

Presenter/Promoter Maggi Landau

Presenter USA

Presenter/Promoter Neal Copperman

AMP Concerts USA

Presenter/Promoter Dalis Allen, Empress

Kerrville Folk Festival/ SW Regional Folk Alliance USA

Presenter/Promoter David Holiday

Stone Room Concerts USA

Presenter/Promoter Sarah Craig

Caffe Lena USA

Presenter/Promoter Ashley Vitha

Madison Square Park Conservancy USA

Presenter/Promoter

Carol Obertubbesing

Woodstock Folk Festival USA

Presenter/Promoter Jean Spivey

Old Settler's Music Festival USA

Presenter/Promoter Adam Slough

Folk by the Oak Festival UK

Presenter/Promoter Levi Landis

Philadelphia Folksong Society/Folk Festival USA

Presenter/Promoter Beth Auerbach

Sleepy Hollow Folk Club House Concerts USA

Presenter/Promoter Karen Finkenberg

Folk Music Society of Huntington NY USA

Presenter/Promoter Rob Ellen

The European House Concert Hub UK

Presenter/Promoter Stanley McGaughey

Caffè Lena USA

Print/Web Media Kim Ruehl

NoDepression.com USA


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Print/Web Media Mary Armstrong

Philadelphia City Paper USA

Print/Web Media Michael Kornfeld

AcousticMusicScene.com USA

Publicity/Marketing Donna Mavity

Donna's Americana Promotions USA

Publicity/Marketing

Devon Leger, Hearth Music

Hearth Music USA

Radio/Web DJ Mary Sue Twohy

SiriusXM Satellite Radio USA

Radio/Web DJ Robert Resnik

Vermont Public Radio USA

Radio/Web DJ Nora Ostrander

Vermont Public Radio USA

Radio/Web DJ Al Kniola

88.1 WVPE Public Radio USA

Radio/Web DJ Wanda Fischer

WAMC-‐FM/Northeast Public Radio USA

Radio/Web DJ Barnes Newberry

MVY Radio USA

Radio/Web DJ Sonny Ochs

NERFA USA

Radio/Web DJ Taylor Caffery

WRKF-‐FM USA

Radio/Web DJ Sue Kessell

WNUR FM/Old Town School of Folk Music USA

Radio/Web DJ Jimmy Gottlieb

Deeper Cuts Radio USA

Radio/Web DJ Rich Warren

WFMT Radio, The Midnight Special / Folkstage USA

Radio/Web DJ Pamela Smith

Amazon Radio on WPKN USA


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Radio/Web DJ Jane Falvey

The Kingston Coffeehouse/WRIU Kingston, 90.3 fm USA

Radio/Web DJ John Platt

WFUV Radio USA

Radio/Web DJ Stevie Connor

WeeDan Music / Wee Dan's Hoose Blues & Roots Radio / HAZE FM USA

Radio/Web DJ Greg Vandy

KEXP USA Radio/Web DJ Bob Weiser

WOMR USA

Radio/Web DJ Volker Steppat

German Public Radio Bremen/Nordwestradio

Germany

Radio/Web DJ Mary Cliff

Traditions -‐ WAMU 88.5 & BluegrassCountry.org USA

Radio/Web DJ Ralph McLean

BBC ULSTER / The Irish Times UK

Radio/Web DJ Jim Blum

WKSU-‐NPR FOLK ALLEY USA

Record Label Bernard Kleikamp

Pan Records USA

Record Label Lindsay Hayes

Red Beet Records USA

Record Label Ken Irwin

Rounder Records USA

Record Label Ashley Warren

Music Road Records USA

fmc how to export canadian folk music to usa, europe and australia

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