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Lacrimosa or 13 Magic Songs
www.donemus.nl
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Lacrimosa
or visit http://www.shapeshift.group/lacrimosa/
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Score example
If there haven't been tears in your eyes, there won't be a rainbow in your soul
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wwwwwwwwwwwwwwwwwwwwwwww
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poco a poco dim.
poco a poco dim.
poco a poco dim.
poco a poco dim.
poco a poco dim.
poco a poco dim.
poco a poco dim.
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irregular increase in durations to achieve a rit. effect
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diminuendo dal niente
diminuendo dal niente
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diminuendo dal niente
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irregular increase in durations to achieve a rit. effect
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3diminuendo dal niente
irregular increase in durations to achieve a rit. effect
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diminuendo dal niente
2 1
diminuendo dal niente
irregular increase in durations to achieve a rit. effect
diminuendo dal niente
1212
*Make glissando continuously while keeping the same chord position without stopping the fingers till the end of the movement. Intermediate notes are only a reference indication in a given time interval.The numbers above the chords indicate the amount of notes per beat.
http://www.donemus.nlmailto:[email protected]://www.donemus.nlmailto:[email protected]://www.shapeshift.group/lacrimosa/http://www.shapeshift.group/lacrimosa/
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Shapeshift The piece is performed by Shapeshift. It is a flexible executive ensemble, band, collective, music group and
orchestra, that was founded by composers Jan-Peter de
Graaff, Reza Namavar, Christiaan Richter, Maxim
Shalygin, Janco Verduin and the percussionist
Konstantyn Napolov.
Shapeshift has four focus points in repertoire.
premiere of new music especially written for
Shapeshift in close collaboration with the composer;
restore recent high-quality pieces pieces that have
not been performed often, have never been played in
the Netherlands or just have been unjustly landed on
the shelf;
performance of various 20 / 21st century classics.
Exciting and adventurous music that is not always
heard live;
performance of music from the 18th and 19th
centuries linked to the previous points.
CD Crowdfunding Please support the crowdfunding campaign CD - Lacrimosa or 13 magic songs. You can make a contribution on voordekunst.nl. Your financial support will be used to pay for the rent of the recording space, the work of musicians, the work of TRPTK recording company.
As crowdfunding is a co-project, I will be glad to do something in return especially for you. At the website you can make your choice from various options and gifts.
Best wishes, Maxim Shalygin
Context The Requiem has developed from the funeral mass and become widely popular as a secular type of sacred music. Arguably
because of its subject matter, the genre hasnt died during the
20th century; it has lived on, with works by Britten, Ligeti,
Schnittke and Penderecki expressing how their authors longed for
reconciliation with, and forgiveness from, the world and
themselves.
The heart of the Requiem is the Dies Irae, well known for the words with which it opens but, thanks to Mozart, no less for its
conclusive lines:
Ah! that day of tears and mourning, From the dust of earth returning Man for judgement must prepare him, Spare, O God, in mercy spare him. Lord, all-pitying, Jesus blest, Grant them Thine eternal rest. Amen.
It is exactly this prayer for forgiveness and reconciliation that has
won the Requiem its popularity. Although many Requiem varieties exist, to our knowledge no purely instrumental version
has been composed yet. The Lacrimosa express an interesting and original view on the genre, in which violins replace human
voices, sounding now as a prayerful chant, then as a malignant
howl or a bird song.
Most importantly, the parts relay an alternating perusal of the text
of Lacrimosa as it is perhaps the most strikingly human, prayerful words that exist, asking God for redemption and mercy.
The Lacrimosa or 13 Magic Songs are a lamentation, mans final prayer before Judgement. This prayer can at once be terse and
show the various states of man: gleeful, repenting, fearful,
lamenting, faithful During the performance of the 13 Songs, the listeners souls are supposed to pass through a series of
excruciating, expressive stages and finally reach a catharsis. This
direction determines the cycles dramaturgic structure. The aim is
to transform an immediate, openly emotional response to
powerful impressions something most contemporary art
refuses to deal with into the musical form of the Lacrimosa. For all the varied techniques to be applied in the work, its
emphasis is on feelings, its aspiration to capture the listeners
minds, immersing them in the affect of each part. This idea can be
realized only by a multi-voice, single-timbre ensemble of violins,
which are at once a unity and a multitude, one soul and its many
voices, a number of people struggling to come at peace with the
world, one another, and silence
Composers note Writing music for the common 20th-century types of classical
ensembles that comprise a variety of instruments has lost its
appeal to me over the last couple of years. My musical forms
tend to show a reduction to homogeneous instrumental
compositions: the Marian Antiphons for 12 voices a cappella, the Insane Dances for saxophone quartet, SixBagatelles for Two Violins, the Suite Homage to Alfred Schnittke for three cellos, etc. Thus, I conceived of a cycle for a lifetime, entitled Similar. Its first chapter is to be the Lacrimosa or 13 Magic Songs for seven violins.
Performances 7 September - Gaudeamus Muziekweek, Utrecht
9-12 November - Sounds of Music, Groningen
11 November - November Music, 's-Hertogenbosch
10 February 2018 - Kunsthuis Dat Bolwerck, Zutphen
13 February 2018 - De Link, Tilburg
Photo Maxim Shalygin by Dmitry Ganushevich, Photo of Shapeshift byAnya Reshetniak
Lacrimosa or 13 Magic Songs
http://voordekunst.nl/http://voordekunst.nl/