flatpicking guitar magazine index of technique

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FLATPICKING GUITAR MAGAZINE INDEX ofTECHNIQUE, THEORY, STYLE, and GUITAR EXERCISES

Current as of September/October 2013 (Volume 17, Number 6) Issue

Flatpicking Guitar Magazine has presented the following articles that cover topics relating to guitar technique, theory, and practice exercises (listed by category). All but 8 of our back issues are still available for purchase (call 800-413-8296 or go to www.flatpickingmercantile.com to order). All of these back issues are also available for download at www.flatpickdigital.com.

Technique:

Playing Up-the-Neck:• Playing Up-the-Neck #1, by Orrin Star, Volume 1, Number 1, page 35• Playing Up-the-Neck #2, by Orrin Star, Volume 1, Number 2, page 35• Playing Up-the-Neck #3, by Orrin Star, Volume 1, Number 3, page 38• Playing Up-the-Neck #4, by Orrin Star, Volume 1, Number 4, page 34• Playing Up-the-Neck #5, by Orrin Star, Volume 1, Number 5, page 37• Starting Up-the-Neck #1, by Steve Pottier, Volume 3, Number 5, page 56• Starting Up-the-Neck #2, by Steve Pottier, Volume 3, Number 6, page 62• Starting Up-the-Neck #3, by Steve Pottier, Volume 4, Number 1, page 70• Starting Up-the-Neck #4, by Steve Pottier, Volume 4, Number 2, page 62• Going Up The Neck, by Chris Jones, Volume 4, Number 6, page 35• Christmas Up-the-Neck, by Chris Jones, Volume 7, Number 1, page 38• Changing Positions, by Steve Kaufman, Volume 7, Number 3, page 23• Up-the-Neck for Beginners, by Dan Huckabee, Volume 7, Number 5, page 12• Up-the-Neck with “Old Joe Clark”, arranged by Dan Huckabee, Volume 7, Number 6, page 13• Moving Up-the-Neck (Forked Deer), arranged by Dan Miller, Volume 9, Number 2, page 40• Moving Up-the-Neck (Arkansas Traveler), arranged by Dan Miller, Volume 9, Number 3, page 42• Moving Up-the-Neck (Worried Man Blues), arranged by Dan Miller, Volume 9, number 4, page 45• Moving Up-the-Neck (More Pretty Girls Than One), arranged by Dan Miller, Volume 9, Number 5, page 44• Major Scales Up the Fingerboard, by Craig Vance, Volume 11, Number 5, page 10• Chords Up-the-Neck (Sweet Georgia Brown), by Dix Bruce, Volume 12, Number 2, page 45• The CAGED System, Part I, by Adam Granger, Volume 13, Number 2, page 52• The CAGED System, Part II, by Adam Granger, Volume 13, Number 3, page 50• Bag-fed CAGED, by Orrin Star, Volume 13, Number 3, page 32• A Horizontal Approach to the Fingerboard, by Jeff Troxel, Volume 16, Number 2, page 27• A Horizontal Approach to the Fingerboard Part II, by Jeff Troxel, Volume 16, Number 3, page 24• A Horizontal Approach to the Fingerboard III: D Major, by Jeff Troxel, Volume 16, Number 4, page 24• A Horizontal Approach to the Fingerboard IV: A Major, by Jeff Troxel, Volume 17, Number 1, page 25



Harmony and Guitar Duets:• Guitar Duet #1, by Dix Bruce, Volume 1, Number 1, page 37• Harmony Singing I, by Dan Huckabee, Volume 3, Number 3, page 13• Harmony Singing II, by Dan Huckabee, Volume 3, Number 4, page 13• Harmony Singing III, by Dan Huckabee, Volume 3, Number 5, page 11• Harmony to “Over The Waterfall”, arranged by Adam Granger, Volume 3, Number 4, page 55• Harmony Singing IV, by Dan Huckabee, Volume 3, Number 6, page 12• Whiskey Before Breakfast (melody & harmony), arranged by John Tindel, Volume 5, Number 2, page 27• Rickett’s Hornpipe, arranged by Dudley Murphy, & Adam Granger, Volume 12, Number 4, page 13• Sally Goodin’ and Guitar Harmony, arranged by Dix Bruce, Volume 12, Number 4, page 46• Learning Harmony Parts, by Dan Miller, Volume 14, Number 2, page 6• Whiskey Before Breakfast, arranged by Dan Miller, Volume 14, Number 2, page 9• Blackberry Rag, arranged by Robert Bowlin, Volume 14, Number 2, page 22• Liberty, arranged by Adam Granger and Dudley Murphy, Volume 14, Number 2, page 17• Over The Waterfall, arranged by Kathy Barwick, Volume 14, Number 3, page 33 • Salt Creek, arranged by Craig Vance, Volume 16, Number, 6, page 21

Right Hand Technique & Development:• Right Hand Technique #1, by Steve Kaufman, Volume 1, Number 2, page 22• Pick Direction, by Dan Huckabee, Volume 1, Number 5, page 13• Right Hand Technique #2, by Dan Huckabee, Volume 1, Number 6, page 12• Right Hand Command, by John McGann, Volume 3, Number 2, page 60• Working with the Right Hand, by Mike Maddux, Volume 5, Number 5, page 51• Right-Hand Mini Workout, by Brad Davis, Volume 10, Number 5, page 31• Right Hand Practice Using the Circle of 4ths, by Jeff Troxel, Volume 10, Number 5, page 37• The Rhythm Pick Pattern, by Brad Davis, Volume 11, Number 1, page 27• Giuliani Studies for Pick Style Guitar, by Jeff Troxel, Volume 13, Number 5, page 28• Giuliani Studies for Pick Style Guitar (con’t), by Jeff Troxel, Volume 13, Number 6, page 32• Right Hand Exercises, by Brad Davis, Volume 13, Number 3, page 23• Justin’s Right Hand Exercises, by Jeff Troxel, Volume 13, Number 3, page 26• Bag-fed CAGED, by Orrin Star, Volume 13, Number 3, page 32• Alternate Pick Direction, by Steve Kaufman, Volume 16, Number 1, page 28• Right Hand Exercise: Consistent Attack, by Dan Miller, Volume 17, Number 2, page 25• Accuracy, by Brad Davis, Volume 17, Number 5, page 25

Double-Down-Up:• Double-Down-Up #1, by Brad Davis, Volume 1, Number 1, page 21• Double-Down-Up #2, by Brad Davis, Volume 1, Number 2, page 24• Double-Down-Up The Easy Way, by Brad Davis, Volume 3, Number 4, page 33



The Rest Stroke:• Rest Stroke, by Joe Carr, Volume 1, Number 3, page 16• Clarence White Style #3: The Rest Stroke (Carter’s Blues), by Steve Pottier, Volume 1, Number 3, page 50• Twenty-five Rest Stroke Licks, by Joe Carr, Volume 2, Number 1, page 18• The Rest Stroke Revisited, by Steve Pottier, Volume 7, Number 5, page 63• The Rest Stroke, by Brad Davis, Volume 14, Number 5, page 28• The Rest Stroke, by Steve Pottier, Volume 16, Number 1, page 65• More Rest Strokes, by Steve Pottier, Volume 16, Number 2, page 55

Crosspicking:• Crosspicking #1, by Dix Bruce, Volume 1, Number 2, page 37• Crosspicking “Gold Watch and Chain”, arranged by Dix Bruce, Volume 3, Number 4, page 45• Wyatt Rice and Crosspicking Rhythm, by Joe Carr, Volume 3, Number 5, page 13• Crosspicking “Lonesome”, by Orrin Star, Volume 3, Number 6, page 42• Crosspicking (Dixie Hoedown), arranged by Mike Maddux, Volume 5, Number 2, page 53• Banks of the Ohio, arranged by George Shuffler and James Alan Shelton, Volume 5, Number 3, page 41• Crosspicking, by John McGann, Volume 7, Number 3, page 70• Crosspicking, by Dan Crary, Volume 7, Number 4, page 40• Crosspicking, Part II, by Dan Crary, Volume 7, Number 5, page 36• Crosspicking Triad Positions, by Dan Huckabee, Volume 9, Number 6, page 16• Crosspicking & Nine Pound Hammer, by John McGann, Volume 9, Number 6, page 65• Using Crosspicking Rolls (Arkansas Traveler), arranged by Kathy Barwick, Volume 10, Number 1, page 37• Farther Along, arranged by Dix Bruce, Volume 10, Number 1, page 52• Inside Crosspicking Rolls, by Kathy Barwick, Volume 10, Number 3, page 57• Crosspicking Made Easier (Beaumont Rag), by Kathy Barwick, Volume 10, Number 4, page 28• Crosspicking Fiddle Tunes, arranged by Kathy Barwick, Volume 10, Number 5, page 34• The Rhythm Pick Pattern, by Brad Davis, Volume 11, Number 1, page 27• Crosspicking Exercises, arranged by Kathy Barwick, Volume 11, Number 1, page 32• Crosspicking “Evening Prayer Blues”, arranged by Kathy Barwick, Volume 11, Number 2, page 32• Crosspicked “Red River Valley”, arranged by Adam Granger, Volume 11, Number 6, page 63• Crosspicking: The Column, by Adam Granger, Volume 12, Number 1, page 60• Using Crosspicking, by Adam Granger, Volume 12, Number 2, page 61• Stone Walls & Steel Bars, arranged by George Shuffler, Volume 13, Number 6, page 47• Crosspicking as Filler: Fireball Mail, arranged by Kathy Barwick, Volume 14, Number 4, page 35• Crosspicking “Will The Circle Be Unbroken,” by Kathy Barwick, Volume 14, Number 5, page 37• Crosspicking “Wildwood Flower,” by Kathy Barwick, Volume 16, Number 1, page 44• Crosspicking (Cover Story), by Dan Miller, Volume 16, Number 5, page 6• Wildwood Flower, arranged by Dan Miller, Volume 16, Number 5, page 16• Bury Me Beneath the Willow, arranged by Dan Miller, Volume 16, Number 5, page 17• Will You Miss Me, arranged by Dan Huckabee, Volume 16, Number 5, page 19



• When the Roll is Called Up Yonder, arranged by Steve Kaufman, Volume 16, Number 5, page 21• June Apple, arranged by Jeff Troxel, Volume 16, Number 5, page 26• Crosspicking Exericse, by Adam Schlenker, Volume 16, Number 5, page 32• Angeline the Baker, arranged by Adam Schlenker, Volume 16, Number 5, page 33• The Last Thing On My Mind, arranged by Kathy Barwick, Volume 16, Number 5, page 34• Sandy River Belle, arranged by Orrin Star, Volume 16, Number 5, page 38• This Little Light of Mine, arranged by Dix Bruce, Volume 16, Number 5, page 40

Floating:• Floating Licks, by Mike Maddux, Volume 3, Number 4, page 49• What is a Floating Lick?, by Dan Miller, Volume 6, Number 2, page 63

Dynamics:• Dynamic Breaks (Blue Moon of Kentucky), arranged by Chris Jones, Volume 5, Number 5, page 36• Volume and Dynamics, by Chris Jones, Volume 6, Number 4, page 37• Dynamite Dynamics, by Brad Davis, Volume 7, Number 6, page 56• Harmonics, by Mike Maddux, Volume 10, Number 4, page 49

Double Stops:• Yodel on the Guitar, by Steve Pottier, Volume 5, Number 3, page 61• More Double Stops, by Steve Pottier, Volume 5, Number 4, page 63• Double Stop Challenge, by Steve Pottier, Volume 5, Number 5, page 65• Double Stops I, by Chris Jones, Volume 7, Number 5, page 41• Double Stops, Part II, by Chris Jones, Volume 7, Number 6, page 43• Harmonized Scales, by John Tindel, Volume 8, Number 1, page 15• Double Stops and Interval Skips, by Mike Maddux, Volume 8, Number 3, page 61• Double Stop Solo—Knoxville Girl, arranged by Dix Bruce, Volume 8, Number 4, page 47• Third Interval Double Stops, by Adam Granger, Volume 9, number 4, page 62• Toggle, Double Stop, Tremolo, by Brad Davis, Volume 16, Number 1, page 34

Kick-offs, Turnarounds, Fills, Connectors, and Endings:• Kick-offs #1, by Chris Jones, Volume 1, Number 2, page 27• Kick-off #2, by Chris Jones, Volume 1, Number 5, page 34• Starting Solos, by Brad Davis, Volume 1, Number 6, page 30• Filling in the Holes, by Chris Jones, Volume 2, Number 1, page 33• Fifty Ways to Kick-off Salt Creek, by Steve Pottier, Volume 2, Number 4, page 56• Slow Song Intros, by Chris Jones, Volume 3, Number 2, page 35• The Turnaround, by Chris Jones, Volume 3, Number 3, page 34• Standard Kick-0ffs, by Dan Huckabee, Volume 4, Number 2, page 13• Trail Offs, by Chris Jones, Volume 4, Number 2, page 34



• Two of Us Intro Example, by John Tindel, Volume 4, Number 5, page 24• Get Back Fill Example, by John Tindel, Volume 4, Number 5, page 24• Connector Licks, by Chris Jones, Volume 5, Number 1, page 34• Blue Sky (Intro and Fill examples), by John Tindel, Volume 5, Number 3, page 26• Kick-off Songs On Guitar, by Steve Pottier, Volume 6, Number 1, page 66• Break Intros I, by Chris Jones, Volume 6, Number 2, page 35• Doc Watson Fill Licks, by Steve Kilby, Volume 6, Number 4, page 16• Break Intros II, by Chris Jones, Volume 6, Number 4, page 35• Intros and Tags I, by Harold Streeter, Volume 6, Number 4, page 51• Intros and Tags II, by Harold Streeter, Volume 6, Number 5, page 54• The Fundamentals of Chord Change Runs, by Dan Crary, Volume 7, Number 1, page 40• Kick-offs, Turnarounds, & Embellishments, by Dan Huckabee, Volume 9, Number 1, page 16• Turn Arounds, by John Carlini, Volume 14, Number 4, page 27• Endings, by Orrin Star, Volume 14, Number 4, page 38• Walk Up Examples, by Steve Pottier, Volume 15, Number 6, page 55

Tuning, Timing, Tone, Taste:• Guitar Tuning, by David Moultrup, Volume 1, Number 2, page 69• The Taste Factor, by John Tindel, Volume 1, Number 6, page 23• Tone, Taste, and Timing, by John Tindel, Volume 2, Number 1, page 24• Timing Exercises, by John McGann, Volume 2, Number 1, page 67• Break Timing, by Chris Jones, Volume 3, Number 4, page 36• Time and the Metronome, by John Carlini, Volume 5, Number 3, page 34• Syncopation (Little Maggie), arranged by Chris Jones, Volume 5, Number 3, page 39• Double Time Lead, by Brad Davis, Volume 3, Number 2, page 33• The Five T’s of Music, by Mike Maddux, Volume 6, Number 2, page 53• The Metronome, by John McGann, Volume 7, Number 2, page 71• Timing, by John McGann, Volume 7, Number 4, page 69• Ahead of the Beat, Behind the Beat, by Joe Carr, Volume 8, Number 6, page 14• Tone Production, by John McGann, Volume 9, Number 5, page 62• Understanding Syncopation, by Mike Maddux, Volume 11, Number 5, page 50• Developing Better Timing, by John McGann, Volume 16, Number 1, page 64• Timing Practice, by Brad Davis, Volume 17, Number 2, page 48

Misc. Technique:• Drone Strings, by John Tindel, Volume 1, Number 3, page 19• Bending Strings, by John Tindel, Volume 1, Number 3, page 19• The Open String Effect, by John Tindel, Volume 2, Number 5, page 24• Muting, by John Tindel, Volume 1, Number 5, page 24• Transition from Rhythm to Lead #1, by Dan Huckabee, Volume 2, Number 2, page 15



• Call and Response, by Dix Bruce, Volume 3, Number 1, page 49• Split Breaks, by Chris Jones, Volume 4, Number 4, page 37• Vibrato, by Paul Mehling, Volume 7, Number 1, page 44• Sustaining Notes, by Brad Davis, Volume 7, Number 3, page 37• Working with the Inner Strings, by Mike Maddux, Volume 7, Number 6, page 53• Modulation: Key Changes in a Song, by Dan Huckabee, Volume 8, Number 1, page 11• Fearless Tremelo, by Paul Mehling, Volume 8, Number 5, page 40• Chickin’ Pickin’ Flatpickin’, by Brad Davis, Volume 9, Number 4, page 39• Double Shuffle Exercises, by Mike Maddux, Volume 11, Number 1, page 51• Hybrid Flatpicking, by Dix Bruce, Volume 12, Number 3, page 44• Telecaster Licks, by Brad Davis, Volume 13, Number 5, page 25• Flatpicking to Fingerpicking, arranged by Paige Anderson, Volume 13, Number 6, page 62• Note Bending, by Brad Davis, Volume 13, Number 6, page 30• Hybrid Picking, by Brad Davis, Volume 14, Number 3, page 26• Muting Strings, by Joe Carr, Volume 14, Number 4, page 21• Chord Solo Flatpicking, by Mike Maddux, Volume 14, Number 4, page 50• Flatpicking Technique: Hammer, Pull, Slide, by Bill Bay, Volume 16, Number 1, page 61• Hammer and Pull Exercises, by Kathy Barwick, Volume 16, Number 2, page 35• Exercises in E Minor, by Mike Maddux, Volume 16, Number 2, page 46

Technique Exercises:• Ascending & Descending Warm-Up Exercise, by Craig Vance, Volume 1, Number 1, page 14• Chromatic Warm-up Exercise, by John Tindel, Volume 1, Number 1, page 19• Exercises, Technique, and Form, by Adam Granger, Volume 2, Number 1, page 51• Warming Up, by Steve Pottier, Volume 2, Number 6, page 58• Descending Exercise, by John Tindel, Volume 6, Number 1, page 23• Finger Exercises, by John Tindel, Volume 7, Number 4, page 17• Single String Exercises, by Paul Mehling, Volume 7, Number 5, page 43• Bouncing the Strings Exercise, by Mike Maddux, Volume 7, Number 5, page 49• Flattop Guitar Workout, by Brad Davis, Volume 10, Number 4, page 24• Right-Hand Mini Workout, by Brad Davis, Volume 10, Number 5, page 31• Pinky Exercises, by Mike Maddux, Volume 11, Number 2, page 54• Chord Arpeggio Exercises, by Mike Maddux, Volume 11, Number 2, page 54• Pull-off Practice, by Craig Vance, Volume 12, Number 4, page 17• Slurring Exercises, by Jeff Troxel, Volume 12, Number 4, page 33• Slurring Continued, by Jeff Troxel, Volume 12, Number 6, page 28• Giuliani Studies for Pick Style Guitar, by Jeff Troxel, Volume 13, Number 5, page 28



Alternate Tuning:• Open Tuning, by Orrin Star, Volume 3, Number 1, page 42• Orkney Tuning, by Steve Baughman, Volume 5, Number 3, page 29• Alternate Tuning, by Roberto Dalla Vecchia, Volume 7, Number 6, page 40• Changing the Tuning, by Brad Davis, Volume 6, Number 5, page 36• Angeline the Baker, arranged by Roberto Della Vecchia, Volume 9, Number 1, page 42• Flowers of Edinburgh , arranged by Roberto Dalla Vecchia, Volume 11, Number 1, page 65

Learning From Other Instruments:• Learning from Other Instruments, by John McGann, Volume 2, Number 2, page 68• Learning from Other Instruments, by Dix Bruce, Volume 2, Number 3, page 45• Banjo Tunes, by Chris Jones, Volume 3, Number 6, page 38• Mandolin Lick Phrase, by Brad Davis, Volume 7, Number 1, page 37• Learning from Other Instruments and Players, by Mike Maddux, Volume 7, Number 3, page 55

Improvising:• Licks for Improvising, by Brad Davis, Volume 1, Number 4, page 26• The Joy of Noodling, by Scott Nygaard, Volume 1, Number 4, page 39• Variations of Fiddle Tunes, by Adam Granger, Volume 1, Number 4, page 51• Improvising on the Tune, by Dave Bricker, Volume 2, Number 1, page 47• To Improvise or Plan, by Chris Jones, Volume 2, Number 2, page 35• Improvisation, by Steve Pottier, Volume 2, Number 2, page 56• To Improvise or Plan, Part 2, by Chris Jones, Volume 2, Number 3, page 35• Improvisation II, by Steve Pottier, Volume 2, Number 3, page 56• More About Variations, by Adam Granger, Volume 2, Number 4, page 54• Improvisation III, by Steve Pottier, Volume 2, Number 4, page 56• Improvisation IV, by Steve Pottier, Volume 3, Number 1, page 60• Improvisation V, by Steve Pottier, Volume 3, Number 2, page 57• Improvisation VI, by Steve Pottier, Volume 3, Number 3, page 57• Improving the Improv, by John Tindel, Volume 3, Number 5, page 28• Improvising with the Plug-in Method, Volume 3, Number 5, page 33• Building Your Lick Library, by Brad Davis, Volume 4, Number 5, page 34• Adding to Your Lick Library, by Brad Davis, Volume 4, Number 6, page 37• Building Your Lick Library: Key of B, by Brad Davis, Volume 5, Number 1, page 36• Building Your Lick Library in C, by Brad Davis, Volume 5, Number 3, page 36• Beginning to Improvise Swing & Jazz (Lady Be Good), by Dix Bruce, Volume 5, Number 3, page 46• Reinventing Old Licks, by Brad Davis, Volume 6, Number 4, page 33• Developing Your Own Style, by Steve Pottier, Volume 7, Number 2, page 69• Arpeggio Practice, by Craig Vance, Volume 12, Number 4, page 17• Improvisation, by John Carlini, Volume 13, Number 5, page 23• About Improvisation, by Adam Granger, Volume 14, Number 1, page 51



Theory:Scales:• Major Scales & Intervals, by Dave Bricker, Volume 1, Number 1, page 43• The Blues Scale, by Dave Bricker, Volume 1, Number 5, page 48• Bass Lines, by Dave Bricker, Volume 1, Number 6, page 47• Scale Positions and Melodic Patterns, by Scott Nygaard, Volume 2, Number 1, page 39• Practicing Scales, by Mike Maddux, Volume 2, Number 2, page 49• The C Major and A minor Scales, by Mike Maddux, Volume 2, Number 3, page 49• Two Octave Scale Study in G, by Mike Maddux, Volume 2, Number 5, page 48• First Position Scales, by Adam Granger, Volume 3, Number 1, page 58• Pentatonic Scale, by Dix Bruce, Volume 3, Number 3, page 46• C & D Scale Studies, by Mike Maddux, Volume 3, Number 6, page 50• G Major Extended Scale, by Mike Maddux, Volume 4, Number 1, page 61• Scale Studies (A, Ab, B, Bb), by Mike Maddux, Volume 4, Number 2, page 47• Scale Studies (C#, D, Eb, E, F#), by Mike Maddux, Volume 4, Number 3, page 46• Scale Study in D, by Mike Maddux, Volume 5, Number 1, page 50• Chromatic Scale Exercise, by Mike Maddux, Volume 6, Number 1, page 54• Practice in the Key of E, by John Carlini, Volume 6, Number 2, page 26• Folded Scales, by Adam Granger, Volume 6, Number 3, page 58• Scale Exercises, by John Tindel, Volume 8, Number 4, page 17• Blues Scales and Patterns, by John Tindel, Volume 9, Number 1, page 18• Minor Phrases, by Brad Davis, Volume 9, Number 1, page 36• Major Scales—Organizing Principles for Fingering, by Jeff Troxel, Volume 11, Number 1, page 34• Major Scales Up the Fingerboard, by Craig Vance, Volume 11, Number 5, page 10• Favorite Scales and Exercises, by Dix Bruce, Volume 14, Number 3, page 43• Favorite Scales and Exercises, Part II by Dix Bruce, Volume 14, Number 4, page 46• Favorite Scales & Exercises—Part III, by Dix Bruce, Volume 14, Number 5, page 43• The Minor Pentatonic Scale, by Dix Bruce, Volume 15, Number 2, page 46• Scale Practice, by Dan Miller, Volume 15, Number 3, page 23• Understanding Scales, by Mike Maddux, Volume 16, Number 1, page 55• Scale Practice, by Dan Miller, Volume 16, Number 3, page 60

Chords and Arpeggios:• Chord Formation, by Dave Bricker, Volume 1, Number 2, page 43• Chord Movement, by Dave Bricker, Volume 1, Number 3, page 45• Understanding Chord Structures in Songs, by Dan Huckabee, Volume 2, Number 3, page 13• Scales and Chords, by Mike Maddux, Volume 4, Number 5, page 55• Chord Inversions (F, D, and A), by Mike Maddux, Volume 7, Number 1, page 52



• G Major Arpeggio, by John Carlini, Volume 8, Number 2, page 26• Arpeggios, by John Tindel, Volume 8, Number 5, page 19• Arpeggio Exercises, by John Tindel, Volume 8, Number 6, page 16• Chord Extensions, by Mike Maddux, Volume 9, Number 1, page 48• Three-Note Chord Forms, by John Carlini, Volume 9, Number 3, page 29• Defining Chord Types, by John Carlini, Volume 9, Number 4, page 22• Anatomy of a Chord, by John Carlini, Volume 11, Number 2, page 23• Chord Arpeggio Exercises, by Mike Maddux, Volume 11, Number 2, page 54• Arpeggio Practice, by Jeff Troxel, Volume 11, Number 5, page 32• Drop 2 Chords, by Mike Maddux, Volume 11, Number 6, page 51• Arpeggio Exercises, by Jeff Troxel, Volume 12, Number 1, page 33• Melted Chords (Arpeggios), by John Carlini, Volume 12, Number 2, page 23• Using Suspended Chords, by Mike Maddux, Volume 12, Number 4, page 50• The CAGED System, Part 1, by Adam Granger, Volume 13, Number 2, page 52• Right Hand Exercises, by Brad Davis, Volume 13, Number 3, page 23• Justin’s Right Hand Exercises, by Jeff Troxel, Volume 13, Number 3, page 26• Bag-fed CAGED, by Orrin Star, Volume 13, Number 3, page 32• The CAGED System, Part II, by Adam Granger, Volume 13, Number 3, page 50• Music Theory Primer: Major Triads, Volume 14, Number 5, page 31• Your Chord Vocabulary, by John Carlini, Volume 15, Number 2, page 19• Arpeggios Revisited, by John Carlini, Volume 16, Number 5, page 24

Musical Notation:• Written Music, by Dave Bricker, Volume 1, Number 4, page 45• Reading Music, by Dan Huckabee, Volume 4, Number 4, page 14• Standard Music Notation I, by Jeff Troxel, Volume 9, Number 6, page 44• Standard Music Notation II, by Jeff Troxel, Volume 10, Number 1, page 45

Theoretical Concepts:• Some Insights on the Circle of Fifths, by Dan Huckabee, Volume 5, Number 3, page 13• The Structure of the Fingerboard and Circle of Fourths, by Mike Maddux, Volume 5, Number 3, page 51• The Nashville Numbering System, by Dan Huckabee, Volume 5, Number 4, page 14• The Framework of a Song, by Dan Huckabee, Volume 6, Number 1, page 14• Modes, by Mike Maddux, Volume 8, Number 2, page 53• The Major/Minor Connection, by Mike Maddux, Volume 8, Number 4, page 51• The Dorian Mode, by John Carlini, Volume 8, Number 5, page 27• The Seven Modes, by John Carlini, Volume 9, Number 2, page 29• Moving Dominant 7ths, by John Carlini, Volume 10, Number 2, page 28• The Circle of 4ths, by Jeff Troxel, Volume 10, Number 4, page 32• Understanding the Dorian Mode, by Jeff Troxel, Volume 11, Number 2, page 33• The Seven Modes, by John Carlini, Volume 11, Number 3, page 21



• The Dorian Mode, by Jeff Troxel, Volume 11, Number 2, page 35• Reharmonization, by John McGann, Volume 11, Number 5, page 61• The Structure of a Fiddle Tune, by Adam Granger, Volume 13, Number 4, page 23• Music Theory Primer, by Jeff Troxel, Volume 14, Number 3, page 30• Music Theory Primer, Part II, by Jeff Troxel, Volume 14, Number 4, page 32• Modal Awareness, by John Carlini, Volume 14, Number 5, page 24• Circle of Fourths, by Mike Maddux, Volume 14, Number 5, page 49• Chord Melody, by Jeff Troxel, Volume 15, Number 2, page 23• Find That “Do”, by John Carlini, Volume 15, Number 4, page 24• Without a Capo, by Mike Maddux, Volume 15, Number 4, page 39• Opus 7, #1, by John Carlini, Volume 15, Number 5, page 22• Embellishing the Melody, by Mike Maddux, Volume 15, Number 5, page 43• Your Personal G Major Lab, by John Carlini, Volume 15, Number 6, page 27• Bluegrass Harmonic Minor, by Tim May, Volume 15, Number 6, page 37• Improvisation, by John Carlini, Volume 16, Number 1, page 31• Toggle, Double Stop, Tremolo, by Brad Davis, Volume 16, Number 1, page 34• Potatoes and Pulse of American Fiddle Music, by Orrin Star, Volume 16, Number 1, page 49• Nashville Number System, Part 1, by Dix Bruce, Volume 16, Number 1, page 51• The Nashville Number System, Part 2, by Dix Bruce, Volume 16, Number 2, page 63• II-V Exercises, by John Carlini, Volume 16, Number 4, page 19• Circle of Fourths Applied, by Mike Maddux, Volume 17, Number 5, page 46• How To Practice: Goal Setting, by Bradley Carter, Volume 15, Number 6, page 67

Ear Training:• How to Figure Out Licks for Records, by Dan Huckabee, Volume 1, Number 3, page 11• How is Your Ear?, by Dan Huckabee, Volume 2, Number 5, page 13• Tips of Transcription, by Joe Carr, Volume 3, Number 5, page 70• Perfect Pitch, by Dan Huckabee, Volume 4, Number 3, page 14• Training Your Ear, by Brad Davis, Volume 4, Number 5, page 34• Sharpening Your Musical Ear, by Dan Huckabee, Volume 6, Number 4, page 13• Ear Training, by Paul Mehling, Volume 6, Number 4, page 43• Intervals & Ear Training, by Dix Bruce, Volume 8, Number 1, page 46• Searching for the “Do”, by John Carlini, Volume 9, Number 5, page 23• Introduction to Ear Training I, arranged by Harold Streeter, Volume 12, Number 1, page 52• Introduction to Ear Training II, arranged by Harold Streeter, Volume 12, Number 2, page 52• Chord Progression Ear Training Exercise, by Harold Streeter, Volume 12, Number 4, page 53• Ear Training, by Jeff Troxel, Volume 16, Number 1, page 37


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