fitzwilliam museum online exhibitions

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Online exhibitions The Fitzwilliam Museum

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Talk presented as part of Creating Online Exhibitions on 2 Nov 09 at the British Museum, run by the E-Learning Group for Museums, Libraries and Archives

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Page 1: Fitzwilliam Museum Online Exhibitions

Online exhibitions The Fitzwilliam Museum

Page 2: Fitzwilliam Museum Online Exhibitions

definitions• when is an online exhibition not an online exhibition?• is “online exhibition” a useful concept?

audiences• what proportion of website users look at online exhibitions?• substitute or support for a gallery exhibition?

sustainability • who develops them?• what budgets are available?

Page 3: Fitzwilliam Museum Online Exhibitions

Pharos

• authored resource

• written by art historian working for the education department in the Museum

• curated as if an exhibition

• thematic and chronological entry points into the collection

• well suited to some parts of Fitzwilliam’s audience

• potential to be dynamic – information branches – but limited by technical implementation

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interactives

• Make use of multimedia to provide interpretation that would be difficult otherwise

• linear

• focus on process rather than object

• online demonstration rather than online exhibition?

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podcasts – online exhibition tours

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virtual exhibition?

produced by Duan Wu, Digital Studio, University of Cambridge

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What was your reason for visiting this website?

88

155

33

49

37

20 18

4

1317

0

20

40

60

80

100

120

140

160

180

43.6% 76.7% 16.3% 24.3% 18.3% 9.9% 8.9% 2.0% 6.4% 8.4%

Look up visitorinformation

(such asdirections,

opening hours

Find info aboutexhibitions/

events

Research aparticularobject orimage

Learn moregenerallyabout thecollections

View onlineexhibition orother online

resource

Use the onlinecollectionscatalogue

Look up infoabout

Museum'seducation

service

Find out howto become a

Friend orPatron of the

Museum

Use the onlineshop

Other (pleasespecify)

Page 15: Fitzwilliam Museum Online Exhibitions

• currently 35 online exhibitions on Fitzwilliam website – growing need to curate the collection of exhibitions

• the 5th most visited part of the website over the last year

• the most popular exhibition received 13,200 unique page views over the last year

• average amount of time on each page just under 1 minute

• 1st online exhibition on Fitzwilliam website in 2001 – legacy resources that were produced prior to re-designing the website

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• a number of different staff work on the Fitzwilliam’s online exhibitions – benefits and challenges

• majority are relatively low cost

• template

• built into budget for larger projects

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reasons for creating online exhibitions

extends legacyof researchundertaken forgallery exhibitionand reach new audience

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marketing

pre or post-visit support for gallery exhibition

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online exhibition regarded by visitors as one of the most important aspects contributing to their enjoyment of the Endless Forms site

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“Glue” for online cataloguerecords, providing contextualinformation that is of value for anon-specialist audience

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using online catalogue records

- direct call on database with results presented within context of online exhibition

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presenting material in a way that may be difficult with the physical object

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using interactive environment to demonstrate processes and effects

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Utamaro interactive

aims

• give gallery visitors access to all pages of Utamaro’s 3 great books on natural history themes

• approximate the sensation of handling the books

• go beyond the beautiful images

• help users understand the context

• create gallery interactive, extending to web if possible

• access existing translations

• commission new translation of the Shell poems – significant scholarly impact

Page 31: Fitzwilliam Museum Online Exhibitions

Utamaro interactive

production• decision to produce as Flash

presentation – lower cost and more flexibility

• new high resolution images created of the entire contents of the books

• need to rebuild for web use with lower resolution images

• decision to use mouse rather than touchscreen – more precision and allowed interactive animations

• during production decided to translate all 3 books to be more consistent

• translations facilitated with help from calligraphy specialists in Japan and shell identification by scientists in England, US and Japan

Page 32: Fitzwilliam Museum Online Exhibitions

Utamaro interactive

application

• gallery interactive launched to coincide with gallery exhibition

• web version followed one month later and has since been updated to incorporate fuller translation of Shell book

• very good user feedback for gallery interactive and web version

Page 33: Fitzwilliam Museum Online Exhibitions

Utamaro interactive

technical limitations

• not possible to set up so that click on one page would activate pop-up on facing page. Pop-ups sometimes cover the images that they relate to

• only possible to zoom on predefined areas

• the 3 books of different construction, with varying degrees of flexibility. The turning the pages effect is, however, the same in all

• ideally want tools to create new interactives rather than develop as Flash files

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