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    Fitting and Modifying

    Hearing Instruments

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    Contents The Ear The Impression

    The Audiogram

    Hearing threshold diagnosis Classifications of Hearing Loss

    Important Terms

    Trimmers

    Hearing Instrument Fitting

    The ITE Program

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    THE IMPRESSIONIDENTIFICATION

    HELIX

    TRAGUS

    ANTI-TRAGUS

    BOWL

    SECOND BENDIN CANAL

    FIRST BENDIN CANAL

    CRUX

    OTO-BLOCK

    BASE

    THE EAR

    HELIX

    ANTI-HELIX

    APERTURE

    ANTI-TRAGUS

    LOBULE

    CRUX

    CONCHA

    TRAGUS

    INTERTRAGULARNOTCH

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    The Audiogram

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    Loss

    in dB

    CLASSIFICATIONS OFHEARING LOSS

    0-20 dB

    21-40 dB

    41-60 dB

    61-80 dB

    81-110 dB

    NORMAL RANGE

    MILD LOSS

    MODERATE LOSS

    SEVERE LOSS

    PROFOUND LOSS

    AIR BONE

    L R L R

    UNMASKED

    MASKED

    NO RESPONSE

    NO RESPONSE

    AUDIOMETRIC SYMBOLS

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    The Pure Tone Audiogram

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    Loss

    in dB

    Air Conduction Test

    Masking

    This test is performed with headphones.The sound is transmitted via the outerand middle ear and through the fluidcontained inside of the cochlea.

    Bone conduction testThe sound is transmitted by bone con-

    duction (vibration) directly to the cochlea(inner ear).Important: Not via the outer and middleear.

    In this test, the patient's good or better ear is blocked with noise, while the ear with the highest degree of hearingloss is measured. Reason: This prevents the test signal being heard by the better ear.

    Uncomfortable loudness level

    This is the upper limit of the auditorysensation area.Important: The "U" level is the point wherethe threshold of pain begins.

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    in dB

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    0110Frequency (Hz)

    Loss

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    0110Frequenzcy (Hz)

    Loss

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    Loss

    Middle ear hearingimpairment

    Inner ear hearingimpairment

    Combined midle ear-inner ear hearing impairment

    in dB in dB

    Hearing threshold diagnosis

    - Normal bone conduction- Air conduction impairedcompared with normal

    - Air and bone conduction impairedcompared with normal.(Both equally strongly)

    Important:A hearing loss without boneconduction - air conduction difference rulesout middle ear hearing impairment

    - Air and bone conduction impairedcompared with normal.

    - Air conduction however morestrongly than bone conduction

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    in dB

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    Loss

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    Loss

    MEDIOCOCHLEARinner ear hearing impairment

    Ankylosis of themiddle ear

    Combined middle ear-inner ear hearing impairment

    in dB

    Hearing threshold diagnosis

    Bone conduction = air conductionMedium tone hearing impairmentThis hearing impairment is typicalfor hereditary genesis

    However, the most frequent form of innerear hearing impairment is high-tone loss

    Ankylosis of the conductive system:Bone conduction still approx. 0 dBAir conduction hearing loss in the low-tone and medium-tone rangeDiagnosis: Commencing otosclerotic orscarred fixation of the stapes or - lesspronounced - negative pressure inthe middle ear

    Cause:- Influenza- Chronic otitis (mucous membrane,suppuration, bone suppuration)

    - Otosclerosis (advanced)

    in dB

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    0110Frequency (Hz)

    Loss

    KL = LL

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    Hearing Instrument Fitting1. Behind-the-ear (BTE) Hearing Instruments

    A number of different rules (e.g. NAL, POGO, Berger) exist for fitting hearing instruments, allof which yield similar results. The simplicity the half-gain rule is applied for basic fitting.

    A reserve gain of 5 - 10 dB should be added to avoid continuous operation of the hearinginstrument with maximum volume control.

    2. In-the-ear (ITE) Hearing InstrumentsThe "1/3 gain rule" is normally applied when tuning these instruments. Since they are fittedcloser to the wearer's ear drum, ITE instruments require a lower gain. Still, a reserve gain of 5 -10 dB should be added anyway.

    Note: Reserve gain must not be added when fitting (BTE and ITE) instruments withautomatic gain control. If any additional gain is required, the instrument mustbe reprogrammed.

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    Audiogram No. 1

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    SENSORINEURAL hearing loss:Sloping hearing lossIn this case, the threshold curve is identical

    for aerial and bone conduction.

    DIAGNOSIS:Either the inner ear or the auditorynerve is damaged.

    HEARING INSTRUMENT FITTING:For this degree of snesorineural hearing loss,a gain of: >/= 50 dB for BTE instruments

    >/= 45 dB for concha instruments>/= 40 dB for canal instruments>/= 35 dB for CIC instruments

    is required.Instruments with compression circuits (dynam-ic compression) are recommended.

    Selection of HEARING INSTRUMENTS:Non-programmable: Programmable:

    Recommended: 1. BTE: PIANO 566H ViVA2 Pro, MUSIC2. Concha: PIT S1/S1+ 113/45/03, PITV2 118/45/03,

    PITM118/45/033. Canal:CT K-AMP113/40/06, CTAGC-I/D113/40/12 PCT M 113/40/03, PCM 1001 110/40/124. CIC: PCIC M 110/40/00

    It is less advisable to fit linear instruments in such cases

    Hearinglossin dB

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    Hearing

    loss

    in dB

    Audiogram No. 2 CONDUCTIVE HEARING LOSS:The difference between air and bone con-duction is very large. The uncomfortable

    loudness level lies above 110 dB

    DIAGNOSIS:In this case, either the outer ear or the middleear is damaged.E.g., the ossicular chain is interrupted

    HEARING INSTRUMENT FITTING:For conductive hearing loss, a gain isrequired for the difference be-

    tween air and bone conduction.A gain of: >/= 50 dB for BTE instruments

    >/= 45 dB for concha instruments>/= 40 dB for canal instruments>/= 35 dB for CIC instruments

    is required.Linear hearing instruments are recommendedhere.

    Selection of HEARING INSTRUMENTS:Non-programmable: Programmable:

    Recommended: 1. BTE: PIANO 566H, 568H ViVA2 Pro, MUSIC2. Concha: PIT S1/S1+ 113/45/03, PITV2 118/45/03, PITV2 123/50/03

    PITM 118/45/033. Canal:CT/D113/40/03, CTAGC-I/D113/40/12 PCT M 113/40/03, PCM 1001 110/40/124. CIC: CIC/D 113/35/03 PCIC M 110/35/00

    Less advisable are: K-AMP instruments

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    Loss

    in dB

    Audiogram No. 3 Combined HEARING LOSS:The sound perception is impaired for bothair and bone conduction.

    Bone conduction is OK up to 500Hz.

    DIAGNOSIS:Combined conductive and sensorineuralhearing loss resulting from injuryto the outer, middle, inner ear and/orauditory nerve.

    HEARING INSTRUMENT FITTING:

    In this case:A gain of: >/= 40 dB for BTE instruments>/= 40 dB f. concha instruments>/= 35 dB f. canal instruments>/= 30 dB f. CIC instruments

    is required.

    Selection of HEARING INSTRUMENTS:Non-programmable: Programmable:

    Recommended: 1. BTE: PIANO 562A,566H,568H, ViVA2 Pro, MUSIC, SWING S1/S1+, 1001, 30042. Concha: IT 110/40/06, PIT S1/S1+ 113/45/03, PITV2 118/45/03, PITM 118/45/033. Canal: CT/D113/40/03, CTAGC-I/D113/40/12 PCT M 113/40/03, PCS M 115/40/03,

    PCM 1001 110/40/06,VIVA Pro 110/40/03

    4. CIC: CIC/D 113/35/03 PCIC M 110/35/00, VIVETTE Pro 105/35/06

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    Hearing

    loss

    in dB

    Audiogram No. 4 FLAT-CURVESENSORINEURAL HEARING LOSS:The hearing loss is roughly the same at all

    frequencies.

    DIAGNOSIS:Bone conduction = air conduction.Damage has occurred to the inner ear orauditory nerve.

    HEARING INSTRUMENT FITTING:With this degree of sensorineural hearing loss,

    a hearing instrument that also offerspower in the low frequency range is required.A gain of: >/= 50 dB for BTE instruments

    >/= 45 dB for concha instruments>/= 40 dB for canal instruments>/= 40 dB for CIC instruments

    is required.Often PP instruments are required.

    Selection of HEARING INSTRUMENTS:Non-programmable: Programmable:

    Recommended: 1. BTE: PIANO 568H, 564P ViVA2 Pro, MUSIC, SWING S1/S1+, S2/S2+,

    2. Concha: IT 110/40/06, PIT S1/S1+ 113/45/03, PITV2 118/45/03, PITM 118/45/033. Canal: CT/D113/40/03, CTAGC-I/D113/40/06 PCT M 113/40/03, PCS M 115/40/03, PCM 1001 110/40/06,4. CIC: PCIC M 115/40/00,

    Not recommended: K-AMP instruments

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    Loss

    in dB

    Audiogram No. 5

    Ski slope hearing loss:Hearing loss begins at approx. 1000 Hz.

    DIAGNOSIS:This hearing loss may be caused by noiseor due to age.

    HEARING INSTRUMENT FITTING:An "open" fitting (BTE) should be sup-plied in such cases.A gain of: >/= 50 dB for BTE instruments

    >/= 45 dB for concha instruments>/= 40 dB for canal instruments and>/= 40 dB for CIC instruments

    is required.A hearing instrument with a large vent (IROS)is required here. The TILL function is also ad-vantageous.

    Selection of HEARING INSTRUMENTS:Recom- Non-programmable: Programmable:mended: 1. BTE: PIANO, HI with open fitting ViVA2 Pro, MUSIC, SWING S1/S1+, S2/S2+,

    566H, 568W2. Concha: IT 110/40/06, PIT S1/S1+ 113/45/03, PITV2 118/45/03, PITM 118/45/033. Canal: CT/D113/40/03, CTAGC-I/D113/40/12 PCT M 113/40/03, PCS M 115/40/03, PCM 1001 110/40/06,

    4. CIC: PCIC M 115/40/00,

    Not recommended: Custom CS and CIC instruments without enough space for a large VENT.

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    Hearing

    loss

    in dB

    Audiogram No. 6

    Reverse slope hearing loss:The hearing loss is less pronounced at

    higher frequencies (5-10 dB per octave).

    DIAGNOSIS:e.g. M?i?e's disease (accompanied bydizziness)

    HEARING INSTRUMENT FITTING:

    For this hearing impairment, a PP (BTE orITE) instrument should be recommended..A gain of: >/= 45 dB for BTE instruments

    >/= 40 dB for concha instruments>/= 35 dB for canal instruments>/= 30 dB for CIC instruments

    is required.Reason: Power required in low-freq. range.

    Selection of HEARING INSTRUMENTS:Non-programmable: Programmable:

    Recomm.: 1. BTE: PIANO 566H, 562A, VIVA 703 ViVA2 Pro, MUSIC, SWING S1/S1+,584P, 584 P-2

    2. Concha: IT KAMP113/40/06 PIT S1/S1+ 113/45/03, PITV2 118/45/03, PITM 118/45/033. Canal: CTAGC-I108/35/06 PCT M 113/40/03, PCS M 110/35/00, VIVA Pro CT 105/35/03

    PCS V 105/35/034. CIC: CIC/D 113/35/03 PCIC M 110/35/00, VIVETTE Pro 100/30/03 and 105/35/03

    Not recommended: Linear ITEs

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    Audiogram No. 7"COOKIE BITE" MID-FREQ. HOLLOW:Little loss at high and low frequencies.125 250 500 1000 2000 4000

    8000

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    0

    Frequency (Hz) 500 1000 2000 4000

    DIAGNOSIS:Probably due to an hereditary hearingimpairment

    HEARING INSTRUMENT FITTING:Persons exhibiting this hearing impairmentshould be supplied with multi-channel hearinginstruments.Reason: Different ampification for differentfrequency areas.A gain of: >/= 45 dB for BTE instruments

    >/= 45 dB for concha instruments>/= 40 dB for canal instruments>/= 40 dB for CIC instruments

    is required.

    Selection of HEARING INSTRUMENTS:Non-programmable: Programmable:

    Recomm.: 1. BTE: PIANO 568W, MUSIC, Triton, S1/ S1+, S2/S2+2. Concha: IT KAMP113/40/06 PITM 118/45/03, PIT 3004, S2/S2+ 118/50/03,3. Canal: CTAGC-I/D113/40/06 PCT M 113/40/03, PCS M 115/40/00,

    PCM2131 107/40/124. CIC: CIC/D 113/35/03 PCIC M 115/40/00, VIVETTE Pro 110/40/03

    Hearing

    loss

    in dB

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    Hearin l

    oss

    in dB

    Audiogram No. 8PROFOUND HEARING LOSS:Only minimal residual hearing abilitycan be found between 500 Hz and4000 Hz. (almost total deafness)

    HEARING INSTRUMENTFITTING:Only the most powerful PP instrumentscan be used for such hearingimpairments.Pocket-size or maximum-power BTEinstruments should be recommendedhere.

    Selection of HEARING INSTRUMENTS:Non-programmable: Programmable:

    Recommended: 1. BTE: 684 P-AO2. Concha: IT PP 125/60/03 PIT -S3/S3+ 125/60/03

    Also recommended: High-power BTE or pocket hearing instruments

    Note recommended: Cosmea-Top, Cosmea-small, and CIC ITE instruments

    DIAGNOSIS:e.g. caused by interruption of theblood supply to the inner ear.

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    LINEAR CIRCUIT TEST DATA

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    60

    RESP dBSPLSSPL90 dBSPL

    .25 .5 1 2 4KHz

    60 dB IN FULL ON GAIN SSPL90 CURVE

    MAX SSPL90: 107.3 dB

    AT 1700Hz

    HF AVG SSPL90: 106.5

    HF AVG FULL ON GAIN

    37.6 dB AT 60 dB IN

    HFAVG RESP CURVE GAIN

    29.8 dB

    REF TEST GAIN=29.6 dB

    RESP LIMIT: 72.0 dB

    F1=272 Hz

    F2=6500 Hz

    % TOT HARM DIST AT dB

    4.6 AT 500Hz 70

    AT 800Hz 70

    2.8 AT 1600Hz 65

    EQ IN NOISE: 26.5 dB

    BATT. MA.: 1.0

    AT 1.30 VOLTS (ZINC AIR)

    PEAK GAIN HARMONICDISTORTION

    BATTERYCURRENT DRAIN EQUIVALENTINPUT NOISE

    PEAK SSPL90 HFA SSPL90HFA GAIN

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    AGC CIRCUIT TEST DATA

    70

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    90

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    70

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    60

    RESP dBSPL SSPL90 dBSPL

    .25 .5 1 2 4KHz

    50 dB IN FULL ON GAIN SSPL90 CURVE

    MAX SSPL90: 106.0 dB

    AT 1700Hz

    HF AVG SSPL90: 100.9

    HF AVG FULL ON GAIN

    33.9 dB AT 50 dB IN

    REF TEST GAIN=33.9 dB

    ATTACK 2MS

    RELEASE 45MS

    MEASURED AT 2 KHZ

    RESP LIMIT: 64.0 dB

    F1=294 Hz

    F2=6700 Hz

    % TOT HARM DIST AT dB

    2.6 AT 500Hz 70

    3.1 AT 800Hz 70

    1.0 AT 1600Hz 65

    EQ IN NOISE: 22.3 dB

    BATT. MA.: 0.6

    AT 1.30 VOLTS (ZINC AIR)

    50 60 70

    2 kHz I/O CURVE

    80 dBIN

    RESPONSE PEAK HARMONICDISTORTION

    PEAK SSPL90 HFA SSPL90HFA GAIN

    BATTERYCURRENT DRAIN

    EQUIVALENTINPUT NOISE

    AGC KNEEPOINT ATTACK &RELEASE TIME

    HFAVG RESP CURVE GAIN33.9 dB

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    GAIN

    40 dBOUT

    10 dBIN

    FREQUENCY

    PEAK = 45dB

    PEAK GAIN vs. AVERAGE GAIN

    20

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    40

    10.25 .5 1 2 4KHz

    50

    GAIN

    AVG = 35 + 42 + 38 / 3 = 38.3dB

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    MAXIMUM OUTPUT (MPO)

    FREQUENCY

    PEAK = 109dB

    PEAK SSPL90 vs. AVG SSPL90

    .25 .5 1 2 4KHz

    SSPL

    90

    AVG = 106 + 108 + 101 / 3 = 105dB

    PHYSICALLIMIT

    70

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    FREQUENCY

    TIME 1 SECOND

    1 CYCLE 1 CYCLE

    TIME 1 SECOND

    2 CYCLES 2 CYCLES

    = 2 Hz

    = 4 Hz

    1 V

    1 V

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    Peak to Peak

    1 SEC 1 SEC

    2 CYCLES

    0.5VPP(Peak to Peak)

    =

    0.5 V 1 V

    2 CYCLES

    1.0VPP (Peak to Peak)

    =

    Amplitude

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    HARMONIC DISTORTION

    FUNDAMENTAL FREQUENCY = 100Hz

    SECOND HARMONIC = 200 Hz

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    EQUIVALENT INPUT NOISE

    SIGNAL INTO AMP

    SIGNAL OUTOF AMP

    CIRCUITNOISE

    CIRCUITNOISE

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    TRIMMER OPTIONS

    G

    A

    I

    N

    FREQUENCY

    TONE / NH

    HIGH CUT / NL

    FREQUENCY

    FREQUENCY

    RPC

    S

    S

    P

    L

    9

    0

    FREQUENCY

    OUTPUT /PC

    BLUE ARROW

    YELLOW ARROW

    GREEN ARROW

    GRAY ARROW

    G

    A

    I

    N

    G

    A

    I

    N

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    INPUT

    INPUT

    O

    U

    T

    AGC

    G

    A

    I

    N

    FREQUENCY

    FREQUENCY

    ASP

    GAIN

    SSVC

    RED ARROW

    WHITE ARROW

    WHITE ARROW

    ORANGE ARROW

    TRIMMER OPTIONS

    O

    U

    T

    G

    A

    I

    N

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    TRIMMER OPTIONS for K-AMP Instruments

    O

    U

    T

    TK = G40

    RED ARROW

    G

    A

    I

    N

    GC = G65

    G

    A

    I

    N

    LFC

    FREQUENCY

    G

    A

    I

    N

    FREQUENCY

    LB = G90

    G90 amplifies loud, high-frequency sounds up to 12dBNote: This is available only as a programmable function.

    LFC= Gain-dependent low-frequency control

    WHITE ARROW

    ORANGE ARROW

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    PATIENT

    WHY PROGRAMMABLE HEARING AIDS?

    NOWAY!

    HEARINGAID

    DISPENSERFACTORY

    PATIENT

    HEARINGAID

    DISPENSERFACTORY

    vs.

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    Hearing Instrument FittingDiagram of a pure tone audiogram and the required target gain of the

    hearing instrument

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    Fitting Hearing InstrumentsDisplay: Basic setting and target gain of hearing instrument

    Basic settingof hearing instrument

    Target gain ofhearing instrument

    It is the hearing instrumentdispenser's job is to bringthehearing instrument (blackcurve) as closely into line

    aspossible with the redtarget gain.

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    Hearing Instrument FittingDisplay: Fitted hearing instrument

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    Custom instruments are available in four size classes,and modular instruments come in two classes.

    Among custom instruments, a distinction is made between:

    Concha instruments Battery type 13(INSITA TOP)

    Canal instruments Battery type 312(COSMEA TOP)

    Canal instruments Battery type A 10/230small

    (COSMEA SMALL)

    CIC instruments Battery type A 10/230(completely in the canal)

    Modular instruments come in the following structural shapes:

    Canal instruments Battery type 312

    Canal instruments Battery type A 10/230small

    Comparison of size classes bytheir fitting position in the ear

    1 Concha instruments

    2 Canal instruments

    3 Canal instruments, small

    4 CIC instruments

    Size Classes