feminism outside the metropole

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May 10, 2012. Dr. Ashwini Tambe, Associate Professor, UMCP Dr. Shruti Tambe, Associate Professor, University of Pune Ganesh Vispute, Marathi poet, artist, translator Indian feminism is often depicted as a pan-national, urban and Anglophone movement. We counter such characterizations by tracking the receptivity to feminist ideas in Stree, the longest-running Marathi-language women’s magazine. Published continuously from 1930 to 1986, the magazine was read widely across rural, urban and semi-urban areas as well as outside India. Its commentary, debates, short fiction and advice columns presented diverse political positions, and also consolidated a self-consciously progressive identity. We interrogate what it meant, in this context, to be progressive.

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Page 1: Feminism Outside the Metropole

Feminism Outside the Metropole: Progressivism in the Marathi Magazine Stree,

1930-1965.

May 10, 2012 3pm-5pm

University of Maryland Francis Scott Key Hall

1102J

Dr. Ashwini Tambe Associate Professor, UMCP

Dr. Shruti Tambe Associate Professor, Univ. of Pune

Ganesh Vispute Marathi poet, artist, translator

Indian feminism is often depicted as a pan-national, urban and Anglophone movement. We counter such characterizations by tracking the receptivity to feminist ideas in Stree, the longest-running Marathi-language women’s magazine. Published continuously from 1930 to 1986, the magazine was read widely across rural, urban and semi-urban areas as well as outside India. Its commentary, debates, short fiction and advice columns presented diverse political positions, and also consolidated a self-consciously progressive identity. We interrogate what it meant, in this context, to be progressive. Our presentation includes a traveling exhibit of over 30 reproductions of cover art from 1930-1965, and talks by a sociologist, historian and artist describing the content and visual innovations of this magazine. Our discussion of Stree articles and cover art focuses on two themes: 1) Shifts in understandings of marriage; and 2) Cosmopolitan aspirations of writers and readers.