fake book version 2
TRANSCRIPT
Fake Book Version 2.0
† Bb Treble
This Fake Book has been assembled with tunes that have been written prior to 1923 which makes
them out of copyright in the USA. This Fakebook has been produced in the following versions:
C Treble
Bb Treble
Eb Treble
Bass Clef
F Horn
If you want versions in other keys or want more tunes added, feel free to contact me.
Kevin Yeates
The Creole Jazz Band
The Creole Jazz Band wordmark was created by Madeline Koeberling. Thanks to Madeline’s patience
with us, her incredibly thorough analysis of our needs, her research, and of course her creativity,
she was able to develop this outstanding logo. Madeline can be contacted through her website at:
www.madelinekoeberling.ca
12th Street Rag ................................................. 1
A Good Man Is Hard To Find ............................. 146
A’int We Got Fun ................................................... 280
Afghanistan ............................................................. 8
After The Ball Is Over ........................................ 248
After You’ve Gone ................................................. 270
Aggravatin’ Papa ..................................................... 210
Alabama Jubilee ..................................................... 174
Alcoholic Blues ........................................................ 90
Alexander’s Ragtime Band ……............................... 92
Alice Blue Gown ....................................................... 43
All The Girls Go Crazy ….......................….…………… 252
Amazing Grace ......................................................... 154
American Patrol ……………….............................……….. 217
And They Called It Dixieland ............................... 262
Any Time ..…………………………........................………….… 261
April Showers ………………….......................…….……….. 228
At a Georgia Camp Meeting .......…......................... 25
At The Devil’s Ball ................................................... 220
At The Jazz Band Ball ............................................ 222
Aunt Hagar’s Blues ……….......................….…………..… 152
Avalon …………………………………….................................… 154
Baby Won’t You Please Come Home ..................... 277
Ballin’ The Jack ……………............................…………… 256
Barnyard Blues …………………………………………………..… 230
Beale Street Blues ….………......................……………... 234
Bill Bailey ……………………………………………………………….. 40
Blue and Broken Hearted ………............................... 33
Blues My Naughty Sweetie Gives to Me ………….. 200
Bluin’ The Blues …………….....................…..…............… 258
By The Light of the Silvery Moon …..…................ 254
Careless Love ……………………………….....………………….… 182
Chicago ….…………………………………..................………….… 276
China Boy …………………………………………....…………………. 42
Chinatown, My Chinatown …………….......................... 149
Cleopatra Had a Jazz Band .................................... 150
Creole Belles .………………………………….....………………….. 62
Curse of An Aching Heart ..................................... 202
Dangerous Blues ………………………………………………….... 76
Dardanella …………………………….......…….....……………….. 272
Darktown Strutter’s Ball ....................................... 224
Dear Old Southland ................................................ 207
Dixieland Jazz Band One Step ............................ 168
Down Among The Sheltering Palms ..................... 34
Down By the Riverside ........................................... 99
Down Home Rag ....................................................... 165
Down In Borneo Isle ………………………………………...... 192
Down In Honky Tonk Town .................................... 54
Down in Jungle Town ............................................... 56
Down Yonder ............................................................. 274
Easy Rider’s Gone .................................................... 132
Eccentric ..................................................................... 10
Eh La Bas ..................................................................... 133
Fidgety Feet .............................................................. 134
Flee As A Bird ............................................................ 31
Floatin’ Down That Old Green River ..................... 126
Floatin’ Down To Cotton Town ................................ 128
Foolish Questions ..................................................... 208
Frankie And Johnnie ................................................ 42
Get Out Of Here ………………………………………………….. 148
Grizzly Bear Rag ....................................................... 70
He May Be Your Man ............................................... 72
Hesitating Blues ........................................................ 68
High Society ............................................................... 214
Hindustan ..................................................................... 2
Hot Lips ....................................................................... 178
I Ain’t Gonna Give None of My Jelly Roll …………. 32
I Can’t Let ‘Em Suffer ............................................. 96
I Never Knew I Could Love Anybody .................... 201
I Want To Do The Bear Cat Dance ...................... 268
I Wish I Could Shimmy Like My Sister Kate ..... 186
Ida, Sweet As Apple Cider ................................... 242
If You Were The Only Girl In The World ….…… 282
In The Sweet By and By …………………………….……..… 260
Indiana ........................................................................ 4
Ja Da ........................................................................... 110
Japanese Sandman ................................................... 226
Jazz Baby ................................................................... 44
Jazz Me Blues ........................................................... 194
Jelly Roll Blues .......................................................... 196
Joe Avery’s Piece …………………………………………………… 37
Just A Closer Walk With Thee …………………………. 247
Just a Little While to Stay Here ......................... 30
King Chanticleer......................................................... 104
Lasses Candy .............................................................. 102
Lassus Trombone ..................................................... 284
Lazy Daddy .................................................................. 112
Limehouse Blues ......................................................... 114
Livery Stable Blues (Vocal) ..................................... 116
Livery Stable Blues .................................................. 228
Long Gone ................................................................... 142
Love Nest ................................................................... 188
Lovin’ Sam ................................................................... 158
Ma, He’s Making Eyes At Me .................................. 160
Maitland …………………………………………………………………… 89
Mama Don’t Allow ...................................................... 13
Mandy ........................................................................... 14
Margie .......................................................................... 12
Memphis Blues ............................................................ 80
Midnight in Moscow ................................................... 81
Missouri Waltz .......................................................... 266
My Bucket's Got a Hole In It ................................ 95
My Daddy Rocks Me ................................................. 58
My Honey’s Lovin’ Arms .......................................... 162
Oh ................................................................................. 15
Oh By Jingo ................................................................ 98
Oh Didn’t He Ramble ............................................... 120
Old Rugged Cross .................................................... 206
Ole Miss ..................................................................... 198
On The Alamo ........................................................... 238
Ory’s Creole Trombone .......................................... 108
Ostrich Walk ........................................................... 264
Over in The Glory Land ………………………………………. 286
Over The Waves ..................................................... 140
Panama ....................................................................... 16
Pearls .......................................................................... 18
Poor Butterfly .......................................................... 103
Pretty Baby ............................................................... 38
Riverside Blues......................................................... 94
Rock A Bye Your Baby ............................................ 26
Rose of Washington Square ................................. 204
Rose Room ................................................................ 212
Royal Garden Blues ................................................ 141
Rufe Johnsons’ Harmony Band ............................ 170
Runnin' Wild ............................................................. 172
Sailing Down Chesapeake Bay .............................. 130
San .............................................................................. 22
Satanic Blues ............................................................ 74
Second Hand Rose ................................................. 156
Second Line ………………………………………………….……….. 38
Sensation .................................................................. 24
Shake It and Break It .......................................... 166
Sheik of Araby ........................................................ 184
Shoot ‘Em ……………………………………………………………… 283
Singin' The Blues .................................................... 155
Sister Kate ............................................................... 186
Skeleton Jangle ....................................................... 64
Sobbin' Blues ............................................................ 66
Some of These Days ............................................... 203
Some Sweet Day ...................................................... 240
Somebody Stole My Gal ......................................... 232
Someday Sweetheart ............................................. 244
St. James Infirmary .............................................. 164
St. Louis Blues .......................................................... 180
Stockyard Strut ...................................................... 236
Storyville Blues ........................................................ 82
Strut Miss Lizzie ..................................................... 84
Stumbling ................................................................... 21
Suez ............................................................................ 6
Swanee ........................................................................ 20
Tain’t Nothin Else But Jazz .................................. 88
T'aint Nobody's Business If I Do ....................... 86
Take Me To The Land Of Jazz ............................ 190
Take My Hand, Precious Lord …………………….….. 89
That Da Da Strain ............................................... 111
That Dixie Jazz .................................................... 120
That’s A Plenty ...................................................... 28
There'll Be Some Changes Made ...................... 60
This Little Light of Mine …………………………………. 175
Tiger Rag ................................................................. 218
Til we Meet Again ................................................ 246
Tishomingo Blues .................................................. 78
Toot, Toot, Tootsie ............................................. 263
Tuck me to Sleep................................................... 183
Under The Bamboo Tree ..................................... 223
Wabash Blues ......................................................... 100
Waitin’ For The Robert E Lee ............................ 136
Walkin' the Dog ..................................................... 138
Washington and Lee Swing .................................. 36
Way Down Yonder in New Orleans .................... 122
When Ragtime Rosie Ragged The Rosary......... 124
When The Midnight Choo Choo Leaves ............. 250
When The Saints .................................................... 239
When You Wore A Tulip ....................................... 278
When You’re A Million Miles From Nowhere .... 161
Where Did Robinson Crusoe Go ............................ 118
WhiffenPoof Song ................................................... 229
Whispering ................................................................. 9
Wild Cherries Rag .................................................... 106
Willie The Weeper ……………………………………………….. 46
World Is Waiting For The Sunrise ...................... 48
Yama Yama Man ......................................................... 49
Yellow Dog Blues ........................................................ 50
You‘ve Got To See Your Mama Ev’ry Night ......... 52
12th Street Rag Euday L. Bowman - 1914
A
B
C
C7 C7 C7 C7
F C7 C7
C7 F F
C7 G7 C7
F C7 C7
C7 F F F7
B¨
C©7
F G7 C7 F B¨7 F
Back to top with Intro
F
Standard Doo Wack-a-doo chorus
C7 Etc
q = 185A
Oliver Wallace & Harold Weeks 1918
Hindustan
Cam el- trap pings- jin
D‹
gle,-
D‹
Harp strings sweet ly- tin
D‹
gle,-
D‹
With a sweet voice mingle,
D‹ A&7
Un der- neath- the stars.
D‹
Sing
A‹
ing,-
E7
mem o- ries- are bring
A‹
ing,-
E7
Tem ple- bells are
ring
A‹
ing,-
E7
call ing- me a far.
A7
-
2
B
Hin
D
du
A+
- - - stan,
D
-
D
where we
stopped
D
to rest our tir ed- car
Adim
a- van,
A7
-
A7
Hin
A7 A7
- du stan,
A7
-
A7
where the
paint
A7
ed- pea cock- proud
A7
ly- spreads
A+7
his fan
D D A7
Hin
D D
- du
A+
stan,
D
-
D
where the
pur
D7
ple- sun bird- flahsed
D7
a cross- the sand,
G G
Hin
E9 E9
du- - - stan
Gm
-
Gm
where I
met
E7
her and the world
A7
be gan.
D
-
3
A
q = 200 Indiana
B
I
G
have al
C
ways- been a wand
G
'rer-
G7
O
C
ver- land
Cm
and sea
G
G
Yet
G
a moon
C
beam- on the wa
G
ter-
G
Casts
A7
a spell
A7
o'er
me
Cm6 D7
A vis
Am
ion- fair
G#º
I see
Am
D7
A gain
G
- I seem
Gº
to be,
Am7 D7
Back home a -
gain
G F©7 F7 E7
in in di- a
A7
- na-
A7
And it
seems
D7
that I
D7
can see
G G7
the gleam ing- can
C
dle- light
C
still
shin
G
ing- bright
E7
thru the syc
A7
a- mores-
A7
for me.
D7 D7
The new mown-
4
C
hay
G F©7 F7 E7
sends all its fra
A7
grance-
A7
From the
fields
B7
I used
B7
to roam.
Em Em
When I dream
G
a bout- the moon
B7
light- on the
Wa
Em7
bash,-
Eº7
then I long
G
for my In
D7
di- an- a- home.
G (D7)
5
Ferdie Grofe/Peter DeRose - 1922
Suez
A
B
F A‹ E7 E7
Rhythm Vamp 4 bars
A‹ F A‹ E7
A‹ E7 A‹ D‹
A‹ E7 A‹ Rhythm Vamp
A‹ E7 A‹ D‹
A‹ E7 A‹ E7 A‹
A‹ E7 A‹ D‹
A‹ E7 A‹ Rhythm Vamp:
A‹ E7 A‹ A A E7 A G7
6
C
D
CSolos Here
B& C B&
C7 E7 F A7
D‹ A7 D‹ A7
D7 Dº D7 G7
C7
F D7 G7 C B&
C A7 D7 G7 C
7
William Wilander & Harry Donelly - 1920
A
Afghanistan
B
In the
G‹
land of Af- ghan- is- tan,
Gº
There's
C‹/G
a Hin-du maid and a man.
G‹
She
G7
swore by the stars up a bove
C‹
- her that
G‹ Break
he was the one
D7 Break
to love her.
But
G‹
there came an-oth-er one day,
Gº
stole
C‹/G
his Hin-du maid-en a- way.
G‹
Hin-
G7
du man is lone- ly and blue.
C‹
In his dreams
D7/F©
he's call-
D7
ing to
G‹
her.
F7
In
F7
Af- ghan-
FŒ„Š7
is- tan,
F7
There's
B¨
a car- a- van
B¨/D B¨‹/D
by
C‹
the
C‹7
fair
F7
o- a- sis, Wait-
B¨
ing for
C©º
you,
Break - Unison 1 bar
And for you on- ly.
'Cross
F7
the des ert
FŒ„Š7
- sand,
F7
we
B¨
will find a tem-
A7/C©
ple,
There
C‹
will be a bri-
D7/F©
dal day
G‹
for you,my i-
C7
dol, in
F7
Af- ghan- is- tan.
B¨
8
A
Whispering Schonberger - Coburn,
V. Rose - 1920
B
C
Hon ey
F
- I have some
C7
thing- to tell
F
you
C7
And
F
it's worth while- list
C7
en- ing-
to.
F
Put
A‹7
your lit tle- head
E7
on my shoul
A‹
-
der,
A‹
So
C
that I
A7
can whis
D‹7
per-
G7
to you.
C7 G‹7 C7
Whis-
F
per- ing while you cud-dle near
E7
me, Whis
F
per-- ing so no one can
hear
D&7
me,
D7
Each
G7
lit- tle whis- per seems to cheer
C7
me,
C7
I
F
know it's true, there's no one
C7
dear, but you, You're
C&7
whis-
F
per- ing why you'll nev- er leave
E7
me, Whis-
F
per- ing
why
F
you'll nev- er grieve
D&7
me,
D7
Whis-
G7
per and say that you be-
lieve
C7
me, Whis-
G‹7
per- ing that I love
B¨‹
you.
F
9
Eccentric J. Russell Robinson - 1921
A
B
G Gº G A7 D7 G G7
C D7 G7
3
C G7 C
D7 G7
3
C G7 C G7 C C7
F C7 F C7 F C7 F C7 F
G7 C A7 D‹
D‹ F C7 F C7 F
Solos:
G7
10
C
D
Solos Begin Here first time
C D7 G7
3
C G7 C
C
D7 G7
3
C G7 C G7
After last solo play "C" aswritten then on to "D"
C
C Cº C D7 G7 C C Cº
C D7 G7 E7
E7 C Cº C D7 G7
C
Tag
pp
C Cº C
f
D7 G7 C
11
Con Conrad & J. Russel Robinson
Aq = 160
Margie
You
G
can
D
talk
C
a
G
bout- your
D7
love
G
af fairs,-
Am7 D7
Here's
G
one
D
I
C
must
G
tell to
D7
you;
G Gº
All
Am
night long
E7
they sit up on
Am
- the stairs,
F7 E7
A7
He holds her close and starts to coo:
D G D7
My lit tle-
12
B
C
Mar
G
gie,- I'm al ways- think
G7
ing- of
G+7
you
Mar
C
gie,- I'll tell the world I love you,
Don't
G
for get
F©7
- your
F7
prom
E7
ise- to me,
I
A7
have bought
Aº
a
A7
home
D7
and
break
ring and ev 'ry- thing,- For
Mar
G
gie,- You've been my in
G7
spir- a
G+7
- tion,-
Days
C
are nev er- blue.
B7
Af ter-
all
G
is said and done, There is real ly
G7
- on
F©7
ly
F7
- one,
E7
Oh!
Mar
Am7
gie,- Mar
D7
gie- it's you."
G D7
"My lit tle-
13
Irving Berlin - 1918Mandy
A
B
I was stroll
C
ing- out
F
one even
C
ing
Aº
-
G7
'neath the silv' ry- moon.
C
I could
hear
C
some bo
F
dy- sing
C
ing
A‹
-
D7
a fa mil- iar- tune.
G
So Istopped
G7
a while to
lis
C
ten,- Not a word
G7
I want ed- to miss.
C
It was just
C
some bod
F
- y-
ser
C
e- na
A‹
- ding-
D7
some thing- like this.
G7
Oh now
Man
F
dy,- there's a min is- ter- han
C
dy,-
A7
and it sure would be
han
D7
dy,-
G7
If we'd let him make a fee.
C C7
So don't you ling
F
er-
F
here's the ring for your fing
C
er-
A7
is n't- it a hum ding
D7
- er?-
G7
Come a long- and let thewed
C
ding- chimes
Aº
bring hap
C
py- times
Aº
far Man
D7
dy-
G7
and me.
C
14
Byron Gay/Arnold Johnson - 1919Oh!
A
B
1.
2.
C
G7
C G7 C
C F
D7
D7
Break: 2 BarsG7
3
3
3
C
G7 C
3 3
C G7 C7
FC C& C6 C&
C
G7 C C
15
William H Tyres - 1913Panama
A
1.2.
B
C
F C7
F C7 F F
C7 F C7 F C7
C7
F F7 B¨ Bº
F D7 G7 C7 F F F7
B¨ Bº F D7 G7 C7
F F7 B¨ Bº F
D7 G7 C7 F F7
B¨ B¨&7 E¨ F7
F7
B¨ F7 B¨ B¨
16
D
E
1.
2.
D‹ A7 D‹ F7
B¨ F7 F7
F7 B¨ F7 B¨ B¨7
E¨ Eº B¨ F7 B¨
ppff
B¨ F7
B¨ B¨ B¨7 E¨ F©7 B¨ F7
B¨ B¨ F©7 B¨ F7 B¨
F7 B¨ F7 B¨
17
Jelly Roll Morton - 1919
The Pearls
A
B
A F E7
A F© A F
F©7 B‹ F©7 B‹ B7 E7
A F A F
F©7 B‹ F©7 B‹ F©‹ B7 E7 A
A7 D7
A C©‹7 F©7 B7 E7
A7 D7
Aº Break - 2 barsA E7 A
3
A A7 Aº A7 3 3
18
C
D
Tuba Only All A7 DŒ„Š7 F©‹7
3
B‹ F©‹ Fº E‹7 A7
E‹7 A7 D
E‹ F©7 B7 E‹7 A C©7 F©‹ E‹ D E F© A7
Tuba only All DŒ„Š7 A‹7
3
D G B7 E‹ G
3
G‹ D B7 E‹7 A7
D Aº A7
Tuba Only
A7 D93
19
A
Swanee Gorge Gershwin - 1919
B
Swan
G
ee- How
G&
I love you How I love you My
C
dear
A‹7
old
D7
Swan
G
ee.- I'd give the world to
D©7
be
D9 D7
a mong- the
folks
D7
in D
G
i- x- i- e
D7
- ven- know my Mam
G
my's- Wait
G&
in'- for me
Pray
G&
in'- for me Down
C
by
A‹7
the
D7
Swan
G
ee.- The folks up north will
D©7
see
C
me no more,
C©
When
C©7
I
D7
get to that Swan ee- shore.
G
Swan
D7
ee,- Swan
G
ee,- I
D7
am com ing back to
Swan
G
ee.- Swan
D7
ee,- Swan
G
ee,-
G
I love the old
A7
folks
D7
at home.
G E¨7D7 G
20
Zez Confrey - 1922A
Stumbling
B
Stum-
A
bling all a-round, Stum-bling all a-round, Stum-bling all a-round
A
so
A7
fun-
F©7
ny,
Stumb-
B7
ling here and there, Stum-bling ev- 'ry- where, And I must de- clare:
B7
I stepped right on
E7
her toes, And when she
Fº
bumped
F©‹
my nose,
F©‹
I fell and when
B7
I rose, I felt a- shamed.
E7
And told her:
That's the
A
la-test step,That's the la-test step,That's the la-teststep,
A
My
A7
hon-
F©7
ey,
No-
B7
ticeall the pep, No-tice all the pep, No-ticeall the pep. She said:Stop mum-
D‹6
bling, tho' you are stum-
A
bling, I like it
just
B7
a lit- tle bit, just a lit-
E7
tle bit, quite a lit- tle bit.
A
21
San McPhail/Michels - 1920
A
B
Bass Intro
King
One
E‹
San
day
A‹
of
the
Sen-
queen
B7
e-
came
gal
home,
E‹
Sat
Saw
B7
on
San
the
in
shore
sad
at
ness-Bu-
on
la-
the
may,
shore,
E‹ B7
Bu-
On
C7
la-
the
may,
shore.
B7
Sing
Told
E‹
ing
him
A‹
- a
she'd
sad
no
B7
re-
more
frain
roam.
E‹
To
On
B7
his
ly-
dear
her
queen
San
who'd
she
gone
would
a-
a
way.
dore.
E‹ A‹
This
Then
was
came
B7
his
his
lay:
lore:
E‹ C7 B7 D7
22
C
D
G
Oh, sweet-heart Lo-
E¨7
na,
G
My dar-ling Lo
E¨7
na,-
G
WhyHave
haveyou
E‹
youcome
goneback
A7
a-to
D7
way?stay?
G C7 G D7 G
You said you loved
E¨7
me,
G
But
I
if
knew
you
you
loved
loved
E7
me
me,
A7
Why
I
did
knew
you
you'd
act
come
this
some
way?-
day.
D7
G
If I had ev-
G7
er been un- true
C
to you
E¨7 G
What you have
done
G7
would be the thing
C
to do.
E¨7 G
But
But
my
now
heart
you're
aches,
mine
E¨7
dear,
dear,
G
AndFor
itall
willthe
breaktime
E7
dear,dear.
A7
IfAnd
youyou're
don'tfor
comegiv
A‹
-backen
D7
-home
by
G
ayour
gainlov
-
C7
toing-
San.San.
G D7
23
Sensation 1917
A
q = 180
1.
2.
B
C
1.
2.
C Am Dm G7 C A7
D7 G7 Dm G7 C
F D7 G7 C
C7 F C©7 Gm7 C7 F D7
G7 C7 F F7
Bb Eb Bb Eb C7 F7 Bb Bb Eb Bb Eb
C7 F7 Bb Eb Bb Eb C7 F7
Bb Gdim
F Bb F7
Back to B
Bb F7
24
At a Georgia Camp Meeting
A
B
2 bars unison w/ Clarinet trill
C G7 C
C C7 F C G7 C
D7 G7 C C7 F C
C 2 bars unison G7
Fine
C
G7 C G7
Adim C G7 C C C7
F F©dim C A7
Back to "B" for solos, after last solo play "A" once
D7 G7 C
25
Jean Schwartz - 1918
A
Rock a Bye Your Baby
Mam-
D
my mine,
D©º A7/E
Your lit- tle roll-
A7
in'stone that rolled
D
a- way,
strolled a- way.
A&7
Mam-
F
my mine,
F©º C7
Your roll- in'stone
C©7
is roll in'-
home
F
to-day, there
A7
to stay. Just
D
to see
Fº
your smil-
A7/E
in'face,
A7
Smile
D
a wel-
Fº
come
sign.
A7
When
F
I'm in
Fº
your fond
C7
em-brace, Lis-
A
ten Mam-
E7
my mine:
A7
26
B
C
Rock-
D
A Bye- Your Ba-by With
Dº
a Dix-
A7
ie Mel- o- dy, when
A7
you croon,
croon
A7
a tune from
D
the heart of Dix-
E7
ie.
A7 A7
Just hang my cra-dle,
Mam-
A7
my mine,
D
Right on that Mas- on- Dix-
B7
on Line,
E7
Andswing it
from
E7
Vir- gin- ia,
A7
To Ten- nes- see with all the love that's in ya'
Weep
D
no more my la-dy, sing
Dº
that song
A7
a- gain for me, And Old
E‹
Black Joe,
A7
just
E‹
as though
A7
you
G7
had
F©7
me on yourknee.
B7
A million ba-by kiss-es I'll de-liv- er,
E7
The min- ute that you sing the Swan-
Fº
ee Riv- er, Rock-
D
a- bye your
rock-
D
a- bye ba- by
B‹7
with a Dix-
E7
ie mel-
A7
o- dy.
D
27
That's A 'PlentyLew Pollack / Ray Gilbert 1914
A
B
C
Em
B7 Em B7
Em
B7 Em
D7 G G#º D7
D7 G2 bar break
D7
G G7 C C©º G E7 A7 D7 G B7
Em
Bass bass
B7 Em B7
Em
Bass Bass
B7 Em G7
28
D
E
F
G
H
C B7 Bb7 A7 D7 G7
C Cº Dmi7 G7 C B7 Bb7 A7
D7 G7 C cornet,clarinet
E
trombone, bass
G
G7
Csolo here
B7 Bb7 A7
D7 G7 C Cº Dmi G7 C
C B7 Bb7 A7
D7 G7 C F7
continue after last solo
C G7
FINEE G
G G7
C A7
D7 G7 C Dmi7 G7
29
Aq = 160
Just a Little While to Stay Here
B
Just
Soon
Bb
a
this
lit
life
tle
will
- while
all
Bb
to
be
Eb
stay
o
Bb
here,
ver,-
Just
And
Bb
a
our
lit
trav
tle
els
Eb
-
-
while
here
Bb
to
will
F7
wait
end.
Bb Bb7
Just
Soon
Eb
a
we'll
lit
take
tle
our
- while
hev'n
Eb
to
ly
Ebm
-
la
jour
Bb
-
-
bor,
ney,
Gm7
in
Be
C7
the
at
path
home
that's
a
nar
gain-
row
with
- and straight,
friends.
F7 F+7
Just
Heav
Bb
a
en's-
lit
gates
tle
are
- more
stand
Bb
hard
ing
Eb
-
trou
o
Bb
ble
pen,
-
-
In
Wait
Bb
this
ing-
low
for
and
our
Eb
sin
en
Bb
ful
trance
F7
-
-
state.
there.
Bb Bb7
Then
Some
Eb
we'll
sweet
all
day
go
we'll
march
all
ing
go
Ebm
- o
o
Bb
ver
ver,
G7
-
-
march
All
C7
ing
the
- thru
beaut
the
ies-
Pearl
there
F7
y
to
- Gate.
share.
Bb
30
Mary S.B. Dana - 1857
A
Flee As A Bird
B
C
Flee
He
as
will
E‹
a
pro-
bird
tect
to
thee
your
for- ev-
moun-
B7
tain,
er,
Thou
Wipe
E‹
who
ev-
art
'ry
wea-
fall-
A‹7
ry
ing
C7
of sin.
tear.
B7
Go
He
E‹
to
will
the
for-
clear
sake
flow-
thee
ing
oh
foun-
nev-
B7
tain,
er.
Where
Shel-
E‹
you
tered
may
so
wash
ten-
B7
and
der-
be
ly
clean.
there.
E‹
Fly
Haste
for
then,
G
The
the
hours
aven
are
ger- is near
fly-
D7
thee,
ing,
Call
Spend
G
and
not
the
the
Sav-
mo-
A‹6
iour
ment
will
in
hear
sigh-
E‹
thee.
ing.
B7
He
Cease
on
from
E‹
his
your
bos-
sor-
om
row
will
and
bear
cry-
B7
thee,
ing, The Sav-
Thou
E‹
who
iour
art
will
wea-
wipe
B7
ry
ev-
of
'ry
sin.
tear,
E‹
Oh
The
A‹
thou
Sav-
E‹
who
iour
art
will
wea-
wipe-
B7
ry-
ev-
of
'ry
sin.
tear.
E‹ B7 E‹ B7 E‹ B7 E‹
31
Clarence Williams & Spencer Williams - 1919
I Ain't Gonna Give Nobody
None of My Jelly Roll
A
B
His
Lit
sister
tle
Til
Wil
ly
ly
C
Green
Green
D©º
was
from
real
New
G7
Or
ly
leans,
mean, and
a
ver
greed
C
y
y
- stin
boy
G7
gy,
was
too.
he.
C
She
He
G
al
al
ways
ways
-
- want
want
ed
ed
some
lots
E‹
of
of
what
kids
you had
Fº
but
just
gave
to
she
keep
D7
noth
him
ing
com
- to
pan
you.
y.-
G
One
When
day
G7
her
his
mom
mom
bought
bought
her
him
a
a Toot
jel
C
ly
sie
roll,
Roll,
D©º
the
to
best
hide
can
G7
it
dy-
she
that
would
was
try.
made.
C
When
When
G
the
the
kids
kids
would
be
ask
gan
her
to
for
hang
E‹
a
a
bite,
round,
G©º
you'd
lit
D7/A
hear
tle
Til
Wil
ly
ly
D‹7(b5)/G©
cry:
said:
G7
I
I
ain't
ain't
C
gon
gon
na'
na'
give
give
no
no
bod
bod
y
y none
none
A7
of
of
my
my
jel
Toot
D7
ly
sie
roll.
Roll,
(jel
(Toot
ly
sic
roll)
Rol!)
I
I
would
G7
n't- give you a piece of my sweet,not to save
C
your soul! (save your soul!)
32
Mom
Dad
A7
ma
dy
told
told
me
me
to
to
day,
day,
Just
Just
be
be
fore
fore
D7
she
he
went
went
a
a
way;
way, If I'd
be
D7
a
If I'd
good
be
boy,
a
He'd
good
bring
lit
me
tle
a
girl,
toy;
G7
She
And
Two Bar Break
might
I'm my
put
Dad
my
dy's-
hair
pride
in
and
curls!
joy!
You
You know
C
there ain't no need in your
A7
just hang-
D7
in' a-round,
(hang- -in'- a- round) I know
G7
you want it, but I'm- a gon- na'turn you down.
E7
My
jel
Toot
F
ly
sic
roll
Roll
is
is
sweet!
sweet!
F©º
And youknow
C
it can't be beat!
A7
I
know
F
you want
F©º
it, but you
C/G
can't have
A7
it! I ain't
D7
a gon -na' give
G7
you none!
CBack To "A"
Interlude to Second Verse
C E¨º D‹7 G7 C E¨º D‹7 G7
33
AAbe Olman - 1914
Down Among The Sheltering Palms
I'm way
D
down east, down east, And my heart
D
is pin ing,- pin ing- for you,
You're
E‹
way out west, out west,
A7
And my soul
A7
is crav ing,- crav ing- for you,
I
D
love you so,
A7
Just
A9
you I know,
D
It
takes
B‹
six days
F©‹
to go
E‹
there with a train, Just one
D
week more and I'll
be
A7
with you a gain.
D
- I long to be,
D7
34
B
C
Down
G
a-mong the shel- ter-ing palms,
E7
Oh hon-ey wait
A7
for me; Oh hon-ey
wait
A7
for me; Meet
D7
me down by the old Gold- en Gate,
Out
G
where the sun goes down
A9
a- bout eight.
D7
How
G7
my love is burn-
C
ing, burn- ing, burn- ing, How
E7
my heart is
yearn-
A7
ing, yearn- ing, yearn-
D7
ing to be Down
G
A mong- the
Shel-
G
ter- ing Palms,
E7
Oh hon- ey wait
A9
for
D9
me.
G
35
q = 240T. Allen and M. Sheafe - 1910
Washington and Lee Swing
A
B
C
C Eº G7
G
G C G7
C
C C7 F
F F©º C A7
D7 G7 C
36
Joe Avery Blues Joe Avery
A
1.
2.
B
C
C C7
F C
G7 C G7 G7
All Play EverytimeC
Solos start here
F7 C
G7 C G7
C C7
F7 C
G7 C G7 Solos start at "B"
TagC
37
A
Pretty BabyEgbert Van Alstyne & Gus Kahn - 1916
You
F
ask me why
C7
I'm al ways- teas
F
ing- you,
F7 B¨
You hate to have me call you
Pret
F
ty- Ba
C7
by;-
F
I real ly- thought
C7
that I was pleas
F
ing- you, for you're
just
C
a ba
G7
by- to me.
C
Your
F©º7
cun
G‹
ning- lit tle- dim
C7
ples- and your
ba
F
by- stare,
F©º
Your ba
G‹
by- talk and ba
C7
by- walk and cur
F
ly- hair, Your
ba
G7
by- smile makes life
C
worth while,
A‹
- You're just
D7
as sweet as you
G7
can be.
C C7
Ev' ry
38
B
bod y
C7
loves a ba by that's why I'minlove with you,Pret ty Ba
F
by, Pret
C&
ty Ba
F
by. And I'd
like
C7
to be your sis ter, broth er, dad and moth er- too, Pret ty
Ba
F
by, Pret
C7
ty Ba
F
by. Won't you come
F7
and let rne rock you in my
cra
B¨
dle of love, And
E¨7
we'll cud
D7
dle all the time.
G7
Oh!
C7
I want
C7
a lov in' ba by and it
might
C7
as well be you,
G7
Pret ty Ba
C7
by of mine.
F
39
Bill BaileyA
Hughie Cannon, 1902
On
Em
one sum mer- morn ing- the sun was shin ing- fine. The
la
G
dy- ho ney- of old Bill Bail ey- she hung clothes on
B7
the line
Em
in her
D0
back
ya
D7
rd,- and weep in'- ha
G
rd.- She
B7
married
Em
a B &O brake man- that took and throwed her down. Bell -
er
G
in'- like an old prune fed- calf and with a big gang hang
B7
in'-
round.
Em
And to
D0
that cro
D7
wd- She cried out lou
G
d,-
G D7
40
B
Won't
G
you come home Bill Bail ley,- won't you come home?
She moans the whole day
D0
lo
D7
ng-
I'll
D7
do the cook ing- ho ney,- I'll pay the rent.
I
D7
know I've done you
D+
wr
G
ong-
'Mem
A
ber- that rain y- eve that I drove you out, with
no
G7
thing- but a fine tooth comb.
C E7 Am
I
know
C
I'm to blame,
Cm
well ain't
G
that a shame!
E7
Bill
Bail
A7
ley- won't you
A7
please
D7
come home
G
41
TraditionalFrankie And Johnnie
A
q = 160 China BoyWinfree/Boutelje - 1922
B
Frank-
Frank-
G
ie
ie
and
went
John-
down
D7
nie
to
were
the
lov-
cor-
G
ers.
ner,
D7
Oh,
Just
G
Lord-
for
y
a
how
buck-
D7
they
et
could
of
love!
beer.
G G7
They
She
swore
said
C
to
to
be
the
true
fat
to each
bar-
oth-
ten-
C7
er,
der,
Just
"Has
as
my lov-
true
C
as
in-
the
est
stars
man
C©º
a-
been
bove.
here?
G
He
He
was
was
her
my
man,
man,
A‹7 D7
But
But
he
he's
done
done
her
me
wrong.
wrong".
G C7 G
Chi
G
na- boy go sleep, Close
G
your eyes
G GF©7
don't
F7
peep,
E7
Sand
A7
man- soon will come, While
Cm
I soft ly- hum.
G
Bud
Bb
dha- smiles
F7
on you,
Bb
Moon
Bb
man- loves
F7
you too.
Bb
So,
D7
while
G
theirwatch
G
they keep,
A9 C‹
Chi
G
na- boy
D7
go sleep.
G
42
Alice Blue Gown
A
Harry Tierney & Joseph McCarthy
1919
B
In my sweet
D
lit tle- A lice- Blue Gown,
B
when I
first
E7
wan dered- down in to town, I was
both
A7
proud and shy, As I felt
D
ev 'ry- eye,
B7
But in
ev
E7
'ry- shop win dow- I'd primp,
A7
pass ing
A+
- by;
A7
Then in
man
D
ner- of fash ion- I'd frown,
B
And the
world
Em
seemed
B7
to smile
A7
all a round,
F©7
- 'Til it
wilt
Em
ed- I wore it, I'll al
D
ways- a dore
B7
- it, My
sweet
Em
lit
B7
tle
E7
- A
A7
lice
Gm
- Blue
A7
Gown.
D
43
M.K. Jerome & Blanche Merrill - 1918
Jazz Baby
A
B
C
My
D
dad-dy was a rag-
Dº
time trom-
A7
bone play-er,
D
My mam-my was a rag-
Dº
time
cab-
A7
a- ret- er.
D
They met one day at a tan- go
F©7 F©º
tea,
B‹
There was a
syn-
E7
co- pa- ted wed-ding and then
A7
came me. Folks
D7
think the way I
walk
G
is a fad, But
G7
it's
E7
a birth-day pres-ent from my mam-
A7
my and dad. I'm a
Jazz
D
Ba-by, I want
D
to be jazz-
A7
ing all the time.
D Dº
There's some-thing
in
A7
the toneof a sax- o-phone, thatmakes
D
me do a lit-
E7
tle wig-gle all
A7
my own.Cause I'm
A&
a
Jazz
D
Ba-by, Full
D7
of jazz-bo har- mo- ny.
G
That"Walk
G
the Dog"and"Ball the Jack"that
caused
G
all the talk,
E‹7
is just
D
a cop- y of the way
Dº
I nat-
D
'ral- ly walk!
A7
'Cause I'm
A&
a
44
D
E
Jazz
D
Ba- by, Lit-
E7
tle Jazz Ba-
A7
by that's me!
D
Rocked to
G
sleep while the cra- dle went to
G©º
and fro, To
D
and fro to the
tune
D
of the "Tic-
B7
kle Toe". Ev-
E7
er since I start-
A7
ed in to grow,I'd
love
D
to hear
Dº
the mu- sic play- in', See mydearold mam-
E7
my sway- in'. Jazz,
G
jazz, jazz,that's
all
G
I ev-
G©º
er knew, All
D
day long I nev- er would
B7
get thru.
Jazz,
E7
jazz, jazz,That's all
A7
I want to do, Play
D
me
Dº A7
a lit-tle jazz!
D A7
'Causeafter last solo play C to end
I'm
A&
a
Jazz
D
Ba- by, Full
D7
of jazz-bo har- mo- ny.
G
That
G
"Walkthe Dog"and"Ball theJack"thatcaused all the talk,
E‹7
is just
D
a cop-yof the way
Dº
I
nat-
D
'ral- ly walk!'Cause
A7
I'm
A&
a Jazz
D
Ba-by, Lit-
E7
tle Jazz Ba-
A7
by that's me!
D Solos at D
45
Willie The Weeper
A
B
Have
Gm
you heard the sto
D7
ry folks of Will
Gm
ie- the weep er? Will
Dm
ie's- oc cu- pa
A7
- tion- was a
chim
D7
ney- sweep er He had
Gm
a dream in'- ha
D7
bit- and he
had
Gm
it bad,
Cm6
List
Gm
en- let me tell you'bout the dream
D7
he had.
G‹
At the
Gm
north pole
D7
some
Gm
one- shout ed- Will ie- turned
Dm
a round-
A7
saw a
light
D7
that knocked him sil ly.- Right
Gm
be fore-
D7
him
in
G‹
the ze ro- breeze,
Cm6
a cut
Gm
ie- lit tle- ho ney- in her B
D7
V- D's
G‹
-
46
C
D
He
F7
walked a round- his feet were free
Bb
- zin', some one- said,
Cm
hey
C7
cut
F7
ie-
Bet ter- list en- to rea
Bb
- son says I want
Cm
my
C7
coff
G7
- ee
want it good and strong
C
I want to have
bis
F
cuits- eight een- inch es- long.
Bb
now
tell
F7
me what would you do?
Bb
if you
Cm
could
C7
have
F7
all
F7
your dreams come true?
Bb
there's
Bb
some
Cm
thing-
C7
tells me
G7
that
G7
you'd lock the door
C
like will ie- the
weep
F
er- and cry for more.
Bb
47
Eugene Lockhart & Ernest Seity - 1919
The World Is Waiting For the Sunrise
A
B
Dear
G&
one,
C
the world
G&
is wait-
C
ing for the
sun-
E7
rise, Ev
F
'ry rose
C G‹
A7
is heav-
D7
y with dew.
G7
The
G&
thrush
C
on high,
G&
His sleep
C
y- mate is call-
E7
ing,
And
F
my heart
C G‹ A7
is call
F‹6
ing
G7
- you.
C
48
Collin Davis & Karl Hoschna - 1908
A
The Yama Yama Man
B
Great
Ev
C‹
big
'ry
B¨/D
sca
lit
C‹/E¨
ry
tle
eyes
tot
you
at
see
night
G7
so
is
you
a
cov
fraid
C‹
er
of
up
the
up
dark,
G7
your
you
head,
know.
C‹
But
Some
C‹
that
big
B¨/D
Ya
Ya
ma
rna
C‹/E¨
man
man
is
they
there,
see,
stand
when
ing- right
off
G‹
be
to
side
bed
D7
your
they
bed!
go.
G7
Ya-
C
ma, Ya- ma,the Ya-
G7
ma man, Ter-
G7
ri-ble eyes and a long
C
bo-ney hand.
C7
If
F
you don't
F‹
wateh out he'll get
C
you with-out-
A‹7
a doubt, If
D7
he can!
G7
May-be-
C
he's hid- in' be-hind
G7
the chair, Read
G7
y- to spring out at you
C
un- a-ware!
C7
Run
F
toyour Ma- ma cuz' herecomes
C
the Ya-
A‹7
ma Ya-
D7
ma
G7
man!
C G7
49
Yellow Dog Blues W.C Handy 1914
A
B
E'er sinceMiss Su
Yel
D
san
low
-
-
John
Dog
son- lost
Dis
her
trict-
Jock
like
ey
a
- Lee,
book,
There
In
has
deed-
been
I
much
know
ex
the
cite
route
- ment,
that
-
more
Ri
D7
to
der-
be;
took.
You
Ev
G
can
'ry-
hear
cross
G7
her
tie-
moan
ba
G
ing
you,
-
-
night
burg
G7
and
and
morn.
bog.
D
A7
Won
Way
der
down
- where
where
my
the
Ea
South
sy
ern
-
-
Ri
cross
der's
the
- gone?
Dog.
D A7
Ca
Mon
D
ble
ey
--
grams
don't
come
'xact
of
ly-sym
grow
pa
on
- thy
trees,
-On
Te
cot
le
ton
--
grams
stalks
- go
it
of
growns
in
with
D7
qui
ease,
- ry-No
Let
race
G
ters
horse,
- come
race
G7
from
track
down
no
G
in
grand
"Bam"
stand-
G7
And
Is
ev
like
D
'ry
Old
- where
Back
that
an'
Un
Buck
cle
shot
--
Sam
land.
A7
Has
Down
e
where
ven- a
the
ru
South
ral
ern
--
de lie
cross
- ver
the
- y.
Dog.
D
-
A7
All
Ev
day
e-the
ry-
50
C
D
phone
kit
D
chen-rings
there
G
But
is
it's
a
not
cab
for me,
a ret,
D
-
D7
At
Down
last
where the
good
boll
G
ti
wev'l
dings,
works
-
G
Fill
While
our
the
hearts
far
with
mers-glee,
play.
G
This
This
mes
Yel
E7
sage
low
--
comes,
Dog Blues
from
the
Ten
live
nes
long
--
see.
day.
A
- Dear
D
Sue
A7
your
D7
Ea
G
sy
G7
- Ri
C
der
C©dim
-
G
struck this burg to day,- On
G7
a
C7
south bound'ratt ler-
C7
side door Pull man car.
G
Seen
D7
him here, and he was on the hog.
G
D7
Ea
G
sy
Bb7
- Ri
C
der's
C©dim
-
G
got a stay a way,
G7
- so he
C7
had to vamp it
D7
but the hike ain't far.
G
He's gone
D7
where the South ern-
D7
cross the Yel low- Dog.
G D7 G
Solos at "D"
D7
51
Billy Rose & Con Conrad - 1923
A
You've Got To See Your Mamma Ev'ry Night
DaddDadd
C
yy
--
deardear
listwhen
Cdim
enyou're- here
near
C
yourwell
mamev'
ma'sry
--
feelthing's
Cdim
-in'o
- blue.kay-
C
I
butdon'twhen
seeyou
muchstay
ofa
you,way-
G7
andI
thatmope
willa
neround-
Cdim
verall
do.day.
C
OnceI
C
amust
weekknow,
Ma
where
Cdim
ma'syou
- cheekgo,
C
Needsand
awhat
kissmakes
Cdim
oryou
two.gay.
C C©7
I'mI
D7
notdon't
showwant
in'to
youshare
G
themy
doorlove
butwith
Ia
mustnoth
C
-layer-
downtur
D7
thetle-
law.dove
G
You've got to
52
B
C
see
C
your ma ma- ev er- y- night or youcan't
G7
see your ma ma- at all
C
You've go to
Kiss
C
your ma ma- and treat her right or she won't
D
be at home when you call
G7
NowNow
ifI
C
youdon't
wantwant
mythe
comkind
panof
- yman
- wellwho
yougives
F
hiscan'tlove
fifon
tythe-
infifstal
F7
-ty
ment--
meplan,
you've gotto
see
C
your ma ma- ev er- y- night or you can't
G7
see your ma ma- at all
C
Mon
C
day- night I sat
G#
a lone.-
G7
Tues
C
day- night you did
G#
not phone
G7
Wednes
C
day- night you did
Dm7
not call
G#m7
and
G7
Thurs
C
day- night it was the same
G7
old stall
C
Fri
C
day- night you dodged
G#
my path
G7
Sat
C
ur- day- you took
G#
your bath
G7
Sun
C
day- night youcalled
Dm7
on me
G#m7
but
G7
youbrought
C
three girls for some com
G7
pan- y-
C
you've got to
53
Chris Smith & Charles McCarron - 1915
A
Down in Honky-Tonk Town
B
F
Bill John-son said one day,
E7 F
To his E li-- za May,
E7 F
"We've been to
near-
F
ly ev'-
E7
ry place
F
in
E7
town.
A‹ B¨
If you sug- gest to me,
A7 B¨
some oth-er
nov- el- ty,
A7 B¨
We both will go
B¨
and do
A7
the thing
B¨
up
A7
brown!"
D‹
F
His sweet-tie said,"My Dear,
E7 F
there is this place I hear,
E7 F
I got it
straight
F
from Mose,
E7
who brings
F
the
E7
clothes.
A‹
It's
D‹
Hon- ky Ton- ky Town,
down
D‹
where the gals are brown. That's
E7
where the mu-
E7(b5)
sic grows.
A7
54
C
D
D
Come, Hon- ey, let's go down to Hon- ky Ton-ky Town,
E7
it's un- der- neath the ground, where all the fun is found.
There'l!
A7
be sing- ing wait- ers, sing- ing syn- co- pa- ters,
danc
E7
cin'- to pi- a- no played by Mis- ter Brown.
A7
D
He plays pi- a-no queer, He on- ly plays by ear,
E7
You want to
stay
E7
a year, The mu- sic that you hear, would ev-
A7
en start a mon-key,
danc-
A7
ing with a don-key, Down
E7
in Hon key- Ton
A7
ky- Town.
D
55
A
Edward Madden and
Theodore Morse - 1908
Down in Jungle Town
Down
Verse
Am
in Jun gle- Town, the moon shines down with out- a
frown;
B7 E7
Soon
A‹
a shy bab oon- came out to
spoon
C G9
be neath- the moon;
C
Mon
D‹
key- Doo dle-
wagged his noo dle,- he was Jun gle- King, She
D‹
felt flat tered-
when
D‹
he chat tered- You're a pret ty- thing
A‹
Big
E
Bam boo-
room
E
for two
So
G
prom ise- you'll be true!"
G7
56
B
C
Down
Chorus
C
in jun gle- town,
D7
A hon ey- -
moon
G7
is com ing- soon.
C
Then you'll hear a ser en
Cº
- -
ade,
G7
To a pret ty- mon key- maid,
C C©º G7
When
C
that chim pan- zee
D7
- up in the tree,
G7
Sings
G7
that mel
Dm7
o- dy.
E7
- I'll
C
be true to my
mon
C
key- doo dle- doo- way Down In Jun
D7
gle
G7
- Town.
C
57
A
q = 100
My Daddy Rocks MeJ. Berni Barbour - 1922
I've got
Gm
a
Cm
Sweet
Gm
ie,- no one could be
Eº Eb6
so sweet to me.
Gm/c
He
Bb
makes me hap py.
A7
-
Dm
I'm glad to say
Bº Bb
he's al ways- gay.
Dm/A
I've
got
C7
a great big rock
F
ing- chair, and ev
C7
'ry- night you'll find
F
us there. I'm
on
D7
his knee,while he
Gm
rocks me
Dm/Bb
to a rock
A7/E
y- mel
Cm/Eb
o- dy.
D
-
Gm/D
My ba by-
58
B
rocks
Gm
me
Gm/F Gm/Eb
with one stead
D
y- roll.
Gm Cm Gm Cm
My ba
Gm
by- rocks
Gm
me
Gm7/F
Eb7
with all his heart and soul.
D7 Gm/D D7 Gm/c D7
We'll
Wrap'd
Most
Talk
Gm
al
in
ev'
a
ways
a
ry
bout
-
-
-
spoon
blank
eve
row
while
et
ning
boats
-
-
the
of
at
and
lights
love
half
birch
Am7
are
and
past
can
-
low.
charns,
nine,
oes,-
D7
He
I'm
We
You
Gm
hates
sit
get
need
to
ting
to
a
Gm7/F
-
leave
pret
geth
chair
-
Eº
me
ty
er
to
when
when
and
rock
Cm/Eb
it's
I'm
the
a
time
in
world
way
D7
-
to
his
is
your
go.
arms.
mine.
blues.
Am7/E
Myba
D7/F©
by- rocks
Gm
me
Gm/F
Gm/Eb
with one stead
D7
y- roll.
Gm Aº D7
roll.
Gm D7 Gm
59
A
There'll Be Some Changes MadeHiggins/Overstreet - 1921
They
C
say don't change
A‹
the old for
D7
the new,
G7 C
ButI've found out
A‹
that thiswill
nev
D7
er- do.
G7 E7
When you grow old you don't
A‹
last long;
D7
You're jere to day- and then to mor- row- you're gone.
G7 G& C
I loved a man
A‹
for ma ny-
years
D7
gone by,
G7 C7
I thought his love for me
C&
would nev
F
er- die.
D7
He made some chang es- that would nev
G
er
B7
- do,
E9
from
E7
now
on
A‹
I'm go
Aº
in'g- to
D13
make
D7
some
G7
changes
F‹6
too.
G7
For there's a
60
B
change in
A7
the weath er there's a change in the sea,
D7
so from now on there'll be a change in me, My walk
E7
will be dif'rent, my talk
and
A7
my name, Noth
D7
in' a bout me is goin' to be
G7
the same, I'm goin' to
change my
A7
way of liv- in', if that ain't e- nough, Then
D7
I'll change the way that I
strut
D7
my stuff, 'cause no-
E7
bod- y wants you when you're old
A7
and gray,
D7
There'll Be Some Chan-
G7
ges Made
C
to- day,
A7 D7
There'll Be Some Chan-
G7
ges Made.
C
61
Creole BellesA
1900
B
1.
2.
C G
D7 G D#7 A7 D7
C G E7
A7 D7 G F©7 G7
C D7 G7 C C
G7 C C
D7 G7 C A7 D.
D7 G7 C D7 G7 C
62
C
D
Interlude
G7 Gº G7 C7
My
NC
Cre
When
ole
stars
-
Belle
shine
F
I
I'll
love
call
her
her mine,
well
C
My
my
lit
dar
tle
lin'
--
dar
ba
G7
lin'
by
--
my
my
Cre
Cre
ole
ole
--
Belle
Belle.
C
C
My cre
When
ole
stars
- belle
shine
F
I
I'll
love
call
her
her
well
mine,
C
my
my
dar
lit
lin'
tle
--
badar
G7
bylin'
--
mymy
CreCre
oleole
--
Belle.Belle.
C
C D7 G7 C C G7
G7 C C D7 G7
C A7
Solos at "C"; Out Chorus use Melody from "A."
D. D7 G7 C
63
Nick LaRocca - 1918q = 182
Skeleton Jangle
A
B
Bass
Bb F7 F7 F7
Bb F7 Bb F7
G7 Cm C7 F7
Bb F7 Bb7 Eb G7 Cm
C7 F C7 F
D7 G7 C7
F7 Bb Bº F7 D7 G7
G7 F7 Bb F7 Bb Break
64
C
D
D7
G7
C7
F7
Bb Unison for 2 bars D7
G7
C7
F7 Bb Unison 2 Bars
D7 G7 C7
F7 Bb Bº F7/C D7
G7 C7
F7 Bb F7 Bb F7 Bb
65
Sobbin' Bluesq = 164
Kassel and Berton - 1922
A
B
mf
G D+
pp
G D+
mf
G D+
pp
G D+
mf
G G7 C
3
Cm G
C7 G G
G Dm6 E7 A7 D7
Rhythm sec. plays straight 8ths as written, horns harmonize meoldy - 8 bars
G D7 G
D7Swing
G G7
C C7 B7 Bb7 A7 D7
66
C
D
GRhythm sec. plays straight 8ths as written, horns harmonize meoldy - 8 bars
D7 G
D7Swing
G G7
C C7 B7 Bb7 A7 D7 G Repeat only for Solos
mf
G D+
pp
G D+
mf
G D+
pp
G D+
G C7 G D7 G G
C7 G D7 G C7 G
C7 G
C7 G D7
Solos on "B" & "C" Section:
After last solo play to bottom.
G
67
W.C. Handy - 1915
A
Hesitating Blues
B
Hel
SunIf
Gº
lo
dayI
--
Cen
nightwas
G
tral
mywhis
- what's
beaukey,-
the
proand
mat
posedyou
Gº
ter
were
- with
toa
this
cup
line?
me.I`d
G
I
Saiddive
Gº
want
she'dto
to
bethebot
talk
haptom-
G
to
py
that
if hisand
High
wifnev
G/D
Brown
ieer
--
I'dcome
D#º
mine.
beup,
Em
Tell
Said
me
he,Oh,
how
"HowHow
C
long
longlong
will
willdo
I
II
have
havehave
to
toto
wait?
wait?wait?
G
Please
ComeCan
give
beI
me
my
2
wifeget
D7
9
myit
- 8
Kate,now,
-
or do
A7
Why
WhyI
do
dohave
you
youto
hes
heshes
D7
i
ii
--
tate?
tate?tate?
G
---
C7 GG7
What
III
C
you
dehad
say
clinedwo
G
-can't
himman,-
talk
justShe
C
to
for
my
awas
Brown?
stall,tall.
G
A
HeShe
storm
leftmake
C
last
thatme
night
nightthink
G
blowed
on'bout
the
themy
wires
Canpar
G/D
all
nona
D#º
--
down.
Ball.sol.-
Em
Tell
Hon
me
eyOh,
-how
howHow
C
long
longlong
will
willdo
I
II
have
havehave
to
toto
wait?
wait?wait?
G
Oh,won't
WillCan
you
heI
68
C
D
tell
comeget
D7
me
backit
now,
now,now, do
A7
Why
orI
do
willhave
you
heto
hes
heshes
D7
-
-
i
ii
-tate?
tate?tate?
G
---
C7 G G7
Pro cras- ti- -
na
C
tion- is the thief of time, So all the wise owls say,
C7
"one stitch
F
in time
may save nine", To mor- row's- not to day.-
C
And if you
put
G7
off, Some bod- y's- bound to lose.
C G7
I'd be
C
his, He'd be mine, And I'd be feel ing- gay.
C7
Left
F
a lone-
togrieve and pine, My best friend's gone a way,
C7
- He's goneand
left
G7
me The Hes i- ta- ting- Blues.
C F7 C
69
Grizzly Bear RagGeorge Botsford - 1910
A
B
Bass
G E7 A7 D7 G
G D7 G G
D E7 A7 D7 Break G
D7 G G E7
A7 D7 G
D7 G
D7
D7 G
70
C
D
1.
2.
C C©º G D7
Fine
G
G D7 G G
D E7 A7 D7 G
D7 G G E7
A7 D7 G
C C7 A7 D7 G7
Gº G7
Break C C C7 A7
D7 F A¨7
Stop time as MarkedC C C F C
D7 G7 C G7
Back to "B" - Play to Fine
C Break
71
Lemuel Fowler - 1922
He May Be Your Man(But He Comes To See Me Sometimes)
A
F G7 C7 F Bb7 F C7 F
MissMiss
MinLu
F
niedy
--
LeeGreen
Dº
fromwas
Tensome
F
nesl'il
- seequeen,
-
C©7
wasand
knownjeal
F
toous-
beas
quitecould
rough.be.
F7
AnWhen
Bb
yher
- timeman
- andwent
anout
F
yat
- wherenight
-
D7
SheThey
G7
wouldwould
alal
waysways
--
strutdis
hera-
stuff.gree.-
C7
NowDown
Saat
F
diethe
- Snow,ball,
Dº
sheat
had
Moon
F
ashine-
beauHall,
C©7
shewhere
lovedev
F
him'ry-
nightbod--
andy'd
day.go,
F7 G7
UnWas
tilMiss- Min
Minnienie,
--
C7
shookdrink
ain'-
shimplen
myty
--
andand
stolehug
G7
hisgin'-
heartLu
ady's-
way.beau.
C7
- PoorLu
C7
Sady-
diewas
- nearmad
lyas
- dies,well,
butMin
Minnie-
niesaid
- on"I
- lywill
sighed,tell
thenyou
C7
Inow
heardso
Aº
heryou'll
say:know"
C7
He
72
B
C
may be
F
your man but he comes
G7
to see me
C7
some times.
F
-
F7
Bb
And when he's with you he's al
Bb7
ways- got me on
C7
his mind.
F Bb7 F
I
ain't
A7
no vam pire- thatis ture, But I
Dm
can cert' nly take you man from you.
C7
My wick ed- smile, My wick ed- walk,I've got
F
the kind of eyes that seem
C7
to talk,
F
It's
no
F
need of cry in'- and it's
G7
no use to weep
C7
and mourn.
F F7 Bb
I love you man and I'm
gon na- take him for my own,
A7
my own.
D7
IAin't
don'tno
mean,need
toof
beget
sotin'-
bold,rough,
G7
but'cause
II'm
justjust
want,right
toto
getdo
youmy
told,stuff
He
C+
may
F
be your man but he comes
G7
to see me
C7
some times.
F
-
Bb7 F C7
73
Satanic Blues
A
B
1.
2.
C C7 F Fm C Gdim Dm7 G9
C C C C7
F F C Em A
D7 G7 C G C G7
C F C F C F
F C A D7 G7
C G C C G C
74
C
F F D7 G7 G7
C F A7 D7 C7
F F D7 G7 G7
Bb Fdim F Cm D7 G7 C7 F
Back to "A"
F© G
75
1921
Dangerous Blues
A
B
Ta
G
de da da de dum
G‹
ta
G
de da da de dum
G‹
mel
G
o- dy- is in the air,you
3 3
hear
D7
them play it ev 'ry- where- you go
G
it seems. Ta
G
de da da de dum
G‹3
ta
G
de da da de dum
G‹
take
G
a look at me and see just
3
what
D7
that ta da da de dum me means,
G G7 Gº F7 G
just what
D7
it means.
G
Oh,
G G6G& G
I've got those dang
D7
'rous-
G
blues, so sweet and pret ty- Lord
G G6G&
G
I mean those dang
D7
'rous- blues. Can't
Bº
you hear
E7
the mu
F©º
sic- play
E7
ing-
soft
Bº
and sweet
E7
It's
D‹/A
the kind
A‹
that makes
Aº
you wan
A‹
na- shake
D‹/A
your
A‹
feet.
A7
I think I'm slip pin'- I know I'm slip pin'-
D7/A
ta da da,
A©º
ta da da,
Bº
ta da de dum.
D7/CD7
76
C
Oh,
G G6G& G
just hear those wear
D7
y- blues,
G
so we ary- ho ney,- They're
G G6G&
G
the kind I'd hate
C
to lose,
B7
those dang er- ous- blues. I
A‹
can't ev
D‹
en- think,
A‹ D‹
can't
ev
A‹
en- sleep
D‹
a wink,
A‹ D‹
Ev'
A‹
ry time
D‹
I hear
A‹
those dang'
D‹
rous blues
A‹
I want
D‹
to sink,
A‹ A7
Oh,
D7
I've got those dang' rous blues.
G Gº G C7 G
77
Tishomingo BluesSpencer Williams - 1917
q = 132
A
B
Bb F7 C7 F7 Bb
OhTo
Bb
Misnight-
siI'm- sip
Pray- pi,
in'--
F7
OhTo
Misnight-
siI'm- sip
say- pi,
in'-
Bb7
MyOh
heartLord
criesplease
outbless
forthe
you
trainin
thatsad
takesnessme,
-
Eb
ITo
wantTish
too-
bemin-
where,go-
Ebm
theway
windown
tryold
- windsDix
don'tie-
blow.way,
Bb
Bº F7
DownWhere
whereSouth
theern-
Southfolks
ernare
-
moon
alswingsways-
low,gay,
That'sThat's
wherewhy
C7
Iyou
wanthear
tome
go.say,
F7
I'mI'm
goin'to
Bb
Tish o- min
Bb7
- go-
Eb
be cause- I'm sad to day.
Bb
-
Bb7
78
C
Eb7
I wish to lin ger,-
F©7
way down old Dix ie- way.
Bb Bº
Oh
F7
my wea ry- heart cries out in pain, Oh how
Bb
I wish that I was back a gain,-
Bº
with
F7
a race, in
C7
a place, where
Opt. Break on SolosF7
they make you wel come- all
C7
the time.
F7
Way
down in
Bb
Mis si- sip
Bb7
- pi,-
Eb
A mong- the cy press- trees.
Bb Bb7
Eb
They get youdip py,- with their stange mel o- dies.
D7
- To re-
sist
Bb
temp ta
D7
- tion,- I
Gm
just can't re fuse
F©7
-
Bb
In Tish o- min- go-
F7
I wish to lin ger,- Where
C7
they play the wea
F7
ry- blues.
Bb
79
Memphis Blues
A
W.C Handy - 1912
B
C7 G7 C7 F F7 B¨7 B¨‹6 C7
C7 F
C7 F F7 E7 E¨7
D7 G7
C7 G7 C7 F F7
B¨ B¨7 E¨7
B¨ F7
C7 F7 B¨ B¨7 E¨7 E¨‹ B¨
80
A
q = 160
Midnight in Moscow
B
Dm Gm A7 Dm A7 Dm F Bb C7
F Em7 A7 Dm Gm
Dm A7 Dm Em7 A7 Dm
Gm Dm A7 Dm Dm
Stop time- first beat of bar only
Dm Gm63
Dm Dm F
Bb F A7
Time
Dm Dm
Gm Gm Dm A7 Dm Em7 A7
Dm Gm Dm A7 Dm
81
q = 132Trad.
The Storyville Blues
A
B
Bb F7 Bb Bb7 Eb Ebm Bb
Bb Bb7 Eb Bb F7 Bb
C7 F7 Bb Bb7
Eb Bb Eb G7 C7 F7
Bb Bb7 Eb Ebm Bb F7 Bb
C7 F7 Bb Bb7 Eb Ebm
Bb F7 Bb F7 Bb Bb7 Eb Ebm Bb F7
82
C
rit.
Drum Roll - Piano Roll - Sustained Bass
Bb Bb7Time
Eb DBm Bb Bb G7
C7 F7 Bb Bb7 Eb Ebm
Bb F7 Bb F7 Bb Bb7 Eb Ebm
Back to "B" for Solos
Bb
Tag
Bb Eb Bb Bb7 Eb Ebm Bb
83
Strut Miss LizzieTurner Layton & Henry Creamer - 1921
A
B
Am E7 Am Dm Am E7 Am G+
C D7 G7 C F7 C C7
Won't you
strut
F
Miss Liz zie-
Fm
Get bu sy-
C
I want to see you walk,
A7
for the
folks
D7
all state the way
G7
you syn co- pate-
C
Is the whole
Cº
town talk.
C C7
When you
move
F
so pret ty,-
Fm
It's a pi ty,-
C
The oth er- girl ies- frown.
E7
But the
men
Am
you
E7
meet
Am
like
Dm
the way
Am
you shake
E7
your feet,
Am G7
Oh,youknock
C
'em diz zy,-
Strut
D7
Miss Liz
G7
zie- Brown.(
C
I'll bet
C7
you've got
F
the cut
Fm
est- lit
C
tle- strut in
Vocal to "C"
town!) Go
84
C
down
Cº
the street, By
Cº
the school,
C
Pat
C
your feet you step
D7
pin'- fool.
G7
C
Strut
Cº
your stuff,
C
use
Cº
your "Kerch",
C
Trot
C
your toot
A7
sies- by
D7
the
G7
church.
C
Thru
Cº
the al
C
ley,- Dodge
Cº
the cans,
C
Shake
C
Miss Sal ly's- pots
D7
and pans.
G7
Cool
C
your dogs
C7/Bb
we're com
F/A
in'- thru,
Ab7
Get set
C
for Len ox- Av
D7
en-
G7
ue.-
Back to "B: for Solos
C
Won't
C7
you
85
A
Tain't Nobody's Biz-ness If I Do
Porter Grainger & Everett Robbins - 1922
B
There
Aft-
C
ain't
er
noth-
all,
in'
the
I
way
E7
can
to
do,
do
nor
is
noth-
do
A‹
in'
just
I
as
can
you
say,
please,
E7 A7
That
Re-
folks
gard-
don't
less
crit-
of
E‹7
i
their
A7
talk-
cize
D‹
me
in'.
A7
But
Of-
I'm
ten
gon-
times
na'
the
do
ones
A7
just
that
as
talk
A7
I
will
want
get
D‹
to
down
an-
on
y-
their
way,
knees,
D D7
And
And
don't
beg
care
your
if
par-
they
don
all
for
de-
their
spise
squawk-
A¨7
me.
in'.
G7
If
If
Cº
I
I
C
should
dis-
take
like
E7
a
my
no-
lov
tion
-er
A‹
To
And
jump
leave
C7
in
him
to
for
F
an
the
-oth-
o-
F©º
cean,
er,
'Tain't
C
No- bod-y's
Cº
Biz-
G7
ness If
G&7
I Do.
E7 A7 D G&7
Rath-
If
Cº
er
I go
C
than
to
86
C
per-
church
E7
se-
on
cute
Sun
me,
-day,
A‹
I
Then
choose
cab-
C7
that
a-
you
ret
F
would
on
shoot
Mon-
Fº
me,
day,
Tain't
C
no bod- y's
C©º
- biz
G7
ness- if
G&7
I do.
C D‹7 D©º C/E
If
If
Cº
I
my friend
C
should
ain't
get
got
E7
the
no
feel-
mon-
in'
ey
A‹
And
To dance
I
C7
up-
say
on
"Take
F
all
the
mine,
ceil-
Hon
F©º
in',
-ey",
'Tain't
C
No- bod-y's
Cº
Biz-
G7
ness If
G&7
I Do.
E7 A7 D7 G&7
If
If
I
I
Cº
let
give
C
my
him
best
my
E7
com-
last
pan-
nick-
ion
el
A‹
Drive
And
me
it
C7
right
leaves
in-
me
F
to
in
the
a
can
pick
F©º
-yon,
-le,
'Tain't
C
No- bod-y's
Cº
Biz-
G7
ness If
G&7
I Do.
C Cº D‹7 G&7
87
Maceo Pinkard - 1921A
T'aint Nothin Else But Jazz
B
I'm
F
blue,
B¨7
Thru
F
and thru,
B¨7
'Cause
F
they're gon- na
B¨7
take
D7
jazz
G7
a- way.
C&7
On
A7
my knees, I'm ask-
B¨
ing you please,
F F‹
Just
C
topay at- ten-tion to me while
G7
I say:
C
Can't
C
you see it's wrong to
C7
con-demn a song. Jazz has sim-ply got
E¨7
to stay,
C7
Now!
C&7
High-
F
brow mu-sic real-ly is a treat, In
G7
an op-'ra house it can't be beat.
But
C7
what makes you wan-na shake yo' feet? 'Tain't
F
noth- in'else but
C©7/G©
jazz,
G‹7
Babe!
C&7
In
F
so- ci- e- ty of style and grace, Ev-
F7
'ry lit-tle move-ment has
B¨
just
Bº
a
lit-
F/C
tle bit of wob- blin',
C&7
Lit-
F
tle bit of tod- dlin'.
C&7
Waltz-in'-
F
round is might-y fine,
G©º
Gli-din'
F/A
sure- ly is de- vine.
G©º
Still
F/A
what makes
F
you shiv- er an- y time?
D‹7
'Tain't
G7
noth- in'else
C7
but jazz,
F
Babe!
D7
'Tain't
G7
noth- in'else
C7
but jazz.
F
88
MaitlandSame Melody as "Take My Hand, Precious Lord"
Bb Bb7 Eb
E¨ Bb F7
Bb Bb7 Eb
Bb F7 Bb Eb Ebm Bb
89
Alcoholic Blues
A
Albert Von Tilzer 1919
B
C
G G7 C
Cm G
D7 G Eb7 D7 G
G
VampD7 G D7
Pro
G
hi- bi- tion,- that's the name, pro a- bi- tion- drives
A7
me in sane.-
D7
Am
I'mso thirs ty- soon I'll die, I'm sim
A7
ply- gon na- 'vap o- rate- or just
D7
run dry. When
90
D
Mis
G
ter- Hoo ver- saidto cutmy din
D7
ner- down, I
G
did n't- hes i- tate- I did
D7
n't- frown.
A7
I cut my sug ar-
D
I cut my coal,
A7
but now they've cut deep in side
D7
- my soul. I've got the
blues,
blues,
G
I've
I've
got
got
the
the
Blues,
Blues,
I've got
since
the
they
al
am
co
pu
-
-
hol
ta
-
-
ic
ted
-
-
blues.
booze.
G7
There's
no
Bars
C
more
are
beer
closed
my
and
heart
night
Cm
to
clubs
cheer,
too,
good
lord
G
bye
y
-
-
whis
lord
key
y
-
-
used
what
to make
to
me fris
do,
ky.-
So
So
D7
long
long
hi
hi
ball,
ball,
-
-
good
good
bye
bye
-
-
gin,
gin,
tell
tell
G
me
me
when
when
you're
you're
com
com
in'
in'
-
-
back
back
Eb7
a
a
D7
gain.
gain.
-
-
Solos at "D"
G
91
A
Alexander's Ragtime BandIrving Berlin, 1911
VERSED
Oh,
Oh,
ma
ma
hon
hon
ey,
ey,
-
-
Oh,
Oh,ma
ma hon
hon
D7
ey,
ey,
-
-
G
There's
Bet ter-
a fid
hur
dle
ry
-
-
with
andlet's
notes
A7
me
that
an
screech
- der,
es,
-
-
D
Ain't
Like a
you
chick
go
en,
in',
-
- Ain't
Like
you
a chick
go
en,
in'
-
-
E7
To
And
the
the
lead
clar
er-
i
man,
net-
A7
rag
is a
ged-
col
me
ored-
ter- man?
pet,
D
Come
Oh,
and
ma
lis
hon
ten,
ey,
-
-
Come
Oh,ma
and lis
hon
ten,
ey,
-
-
G
To
Let
a
me
class
take
i
you
- cal
to
- band
Al
A7
what's
ex-
peach
an-
es,
der's
-
-
come
grand
D
now,
stand,
D7
-
some
brass
G
how,
band,
D0
-
D
Bet
Ain't
ter-
you
hur
com
A7
ry-
in'-
a
a
long.
long?
D
-
-
D7
Come on and
92
B
hear,
G
Come on and hear,
G
Al ex an-
D7
- der's Rag time
G
Band. Come on and
hear,
C
Come on and hear!
C
It'sthe best
C
band in the land.
C
Theycanplay
G
a bugle calllikeyou
ne
G
ver- heard be fore. So
G
na tur- al- that youwant
G
to go to war.That's
A
just the
best
A7
est- band what am,
D
ho
D
ney lamb.Come on a long.
G
Comeon a long.
G
Let me
take
D7
you by the hand.
G
Up to theman.
C
Up to the man!
C
Who'sthelea
C
- der of the
band.
C
And if youcare
G7
to hear the Swa
G7
nee Ri- verplayed
C
in rag
Gdim
time. Come on and
hear,
G
Come on and hear,
G
Al - ex an
D7
der's Rag time- Band,
G
93
Thomas A. Dorsey & Richard M. Jones
Riverside Blues
A
1. 2.
B
C
D‹ A7 D‹ A7 D‹ G‹ F C&7
F B¨7 F F B¨7
3
F 2 bar unison break C7
3
G‹7 C&7 F F7 Fº B¨‹ F C7 F C7
3
everybody plays this figure behind clarinet lead
F C7 F A7
B¨ B¨‹ F 2 bar clarinet break
C7 G‹7 C7 F F7 Fº B¨‹ F C7
F B¨ F F7 B¨
F Play 2 bar unison on out-chorus
C G‹7 C7 F F7 Fº B¨‹Solos at "C"
F
94
q = 174My Bucket's Got a Hole In It
G7 C7 G
D7 G G7 C7
G
CHORUSYeah! My Bucket's Got A Hole In ItYeah! My Bucket's Got A Hole In ItYeah! My Bucket's Got A Hole In ItI can't buy no beer.
Well I'm standin' on a corner - With a bucket in my handI'm waitin' for a woman - That ain't got no man.
CHORUS
Well, I went upon the mountain - I looked down in the seaI seen the crabs and the fishes - Doin' the be-bop- bee.
CHORUS
Well, there ain't no use - of me workin' so hardWhen I got a woman - in the boss man's yard.
CHORUS
Well, me and my baby - we just bought a FordAnd now we sit together - on the running board.
CHORUS
D7 G C G7
95
Henry Creamer & Turner Layton - 1918
A
I Can't Let 'Em Suffer
I
F
love to see
G‹7
the fel
C7
lows- hap-
F
py all the
C&
while.
F
Love
G‹
to see them smile.
C7 F
That shows they're jol-
A¨º
ly and ev-
C©7/G
'ry- thing.
F
I love to see
G‹7
the fel
C7
lows- hap-
F
py all the
C&
while.
F
A‹
It's cru- el,
E7
So cru- el,
A‹
To let
F©º
them plead.
C/G C7
Oh, I
96
B
C
can't
C7
let 'em suf-fer for the want of love.
F
It's a shame
C7
to let 'em
plead.
F
No I shan't
C7
let'em suf-fer for the want of love,
F
When I know
C7
just what they
need.
F
Now there's no
F7
use tryin'to stall, I
F7
just
B¨
can't save them all! But when they
cry:
G7
"Oh, Come and kiss me, Sweet- ie",
C7
I'm bound
G‹/D
to
E¨7
fall.
C7/E
Then I've
just
C7
got to take'em in my lov in'- arms,
F
Gotto keep
C7
'em out of harm.
F
Then I've
just
E¨
got to make'em be my tur-tle dove,
F7
My hon-ey love. Lov-
B¨
in' kiss-
D7/A
es
I'll
G‹
pro- vide,
A‹/C
Un- til
C7/B¨
they're sat-
F/A
is- fied.
D‹7
'Cause I
can't
G7
let 'em suf-fer,
C7
For the want of love!
F
97
Albert von Tizler
1919
A
q = 180Oh By Jingo
B
Oh,
G
by Gee!
D+7
by Gosh,
G
by Gum
D+7
By Juv,
G
Oh!
A7
by Jin
Adim
go,- won't
A7
you hear
Adim
our
love?
A7
We
D7
will build for you a hut.
G
You will be our fav'rite nut,
E7
We'll
A7
have a lot of lit tle- Oh! by Gol lies,-
D7
Then we'll put them in the Fol lies,
Oh,
G
by Jin
D+7
go- said,
G
by Gosh,
D+7
by Gee.
G G7 C
"By Jim in- y,- Please don't both er-
me."
B7 C©m B7/D#
So they all
Em
went a way- sing ing- Oh! By Gee, By Gosh by Gum, by
Juv, by Jin go,- By
G
Gee,you're
G#dim
the on
D7/A
ly- girl
D7
for me.
G C7 G
98
q = 180 A
Down By The Riverside
B
Gon na- lay
G
down my sword
G
and shield
G
down by the riv
G
er- side,-
D7
down by the riv
D7
er- side,
G
Down by the riv
G
er- side. Gon na-
lay
G
down my sword
G
and shield
G
down by the riv
G
er- side
down
D7
by the riv
D7
er- side.
G G
Ain't gon na-
stu
C
dy- war no more
C
I ain't gon na- stu
G
dy- war no more
G
I ain't gon na-
stu
D7
dy- that
D7
war no more
G G
I ain't gon na- stu
C
dy- war no more
C
I ain't gon na- stu
G
dy- war no more
G
you know I'll
stu
D7
dy- war
D7
no more.
G
99
Wabash Blues
A
q = 120
Near ly
C
- bro ken- heart
Am
ed- since the day
C
that I once start ed- from my
Wa
D7
bask
G7
- home,
C
In
C
di- an- na's- sweet
E7
and it's a
place
Am
that's hard to beat
C
but then I longed
D7
to roam,
G7 C
My old home stead-
I
C7
now can see,
F
I had a girl was as sweet
G#7
as could be,
Now
C
ev 'ry- day
C7
I'm so lone
A
some it's mis
D
er-
G7
y.
C
-
100
B
C
Oh,
Solos at B
C7 C7
those Wa bash- Blues
F F Am Bb
I
B
know
C7 C7
I got my dues.
F
F G#dim
A
F7
lone
Bb Bb
- some soul am I,
F F
I feel
C©7
C©7
that I could die.
C7 C7
Can
C7 C7
- dle light that gleams.
F F Am Bb B
Haunts
C7 C7
me in my dreams,
F F G#dim
I'll
F7
pack
Bb F
my walk in'-
shoes
F F
To lose
C7 C7
those Wa bash- Blues.
F F
Thru the
C
syc a- more
E
- the can dle- light
Am
is shin ing- bright,
C
Mem
G#
'ry- brings the scent
Eb7
of new mown-
hay
G#
to me each night,
Eb7
I
D7
amstart ing- for
G
that spot no need
D7
to ask me when,
G
I'll
C
be leav ing- hoof
C7
prints- t'ward the old
F
home road a gain.
C
-
Back to B
101
Nick LaRocca - 1919
A
Lasses Candy
B
B¨ B¨º F7 B¨ B¨º
F7 F©º G7 C‹ C C‹
C7 F©7 F7
B¨ B¨º F7 G7
C‹ C C‹ F©7 B¨ A7 A¨7
G7 C7 F7 B¨ B¨º C‹7 F7
102
q = 120
Poor ButterflyGolden/Hubbel - 1916
A
B
Poor
Bb
But
F©7
ter
Cm7
- fly-
F9
'neath the blos soms- wait
Bbmaj7
ing-
Bb
Poor But ter- -
fly
D+7
for she loved him so.
G9 G7
The mo ments-
pass
C7
in to- hours,
F8
The hours pass in
Bb
to- years,
Gm
And as she
smiles
C7
thru her tears, She mur murs- low,
F9
The
Bb
moon
F©7
and
Cm7
I
F9
know that he be faith
Bbmaj7
ful,-
Bb
I'm sure he
come
D+7
to me by and
D7
by.
G9
But if
he
Cm7
don't come back Then I nev
Ebm6
er- sigh
Bb
or cry, I just must
C©dim
die.
F9
Poor But ter- fly.
Bb
-
103
A
King ChanticleerNat D Ayer & Seymour Brown, 1910
B
C
D‹ C©+ D‹/C D‹/B Bb D‹/A
Bb7/Ab D‹/A E7 A7
Play cues 1x for Repeat:
D‹ D‹ E7 A7
A E7 A
E7 A
E7 E7 E7€5 A7
D‹ C©+ D‹/C D‹/B Bb D‹/A
Bb7/Ab D‹/A E7 A7 D‹
104
D
E
F
G‹
Trombone Solo - 16 BarsD‹
G‹
E7 E7€5 A7 C7
CHORUS: F G7 C7
F F A‹
C G7 C7
F G7 C7
F F F7
Bb G7 C7 F Bb7 F
Solos at "E":
105
Ted Snyder - 1909
A
Wild Cherries Rag
B
D F©7 B‹ F©‹ G B7 E‹
A7 D Dº D D F©7
B‹ F©‹ G B7 E‹
A7 D
B7 E‹ B7 E‹ A7
D A7 D B7 E‹
B7 E‹ G
D A7 D
106
C@
ø
D
G D/F© E‹ E¨7 D7 G3
D7 G D7 G D/F© E‹ E¨7
E¨7 D7 G D7 G B73
E‹ B7 E‹ B7 E‹
B7 G D7 G D7 G E¨7(b5)
D E¨7 D E¨7
DBass Solo - Stop Time
D7 D7
G G A7 A7
D.S Back to "C" al Coda
D A7 D7
Coda
107
Edward "Kid" Ory - 1921
Ory's Creole Trombone
A
B
1.
2.
Trombone solo
A7 D7 G D7 G
D7 G G
A7 D7 G
A7 D7 G E7
A7 D7 G D7
G E7 A7 D7 D7
G A7 D7 E7 G
108
C
D
C D7 G7
C D©º D‹ G7 C
D7 G7 C
E7 Trombone Solo
A‹ D7
Trombone solo
D7 G G7
Solos
C D7 G7
C D©º D‹ G7 C D7
G7
After last solo play "D" to end and then tag
C
TAG Trombone
C C D7 G7 C
109
q = 132Bob Carlton - 1918
Ja Da
Ja
G
da-
F©7 F7
Ja
E7
da- Ja
A7
da- Ja da- Jing,
D7
Jing Jing.
G
Ja
G
da-
F©7 F7
Ja
E7
da- Ja
A7
da- Ja da- Jing, Jing, Jing.
That's
G
a fun ny- lit
Eº
tle- bit of mel
D7
o- dy,- It's
G
so sooth
Eº
ing- and ap -
peal
D7
ling- to me, It goes Ja
G
da-
F©7 F7
Ja
E7
da- Ja
A7
da- Ja da- Jing,
D7
Jing,
Jing,
G
Oh yeah!
E7
Ja
A7
da- Ja da- Jing,
D7
Jing, Jing!
G
110
Smith and Medina - 1922q = 152
That Da Da Strain
A
B
E7 Am
E7
Am
G D7 G7
C E7 A7
D7 G7 C Dm7 G7
C E7 A7
D7 G C F7 C
Solos on B
111
ODJB, 1918Lazy Daddy
A
B
C C7 F C D7 G7
C C7 F D7 G7
C C7 F C D7 G7
F F©º C/G A7 D7 G7
C C Clarinet Break - 2 Bars: F
C Clarinet Break - 2 Bars G7 C
A7 D7
G
G7/D G7
112
C
D
E
C C Clarinet Break - 2 Bars F
C Clarinet Break - 2 Bars G7 C
A7 D7 G7 C Fm6 C
fine
F Fº C7 F F F©º C C7
F
Trombone Break
F FTrombone Break
F C7
F G7 C7 F F
Trombone Break
F F Trombone Break Bb Bº
F/C D+ G7 C7
Back to "B" al fine
F G7
113
A
q = 184Limehouse Blues
B
In
Oh
G
Dear
Lime
Oh
F
house
Dear,
G
-
G
Where
Right
yel
here
low
in
- Chin
or
F
kies
ange
-
-
love
blos
to
som-
play,
land,
G
In
I'm
Bm
Lime
wear
F©7
house,
y
Bm
--
Bm
Where
'Cause
you
no
can
one
hear
seems
F©7
those
to
blues
un
all
der-day,
stand.
Bm
-
D7
And
And
G7
they
Those
seem
weird
C
all
Chi
a
na-round,
blues,
-
B7
Like
Nev
a
er-long,
go
long
a
sigh.
way.-
Em Eb
Queer
Sad,
G
sob
mad
F
sound,
blues,
G G
Oh,
For
Hon
all
ey
the
- lamb
while
F
they
they
seem
seem
to
to
say:
say:
G Cm7 F7 Bb7
114
C
D
Oh! Lime
Eb7
house- kid Oh! Oh! Oh! Lime house- kid.
Eb7 D7 C©7
Go
C7
ing- the way That the rest of them did Poor
Bb
bro ken- blos som- and
no
D7
bod- y's- child,
Gm7
Haunt
C7
ing- and taunt ing- you'rejust
F7
kind o' wild. Oh!
Bb7
Oh!
Oh! Lime
Eb7
house- blues I've the real Lime house- blues,
Eb7 D7 C©7
Learned
C7
from the chink ies- those sad Chin a- blues, Rings
Bb
on your fin
G7
- gers and
tears
Cm
for your
G7
crown,
Cm
That
Cm7(b5)
is the sto
F7
ry- of old
Bb
Chin a- town.
Ab9 for repeat
115
Livery Stable Blues (Vocal)
AWay down in Al-
Fº
a-
F
bam, It was in Bir-
F©º
ming-
F
ham, There was
C&7
a
la-
F
zy color-ed- fel-low named Lee,-
F7
In-stead of work-
B¨
ing all day, up- on the
sta-
G7
ble brush
C7
he play,
F
to the hor-
D7
ses he'd sing, and play up-
on
G7
one string,
C7
this sad and lone-some- mel- o- dy,
F B¨7 F
116
B
C
Oh
F
hon-ey,-lis-ten- here, Oh hon ey- lis ten- here I've got those mean old liv-'ry
sta-
F7
ble blues.
B¨
Oh how I miss your kiss, I
Bº
was n't- born for this,
F
hon- ey you know why
D7
I have got those blues, ba-
G7
by mine,
C7
I've got those liv- 'ry sta- ble blues.
F B¨7 F
Oh,
F7
law-dy- me,
B¨ B¨‹ F
I've lost my pep
C©7
com-
C7
plete,
F F7
I'se
B¨
g'wine back to my
Al-
F
a- bam- a ba-
A¨º
by,
F
she prom ised- that she'd mar-ry- me
D7
some-day,
she'll drive a-way
C7
Those liv 'ry- sta
C©7
ble-
C7
blues
F
they're the blu est
C7
- kinfd ofblues!
F
117
Young/Lewis/ Meyer - 1916
A
Where Did Robinson Crusoe Go?
B
Thous
VerseG
ands- of years a go- or may be
Gº
- more,
D7
out on an is land- on a
south ern
Gº
- shore,
D7
Rob
E7
in- son- Cru soe- land ed- on
A7
fine day,
no
A7
rent to pay and no wife
D7
to o bey,-
His
G
good man Fri day- was his on ly
Gº
- friend,
D7 G7
they didn 't- bor row- or
lend,
C
They
A
built a lit
E7
tle- hut, lived
A
there 'til Fri -
E7
day, but Sat
A7
ur- day- night it was shut.
D7
And
118
C
D
Where
G
did Rob in- son- Cru
E7
soe- go With Fri
A7
day- on Sat - ur day night?
Ev 'ry- Sat
D7
ur- day- night they would start in to roam,
Then
A7
on Sun day- morn ing- they'd come stag
A‹7
ger- ing- home.
D7
On this
is
E7
land- lived wild men in can ni- bal- trim min'- andwhere
A7
there are wild men there
must
A‹7
be wild wom
D7
men,- so Where
G
did Rob in- son- Cru
E7
soe- go
With Fri
A7
day- on Sat
D7
ur- day- night?
G Solos at "B"
119
Traditional
Oh, Didn't He Ramble
A
B
C
C
C G7 C G7 C
C C To Dixieland 2-beat swing feelG7
CDrums
Well
G7
his
head
C
was in the mar- ket, his feet were in the street. All the
girls
C
came run- ning by said: "Look
G7
at that mar- ket meat!"
C
Oh didn't
G7
he
ram
C
- ble, Didn't he ram- ble? He ram-
C
bled all a- round,
G7
All
C
a- round the town.
G7
Didn't he ram-
C
ble, Didn't he ram-
ble? He ram
C
bled- 'til the wo
G7
men- cut him down.
C
Didn't
G7
he
120
Mama Don't Allow
Ma-ma-
C
don't 'low no cor- net play'n'round here!
C
No She Don't
Ma-ma-
C7
don't 'low no cor- net play'n'round here!
G7
No She Don't
We
C
don't care what Ma-ma-
C7
don't'low,he's gon-na'-playthat
F
cor- net an-
F‹
y how.
Ma
C
ma- don't 'low no cor
G7
net play'n'round here!
C
No She Don't
121
James P. Maguire & Warren DeWitt - 1919
A
That Dixie Jazz
Have
F
you heard the la-teststrain?
C©7
It will lin-
F
ger in
C7
your brain.
F
For it's a
rag-
C7
gy new mel- o- dy, So
F
fullof har-
D7
mo-ny, You'll
G7
want to hear it a- gain.
C7
F
It's a brand new South-ern drag,
C©7
It's a dan-
F
dy Dix-
C7
ie rag.
F
Oh,
C7
babe,
C&
What
F
do you say?
D7
Come
G7
let us hear the band play.
C7
122
B
C
F
That Dix-ie jazz!
D7
That Dix-ie jazz! My
G7
how I love to hear that
Dix-
C7
ie jazz! Oh, just
F
see'em sway-ing when they'replay-
A7
ing.
D7
Fromleft to
right,
D7 G7
Hold to me tight. It makes me want
G7
to do the shuf-fle and the
tick-
G7
le toe. Oh, Hon- ey! Come,
C
let's
Cº
go!
C7
Lis-
F7
ten can't you hear that man just coax a moan
B¨
from his trom- bone.
Lis-
G7
ten to that syn- co- pa tion- It's the best
C7
I've ev- er known.
F
That Dix- ie jazz!
D7
That Dix- ie jazz!
123
A
Henry Creamer & J. Turner Layton - 1922
Way Down Yonder in New Orleans
My
G7
how I love to hear that dear
C7
old Dix- ie jazz.
F C7
That Dix-ie Jazz!
F
Guess!
Guess!
G
What
Where
G©º
do
do
you
you
think
think
D7
I'm
I'm
think
go
in'
in'
when
when
you
the
think
winds
I'm
start
think
blow
in'
in'
wrong?
strong?
G
3
Guess!
Guess!
E‹
What
Where
do
do
you
you
think
think
B7
I'm
I'm
think
go
in'
in'
when
when
I'm
the
think
nights
in'
start
all
grow
night
in'
long?
long?
E‹
I
I
3
ain't
ain't
G
think
go
in'
in'
this,
East,
I
I
ain't
ain't
C
think
go
in'
in'
that,
West,
I
I
can
ain't
G
not
go
be
in'
think
o
in'
ver
a
the
bout
cuck
A7(b5)
your
oo's
hat.
nest.
D7
I'm
My
bound
heart
G
for
does
the
not
town
start
that
to
I
pit
C
love
a
best,
pat
E7
Where
un
E7(b5)
life
less
A7
is
I
one
hear
sweet
this
song;
song;
D7
124
B
Way
D7
down you der in New
A‹7
Or leans,-
D7 G&7
in the land of dream y- scenes,
G
there's a gar den- of E
D7
den,-
A‹7
that's what I
D&7
mean.
G G©º7
Cre
D7
ole- ba bies with
flash
A‹7
ing- eyes,
D7 G&7
soft ly- whis per- with ten der- sighs, Stop!
G7(“4) G7
Oh won't you
give your la dy- fair,
C6 G&7
a lit tle- smile.
C B7B¨7
Stop!
A7
you bet your life you'll lin ger- there,
D7(“4)
a lit tle- while.
D7
There
They've
G
is
got
hea
an
ven
gels
right
right
here
here
E‹
on
on
earth,
earth,
with
wear
G
those
ing-
beau
lit
ti
tle-
ful
blue
- queens,
jeans,
E¨7
way
G
down yon
G©º7
der in New
A‹7
Or
D7
leans.
G6
-
125
Lewis Muir & Edgar Leslie - 1911
When Ragtime Rosie Ragged The Rosary
A
B
G7 B7 D‹ B¨7 G7 B¨7 D‹ B¨7 G7 G7
Par-
Verse:
C
son Lee in Ten- nes-see in ac-
C7
cents loud and clear, said"Folks
F
I'm aw- ful
sor-
F
ry but our or- gan man ain't here.
C
Now I'd like
G7
some- one to stand
G7
up and vol- un- teer
C
to help us out".
C
When a
gal
C
named Rag-time Ro-sie stood up andsaid
C7
that she could play, The par-
F
son seemed de-
light-
F
ed and he said"Just step this way",
C
And the con-
G7
gre- ga- tion all
G7
sat down to pray,
C
Then
G7
came a shout!
C
When
G&
126
C
D
Rag-
C
time Ro- sie ragged the Ros- a- ry,
G7
Deacon Alexander Started in to reprimand her
Break for Spoken Vocal
Then
C
he turned a- round on- ly to see:
G7
That instead of prayin' Rosie got the folks to swayin'
Break for Spoken Vocal
C
To that tune so sweet,
C7 F
It was such a treat,
D7
It charmed their feet and set'em danc-
G7
in' and pran- cin' to the
Rag-
C
time two-step 'til that Par-son Lee,
G7
Why, he forgot the sermon and began to speak in German
Break for Spoken Vocal
List-
C
nin' to that low-
C7
down mel- o- dy.
F
Then he
G7
said "I
G&
want
C
you folks to know
C7
that this ain't
F
no min- strel show"
F©º
When
Rag-
C
time Ro- sie ragged
D7
the ros-
G7
a- ry.
C F7 C
127
Cooper - 1915
Floatin' Down That Old Green River
A
I've been float
G
in'- down that
G
old
G7F©7
Green
F7
Riv
E7
er- on the good
A7
ship "Rock and Rye,"
But I wad
D7
ed- too far, I got stuck on a bar I was
there
G
all a lone,- Wish in'- that I was home.
G7
The ship gotwrecked with the
cap
C
tain- and crew,
E7
And there was on ly- one thing
A7
I could do;
D7
I
had
G
to drink that whole
G7 F©7
Green
F7
Riv
E7
er- dry to
get
A7
back home
D7
to you!
G No Repeat First Time - On To Vocal
Solos at "A"
128
B
Verse Interlude:
G G#º D7 G G#º D7
Half
Verse - Vocal:
G
past
G#º
four,
D7
Dan
G
Mc
G#º
Graw,
D7
-
G
He came a' creep in'- to his wif
A7
ey's- door.
D7
She had beenwaitin' up half
G G7
the
F©7
night
F7 E7
For Dan
A7
to comehome and go to
bed.
D7
Dan
G
ny
G#º
- smiled,
D7
like
G
a
G#º
child,
D7 G
But then hiswife's eyes grew
ve
A7
ry- wild!
D7
"Where have you been all night?"
G
she cried,
E7
And this
A7
is what Dan ny- re plied:-
D7
Back to "A" for Vocal and SolosI've
Back to "A"
been
129
F. Henri Klickman - 1919
A
Floatin' Down To Cotton Town
B
C
I just dropped in to see you
E¨º
all
G7
and say, I
E¨º
leave
G7
to- day, I'm
G&
on
C
my way.
C
I'm go- in' back to sun-
C‹
ny Dix-
G
ie- land,
G G©º D7/A
That's why
D7
I came to shake you by
G7
the hand.
G&
C
The min-ute when I cross that
E¨º
Dix-
G7
ie Line, No
E¨º
more
G7
I'll pine, won't
G&
that
C
be fine? Mis-
E¨º
ter Cap-
G
tain, don't
G©º
fail
D7
me, just
hur-
G
ry and sail
D7
me, To
D7/A
that gal
DØ7/A¨
of mine:
G7
130
C
D
Float-
C
in' down, my hon-
A7
ey, float-
D7
in' down,
Float-
G7
in' on
G©º
the riv-
D7/A
er down
G7/B
to Cot-
C
ton Town. Just hear that
whis-
D©º
tle toot! toot! toot-
C
in' a- way, And
A7
those
dark-
D7
ies
Dº
sing-
D7
in', ban-
G7 Break 2 bars
jos ring-in''til the break of day.
Hon-
C
ey lamb, my lit-
A7
tle hon-
D7
ey lamb, I'll
G7
come back
G©º
to
you
D7/A
and Al-
G7/B
a- bam;
C
While
C7
fields
F
of sug- ar cane
A¨7
seem to
wel-
C
come me a- gain,
A7
Float-
D7
in'Down To Cot-
A¨7
ton
G7
Town.
C
131
Havez - Batsford - 1913
A
Sailing Down Chesapeake Bay
B
Come on
Verse
C7
Nan- cy put your best dress on,
Come
F
on Nan- cy 'fore the steam- boat's gone.
Ev-
C7
'ry- thing is love- ly on the Ches- a- peake Bay,
All
F
a- board for Bal- ti- more, If
F
we're late we'll all be sore.
Come on
C7
Cap- 'n let us catch that boat, 'Cause we
F
can't swim, Mis-ter,
we
F
can't float. Ban-
F
jos ring- in' a good
Fº
old tune, Up
C7
on deck
C7
there's a place
F
to spoon. Set-
F
tle down close 'neath the sil- v'ry
moon,
F
A Sail-
C7
in' down Ches- a- peake, All a- board for
Ches-
C7
a- peake, Sail-
C7
in' down Ches- a- peake Bay.
F
No Repeat 1st time
132
C
D
'Round
F
the bend I think
C7
I see a steam-
F
er, Dear, Head-
C7
in' here,
to
F
this pier. And we
F
can make it if
C7
we hur- ry, Nev-
F
er fear,
F
It's the Old
G7
Dom- in- ion Line.
C7
Say,
C7
don't she look pret-ty as she hugs
F
the shore, Head-
A7
in' for
Bal-
D‹
ti- more. Just hear
G7
the pad-dles turn- in', Hear my heart a'
yearn-
G7
in',She's the Queen
D7
of the Ches-
G7
a- peake Bay!
C7 Solos on Verse
133
Shelton Brooksq = 120
Easy Rider's Gone
1.
2.
I won
C7
der- where my Ea sy- Ri der's- gone to day- He ne
F7
ver- told me
he
F7
was goin'a way.
C
- If he
G7
was here he'd win the race If notfirst
E7
he'd get a
place.
Am
Cash in
G
our tick ets for a jol
D7
ly- joy ride right a way
G7
- I'm
los
C7
ing- all my mon ey- that is why I'm blue. To win
F7
a race he
knows
F7
just what to do.
C
I'd put
G7
all my junk in pawn to bet on
an
E7
y- horse that Jock ey's- on,
Amin
Oh I won
D7
der- where my
Ea
D7
sy- Ri
G7
der's- gone.
C
I gone
C
134
Traditional
Eh Las Bas
A
B
Eh la bas,
Bb
(band sings echo) Eh la Bas, Eh
Bº
la bas,
F7
F7
Eh la bas,
Bb
Tra la la
Bb
Sis Boom Bah
B¨
Eh
Bº
la bas,
F7
Eh la bas
Bb
Well I
can't
Or
Solos here after VocalBb
speak
y-French,
sang
not
that
in
Ca
a
jun-pinch
French in
so
a
I
fine
don't
ol'
know what
Cre
it means.
ole way,
F7
But
but
it
the
sounds
on
F7
real
ly-
good,
Ca
like I
jun-
knew
I
it
can
would,
say is
like
Lais
down
sez-
in
les
New
bon
Or
temps
leans,
rou
-
lez!.-
Bb
I
So
love
let
B¨
to
the
hear
good
that
times
clari
roll
net
my
- burn
friends,
and
and
hear
let
them
the
trom
mus
bone
ic-
gliss
play,
F7
es- I'd
To
like
mor
F7
to
row-
sing
may
French
nev er
when I
-
take
come
my
to
turn
be,
but
so
that
let's
ain't
love
the kinda
it
band
up
that
to
this
day
Vocal Back to Top
Bb
-
is Eh
Eh
la
la
135
The Original Dixieland Jazz Band - 1918
Fidgety Feet
A
1. 2.
B
G7
C C7 F F©º C G7 C
C D7 G7 C
C C7 F F©º C
2Bar breakC©º
D7 G7 C C C7 3
Stop time - 4 bars
F A7 B¨ F C7 F D7
G7 C7 F A7 B¨
3
136
C
1.
2.
F C7 F D7 G7 C7 F F7
B¨ F7 B¨ F7 B¨ B¨7 E¨
E¨ E¨‹ B¨ G‹7 C7 F7 B¨
F7 B¨ B¨7 E¨ E¨7 D7 E¨
B¨ G7 C7 F B¨ F7 B¨
137
Lewis F. Muir & L. Wolfe Gilbert - 1912
Waitin' For The Robert E Lee
A
B
The
Way
whis-
down
tles
on
D
are
the
blow-
lev-
in',
ee
the
in
A&
smoke-
old
D
stacks
Al-
are
a-
show-
bam-
in',
y,
The
There's
D7
Dad-
ropes
G
dy
they
and
are
Mam-
throw-
my,
in',
and
ex-
D&
Eph-
cuse
G
riam
me,
and
I'm
Sam-
go-
my,
in'
On
to
a
the
moon
place
D
light
where
F©7
night
all
G
you
is
can
har-
find
mo-
D
them
ni-
all,
ous,
WhileEv-
E7
theyen
arethe
wait-preach-
E7
in'er,
theHe
ban-is
A7
jos arcthe
syn-dance-
co-ing
pa-teach-
tin'.er.
What'sHave
thatyou
D
they'rebeen
say-down
in'?there?
A&
What'sWere
D
thatyou
they'rea-
say-round
in'?there?
D7
IfWhile
you
G
they
ev-
keep
er
play-
go
G
in',
there you'll
D&
hum-
al-
G
min'
ways
and
be
sway-
found
in',
there,
it's
Why,
the good
dog-
D
ship
gone,
F©7
Rob-
Here
G7
ert
comes my
Lee
ba-
D
that's
by
come
on
to
the
car-
good
E7
ry
old
the cot-
Rob-
A7
ton
ert
a-
E.
way.
Lee.
D D A7/E D7/F©
138
C
D
Watch
G
them shuf- flin' a- long. See
D7
them shuf- flin' a- long.
D7
Go take your best
D7
gal real pal, Go
down
G
to the lev- ee, I
D&
said
G
to the lev- ee, And
D7
join that
G
shuf- flin' throng. Hear
D7
that mus- ic and song.
D7
It's sim- ply great,
D7
mate, Wait- in' on the lev- ee,
Wait
D7
in'- for the Rob ert- E. Lee.
G
For Repeat:
G©7 A7
139
Walkin' the Dog
A
q = 164Shelton Brooks - 1917
Now
You
C
lis
all
ten
were
- hon
craz
Cº
ey
y
--
'bout
'bout
a
the
new
"Bunn
G7
dance
ny-craze,
Hug",
C
Been
Most
'rig
ev
i
'ry
--
na
bod
Cº
- ted
y
--
for
was
a
a
-
bout
"Tan
G7
ten
go-days,
bug!"
It's
But
G#º
these,
now,
D7
It's
and
a
some
bear!,
how,
G
-
G#º
And
The
D7
it's
fun
a
ny-new
Dog
step
walk
G7
a
is
fun
all
ny
the
- two
town
step.
talk.
C
In
In
ev
ev
'ry
'ry
--
cab
pri
Cº
a
vate
--
ret
home
- and
this
danc
dance
G7
ing
is
- hall,
known.
C
You
I
see
called
them
a
do
friend
Cº
ing
of
- it,
mine
yes,
up
one
on
G7
and
the
all,
phone,
If
Hear
you'll
ing-just
on
G7
give
his
me
Gram
a
o
chance,
phone:
E7
-I'll
This
in
"Dog
A7
tro
gone"
--
duce
rag
D7
- this
gy-dance:
tone:
G7
140
B
Get
C
'way back,
F
and snap your fin gers,-
C
Get o ver- Sal
Cº
ly,- one
G7
and all,
Grab
C
your gal,
F
and don't you lin ger- Do
D7
that slow drag'round
G7
the hall. Do
C
that step,
F
the"Tex as- Tom my",- Drop!
C
Like you're sit
G7
ting- on a log, Rise
slow,
C
that
C7
will show,
F F©º
the dance
C
called"Walk
G7
in'- the Dog".
C
141
A
q = 120 Over The Waves
B
C
When
C
you are in love It's the love li- est- night of the year.
G7
Stars
twin kle- a bove- And you al most- can touch them from here.
C
Words
fall in to- ryhme an y- time you are hold ing- me near.
F
When
you are in love,
C
It's the love
G7
li- est- time of the year.
C
Waltz
F
ing- a long- in the blue like a breeze drift ing-
o ver- the sand
C7
Thrilled be the won der- of
you and the won der- ful- touch of your hand,
F
and
G7
My
C
heart starts to beat like a child when a birth day- is near.
F
So
F
kiss me my sweet
C D7
It's the lov li- est- night
G7
of the year.
C
142
Royal Garden BluesClarence & Spencer Williams - 1919
A
B
C
D
G B¨º D7
G G7 C G&7
C G&7 C G&7 C D7 E¨7D7 G C7 G D7
CornetG7Stop time - Play downbeats 4 bars
ClarinetG7 G7 Trombone
3 3 3
G7 Tuba C E¨7 D7
3
G B¨º D7 G C7 G D7
G7 C C‹ G G7
C C7 F7
F‹ C F7 A7 D7
G7 C F7
Back to "D" for Solos
C F7 C
143
W.C. Handy & Chris Smith - 1920
Long Gone
A
B
B¨ B¨7/D E¨ F©7/E B¨ F7 B¨
Did you
ev-er
Long
B¨
hear
John
the
stood
sto- ry
on
of
the
Long
rail-
F7
John
road
Dean?
tie,
A
Waitin'
bold bank
for
rob-ber
freight train
from
Bowl
to
B¨
ing
come
- Green,
by.
Was sent
Freight
B¨
to
train
the jail-
came
B¨7/D
house
just
yes-
puffin'
E¨
ter-
and
day,
flyin',
F©7/E
Late
Ought'a
B¨
last
seen
night
Long
G‹7
he made
John
his
grabbin'
get-
C7
that
a-
F7
way.
blind.
B¨
He was
Long
B¨
Gone
G‹7
from
C‹7
Ken- tuck-
F7
y, Long
B¨
Gone,
G‹7
ain't
C‹7
he luck-
F7
y?
Long
B¨
gone,
B¨7/D
and what
E¨
I mean,
F©7/E
Long
B¨
Gone John from Bowl-
F7
ing Green.
B¨
Interlude
B¨ G‹7 C‹7 F7 B¨ G‹7 C‹7 F7
They
They
144
C
D
caught
of-
B¨
him
fered a
in Fris-
re-ward
co,and
to
to
bring
seal
F7
him
his
back,
fate, San
E-ven
Quen-
put
tin
blood-
jailed
hounds
one
on
ev-
B¨
his
'ning
track.
late. But
Dog-
out
B¨
gone
on the
blood-
o-
B¨7/D
cean
hounds lost
John
E¨
his
es-
scent,
caped,
F©7/E
The
Now
guard
B¨
no-
for-
bod-
got
y
to
knows
close
G‹7
where
the
Long-
Gol-
C7
den
John
F7
went.
gate.
B¨
He
John's
was
Long
Long
B¨
Gone
Gone
G‹7
from
from
C‹7
Ken-
San
tuck-
Quen-tin,
F7
y, Long
Long
B¨
Gone,
Gone and
G‹7
Ain't
still
C‹7
he
a'
luck-
sprint-
F7
y.
in'.
Long
Long
B¨
gone,
Gone
B¨7/D
and
I'm
what
tell-
E¨
I
ing
mean,
you,
F©7/E
Long
Shut
B¨
Gone
your
John
mouth
from
and
Bowl-
shut
F7
ing
mine
Green.
too.
B¨
145
A
A Good Man is Hard to Findq = 100 Eddie Green 1917
My
C
heart's sad and I am all
D9
a lone- my
G7
man treats me mean.
CC©dim G7
I
C
re gret-
Cm
the day that I
G
was born,
C©dim
and
D7
that man I ev er- seen
G
oh
my
D7
hap pi- ness- is less to day,
G
- my heart
D
is broke and that is why I say.
G7
Lord a
146
B
good man
A7
is hard to find
A7
you al ways- get
D7
the oth er- kind
D7
just when
G7
you think that
he's
G7
your pal, you look
C
to find him fool in'- 'round with some oth er- gal then you
rave
A7
and you all crave
A7
you wan na- see
D7
him in hisgrave
D7
so if
G7
yourman
C
is nice
Cm
take
my
C
ad
G#7
vice-
G7
and hug
C
him in the morn in'- kiss
C
him ev' ry night give
C
him plen ty- lov in'-
treat
G#7
him
G7
right
C
cuz a good
D7
man now a- days
G7
- is hard to find,
C
so
G7
hard to find.
C G7
147
A
Get Out Of Here(And Go On Home)q = 180
B
C
1.
2.
D
C G7 C
C G7 C G7
C G7 C
C G7 C7
F C7
C7 F F7 B¨
B¨ F C7 F C7 G7 C7 F G7
C G7 C
C G7 C
148
Jean Schwartz & William Jerome - 1906
A
Chinatown, My Chinatown
B
When
D
the town is fast a- sleep,
F©‹
And
D
it's mid-night in the sky,
F©‹ A7
That's
D
the time the fes-tiveChink,
F©‹
Starts
E‹7
to
B‹
wink
A7
his oth-er eye.
D
Starts
E‹
to wink his dream-y eye, La-
E7
zi- ly you'll hear him sigh:
A7 A7 A&7
Chi-
D
na town,
A&7
my Chi-
D
na town, Where
D
the lights are low,
A7
Hearts
A7
that know no
F©7
oth-
B‹
er land Drift-
E7
ing to and fro.
A7 A&7
Dream-
D
y, dream-
A&7
y, Chi-
D
na-town, Al-
D
mond eyes
D7
of
D&7
brown,
G B7/F©E‹
Hearts
G
seem light
G‹6
and life
D
seems bright,
A‹6/C B7
Indream-
E7
y Chi-
A7
na- town.
D D©º E‹7 A7
149
A
Cleopatra Had A Jazz Band
Jack Coogan & Jimmy Morgan - 1917
His- to-
A
ry
F©7
re- peats
B7
it- self,
E7
So the wise men say.
A
I be-
lieve
A
they're right
C©‹
be-
C
cause
B‹
lastnight I heard
B7
pe-cu-liar mus-ic play.
E7 Eº E7 E&
In
A
a dream
F©7
it takes
B7
me back two thou-
E7
sand years
Fº
a- go.
F©‹
Which
G©º
on-
F©‹6
ly goes
B7
to prove
F©‹6
that E-
B7
gyp-
F©‹6
tians were
B7
not slow.
E7
Cle- o- pa-
C©‹
tra had
C
a
150
B
C
jazz
B7
band,
E7
In her cas-tle on the Nile.
A
Ev-'ry night
C©‹
she gave
C
a
jazz
B7
dance,
E7
In her queer E gyp-- tianstyle.
A7
Shewon
F©&
Marc
F©7
An-
B7
to- ny,
F©‹6 F7
E7
With her syn- co- pa-ted har-
A/C©
mo- ny.
B‹ A
And while
C©‹/G©
they
F©‹7
played,
E7
She
Gº
swayed.
B7/F© B7
She knew she had him all the while.
E7
In the sha-
C©‹
dow of
C
the
pyr- a-
B7
mids,
E7
'Neath the old E gyp-tian- moon,
A
A Sphinx
Cº
was look-
B‹7
ing on
E7
and
said:
A7
"There'll be a wed
G©7(b5)
ding- soon".
C© C©º C©7
But
D7
the
C©7
real
F©7
his- tor-ic scan-
B7
dal, was
Cle-
E7
o lost her san-
A
dal as
C©‹
she
C
danced
B‹6
to thestrains
E7
of the E- gyp-
B‹6
tian jazz
E7
bandtune.
A
151
Aunt Hagar's Blues W.C. HANDY 1921
A
B
Old
F
dea con- Spliv in,-
C+ F
His flock was giv in'-
C+ F
the way of liv in'- right.
F7
Bb7
Said he"No swing in',-
Gm
No rag time- sing
C7
in'- to night".-
F F©º
Gm7
Up jumped Aunt Ha gar-
C7
and shout ed- out with all hermight:
F F7 Bb Bbm F C7
"Why
F
all this razz in',- a bout- the jazz in'?- My boys have just come home,
F7
Bb7
With la test- mu sic,-
C7
They play it on the sax o- phone".
F
-
Bb7
Oh my,just lis ten!"-
C7
thedea con- shout ed- with a moan.
F Bb7 F
152
C
D
HearAunt
F F7
Ha
Bb
gar's
Bº
chil
F
dren- har mo- niz
C7
- ing.- Hear thatsweet
F
mel
C©7
o
C7
- dy,
F
- It's
like
Fm
a choir
F7
from
C©7
on high broke loose.
C7
If the dev
Fm
il- brought
F7
it, the
good
C©7
Lawd sent it right
C7
down to me. Let the
con
F
gre
F7
- ga
Bb
- tion- join
Bº F
while I sing
C7
those lov in'- Aunt
F
Ha
C©7
gar's
C7
- Blues.
F
Oh,
F
'taint no use you preach in',- Oh, 'tain't
F7
no use o'teach in'-
Bb7
Such jazz a- pa- tion- such mod u- la- tion,-
F
When my feet
A7
say dance,I
just
D7
can't re fuse,- When
G7
I hear
C7
that mel o- dy- they call the
blues,
F
Aunt Ha
C7
gar's- Child ren- Blues.
F
153
Al Jolson 1920AvalonA
B
Amazing Grace
I found
D7
my love in A va- lon,- Be Side
G
- the
D7
bay,
G
I left
D7
my love in A va- lon,- and
D+7
sailed
G
a
D+7
way.
G
- I
F©7F7
dream
E7
of her and A va- lon- from dusk
Am
'til
E7
dawn.
Cm6
And
so
G
I think I'll
F©7F7
trav
E7
el- on, to A
Am7
va
D7
- lon.
G
-
G G7 C G G D7
3 3
G C G Em D G
3
154
Con Conrod 1920q = 120
Singin' The Blues
A
B
C
Bb Fmaj7 Am Gm F C7 F
Gm7 C7 F
C7 F
A7 D7
G7 Dm7 G7 C7 2 - Bar Break Fdim
Gm7 C7 F
D7 Gm
Gm7 Ddim Abdim F3
3
D7 G7 C7 F
3
155
James F. Hanley & Grant Clarke - 1921
A
Second Hand Rose
B
Fath-
G
er has a bus-
D7
'ness, Strict-
G
ly sec-ond hand,
D7
Ev-
G
'ry- thing
Gº
from tooth-
A‹
picks,
To
A7
a ba- by grand.
D7
Stuff
G
in our a- part-
D7
ment, came
G
from fath-er's store,
D7
E
A7
ven- things I'm wear-
B‹
ing, Some-
E7
one wore
A
be-fore.
D
It's
A‹
no won-der that
E7
I feel a-
bused,
A‹
I nev-er-
A7
have a thing that ain't been used:
D7 D&7
I'm wear-ing
Sec-
Sec-
G
ond
ond
Gº
hand
hand
D7
hats,
shoes,
G
Sec-
Sec-
A7
ond
ond
hand
hand
clothes,
hose,
That's
All
D7
why
the
they
girls
call
hand
D7
me
me their
Sec-
sec
G
ond
ond-
Hand
hand
Rose.
beauxs.
E
E
G
ven
ven
--
our
my
pi-
pa-
an-
ja-
o
mas
in
when
the
I
G©º
par-
don
A‹7
lor,
'em,
D7
Fath-Have
A‹
ersome-
boughtbod-
fory
tenelse's
cents on'ni-
D7
thetials
D&7
dol-on
G
lar.'em.
156
C
Sec-
Sec-
G
ond
ond
Gº
hand
hand
D7
pearls,
rings,
G
I'm
I'm
wear-
sick
ing
of
sec-
sec-
A7
ond
ond
hand
hand
curls,
things
I
I
nev-
nev-
G7
er
er
get
get
a
what
sin-
oth-
G&7
gle
er
thing
girl-
that's
ies
new.
do.
C G& C
Once
E
A‹
ven
while
- Jake
stroll-
D‹
the
ing
plumb-
thru
A‹
er,
the
he's
Ritz
D‹
the
a
man
girl
A‹
I
got
a-
my
dore,
goat,
He
She
had
nudged
G
the
her
nerve
friend
to
and
tell
said
me
"Oh
he's
look!
been
There's
mar-
my
A7
ried
old
be-
fur
fore!
coat!"
D&7
Ev-
Ev-
G
'ry-
'ry-
Gº
one
one
D7
knows,
knows,
G
that
that
I'm
I'm
just
just
Sec-
Sec-
A7
ond
ond
Hand
Hand
Rose,
Rose,
From
From
Sec-
Sec-
A‹7
ond
ond
Av-
Av-
D7
e-
e-
nue.
nue.
G D7
I'm wear- ing
157
1922
A
Lovin' Sam
(The Sheik of Alabam')
B
LisEv
ten'ry
D
--
sishus
tersband
andand
brolov
Dº
therser,
--
IBet
D
supter-
posetake
- you'vea
heardbit
ofof
thead
Sheik.vice.-
D7
G
TheyOf
saycourse
thatthey
he'ssay
thead
lovvice
D
-in'is
- champ,cheap,
D7 G
ThereBut
ain'tif
ayour
wogal
manyou
- heaim
D
can'tto
vamp,keep,
E7
ButThen
lethere's
memy
tellwarn
youin'-
A7
aand
boutyou
- acan
manpass
Iit
know:on:
D
He'sKeep
theyour
D
greatgal
estun
ofder-
lovcov
Dº
erser,
--
EvSure
D
eras
- kissedthere's
aa
girldeuce
onon
thethe
cheek.dice,
D7
G
ThereIf
ain'tLov
ain'-
highSam
browngives
- galher
D
inthe
towngrin,
D7
WhoThen
G
wouldyou
n'tis
- throwout
herand
dadSam
D
dyis
- downin!
E7
ToAnd
bein
thethe
bridemorn
ofin'-
A7
thisyour
collov
oredin'
--
Roma
mema's
--
o.gone!
D
-
D7
PeoPeo
pleple
--
158
C
D
call
G
him Lov in'- Sam, He's the Sheik
A7
of Al a- bam'.- He's a
mean
D7
love mak in'- a heart break in'- man!
G
And when the
gals
G
go stroll in'- by, Boy! He rolls
Bm
a wick ed- eye!
Does
A7
he step? Does he strut? That's
D7 2 bar break
what he does n't- do noth in'- else but!Could you
love
G
like Lov in'- Sam, You could have
A7
your eggs and ham, In the
fin
D7
est- kit chens-
D7
down in Al a- bam'.
B7
- You'd make the
high
G
brown- ba bies cry for
G7
you like ba
C
bies- cry forCas tor
Cm
- ia!- They
all
G
love Lov in'- Sam,
E7
The Sheik
Am7
of Al
D7
a- bam'.
G
- Peo ple-
159
Con Conrad - 1921
A
Ma He's Making Eyes At Me
B
C
Lit- tle
F
Lil- ly was oh!
C7
So sil- ly and shy,
F
And all the fel-
C7
lows knew,
C7
She would-n't bill
D‹
and coo.
Dº G‹7 C7
Ev
F
'ry- sin-gle-nightsome
C7
smart fel-low would
try,
F
to cud dle- up
G7
to her, But she would cry:
C7 Cº C7
"Ma,
F
he's mak-ing eyes
G7
at me! Ma,
C7
he's aw-
C&7
ful nice
F
to me!
Ma
F
he's al most
Dº
break-
C7
ingmyheart, I'mIf
C7
be-you
sidepeek
him,in,
Mer-Can't
F
cy!you
Letsee
hisI'm
congoin'
C7
toscience
weakguidehim
en?-
Ma,
F
he wants to mar-
G7
ry me, Be
C7
my hon- ey
B¨
bee.
A7 D7
G7 C7
Ev-Me,
F
'ryI'm
min-meet-
Fº
uteing
hewith
C7
getsre
bold-sis-
er,tance-
NowI
F
he'sshall
lean-hol-
ingler
Fº
onfor
myas
C7
should-er,-sis-- tance!
Ma,
G7 C7
he's kiss ing- me!"
F B¨7 F
160
Walter Donaldson - 1919
When You're A Million Miles From Nowhere
A
B
You'rea mil-
A‹7
lion miles
D7
from no-
GŒ„Š7
where, when
B¨º
you're one
D7/A
lit- tle
mile
D7
from home.
G
It's the song
A‹7
of moth-
D7
er's tears,
A‹7
D7
That keeps ring-
C/G
ing in
B‹/D
your ears.
G
You just
B¨º
leave
A‹7
the gates
D7
of heav-
GŒ„Š7
en, When
B¨º
you leave
D7
Moth-er's arms
F©‹7
to roam.
B7C©‹7Dº
B7/D©
You're a mil-
E7
lion miles from no-
A‹
where,
A7
When
A©º
you're
one
G/B
lit-
B¨º
tle mile
D7/A
from
D7
home.
G C7 G
161
Herman Ruby/Joseph Meyer - 1922
A
My Honey's Lovin' Arms
You've
G
heard lov-ers, Love-
C7
sick lov-ers fret
G
A bout
G©º
their
pet;
D7 Dº D7
They al-
D&7
ways get
G
ro- man-
G©º
tic, Drive
A‹7
you fran-tic.
D&7
I'm
G
so diff-'rent, Oh,
C7
so diff-'rent- now;
G
While I'm
B7
in
love
E‹
I know I simp-
B‹
ly go and whis-
A9
per low to Hon-
A‹
ey Ba-
D&7
by:
162
B
C
G
I love your lov- in' arms,
C7
They hold a world of charms,
G
A place to nes- tle when I am
D‹6
lone-
E7
ly.
A7
A com- fy co- zy chair,
D7
Oh, what a hap-py pair!
One
A7
ca- ress, Hap- pi- ness, Seems
A‹7
to bless my lit-
D7
tle hon- ey.
G
I love you more each day,
C7
When years have passed a- way
G
You'll find my love be- longs to you
D‹6
on-
E7
ly;
A9
'Cause when the world
D7
seems wrong,
G7
I know that
I
C
be- long
C‹ G
Right in my Hon-
A7
ey's Lov-
D7
in'
G C7 G
163
A
St. James Infirmary
B
When
Em
will I ev
C7
er- stop
B7
moan
Em
in'?
B7
- When
Em
will I ev
C7
er
B7
- smile?
Em
My
Am
ba by- went
E7
and
left
Am
me, She'll
C7
be gone a long long while.
B7
I
Em
feel so blue
C7
and heart
B7
bro
Em
- ken
B7
- What
Em
am I liv
C7
ing
B7
-
for?
Em
My
Am
ba by- went and left
Am
me
Em
Ne
C7
ver- to come back no more.
B7
I went
down
"Whatgo,
Em
toislet
themyher
Saintbago
B7
JamesInby'sGod
--
firmchanbless
Em
- 'ryces"her
--
MyI
Wher
--
-
baasked
ev
Em
byolder
-
-
thereDocshe
C7
shetormay
-lay,
Sharp,be.
B7
La
She
id
can
-
out
"Boy,hunt
Em
onbythis
asix
coldo'wide
B7
-
marclock
blethis
world-
taeve'o
Em
blenin,
ver
-
-
G7
Well,She'llBut
--
Ibe
she'll
lookedplayne
C7
andin'
ver--
Iherfind
golturned
a
B7
man
adenlike
way.harp.me.
Em
-Let her
164
Wilbur C. Sweatman - 1911Down Home Rag
A
B
C
D
C7 G7
F G‹7 F/A B¨‹6/G F D‹7 G7 C7
F G‹7 F/A B‹6/G F D‹7 G7 C7 F
F6 G7 C7
F6 F G7 C7 F
F7 A¨7 C‹ A¨7 F7 E6 G©º A¨7 F7 F7
B¨ B¨7 E¨ E¨‹ B¨ B¨ C7 F7
B¨ B¨7 E¨ E¨‹ B¨ B¨ B¨7 E¨ B¨ C7 F7 B¨
B¨ E¨‹ B¨ B¨ E¨‹ C7 F7
B¨ E¨‹ B¨ B¨ E¨‹
Play "A" Once and end
C7 F7 B¨
165
A
Artie Matthews - 1915
Shake It & Break It
B
C
GClarinet Break: 2 barsG7 C
G D7
D7 G G7 C C‹ G
G D7 G G7 C7
G D7 G
G G7 Break: 2 bars
C7
G D7
D7 G G7 C C‹ G G7
166
D
E
Play "D" As AWritten - Repeat for Solos
C G7 C C G7
C G7 C A7
A7 D‹ D©º C
G7 C
After Last Solo play "D" once as written then go on
GBreak: 2 bars
C7 G
G D7 G G7C
Fine
C‹ G
167
Dixieland Jazz Band One Step
A
q = 200
B
C C G7 G7 D7 G7
C C7 G C C C
G7 G7 D7 G7
C C7 G C
C F Dm7 Gm7 C
F F C F
Dm D7 Gm G#dim F C7 F7
168
C
D
Bb Bb D7 D7 G7
G7 C C7 F F Bb
B¨ Dm A7 Dm G7 F7
Bb Bb D7 D7 G7
G7 C C7 Eb
Edim
3
Bb G7 C7 F Bb Bb
169
Shleton Brooks & Maurice Abraham - 1914
A
Rufe Johnson's Harmony Band
B
Rufe
When
F
John-
he
G©7
son
comes
F©º
leads
down
C7
a
the
band,
street,
F
He's
The
one
peo-
G©7
grand
ple
F©º
lead-
shake
C7
er
their
man,
feet,
F
Down
They
in
all
A¨º
Sa-
keep
van-
sway-
G‹6
nah,
ing,
C7 F
Down
While
in
Rufe
A¨º
Sa-
is
van-
play-
G‹6
nah.
ing.
C7
G‹
He
Old
real-
Rufe
ly
can't
can't
read
D7
be
a
beat,
note,
G‹
Plays
but
rag-
he
time
will
mu-
get
D7
-sic-
your
sweet,
goat,
G7
Down
When
in
he
Sa-
plays
van-
'Man-
D‹7
nah-
ci- pa- tion
G.
G7
Day.
A.
C D‹ D©º C/E C
When
The
they
horse
C
par-
and
ade
mules
each
they
hol-
act
C©7
i-
like
day,
fools,
You'll
You
A‹
hear
al
C
the
most
Bº
-peo-
hear
C
ple
them
say:
say:
C7
170
C
D
E
F
Here
F
they come, Just lis- ten to
A7
that drum, Boy ain't he
beat-
A7
in' some, He's go- ing rump,
D‹
rump, rump,
A7
rump.
D‹
Lis-ten
B¨
to that dog-gone flute, Root
F
-te-toot, toot-te-toot,toot-te-
D7
toot toot-te-toot.
Say
G7
Hon, ain't that trom-
G‹7
bone moan-
C7
ing, hear
G‹7
it groan-
C7
ing,
Lis
F F7
- ten to that old
B¨
cor- net, It's
played
D7
by that lead-
Eº
er
D7
man.
G‹ D7 G‹
He's
got
B¨
a world wide rep-
Bº
u- ta- tion
F
For play- ing syn-
D7
co- pa- tion;
G7
Old Ruf- us John-
C7
son's Har- mon -y Band
F Solos at "C"
171
Runnin' Wild
A
G C©dim G Eb7 Am7 D7 G7
My
When
gal
I
VerseC
and
first
I
met
we
that
had
gal
C7
a
of
fight
mine
and
it
I'm
seemed
F
all
just
by
like
my
a
self.
dream.
C
- I
But
guess
when
C
she
she
thinks
thought
now
she
that
had
E7
she's
me
gone
right
Am
I'll
she
lay
start
D7
right
ed-on
act
the
in'-shelf.
mean.
G7
I'm
Like
gon
Ma
C
na
ry
--
show
led
her
her
she's
lit
C7
all
tle-wrong
lamb
no
she
lone
led
F
some
me
- stuff
all
for
the
me
time,
C
I
Un -
won't
til
G
sit
the
home
worm
C©dim
all
had
G
a
to
lone
turn,
Eb7
- She'll
that's
Am7
soon
the
find
rea
D7
that
son-
I'm
I'm
G7
Runn
Runn
in'
in'
--
wild,
wild
172
B
C
Chorus
C
lost con trol,-
C7
Run nin'- wild,
F
might y- bold.
C
Feel in'- gay,
G7 Dm6
Reck
E7
less- too,
Am Cm6
Care free- mind,
G
all the time,
D7
nev er- blue. Al ways- goin',
C
don't know where,
C7
Al ways- showin'
F
F
I don't care,
E7
Don't love
A7
no bo
D7
- dy-
G7
It's not worth -
while,
C
All a lone-
G7
Run nin'- Wild.
C
173
Alabama JubileeA
q = 160George Cobb - 1915
B
Man
C
do- lins,- vi
Ab7
o- lins,- Ev
C
'ry- bod- y- tun
G7
in'- up,the fun
C
be gins,
G7
-
Com
C
ethis way, don't
Am
de lay,- Bet
D7
ter- hur ry- hon ey- dear,or you'll
G
be miss
G7
in'
Mu
C
sic- sweet, rag
Ab7
time- treat, Goes
C
right to you head
G7
and trick les- to
C
your feet.
It's
D7
a re mind- er- a mem
G
o- ry- find
G7
er- ofnights
D7
down in old Al a- bam:
G7
You ought to
3
see Dea
A7
con- Jones when he rat
A7
tles- them bones, Old
D7
Par son- Brown danc in'-
'round
D7
like a clown,
G7
Aunt Jem i- ma- who is past
G7
eight y- three Shout
C
in'- "I'm full o'pep!
Wtach
C
yo'step, watch yo' step!" One
A7
leg ged- Joe danced a round
A7
- on his toe,
Threw
Dmin
a way- his cane and hol lered,- "Let
Dmin
her go!"
D7
Oh Hon ey- Hail,
C
Hail,
E7
the
gang's
F
all here
C
for an Al
D7
a- bam- a- Jub
G7
i- lee.-
C
174
A
This Little Light of Mine
B
This lit
C
tle- light of mine I'm gon na- let it shine.
C7
This
F
lit tle- light of
mine I'm gon na- let it shine.
C
This
C
lit tle- light of mine I'm
C
gon na- let it
shine.
A‹
Ev' ry day
C
Ev' ry day
F
I'm gon na- let
C
my lit
G7
tle- light shine.
C
Won't
I'll take
C
letthis
alight
nyall
- onea
- blowround-
itthe
outworld,
I'mI'm
gongon
nana
--
letlet
itit
shine.shine.
C7
Won't
I'll take
F
letthis
alight
nyall
- onea
- blowround-
itthe
out,world,
I'mI'm
gongon
nana
--
letlet
itit
shine.shine.
C
Won't
I'll take
C
letthis
alight
nyall
- onea
- blowround-
itthe
outworld,
I'mI'm
C
gongon
nana
--
letlet
itit
shine.shine.
A‹
Let it
shine,
C
Let it shine,
F
I'm gon na- let
C
my lit
G7
tle- light shine.
C
175
q = 164
Sister KateA.J. PIRON - 1919
A
Bb Bº F D7 Gm C7 F D7
I
Went to
C7
a dance with my sis
C7
ter- Kate, ev
F
'ry- one there said shedanced
F
so great.
F
I re a- lized- a thing
Gm7
or two
C7
and I got wise to some
F
thing- new,
I
C7
looked at Kate,she was in
C7
a trance, and
F
then I knew it was in
F
her dance.
D7
allthe boys are go
G7
ing- wild just o
Db7
ver- Ka tie's- danc
C7
ing- style.
F
I
176
B
wishI
ChorusC7
could shim my like my sis
G7
ter- Kate, she shi
F
vers- like the jel ly- on
F7
a plate.
C7
my ma ma- want ed- to know
C7
last night,
F
why all the boys treat sis ter-
Kate
F
so nice.
C7
ev' ry boy in our neigh
C7
bor- hood-
knows
F
thatshe can shim
F7
my- and it's un
F7
der- stood- I
Bb
know I'm late
Bº
but I'll
be
F
up to date
D7
when I can shim
Gm
my- like my sis
C7
ter-
Kate
F
I mean
D7
Shim
Db7
my- like my sis
C7
ter- Kate.
F
177
1922
A
q = 180 Hot Lips
There's a
Eb7
boy that's in our band, And how
G
he blows that horn,
Fin
D7
est- since you're born, When
G
he starts you're gone.
They
Eb7
all call him Hot lips for He blows
G
real red hot notes, And
Dº
ev'
A7
ry- bo dy- on the floor just floats
D
that's what they say:
F7
He's got
F+7
hot
178
B
C
D
lips,
Bb
when he
Eº
plays jazz,
F7
He draws out steps,
F7
like no
F+7
one has.
Bb
You're
F+7
onyour toes
Bb
and shakes
Bbm6
your shoes,
F C+ F7
Boy how
Fº
he
goes,
C7
When he
C+7
plays Blues
F7 Solo Break
. I watch
F+7
the
crowd,
Bb
un til
Eº
- he's through,
F7
He can be
proud,
F7
They're cu
F+7
ckoo- too.
Bb7
his mus ic's
F+7
-
rare
Stop Time
Bb
you
Bb
must
D7
de
D7
clare
Gm
-
Gm Eº
Time:
you know the
boy
F7
is there, with two hot lips.
Bb
Solos at "B"
F+7
179
q = 100A
W.C. Handy 1914
St. Louis Blues
B
St.Lou is- Wo
Fm
man-
C7 B¨m
There with her dia
C7
mond- rings,
G7 G7b5 C7
Pulls that man
B¨m
a round,
Db7
-
C7
by her a pron- strings.
Fm E¨ Db
C7
Ex cept- for pow
Fm
der-
C7 B¨m
and for store bought
Fm
hair.
C7
You know theman I love, would not have gone no where,
Fm
no
G7
where.
C7
- O h,-
toI hate
F7
morto
rowsee,
-
B¨
likethe eve
Inin'-
feelsun
togo down.
day.
F
-
F7 B¨
feelI
tohate
morto
- row,-see
likethe
Ieve nin'-
feelsun
togo down.
day.
F
-Be
B7
I'll'cause
C7
-pack my
mytrunkba by-
Db7
makehe
mydone
getleft
C7
athis
- way.town.
F
- GotFeel
the
180
C
1.
2.
St.
F
Lou is- Blues,just as blue as I can be.
F B¨ F B¨ F B¨ F7
That
man
Gm
got a heart
B¨7
like a rock
Gm
cast in
B¨7
the sea,
F B¨ F B¨ F B¨ F7
Or
else
C7
he wouldn't have gone so far from me.
F
Got the me.
F
181
A
Careless Love
B
C
Love,
G
oh love
D7
oh care less- love.
G
You fly
G
right
thru
G
my head
E7
like wine.
A7 D7
You'vebroke
G
the heart
G7
of ma
C
ny- a
gal,
Cm
and you near
G
ly- broke
D7
this heart of mine.
G D7
If
G
I were
D7
a lit tle- bird,
G
I'd fly
G
from
tree
G
to
E7
tree.
A7 D7
I'd build
G
my nest
G7
way up
C
in the
air
Cm
where the bad
G
boys could
D7
not both er- me.
G D7
Now
G
I wear
D7
my a pron- high,
G
Now
G
I
wear
G
my a
E7
pron- high,
A7 D7
Now
G
I wear
G7
my
a
C
pron high,
Cm
and he nev
G
er,- nev
D7
er- pass es- by.
G D7
182
George Meyer - 1921
A
Tuck Me To Sleep in My Old 'Tucky Home
B
Tuck
G
me to sleep
G7
in my old
C
'Tuck
C©º
y- home,
G/D G
cov
D7
er- me with Dix
G
ie- skies
E‹
and leave
A7
me there a lone.
D7
-
Just
G
let the sun
G7
kiss my cheeks
C
ev
C©º
'ry- dawn,
G/D G
like the
kiss
D
in'- I've been miss in'- from my mam
A7
my- since I'm gone.
D7
I ain't
G7
had a bit
G7
of rest, since
C
I left my mam
C
my's- nest.
I
A7
can al ways- rest
A7
the best in
A7
her lov in'- arms.
D7
Tuck
G
me to sleep
G7
in my old
C
'Tuck
C©º
y- home, let
G/D G
me
lay
D7
there stay there nev
D7
er- no more to roam.
G A‹7 D7
183
A
The Sheik of Arabyq = 180
O
Cm
ver
Ab7
- the des
D7
ert- wild
G7
and free
Cm Dm7 Cm Dm7
Rides
Cm
the
Ab7
bold Sheik
D7
of Ar
G7
a- by
Cm
-
Dm7 Cm Dm7
His
Fm
ar ab- band
Fm
At
Fm
his com mand
Fm
-
Fol
G
low- his love's
Cm
car a- van.
G
-
G
Un
Cm
der
Ab7
- the shad
D7
ow- of
G7
the palms,
Cm Dm7 Cm Dm7
He
G
sings to call
D7
her to his arms.
G7 G7
I'm the
184
B
Sheik
C
of ar
C C©dim
a- by
Dm
-
G7 Dm G7
Your
love
G7
be longs
G7
- to me
C C
In -
to
Em
your tent
Ebdim
I'll creep
Dm G7
At
night
Dm
when you're
G7 G&
a sleep
C
-
Am D7 G7
The
stars
C
that shine
C C©dim
a bove
Dm
-
Dm G7
will
light
G7
our way
G7
to love
E& E7 E& E7
you'll
rule
A
this land
A
with me
D7 D7
the
Sheik
G7
of Ar
G7
a- by
C
-
C
185
q = 164
Sister KateA.J. PIRON - 1919
A
Bb Bº F D7 Gm C7 F D7
I
Went to
C7
a dance with my sis
C7
ter- Kate, ev
F
'ry- one there said shedanced
F
so great.
F
I re a- lized- a thing
Gm7
or two
C7
and I got wise to some
F
thing- new,
I
C7
looked at Kate,she was in
C7
a trance, and
F
then I knew it was in
F
her dance.
D7
allthe boys are go
G7
ing- wild just o
Db7
ver- Ka tie's- danc
C7
ing- style.
F
I
186
B
wishI
C7Chorus
could shim my like my sis
G7
ter- Kate, she shi
F
vers- like the jel ly- on
F7
a plate.
C7
my ma ma- want ed- to know
C7
last night,
F
why all the boys treat sis ter-
Kate
F
so nice.
C7
ev' ry boy in our neigh
C7
bor- hood-
knows
F
thatshe can shim
F7
my- and it's un
F7
der- stood- I
Bb
know I'm late
Bº
but I'll
be
F
up to date
D7
when I can shim
Gm
my- like my sis
C7
ter-
Kate
F
I mean
D7
Shim
Db7
my- like my sis
C7
ter- Kate.
F
187
A
The Love NestLouis A. Hirsch & Otto Harbach - 1920
Man y
F
- build
C7
ers- there
F
have been
C7
Since
F
the world
C7
be gan.
F
-
Pal
A‹
ace,- cot
E7
tage- man
A‹
sion,- Inn,
E7
They
A‹
have built
E7
for man.
A‹
Some
G‹
were small, and some
F
were tall Long
C7
or wide or low.
D
But
G‹
the best
G‹7(b5)
one of
F
them all
C
Jack
G‹
built long
C9
a go.
F
- `Twas
built
G‹7
in by
C
gone- days,
F
Yet mill
D7
ions- sing
G7
its praise.
C7
Just a
188
B
C
love
F
nest, co-
C7
zy and warm.
F
Like
F7
a dove
B¨
nest, down
F7
on a
farm.
B¨
A ver- an-
C7
da with some sort of cling- ing vine,
F A7/E
D7
Then a kit-
G‹
chen where
D
some ram-
G‹
bler ros-
G7
es twine.
C7
Then a
small
F
room, tea
C7
set of blue.
F
Best
F7
of all
B¨
room, dream
F7
room for
two.
B¨
Bet- ter than
C7
a pal- ace with a gild- ed dome,
A7 A7(b5)
D7
is a love
G‹
nest,
C7
You can call home.
F
189
Take Me To the Land of Jazz
Bert Kalmer, Edgar Leslie, Pete Wendling - 1919
AThere's mu- sic
D7
in
G7
the breeze,
C
and trom-
D7
bones grow
G7
on trees.
C
You hear moan-
D7
in' and groan-
A¨7
in' and tune-
D7
ful har-
A¨7(b5)
mo-nies.
G7
In
ev-
D7
'ry ca-
G7
bar- et,
C
it's the on-
D7
ly thing
G7
they play!
C
Well, I
long
C‹
to hear it, I must
A¨7
be near it,
D7
and that's why
A¨7(b5)
I say:
G7
190
B
Take
Take
Chorus:C
me
me
to
to
the
the
land
land
of
of
jazz,
Jazz,
Play
Let
D7
the
me hear
kind-a'
the
blues
music
like
New
Mem-
Or-
phis
leans
has,
has,
G7
I
I
wan'
like
na
it
step,
hot,
to
and
a
you
tune
know
D7
that's
that's
full
what
of
that
gen
ci-
D7
-u- ine
ty's
pep!
got!
G7
Come
Pickin'
C
and
'em up
take
and
the
layin'
lat-
'em
est
down,
dare,
Teach
Learn
A‹
them
to
how
do
all
the
o-
E7
"Griz-zly-
ver town,
Bear". I
I'll
love
A7
give
that
you
syn-
fair
co-
warn-
pa-
in',
tion,
I won't
At
D7
be
my
home-
des-
'til
tin-
morn-
a-
G7
in'.
tion!
I'll be
Just
dan
run
C
cin'
nin'
-
-
'til
wild
the
and
sun
livin'
C©º
comes
it
up,
up,
In
In
G7
the
the
lov
lov
in'
in'
-
-
land
land
of
of
jazz.
jazz.
C
191
Herny Creamer & J. Turner Layton - 1917
A
Down In Borneo Isle
B
Far
D‹
a- way in Jun-gle land,Tuba- Toms- etc.
Jun-
G‹
gle, Jun-gle,
Jun-
A7
gle land,
D‹
Tuba-
Toms
D‹
Where they play up- on the sand,
Tuba- Toms- etc
Jun-
C7
gle, Jun-gle, Jun-
G‹7
gle sand.
C7
In the
C7
eve- ning when the day
C&
is cool-er ev-
F
'ry- bod- y
F
does the Boo- la Boo- la.
D‹
And they say that mon-key band,
Tum-
C
bles, Stum-
G7
bles, As
C7
they bun-gle thru the jun- gle.
192
C
D
C7
Down in Bor- ne- o, Down in Bor- ne- o,
F
Down in Bor- ne- o Isle.
F F
I love
F©º
to see
C7/G
those
C7/E
wild
F
men
F©º
danc-
C©7/G
ing a- round,
C7
And
F
those real
E7
wild wo-
F
men in swim- min'!
Down
C7
in Bor- ne- o, Where I want to go,
F
All theywear is a smile,
D7 Dº
D7 G‹
And ev-'ry eve-ning when the lights are low,
D‹
Oh, Oh,
Oh,
D‹
Oh, Oh, Oh, Oh, Oh, Oh, Oh!
C7
How they toad- al- o,
C7
To the mus- ic slow,
G7
Down in Bor-
C7
ne- o Isle.
F B¨7 F
193
Tom Delaney
1921A
The Jazz Me Blues
B
Down
F
in Louis i- an- a- in that sun ny- clime They- play a class of mu sic- that is
su
G7
per- fine
C7
And- it makes
F
no dif fer- ence- if its rain or shine You- can
hear
Fbreak
that jazz band mu sic- play ing- all
C7
the time
F
it
sounds
F
so pe cu- liar- 'cause the mu sic's- queer Howits sweet vi bra- tion- seems to
fill
G7
the
C
air Then
F
to you the whole world seems to
be in rhyme You want noth
break
F
ing- else but jazz band- mu sic- all
C7
the time
F
194
C
Ev 'ry
C7
- one that's nigh nev
Cº
er- seems tosigh Hear
C7
them loud
Cº
ly- cry:
C7
Oh!
A7
D7
Jazz man Don't stop the mu sic- it's Jazz
G7
man (Jazz man!)- You
know
C7
I want to hear it both day and night and if you don't
F break
blow it hot then I
don't feel
F7
right
E7
Nowif
Eb7
it's rag
D7
time- Please Sir will you play it in jazz
G7
time-
(Jazz Time)
F
Don't want it fast
A7
Don't want it slow,
Take
Dmin
your time don't rush it play it sweet
D7
and low I've got those
dog
G7
gone- real gone- jazz
C7
band- "Jazz Me" blues.
F Bb7 F E7
Solos at "C"
Eb7
195
Jelly Roll Morton - 1905
Jelly Roll Blues
A
B
A¨ G7 G7
Stop Time Banjo Solo - 7 beats
C A‹ C
Ensemble
Cº C Cornet solo 3 beats
3
3
Trombone Solo 3 Beats
C7F
Ensemble
C
G7 D7 G7 C C7 F F‹ C G7
3 3
Stop time 3 bars - ad lib breaks
C E7 A‹ E7 A‹ C7 F F©º
C G7
D7 G7 C C7 F F‹ C G7
3 3
196
C
D
Stop time 3 bars - ad lib breaks
CC C C7 F
F©ºC
G7 D7 G7C C7
F F‹ C G7
3 3
4 bar interlude - clarinet trill, drum roll
C7 C7 C7 C7 C7
F A7 F F7
B¨ Bº F
C7 G7 C7 F
Back to "D" for Solos
C7
197
Ole Miss W.C. Handy - 1916
A
B
D7 G
D7 G
D7 G
D7 G G7
C G G©º
D B7 E‹ B‹ F©7 B‹ G7
C G E7
A‹ D7 G C‹6 G
198
C
D
D7 G
D7 G
D7 G
D7 G D7
G G7 C G D7 G E7
A7 D7 G7 C
B7 C C©º G E7 A7 D7
Back to "D" for SolosThen Play "C" and "D out.
G
199
1919
Blues My Naughty Sweetie Gives To Meh = 100
There
E7
are BluesBluesBlues
Am
thatthatthat
youyouyou
getgetget
Fdim
fromwhenfrom
worsin
sweet
Am
rygleie
---
ThereThereWhen
A7
areareshe
BluesBluesphones
Dm
D‹
thatthatto
youwillan
getgiveoth
Bbdim
-
fromyouer-
pain,pain,guy,
Dm
AndAndAnd
theretherethere
F7
areareare
BluesBluesBlues
E7
whenwhenwhen
you'reyou'reyour
lonelonehon
lylyey
--
-
ForFor
spends
youryourall
Am
oneoneof
andandyour
ononmon
ly,ly,ey,
---
TheTheAnd
BluesBluesBlues
B7
youyou
when
cancanshe
nevnevtells
ereryou
--
exexa
plain;plain;lie;
E7
--
ThereThereThere
areareare
BluesBluesBlues
Am
thatthatthat
youyouyou
getgetget
Fdim
fromfromwhen
longlongmar
Am
ingingried
---
ButTo
Wish
A7
theholding-
blusomethat
Dm
estoneyou
--
Blueson
could
thatyourbe
beknee,
free,
E7
E7
AreButBut
thethethe
sortkindkind
A7
ofofof
BluesBluesBlues
that'sthat
that's
onal
good
mywayand
-mind,stabs,blue,
They'reComeComes
D7
thefromfrom
vehi
hav
ryringing
---
meantaxwine
D7
esti
for
--
kind,cabs,two,
TheTheThe
BluesBlueskind
G7
mymyof
naughtnaughtBlues
yy
my
--
sweetsweetsweet
D7
ieieie
---
givesgivesgives
G9
tototo
me.me.me.
C (E7)
ThereThereThere
areareare
200
1920A
h = 84
I Never Knew I Could Love Anybody
B
C
A
I nev er- knew
A+
I could
D6/A
love an
G6
y- bod
F©7
y,- Hon
B7
ey,- like I'm lov
E7
ing-
you;
A
I could n't- re
D
al- ize- what a pair
A
of
eyes
F©7
And
B7
a ba by- smile
B7
could do;
E7 E7
I
A6
can't sleep,
A7
I can't eat, I nev
D
er- knew a
sin
D
gle- could could be
Dm
so sweet,
D E7
A
I nev er- knew
A+
I could
D6/A
love an
G6
y- bod
F©7
- y,-
Hon
B7
ey- like I'm lov
E7
ing- you.
A
201
Al Piantadosi - 1913
The Curse of An Aching Heart
A
B
F F‹ C CºG7
You
made
C
me what
Cº
I am
C
to- day,
C7
I hope
F
you're
sat-
F‹
is- fied.
C
You dragged
G7
me down and down
C
un-
G7
til
C
the soul
D7
with- in me died.
G7
You
shat-
C
tered each
Cº
and ev-
C
'ry dream,
C7
You fooled
F
me from
B7
the
start.
E7 F©‹ Gº
And
E7/G©
though
F
you're not true
F©º
I still
C/G
love
E7
you,
A7
That's the curse
D7
of an ach-
G7
ing heart.
C
202
Some of These Days
A
B
Some of these days
A7 A7
your gon na- miss me hon
Dm
ey.- Some of these days
A7
you'll feel so lone
Dm
ly,-
Dm
you'll miss my hug
Gm
gin'-
D7
you'll miss my
kiss
G7
in'-
G7
you'll miss me hon
G7
ey-
G7
when you're a way.
C7
-
C7
You'll be so
lone
F7
ly-
F7
just for me on
B¨
ly,-
B¨
cuz you know hon
D7
ey-
D7
you al ways- got your way,
Gm Gm
And whenyou leave
B¨
me
Bdim
I know you'll
grieve
F
me
D7
you know you'll miss
G7
your ba by-
C7
oh someof these days.
F
203
James F. Halnley - 1919
Rose of Washington Square
A
A gar-denthat
B‹
nev-er knows
E‹
sun-shine Onceshel-tered
F©7
a beau ti- ful- rose.
B‹
In the
sha-
B7
dows it grew with-out sun-light-
E‹
or dew, as a child
F©
of the cit-
C©7
y grows.
F©7
A
but-
B‹
ter-fly flew to the gar-
E‹
den, from out
F©7
of theblue sky a- bove,
B‹
the heart
D
of therose
D©º
set a-
flut-ter,-
A
with
F7
a
B‹
won-der-ful tale
E7
of love,
A
He told her
E‹7
of birds and of
bees,
A7
of the brooks
E7
and of mea-dows and trees.
A7
He whis- pered,
204
B
C
Rose,
D
of Wash- ing-ton
Dº
Square
A7
a flow-er so Fair
A7
should blos-som
A&7
where
D
the sun shines, Rose,
F©7
for Na- ture did
B‹
not mean
B‹
that you shouldblush
E7
un-seen but be the queen
A7
of some fair gar-den,
Rose,
D
I'll nev-er de-
Dº
part,
A7
but dwell in yourheart,
A7
your love to care,
Eº
B‹
I'll bring the sun-
E7
beams from the Hea-vens
G‹6
to you, and give
D
you kis-ses that
spar-
B7
kle with dew my Rose
E7 A7
of Wash- ing-ton Square.
D
205
George Bernard - 1913
The Old Rugged Cross
A
B
D D& G
D A7
Ritard
D G G‹D
D Dº D D7 G Gº G A7
D D Dº D D7
G Gº E7 A7 D G7 D
A7 D G D G G& G6 A7
D D C7 B7 E
D A7 D GG‹ D
206
A
Dear Old Southland
Henry Creamer & Turner Layton - 1921
B
Iwant
G‹
to stray
F©& B¨/F
to the townI
D7/F©
was born,
G‹
My home
F©&
town,
B¨/F
My lit-tle home
D7/F©
town.
I
C‹
want to play
E¨ C‹7
in the cot-
D7
ton and corn,
G‹
To feel
F©&
it,
B¨/F
I used to steal
D7/F©
it.
I
G‹
want to hear
F©& B¨/F
dear old Moth-er
B¨7
each morn,
E¨
Tuba
Eº
say-
G‹
ing "Go long,
B¨º
go long,
C‹7
go long, go
D7
long to school".
G‹ D7
Dear,
Dear,
G G&
Dear
Dear
Old
OldSouth
South-
C
land,
land,
C©º
I
for
hear
you
G
you
my
call-
heart
C
ing
is
to
yearn-
G
me.
ing.
E7
A7
And
And
D7
I
I
long,
long
G G&
how
just
I
to
long
see
C
to
once
roam
more
C©º
back
the
to
land
G
my
I
old
love
B¨º D7/A
Ken-
that
tuck-
Swan-
D7
y
ee
home.
shore.
G C7 G
207
1915q = 152
Foolish Questions
A
G E7 A7 D7 G
Now
Now
Now
you've
let's
all
then
say
G
heard
the
fool
there's
ele
ish
that
vator
-
-
ques
per
per
tions
son
son
-
-
-
and
who's
should
you
al
for
no
ways
get
C
-
-
doubt
hanging
to
won
'around
close
der
the
the
- why
place
door,
G
Some
And
And
one
he
you
G
will
watch
should
ask
es
hap
-
you
you
a
take
pen
fool
your
to
ish
shav
tumble
ques
ing
down
-
tion
brush
- but
and
let's
ex
start
say
pect
to
for
A
- a
lath
ty-
sen
er
se
-
si
up
- ble
your
ven
- re ply
face.
floors.
D7
- Like
And
And
when
as
when
G
you take
you
your girl
give
you
some
your
hit
can
ra
the
dy
zor
bot
-
-
Say
its
tom and-
just
prelim
you're
C
in
lying
-
af
ar
there
-
ter
y
in
-
-
tea
wave
ert
G
-
The
You
Some
first
know
fool
C
thing
that
will
she'll
stick
do
fool
his
is
will
stick
wrin
come
his
G
kle- up
up
down
her
to
the
nose
you
shaft
E7
and
and
and
ask
ask
ask,
A7
"Is
"Are
it
you
"Are
D7
for
gonna
you
me?"
shave?
hurt?"
G
208
B
1.2.C
G
Foo lish- ques tion- no
your
I hope
You
C
doubt
reply
that
utter your
is
you
you
dy
re
I
re
ing-
ply
hope
ply
moan
G
-
-
No
No
No,
No,
it's
I'm
he
I
for
not
just
was
your
pre
though
in
-
Ma
pared
he'd
an
or
for
have
aw
your
shav
the
ful
Pa
ing
fu ne
hurry
-
or
I
ral
and
it's
just
now
this
-
for
love
and
ele
A
the
then
vator's-
some
taste
die
just
oth
la
too
of
er
ter
-
-
guy
soap.
on.
slow.
D7
I
I
Ned
It
just
like
was
usual
G
want
to
al
ly-
ed
take
ways
saves
-
-
you
my
so
a
to
shav
ori
lot
-
see
ing
gi
of
it
brush
nal
time
- he
And
and
would
now
paint
com
have
C
I'll
my
ing
want
-
take
self
down
ed
-
-
it
up
it
a
this
this
that
way.
way.
way.
way.
G
- A no
C
- ther- fool ish- ques
G
tion-
E7
You'll
hear
A7
them ev'
D7
ry day.
G
Then
F©‹
there's this fel low- who meets
B‹
you on your
way,
F©‹
And he asks you why you're all dressed up and this
C©7
is what you say. You're
just
F©‹
re turn- ing- from the fu ne- ral- of dear
B‹
old bro ther-
Ned
F©‹
And as you're ring ing- out your hank ie- he'll ask "Is
C©7
Ned dead?"
209
Roy Turk & Russell Robinson - 1922
A
Aggravatin' Papa
B
I
F
know a trif- lin' man,
B¨
They call him "Trif- lin' Sam".
F
F
He livesin Birm- ing- ham,
C7
'Way down in Al- a- bam'.
F
Now
F©º
the
oth-
C7
er night, He had
G7
a fight with a gal
C
named Man-
D7
dy Brymm,
G7
And she
plain-
C
ly sta- ted she was ag-
G7
gra- va- ted,An she shout-
D‹7
ed out
G7
to him:
C7
"Ag- gra-
F
va- tin' pa-
D7
pa, Don't
G7
you try to two-
C7
time me,
F
I said don't two-time me.
Ag-
F
gra- va- tin' pa-
D7
pa, Treat
G7
me kind or let
C7
me be,
F
I mean just let me be.
F7
210
C
List-
B¨
en while I get
F
you told,
F7 B¨
Stop mess- in''round, sweet jel-
F
ly roll.
D7
If
you
G7
step out with a high brown ba-by,
C7
I'll
Break 2 bars
smack you downand I don't mean may-be!
Ag- gra-
F
va- tin' pa-
D7
pa, I'll
G7
do an- y-thing
C7
you say,
F
yes, an- y-thing you say.
F7
But
B¨
when you go strut- tin', Doyour strut- tin'round my way.
A E7 C7
SoNowNow
pa-pa-pa-
pa,pa,pa,
Stop Time - Play beats 1 & 4 as marked
F
Once
You
Just
you
best
treat
were
be
me
stead-y
care-ful,-
pret- ty,
F7 F7
Once
Be
As
nice
you
yon
were
can
and
true,
be,
sweet,
But
'Cause
'Cause
F7
pa-
I
I
B¨
pa,
can
pos-
now
beat
sess
sweet
you
a
ma-
fort
do
ma
in'
y-
-can't
what
four
B¨
de-
you're
that
pend
doin
don't
Bº
on
to
re-
you,
me,
peat!
Bº
Ag-
F
gra- va- tin' pa-
D7
pa, Don't
G7
you try to
-2-
two-
C7
time me!
F F7 B¨ B¨‹ F C7
211
Rose Room
Harry Williams and Art Hickman - 1917
AI
B¨
want to take you to a lit tle- room, A lit tle- room where all the
ros es- bloom. I want to lead you in to- Na
F7
ture's- Hall,
Where ev' ry year the ros es- give
B¨
a ball. They have an or ches- tra- up
in the trees,
B¨7
For their mu si cians- are the bird
E¨
s and bees.
E¨‹
And the
F5
will
F©
sing
B¨Œ„Š7
us a song
F7
As we are stroll ing- a long.
B¨
-
B¨7 B¨º7 C‹7(b5) B¨
In sun ny
F©
-
212
B
C
Rose
C7
land,-
F7
Where sum mer- breez es- are play
Bb
ing,-
Where
Bb7
the hon ey- bees are "A May
Eb
ing".-
There
Ebm
all the ros es- are sway
Bb
ing,
G7
- -
Danc
C7
ing- while the mead ow- brook flows.
F7
The moon when
shin ing,
C7
-
F7
is more than ev er- de sign
Bb
- ing-
For
Bb7
'tis ev er- then I am pin
Eb
ing,-
Pin
Ebm
ing- to be sweet ly- re clin-
Bb
ing,
G7
- Some where- in
Rose
C7
land,-
F7
Be side- a beau ti- ful- rose.
Bb
213
1901High Society
A
B
C
C G7
G7 C G7
C E7 Am E7 Am
Am E7 Am D7 G7
G7 C D7 G7
C C7 F F©dim C D7 G7
C C7
3
F Solos Here Bb F
C7 E7 F G7 C7 C+7 F
C7 F Bb F F7
Bb Bdim F D7 G7 C7 F
214
D
E
Dm A7 TubaDm
A7 Gm
Dm A7 Gm
Dm E‹ Bb
F C7 E7 F G7
A7 C7 C+7 F C7 F
G Bb F F7 Bb Bdim
F D7 G7 C7 F
215
C
Alphonse Picou Clarinet Solo
F3
33
3 F
F F Bb F
C73
F
G7 3 C7
F
F F
F Bb F Bb
Bdim F F 3
3
G7 C7 F
216
F.W. Meacham - 1891
American Patrol
A
B
G D7
G A7 D7 G
G G7 C A‹7 D7 G
D7 G D7
G G7 C G D©º
E‹ C G D7 G
217
The Original Dixieland Jazz Band - 1917
Tiger Rag
A
1.
2.
B
C
C G7 C
C G7
D7
Cues are Trombone/TubaG D7 G
D7 G D7 G
C G7 C
C G7 C7
F Solo Break
F C7 Solo Break C7
F C F Solo Break
218
D
E
F
C F
B¨ D7 G‹ G©º F C7 F F7
B¨
B¨ F7
F7 F7
F7 B¨ Solo Break
B¨ B¨ B¨7 E¨
E¨ Eº B¨
G7 C7 F7 Solos at "E"B¨
219
Irving Berlin - 1913
A
At The Devil's Ball
I had a dream last
B‹
night, That- filledme full of fright: I- dreamt that I was with the
Dev
B‹
il- be low.- In his great
A7
big fier- y hall, Where the
Dev-
D
il was giv- ing a Ball.
F©7
I checked my coat
B‹
and hat and start-ed-
gaz-
B‹
ing at the mer-ry crowd that came to wit-ness the show. And I
must
E7
con- fess to you, There were ma-
A7
ny there I knew. At the
220
B
C
Dev-il's
D
Ball, At the Dev-
E7
il's Ball, I saw thecute
A7
Mrs. Dev- il,so
pret-ty-
D
and fat,
D©º
Dressed
A7
in a lit- tle red fire-
D
man's hat.
D©º
Eph-
E7
re-ham,the lead-er man,wha led the band last Fall,
A7
He played the mu-sicat the
Dev-il's
D
Ball, In theDev-il's-
E7
Hall. I saw the
fun-
A7
ni-est dev- il that I
D
ev-er saw, Tak-ing
A7
the tick- ets from folks
D
at the door,
D7
I
G
caught a glimpse
F©7
of my moth-er
B‹
in- law,
E7
Danc-ing
E7
with the
A7
Dev-il,
Oh!
E7
the lit tle- Dev
A7
il,- Danc-ing-
E7
at the Dev-il's-
A7
Ball.
D
At the
221
A
q = 180
At The Jazz Band BallOriginal Dixieland Jazz band - 1918
B
Am
G7 C A7 D7 G7
Am
D7 G7
A7 D7 G7
C A7 D7
F F©dim C A7 D7 G7 C
A7 D7 G7
C A7
D7 F F©dim C A7 D7 G7 C
222
Bob Cole - 1902
Under The Bamboo Tree
Aq = 164
B
Down
Bb
in the jun gles- lived
Cm
a maid,
F7 Bb
of roy al- blood thoughdusk
Cm
y- shade.
F7 Eb
D7
a marked im pres- sion- once she made ,
Gm C7
up on- a Zu lu-
F7
from Ma ta- boo- loo-
And
Bb
ev ry- morn ing- he
Cm
would be
F7 Bb
down un der- neath- a bam
Cm
boo- tree,
F7 Eb
D7
a wait- ing- there his love to see.
Gm C7
and then to her he'd sing:
F7
If
you
Bb
like a- me like I like a- you and we like a- both the same,
I
F7
like a- say, this ve ry- day, I like a- change your name.
Bb
'Cause
F7
I
Bb
love a- you and love a- you true and if you a love a me,
One
F7
live as two, two live as one, un der- the bam boo- tree.
Bb
223
Darktown Strutter's Ball
A
Sheldon Brooks - 1917
C
I've
We'll
got
meet
Cº
some
our
good
high
D‹7
toned
news
-
hon
neigh
G7
ey,
bors,
-
-
C
An
An
in
ex
vi
hi
-
-
ta
bi
Cº
-
-
tion
tion
-
-
to
of
the
the
Dark
"ba
G7
town
by
-
-
Ball.
Dolls",
It's
And
a
each
ver
one
G7
y
will
- swell
do
af
their
fair,
best,
G7
-
F7 E7
All
Just
the
to
"high
out
A‹
browns"
class
-
-
will
all
D7
be
the
there.
rest.
G7
I'll
And
wear
there'll
my
be
high
danc
C
silk
ers-
hat
from
Cº
and
ev
a
'ry-
frock
for
G7
tail
eign-
coat,
land,
You
The
wear
clas
E7
your
sic,-
Par
buck
is
and
- gown
wing,
and
and
your
the
new
wood
A‹
silk
en-
shawl,
clog.
There
We'll
ain't
win
G
no
that
doubt
fif
G&7
a
ty-
-
bout
dol
E‹
it
lar-
babe,
prize
G7
We'll
When
be
we
the
step
best
out
A‹
dressed
and
in
"Walk
D7
the
the
hall.
Dog".
G7
I'll be
224
B
C
down
C
to get you in a tax i- hon
A7
ey,- You'd bet
D7
ter- be read y a bout- half past- eight.
G7
Nowdear ie- don't be late I want to be
C/E
there when
Cº
the band
Dm7
starts play
G7
ing,- Re-
mem
C
ber- when we get there hon
A7
ey,- The two
D7
steps I'm goin'to have'em all. Goin'to
dance
F
out both my shoes,
F©º
When they play
C
the"Jel
B7
- ly Roll Blues"
A7
To -
mor
D7
row- night at the Dar
G7
town- Strut ter's- Ball.
C Cdim Dm7 G7
I'll be
225
Raymond Egan & Richard Whiting - 1920
A
Japanese Sandman
Won't youstrecth
G‹
im ag- i- na
E¨Œ„Š7
- tion- for
F©º
the mo
G‹
ment- and come
E¨9
with
C©9
me.
D7
Let us
hast
G‹
en- to a na
E¨Œ„Š7
tion- ly
F©º
ing- o
G‹
ver- the west
C‹6
ern
C©º7
sea.
Aº/D D7
Hide be-
hind
B¨
the cher ry- blos soms- here's a sight that will please
C‹7
your eyes.
B¨6
D7
There's a ba
G‹
by- with a la dy- of Ja pan- sing ing- lu la- bies.
G‹
-
G7 C‹ G7
Night
C‹
winds breathe
D&7
her sighs.
G G
Here's the Jap- an-ese
226
B
C
Sand
G
man, Sneak- ing in with the dew.
E7
Just an old sec-ond hand
A7
man,
D7
He'll buy your old day from you.
G
He will take ev-'ry sor-
G
row of the day that is
through,
B
And he'll give you to- mor
F©7
row Just to start life a new.
B
Then
D7
you'll be a bit old-
G
er
G7
In the dawn when you wake,
C
And you'll be a bit
bold-
C‹
er with the new day you make.
A‹ D7
Here's the Jap- an-ese Sand
G
man,
Trade him sil- ver for
Gº
Just an old sec- ond
hand
A‹7
man,
D7
trad ing- new days for old.
G C7 G D7
227
April ShowersLouis Silvers & Bud DeSylva
1921
A
B
Tho'A pril-
E7
Show ers- may come your way,
A
They bring the flo
E7
wers-
E7
that bloom in May.
A
So if its rain
F©7
ing- have no re grets,
Bm
-
B‹
Be cause- it is
B7
n't- rain ing- rain you know,it's rain
E7
ing- vi o- lets.- And where you
see
E7
clouds up on- the hills,
A
you soon will see
F©7
crowds of daf fo- -
dils,
Bm
So keep on look
D
ing- for a blue
Dm
bird,- and list
A
'ning- for his
song,
F©7
when ev
B7
er- A pril- Sho
E7
wers- come a long.
A
-
228
Tod B. Galloway - 1909
The Whiffenpoof Song
A
B
We're poor
F
lit-tle lambs who
F©º
have lost
C7
our way. Baa!
G‹7
Baa!
C7
Baa!
F C7
We're lit-
F
tle black sheep who
F©º
have
gone
C7
a- stray, Baa!
G‹7
Baa!
C7
Baa.
F
Gen
D‹
tle- men- song sters- Off
F‹
on a spree, Doomed
C7
from here
C&7
to e-
ter-
F
ni- ty.
F7 E7 E¨7
Lord
D7
have mer- cy on
such
G‹7
as we, Baa!
C7
Baa! Baa!
F B¨‹6 F C7
229
Livery Stable Blues, a la Muggsy Spanier (Barnyard Blues)
Lopez & Nuñes, 1917
A
B
Fine
F F7 Bb Bb‹ F C©7 C7 Break - 1 Bar
F C&7 F F7
Bass Drum
Bb
F D7 G7
C7 F Fº C7 F1st time Only
F
Bass, Trombone, & Bass Drum
F7
Bb F D7
G7 C7 F FºLast Time: To Coda
C7 F
Trombone Gliss to "C"
Coda:
F
Bass Drum
C+7
F
230
C
D
E
F Harmonize Clarinet Break Cornet "Horse Whinny"
Trombone
Bb
F
G7
C7 F Fº C7 F 1 X Only - Trombone
FSolos
F7 Bb7
F D7 G7 C7 F Fº C F
F Harmonize
Break: 3 Bars:
Clarinet Break Cornet "Horse Whinny"
Trombone
Bb
F D7 G7
C7 F Fº C7
Back to "B" - Take CODA:
F
231
A
Somebody Stole My GalLeo Wood 1918
B
C
1.
Gee
F
but I'm lone some,
Fº/G©
- lone
C7
some- and blue,
F
I've found out some thing
Fº/G©
- I nev
C7
er- knew.
D7
I know now what it means
G7
to be sad, For I've lost the best gal I
C7
ev er- had.
She on
G‹
ly- left
D7
yes ter- day,
G‹
- Some
G7
bo- dy- stole her a way.
C7
-Bass Pickups
Some-
F
bod- y stole my
A¨º
gal.
C7/G C7 C7
Some- bod- y stole my
C&7
pal.
F E7E¨7
Some-
D7
bod-y came and took
G7
her a-way.
G7
She did-n't ev- en,
bar breakC7
say she was leav- in'.
F
The kis-ses I Iove
A¨º
so,
C7/G C7 C7
He's get- tin'now I
B¨7
know.
A7
But
C7
Gee!
F
I know that she,
F7
would come to me,
B¨
if she could see,
B¨‹
her
bro-
F
ken heart- ed,
G7
lone- some pal.
G‹7
Some bod- y stole
C7
my
gal!
F D7 G7 C7
gal!
F B¨7 F
232
Leo Wood - 1918
Somebody Stole My Gal
(Foxtrot Version)
A
B
1.
Bass Pickups
Some-
F
bod-y stole my
Fº
gal.
C7/G C7 C7
Some- bod-y stole my
C&7
pal.
F F7 E7 E¨7 D7
Some- bod- y came and took
G7
her a- way.
G7 G7
She did- n't ev- en,
C7
say she was leav- in'.
F
The kis-ses I love
Fº
so,
C7/G C7 C7
He's get- tin' now I
C&7
know.
F
But
C7
Gee!
F
I know that she,
F7
would come to me,
B¨
if she could
see,
B¨º
her bro-
F
ken
Fº
heart-
C7
ed,
F G7
lone- some pal.
G7
G‹7
Some bod- y stole
C7
my
C&7 F D7 G7C7
gal!
F B¨7 F
233
Beale St. Blues
A
1.
2.
C G7 C G7 C G7 C
You'll
see
see
Beale
C
pret
Hog
Street
ty
Nose
Could
-
-
Browns
rest
talk,
'rants-
in
and
If
beau
Chit
Beale
ti
lin
Street
-
-
ful
Ca
could
- gowns,
fe's,
talk,
-
You'll
You'll
Mar
see
see
ried-
tail
Jugs
men_would
F
or
that
have_to
-
C
mades
tell
pack
-
Dm
and
of
their
C
hand
by
bags
G
me
gone
and
-
-
D7
downs.
days.
walk.
-
G7
You'll
And
Ex
meet
plac
cept-
C
hon
es,
one
-
est
once
or
- men,
plac
two,
C7
And
es,
Who
-
pick
Now
nev
F
pock
just
er
-
-
ets
a
drink
- skilled,
sham,
booze,
Fm
You'll find
You'll
And
that
see
the
bus'
Gold
blind
C
ness
en
man
-nev
balls
on
er
e
the
- clos
nough
corner
-es
to
who
- 'til
pave
sings
some
the
these
-
bod
New
y
Je
- hets
ru-
G7
killed.
sa- lem.-
C
You'll
If
Beale Street Blues..
G7 C
Well
C7
I'd
234
B
rath
goin'
rath
F
er
to
er
-
-
be
the
be
here,
river,
there,
Than
Than
C7
an
May
an
y
be
y
--
-
place
bye
place
I
and
I
know.
bye.
know
F
F7
I
I
said
said
I'd
I'm
I'd
rath
goin'
rath
Bb
er
to
er
-
-
be
the
be
here,
river,
there,
Bbm
ThanAndThan
anthere's
an
yay
-
-
placerea
place
IsonI
-know.why:know
F
It'sBe
goncause-
natheNew
- take
riv
York
C7
the
er's
may
-
ser
wet
be
geant
and
all
-
right,but
For
Beale
Beale
to
Street's
Street's
make
done
paved
me
gone
with
go.
dry.
gold.
F F7 Bb Bbm FE7 F7
íf going back to "A"
Well I'm
I'd
235
Stock Yard StrutA
q = 195
B
Bb Bb C7 C7 F7
F7 Bb7 A7 Bb F7
Bb Bb7 C7 C7
F7 F7 Bb Bb
Bb Bb Bb Bb Bb
Bb F7 F7 F7 F7
F7 F7 F7 F73
Bb Break Bb Bb Bb
Bb Bb7 Bb7 Eb Eb
236
C
Edim Edim Bb G7
3
C7 F7 Bb Bb
Bb Bb Gm Bb Bb Bb Bdim
F7 F7 F7 F7 F7
F7 F7 F7 Bb Bb3
Bb Bb Bb Bb7 Bb7
Eb Eb Edim Edim
Bb G7 C7 F7
Rhythm section plays charleston rhythm
Bb7 Bbdim Ebm7 Bb Bb7 Bbdim Ebm7 Bb
237
Isham Jones & Gus Kahn - 1922
On The Alamo
A
B
Where the moon swings low
DŒ„Š7 E‹7 D
On the Al- a- mo,
E7 B‹7 G‹
In a
E7
gar-den
fair
E‹7
where ros-
A7
es grow,
F©‹7 F7 E‹7
In the ten-
A7
der light
DŒ„Š7 E‹7 D
of the sum-
C©7
mer
night,
F©‹7 B7
I can hear
B‹7
her wan-
E7
der to and fro.
E‹7 A7
For
Break
she said I'll
wait
DŒ„Š7 E‹7 D
by the gar-den gate,
E7 B‹7 G‹
On the night
E7
I said
E‹7
"I love
A7
you
so".
F©‹7 F7 E‹7
And in all
F©7
my dreams
B‹
it seems
D
I go
G©º
Where the moon swings low,
E7
On
E‹7
the
A7
Al-
D
a- mo.
G7 D
238
When The Saints
A
B
I
Well
Want
am
I
to
just
pray
join
G
a
each
the
wea
day
heav'nly
G7
ry
to
-
-
pil
heav
band,
C
grim
en,
--
Plod
For
Want
C©dim
ding
the
to
- thru
strength
play in
G
this
to
the
land
help
ang
of
me
el-
sin;
win,
band,
A7 D7
Gett
I
Want
want to
ing
to
- read
be
hear
G
y
in
the
- for
that
trum
G7
that
pro
pets--
ci
cess
blow
C
ty,
ion,
ing,
---
When
When
When
C©dim
the
the
the
saints
saints
saints
G
come
come
come
march
march
march
D7
ing
ing
ing
---
in.
in.
in.
G
Oh when the
saints
G G
go march ing- in
G G
Oh when the saints
G
go
march
G
ing
G#dim
- in
Am7 D7
Oh lord I want
G
to be
G7
in that
num
C
ber-
Cm7
When the saints
G
go march
D7
ing- in.
G
239
Tony Jackson - Ed Rose - Abe Olman - 1917
Some Sweet Day
A
q = 146
Al though
D/F©
- it's spring
Fº
the birds
A7/E
don't sing
D#º
You're leav
Em
ing- me
A7
to
A&
day.
D
-
Dº
It's
A7
not
D
the first
Dm
time my
A
poor heart
F©7 Bm
has been in pain
E7
this way.
A7 A&
In
win
D/F©
ter- time
Fº
you're good
A7/E
and kind,
D#º
For ev
Em
- er- by
A7
my
A&
side,
D
But when
sum
A/E
mer's- near
Dm
you
F
dis
A/E
ap- pear,-
F©7
Don't ev
Bm
en- say
E7
good bye.-
A
You're goin'to
long
E7
for me some day,
A7
- But I'll
E7
be far a way.
A7
- 'Cause when the
240
B
cold
D
wind does blow
D7
with its
D7/C
ice
E7/B
andits snow,
E7
Then your heart
A7
soon will melt for each sor
D
- row I
Fº
have felt.
A7/E A7
And when your
friends
D
turn a way,-
D7
time
D7/C
will prove
E7/B
what I say.
E7
Now's your time,
A7
I'll have mine Some Sweet Day.
D
(Yes,
D7
Some
Dº
Sweet
A7
Day.)
D
241
Eddie Munson & Eddie Leonard - 1903
A
Ida, Sweet As Apple Cider
B
In
F
the re-gion where the ros- es
A¨º
al-
C7
ways bloom, Breath-
G‹7
ing out
C7
up-
on
G‹7
the air
C7
their sweet
F
per-fume,
C7
Lives
F
a dus- ky maid I long to
A¨º
call
C7
my own, For
D7
I know my love
G7
for her will nev-
C
er die;
C7
When
F
the sun is sink- in' in that
A¨º
gold-
C7
en West, Lit-
C7
tle Rob- in
Red Breast gone to seek
F
their nests.
C7
Then
F
I sneak down to that place I
love
C7
the best, Ev-
D7
'ry ev'n-ing there
G7
a- lone I sigh:
C7 C&7
242
C
D
I-
F
da, Sweet as ap-ple ci-
C7
der, Sweet-
C7
er than all I
know.
F A7
Come
D7
out, in the silv- 'ry moon-
G7
light,
of love we'll whis-
G7
per, so soft and low.
C7
Seems
F
tho', can't live with-out
C7
you, Lis-
C7
ten Oh, Hon-ey do!
F
A7
I-
D7
da, I i- dol- ize
G7
ya, I
love
F
you I-
Fº
da, 'deed
G‹7
I
C7
do.
F
Solos at "C"
C7
243
Someday Sweetheart
Spike Brothers & Carter - 1919
AYou told
G
me that you loved
E¨7
me true, and I
G
be-lieved in you. You
broke
A‹
your vow and now
E7
some-how- it seems
A‹
I'm al-ways blue.
A‹7
But there'll come a day
D7
When you're far a-way.
G6 G
You'll sit a-lone
B‹
and cry for
me
F©7
you'll sigh and the days
B‹
that have
A7
gone by.
D7
Some- day Sweet-
244
B
C
heart,
G D&7 G
you may be sor-
F©7 F7
ry
E7
for what you've
done
A7 D7
to my poor heart.
G G©º D7/A
You may re-
gret
G D&7 G
the vows you've bro-
B‹
ken, The
things
F©7
you did that made us drift a- part,
B‹ D7
You're hap- py
now,
G9
and can't see how,
C6
the wear- y
blues
A9
will ev- er come to you.
D7
But as you
sow
G D&7 G
so shall you reap,
F©7 F7
dear,
E7
and what you reap
A7
will make you
weep
D7
some day,- sweet heart.
C7
- Some day
D7
- Sweet -
245
1918A
'Til We Meet Again
B
C
There's
Tho'a
goodsongbye
Gm
-in
meansthethe
landbirth
D7
ofof
thea
litear
Gm
lydrop
- EachHel
F7
sweetlo
Bb
-heartmeans
- hasthe
heardbirth
F7
withof
aa
sigh.smile
Bb
OAnd
verthe
- highsmile
D7
garwill
dene
- wallsrase-
ThisThe
sweettear
Gm
eblight
choing
--
fallstrace
AsWhen
awe
solmeet
F
dierin
- boythe
whisaf
C7
perster
--
gooda-
byewhile
F7
--
F7+
Smile
Bb
the while you kiss
F7
me sad a dieu- When
F7
theclouds roll by
Bb
I'll come to you.
Bb7
Then
Eb
the skies
Ebm
will seem
Bb
more blue,
G7
down
C7
in lov ers- land
F7
my dear
F+7
ie-
Wed
Bb
ding- bells will ring
F7
so mer ri- ly,- Ev
F7
'ry- tear will be
Bb
a mem o- -
ry.
Bb7
So wait
Eb
and pray each
Ebm
night
Bb
for me,
G7
'Til
C7
we meet
F7
a gain.
Bb
-
246
Just A Closer Walk
C C G7 G7
G7 G7 C C
C C7 F D7
C G7
C
247
Charles K Harris - 1891
A
q = 100
After The Ball
B
C
A
Bb
lit tle- maid en- climbed an old man's knee,
F7
Begged
F7
for a sto ry- "Do unc le- please"
Bb
Why
B¨
are you sin gle,- why live
D7
a lone?
Gm
-
Have
Eb
you
Edim7
no ba
Bb
bies,
G7
- have
C7
you
F7
no home?
Bb
n
I
Gm
had a sweet
D7
heart,- years,
Eb
tears
F7
a go;
Bb
-
Where
Eb
she
Edim
is now
Bb
pet, you
C7
will soon know.
F7
248
D
E
F
List
Bb
to the so
B¨
ry,- I'll
B¨
tell
D7
it all.
G‹
I
E¨
believed
Eº
her faith
B¨
less,
G7
- af
C7
ter
F7
- the ball.
B¨
Af ter
B¨
- the ball is o ver- Af ter- thebreak of morn,
F7
A
F7
ter- the dan cers- leav
Fº7
ing,
F7
- af ter- the stars are gone.
B¨
Ma ny
B¨
- a heart is break ing- if
G7
you couldread them all
C7
Ma
F7
ny- the hopes that have van
B¨
ished- Af
C7
ter
F7
- the ball.
B¨
249
Irving Berlin - 1912
When The Midnight Choo-Choo
Leaves For Alabam'
A
The
I've
minute
had a
that
might-
F
I
y
reach
bu-sy-
C&
the place,
day,
F
I'm
I've
goin'
had to
to ov-
pack
er-
my
feed
things
C&
my
a-
face,
way.
F
'Cause
Now
I
I'H
give
have
F
the
n't
land-
had
lord
a
back
good
B¨
his
meal
rust-
since
B¨‹
y
the
key,
day
F
The
I
ver-
went
y
a-
key,
way.
That
I'm
opened
goin'to
up
kiss
F
my
my
drear-y-
Pa
C&
and
flat,
Ma,
F
Where
a
ma-
doz-
ny
en
wear-
times
y
for
nights
ev-
C&
I
'ry
sat,
star,
F
Think-
Shin-
F©º
ing
ing
of
o-
G7
the
ver
folks
Al-
down
a-
home
ba-
who
ma's
think
new
of
mown
me.
hay.
C Cº C
I'll
That is
be
why
glad
C7
you'll
e-
hear
nough
me
to
sing-
throw
G7
ing
my-
mer-
self
ri-
a-
ly;
way.
C7 Cº C7
When that
250
B
C
mid-
F
night choo-chooleaves
C7
for Al- a- bam',
F
I'll be right there,
C7
I've got my
fare.
F
When I see
F
that dust-y haired
C7
con- duc- tor- man,
F
I'll grab him
by
G7
the col-lar And I'll hol ler,- "Al-
C7
a-bam! Al- a-bam!"- That's where you
stop this
F7
train, That's takin'me home
B¨
a-gain. Back home where I'll
D7
re-main,
Where my hon- ey- lamb
G‹
am.
C©7
I
F
will be rightthere with bells, When
A7
that old con-
duc-
D‹
tor yells, "All a-board!
C7
All a-board! All a-board for Al- a- bam'.
F
When
C7
that
251
Kid Ory 1916
A
All The Girls Go Crazy
B
Stop Time-2 Bars:................................
F F F F C G7
C C7
Stop Time-2 Bars:.........................................
F F F F C
G7 C C7
All the
girls
on
Solos Begin Here
F
go
their
craz
knees
y
say
- 'bout
in'-
the way
"Ba
C
that I
by,"-
walk The
Sayin'
way
"Ba
G7
that
-
I
by,"
walk
-
Hon
Craz
ey
y
-
-
'bout
'bout
the
the
way
way
I
I
walk
walk.
C C7
Yes,
Yes,
all
they
the
fall
girls
on
F
go
their
craz
knees
y
plead
- 'bout
in'-the way
"Ba
C
that
by,"-walk, 'Bout
Say
the
in'-way
"Ba
G7
that
by,"-I walk,
Hon
Craz
ey
y
--
'bout
'bout
the
the
way
way
I
I
walk
walk
C
On to "C" after last solo:
C7
They fall
252
C
D
Chorus: 1st Time Soft:
F C
G7 C C7 F
C
G7 C C7
Climax Chorus: ad lib: F C G7
C C7 F C
G7 C F7 C
253
A
By the Light of the Silvery Moon
Gus Edwards & Edward Madden
1909
Place
Act
D
park
two,
Ddim
scene
scene
A7
dark,
new,
D
Sil
Ros
D
v'ry
es
-
-
moon
bloom
is
ing-
shin
all
Ddim
ing
a
- thru
round-
the
the
trees,
place.
Em
Cast
Cast
Em
two,
three,
F©7
me,
you,
B7
you,
me
Em
Sound
Preach
A7
of
er-
kiss
with
Em7
es
a
- float
sol
A7
ing
emn
-
-
on
look
Em7
the
ing-
breeze.
face.
D A7
Act
Choir
D
one,
sings,
Ddim
be
bell
A7
gun
rings
D
- Di
Preach
D
a
er,
-
-
logue,
"You
- "where
are
woud
wed
Dm6
you
for
like
e
to
ver-
spoon?"
more."
A
My
Act
E7
cue,
two,
with
all
A
you,
through,
F©m
Un
Ev
Bm
der
r'y
-
-
neath
night
- the
the
sil
same
Bm7
v'ry
en
E7
- moon.
core.
A7
-
By the
254
B
Light
D
of the sil ve- ry- Moon,
E7 F©7
I want to
spoon,
A7
to my ho ney- I'll croon
D
love's
D#0
tune;
A7
Ho ney-
moon,
D
Keep a shin in'- in June,
G B7 Em
Your sil
B7
v'ry
Em
-
beams
D
will
D7
bring
E7
love's
Gm
dreams,
Bm
we'll be cud dl- ing-
soon,
F©7 B7 E7
By the sil
D
ve- ry
A7
- Moon.
D
255
Chris Smith - 1913
Ballin' The Jack
A
B
It's
Folks
A
being
in
done
Geor-
at
gia's
B7
all
'bout
the
to
ca-
go
E7
bar-
in-
ets,
sane
All
Since
F7
so-
that
cie
new
ty
dance
-
D7
now
down
has
in
got
Geor-
the
gia
G©º
craze,
came;
G7
It's
I'm
A¨7
the
the
best
on-
dance
ly
done
per-
in
son
mod-
who's
ern
to
days,
blame,
That
I'm
F7
is
the
why
par-
I
ty
rave
in-
a-
tro-
bout
duced
it
it
so!
there,
E
so!
E7
Play
Give
A
some
me
good
cre-
Rag
dit
B7
that
to
will
know
make
a thing
you
E7
or
prance;
two,
Old
Give
F7
folks,
me
young
cre-
folks,
dit
D7
all
for
try
spring-
to
ing
do
some-
G©º
the
thing
dance,
new;
G7
I
Join
A¨7
will
right
show
in
this
now
lit-
while
tle
you
dance
got
to
the
you,
chance,
When
Once
F7
I
a
do
gain-
you'll
the
say
steps
that
to
it's
you
a
I'll
bear!
show:
E G7
256
C
D
First
A7
you put your two knees close up tight, Then you sway
D7
'em to the left then you
sway'em
D7
to the right, Step
G7
a-round the floor kind of nice and light, Then you
Twist
C
a- round and twist
E7
a- round with all
F7
your might,
E7
Stretch
A7
lov in'- arms straight out
A7
in space, Then you do
D7
the Ea- gle Rock with sty-
le and grace Swing your foot
A7
way 'round then bring
C
it
E7
back,
A‹
Now
A7
that's
D‹
what I call
F‹
"Ball-
G7
in the
Solos at "C"
Jack".
C
257
Henry Ragas 1918Bluin' The Blues
q = 120
A
B
pp
C C7 F
f
G7
C C7
F7 Ab7 C B7 Bb7 A7
D7 G7 C G C
pp
C Ab7 C C7
f
F7 Ab7 C B7 Bb7 A7
D7 G7 C G7 C
258
C
D
E
pp
C Ab7 C C7Solos
f
F7 Ab7 C7 B7 Bb7 A7
D7 G7 C G7 C G7
C C C7
F7 Ab7 C B7 Bb7 A7 D7 G7
C G7
pp
f
259
Joseph Philbrick Webster
In the Sweet By and By
A
B
1. There’s
2. We
3. To
a
shall
our
land
sing
bount
G
that
on
i-
is
that
ful-
fair
beau
Fa
C
er
ti
ther
--
-
than
ful
a
-day,
shore
bove,
G
-
And
The
We
by
me
will
faith
lo
of
G
-we
di
fer
-
-
can
ous
our
-
trib
see
songs
it
of
ute-
a
the
of
far;
blessed;
praise
D7
For
And
For
the
our
the
Fa
spir
glor
G
ther
its
i
---
waits
shall
ous-
o
sor
gift
C
ver
row
of
--
the
no
His
way
more,
love
G
To
Not
And
pre
a
the
pare
sigh
bless
G
us
for
ings-
a
the
that
dwell
bless
hal
D7
ing
ing
low
---
place
of
our
there.
rest.
days.
G
In the
sweet
G
by and by,
D7
We shall meet on that beau ti- ful- shore;
G
In the
sweet by and by,
C
We shall meet
G
on that beau
D7
ti- ful- shore.
G
260
Any TimeHerbert Lawson 1921
1.
2.
An y- time
E7
you're feel ing- lon
A7
ly,- An y- time
D7
you're feel ing-
blue,
G
An y- time
C Cm
you feel down heart
G
ed,-
E7
That will
prove
A7
your love for me is true.
D7
An y- time
E7
you're think ing-
'bout
A7
me, That's the time
D7
I'll be think ing- of
3
you,
B7
So an y- time
E7
you say you
want
A7
me back a gain,- that's the time
D7
I'll come back home to
you.
G G#0 D7
An y- you.
G C G
261
Raymond Egan & Richard Whiting - 1916
And They Called It Dixieland
A
B
They built a lit-
C
tle gar-den for
C
the
E7
rose,
A7
And theycalled
D7
it Dix- ie- land. They built a
sum-
G7
mer breeze to keep thesnows far a- way
C
from Dix- ie- land. They built
B¨
the
fin-
A7
est place I've known,
D‹
When theybuilt
A‹7
myhome sweethome,
D7
Noth-ing was
D7
for-got- ten in the
land of cot- ton,from the clo-
G
ver to the hon-
D7
ey comb,
G7
And then they
took
C
an an- gel from
C
the
E7
skies,
A7
And they gave
D7
her heart to me. She had a
bit
G7
of heav- en in her eyes, Just as blue
E7
as blue can be. They put some
fine
A7
spring chick ens- in the land, Andtaught
D7
my Mam my- how to use afry-ing pan.They made it
twice
G7
as nice as Par-
C
a-
E7
dise,
A7
And theycalled
D7
it Dix-
G7
ie- land.
C
262
Gus Kahn, Ted Fiorito - 1922
Toot, Toot, Tootsie
A
B
C
F
Toot, Toot, Toot- sie, Good Bye!
G7
-
C7
Toot, Toot, Toot-sie, don't cry,
F F
The choo choo train
F
that
F©º
takes
G‹7
me,
C7 C7
a- way from you
G‹7
no
C&7
words
F
can tell
A¨º
how sad
G‹7
it makes
C&7
me
F
Kiss me, Toot sie- and then,
G7 C7
Do it o-ver a- gain.
F9
Watch
B¨7
for the mail, I'll nev- er fail, If
you
F
don't get a let- ter then you know I'm in jail,
C7
F
Tut, Tut, Toot- sie don't cry.
G7
C7
Toot, toot, Toot sie,- Good bye.
F
-
C7
263
Original Dixieland Jazz Band - 1918
Ostrich Walk
A
1.2.
B
G D©7 A‹7 D7
A E7 A7 D7 A E7 A7 D7
G G A7 D7 G
A7 D7 G
TromboneStop Time 4 bars
G7 Cornet ClarinetC C‹ Trombone
G E7 A‹7 D7 G G C Gº
G GºBreak D7Break G Break G Gº D7
G Gº G Gº Break D7 Break
G Break Gº D7 G
264
C
D
G D©7 A‹7 D7
G G A7 D7 G
G A7 D7
Stop Time 4 bars
G Trombone G7 Cornet C Clarinet C‹ Trombone
G E7 A‹7 D7 G
G A‹7 D7 G
G E7 D7 D&7 G
sfz
G Gº A‹ D7 G Gº
D7 G Unison
G G D&7 G
265
A
John Eppel & J.R. Shannon
1914
Missouri Waltz
B
Hush
G
a- bye,- my ba
D7
by,- slum ber- time
G
is com in'- soon;
Rest
G
your head up on
D7
- my breast while mom
G
my- hums a tune; The
sand
C
man- is call in'- where shad
G
ows- are fall in'- while the soft
A7
bree zes-
sigh
A7
as in days
D7
long gone by. Way
G
down in Miss our- i- where I
heard
G
this mel o- dy.- When I was a tin
D7
y- childup on
G
- my mom my's- knee; The
old
C
folks were hum
G0
min',- their ban
G
jos- werestrum min'- so o- sweet
A7
and
D7
low.
G
Strum,
Em
strum, strum, strum,strum, seems
Dm
I hear those ban jo's- play
B7
in'- once a gain.
Em
-
Hum,
E‹
hum, hum, hum, hum,
Em
Tha t- same old plaint
B7
ive- strain.
Em
266
C
Em B7 Em
Hear
E‹
that mourn
B7
ful- mel
Em
o- dy,
B7
- It just haunts
Em
you the wh
B7
ole- day long,
Em
E‹
and you wan
C
der- in dreams back to Dix
G
ie- it seems when youhear
A7
that old
D7
time
song.
G
Hush
G
a- bye- my ba by,- go to sleep
G
on mom my's- knee.
Jour
G
ney- back to Dix
D7
ie- land- in dreams
G
a gain- with me; It
seems
C
like your mom my- was there
G
once a gain,- and the old
A7
folks werestrum min.- that
same
D7
old re frain.- Way
G
down in Miss our
D7
- i,- where I learned
G
this lull a- -
by,
G
when the stars were blink
D7
in'- and themoon
G
was climb in'- high, and I
hear
C
Mom my- Chloe,
Em
as in days
G
long a go,- sing in'- "Hush
A7
a
D7
bye."
G
267
I Want To Do the Bear Cat Dance
Shelton Brooks (1913)q = 164A
Miss Sa
E7
die- hall went to a ball one balm
A
y- night in June.
A7
Just
as
D7
she en tered in the hall they played
G
a rag time- tune.
G
They were
teach
E7
ing- all the schol ars- how to do
A7
the Bear Cat Dance. Miss
Sa
Em
die- watched
Eb
them for
G/D
a while
E7
then thought
A7
she'd take
D7
a chance.
G
So she
walked
D
out on
A7
the floor,
D
then she
Em
be gan
A7
- to roar,
D7
268
B
I
G
want to do it
D7 G
I want to do it
D7 G
I want to do it now!
G7
It's a
bear,
E7
its' a bear, but I
A7
don't care I want
D
to do it an
A7
y- how.
D7
G
That tune is snap py
D7
-
G
It makes you hap py
D7
-
G
You feel you want to
D7
dance!
G7
Oh pro
fess
E7
or- keep it up, keep it up,
A7
keep it up,'cause I want
D7
to dothe Bear Cat dance.
G
269
1916
A
q = 110 - 120
After You've Gone
Now
C
won't you list en- hon ey- while
G7
I say How
C
could you tell me that you're
goin'
G7
a way?-
E7
Don't say that we
Am7
must part,
G7
Don't you break
A7
your
C73
ba
Dm7
by's heart.
G7
You
C
know that I've loved you for these ma
G7
ny- years,
Loved
Em
you both night
A7
and Day
F7 C7
Oh hon ey- ba
Am7
by- can't you
see
Dm
my tears?
G7
List
Dm7
en- while
G7
I say.
C
270
B
Af
F
ter- you've gone,
Fm6
and left me cry in'- Af
C
ter- you've gone,
A7
there's no de ny- in'- You'll
D
feel blue You'll
G9
feel sad
C7
you'll miss the dear est- pal you've ev er- had. There'll
F
come a time
now
Fm6
don't for get- it, There'll
C
come a time,
A9
when you'll re gret- it. Some
Dm7
day
A7
When
Dm7
you grow lone
Fm6
ly-
C
Your heart will break
E7
like mine and you'll
Am7
want me on
Cdim
ly-
Af
C
ter- you've gone
A7 Dm7
Af ter- you've gone
G7
A way.
C6
-
C7 Solos at "B"
271
Felix Bernard & Johnny Black - 1919
Dardanella
A
B
D D D D
Down
D
be-side the Dar-da- nel-la Bay, Where Or- i- en-tal breez-es play,
A7
A7
There lives a lone-some maid Ar- me-
D
ni an- By
D3
D
the Dar- da-nelles with glow-ing- eyes, She looks a cross- the seas and
sighs,
A7
And weaves her love spell so si- re-
D
ni-an.
3
Soon
B¨
I shall
C7(b5)
re turn- to Turk-
F7
e- stan.
B¨
I
A
will ask
B7(b5)
for her heart
E7
and hand.
A A7 Break
Bass
272
C
D
Oh,
D
sweet Dar-da- nel- la,
A7
I love your ha-rem eyes.
D
I'm
D
a luck- y fel-low
A7
To cap-ture-such a prize.
D
Oh Al-lah
knows
G
my love for you, And he tells
D
you to be true,
B7
Dar-da-
nel-
E7
la, oh hear my sigh,
A7 Break 1 bar
My Or- i- en- tal,
Oh,
D
sweet Dar- da- nel-la,
A7
Pre-parethe wed-ding wine,
D
There'll be
one
G
girl in my ha- rem when you're mine.
F©7 G©‹7 Aº
We'll build
F©7/A©
a
tent
B7
just like the chil-dren- of
E7
the Or- i- ent.
Fº
Oh,
D
sweet Dar- da- nel- la,
A7
My star of love di- vine.
D
273
L. Wolfe Gilbert - 1921
A
Down Yonder
Rail-
F
road train, Rail-
G7
road train, Hur-
C7
ry some more.
F
Put
G7
a lit- tle steam on just like nev- er be-
C7
fore.
F
Hus-
F
tle on, Bus-
G7
tle on, I've
C7
got the blues.
F
Yearn-
G7
ing for my Swan- ee shore,
C7
Broth-
G‹
er if you on- ly knew,
You'd
G7
want to hur- ry up too.
C7
274
B
C
Down
F
yon-
C
der some-one beck-
F
ons to me,
F7
Down
B¨
yon-
F7
der some-one
reck-
B¨
ons on me.
F
I seem to see a race
C7
in mem-
F
o-
F©º
ry,
C©7/G
F
Be-tween theNatch-ez and
C7
the Rob-
F
ert E. Lee. Swan-
G7
ee shore I miss you
more
A7
and more, Ev- 'ry day,
C7
my mam- my land, You're
Break 2 Bars
sim- ply grand.
Down
F
Yon-
C7
der when the folks
F
get the news,
F7
Don't
B¨
won-
F7
der at the Hul-
B¨
la- ba-loos.
B¨
There's dad-
F
dy and mam- my, There's Eph- raim and Sam-
D7
my, Wait-
G7
in' down yon-
C7
der or me.
F
275
Fred Fisher - 1922Chicago
A
B
Chi ca-
F
go,- Chi- ca- go,
A¨º
That tod-
G‹7
dl'-in'town,
C7
tod
G‹7
dl'- in'town,
C7
Chi-
ca-
G‹7
go, Chi- ca-
C7
go, I'll show
F
you a-round, I love
C7
it,
Bet
F
your bot-tom dol-lar you lose the blues in Chi- ca-
G7
go, Chi- ca-
G7
go, The
town
G‹7
that Bil-
C7
ly Sun-
G‹7
day could not
C7
put down!
F/A F©º/A¨ G‹7
On
C7
State
F
Street, that great street,
A¨º
I just
G‹7
want to say,
C7
just
G‹7
want to say,
C7
They
do
E‹7(b5)
things they don't
A7
do on Broad- way,
D‹
Say,
D7
They
G‹
have the time the time
B¨‹
of their life, I
F
saw a man, he danced with his wife,
Aº
In Chi-
ca
G‹7
go-
C7
Chi ca
G‹7
- go- my
C7
home town!
F Fº G‹7 C7
276
A
Clarence Williams and
Charles Warfield - 1919
Baby Won't You Please Come Home
B
I've
C
got the blues,
Ebº
I feel
D7
so lone
G7
ly,-
C
I'd give the world
Ebº
if
I
D7
could on
G7
ly- make
C
you un
E7
der
E7b5
- stand.
Am
-
E+ Am7
It sure ly- would
D7
be grand.
G7
C
I'm goin'to tel
Ebº
e- graph
D7
- you ba
G7
by, As
C7
you won't you please come home,
F
"Cause
when
Am7
you're gone
D7
I'm all
G7
for lorn,-
G#º
I wor
Am7
ry- all
D7
day long.
G7
Ba
C
by- won't you please
E7
come home,
A7
"cause
D7
your mam ma's- all
Am7
a -
lone.
D7
I
G7
have tried
G#º
in vain,
Am
nev er- no more
D7
to call
Ab9
your name.
G7
3
When
C
you left you broke
E7
my heart,
A7
Be cause
Dm7
- I nev er- thought
F
we'd part.
E7
Ev 'ry-
hour
F
in the day,
F©º
you will hear
C
me
Bb7b5
say,
A7
Ba
D7
by- won't you please
G7
come home.
C
277
When You Wore A Tulip
Percy Wenrich & Jack Mahoney - 1914
AI met
C
you in a gar den- in an old
D7
Ken tuck- y- town, The
sun
G7
was shin ing- down, you wore
C
a ging han- gown.
G7
I
kissed
C
you as I placed a yel low- tu
D7
lip- in your hair, Up -
on
G7
my coat you pinned a rose so rare.
C
Time
has
F
not changed your lov li- ness,- you're just
C
as sweet to me,
A7
I
love
D7
you yet I can't for get- the days that used to be.
G7
When
278
B
C
you
C
wore a tul- ip, a sweet yel- low tul-
C7
ip, and
I
F
wore a big red rose,
C C7
When
F
you ca ressed- me,
F‹
'twas then
C
Heav en- blessed
A7
me, what a
bless
D7
ing- no one knows.
G7
You
C
made life cheer- y, when you called me dear-
C7
ie, 'twas
down
F
where the blue grass grows,
E7
Your lips were
sweet-
A7
er than jul- ep, when you
D7
wore that tul- ip and
I
G7
wore a big red rose.
C
279
q = 185
A
Kahn & Egan Whiting
1921
Ain't We Got Fun
Bill col lec
F
- tors- gath
F©º7
er- 'Round
G‹
an rath
C7
er- Haunt
F
the cot tage- next
door.
F
Men
C7
the gro cer- and butch
F
er- sent Men
E7
who call for the rent.
A‹
But with
in
A‹
a hap py- chap
E7
py- And his bride
A‹
of on ly- a year,
D9/A
Seem
A7
to
be
C
so
E‹
cheer
A‹7
ful
C
- Here's
A‹
an ear
D‹
ful
A7
- Of
D‹
the
D‹7
chat
G7
ter- you hear.
C F©º7 G‹ C&
280
B
C
Ev 'ry
F
- morn ing,- Ev 'ry- eve ning,-
C7
Ain't we got fun! Not
C7
much mon ey,-
Oh, but hon ey-
F
Ain't we got fun!
F7 Bb
The rent's un paid,- dear,
F
We have'nt a car,
Am
But an y- way,
E7
dear. We'll stay as we are,
Am C7
E ven
F
- if we owe the gro cer-
C7
Don't we have fun?
Tax
C7
col lec- tor's- get ting- clos er-
F
Still we have fun!
F7
Bb
There's noth ing- sur
A7
er,
Dm
- the rich
Gm
get rich
E7
and the poor
F
get poor
Bb
er
C7
-
F
In the mean time-
D7
in be tween- time
G‹
Ain't We
C7
Got Fun!
F
281
Clifford & Nat Ayer - 1916
If You Were The Only
Girl In The World
A
B
C
If you
D
were the on-
B7
ly girl
E7
in the world, And I
A7
were the on- ly
boy,
D Fº E‹7 A7
Noth-
D
ing else would mat-ter in the world
E‹7
to- day.
E‹7
We
A7
could go on lov-
A&7
ing in the same
D
old way. A
A7
gar-
D
den of E
B7
den- just
E7
made for two, Withnoth-
A7
ing to mar our joy.
D Fº
E‹7 A7
I
B‹
would say such won-
F©‹
der-ful things to you,
There
G
would
G&/D©
be
A7/E
such
A&7/F©
won-
D/F©
der
A‹6
-ful things
B7
to do, If
you
E‹
were the on-
G‹
ly girl
D
in the world,
B&
and
B7
I
E7
were the on-
A7
ly boy.
D
282
Shoot 'Em
D G6
D7 G
D G6
C C©º G/D E7 A D G
C C©º G/D E7 A D G
283
G D7 G G
D7 G E7 A7 G7
E¨7 G D7 G G1. 2.14
A7 D7 G G21
A7 D7 G A7 D726
3
Lassus Trombone
@
To Coda
284
G A7 D7 G 1. 2.32
C G7 C
C C7 F F‹
C G7 C G7 C C1. 2.
A7 D7 G G A7 D7
G G1. 2.
D.S. al Coda ending
ø TRIO
285
Now
I've
Whatif
a
ayou
home
joy
C
get
pre
ful-
there
pared
thoughtbe
where
that
the
myfore
saints
Lord- I
a
I'lldo,
bide,
see,
- O
C
ver- in thatGlor y- Land,
G7q = 200 A
You
And
Andjust
I
withtell
long
kin
C
them
to
dred-
all
be
savedthat
by
thereI'm
my
forcom
Sa
ein'
vior's
ver-
-
-
8
too,
side,be,
O
C
ver- in that Glor
G7
y- Land.
C
I'm sing in'-
12
Ov
C
er- in that Glor y- Land,
C7
Yes, O
F
ver- in that
B17
Glor y- Land,
C
O
C
ver- in that Glor y- Land.
G7
Glor y- hal le- lu ia- O
C
- ver in that
23
Glor y- Land
C7
Yes, O
F
- ver in that Glor y-
31
Land,
C
O
C
ver- in that Glor
G7
y- Land.
C36
James Acuff and Emmett DeanOver in the Glory Land
286