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Fabrication Readings: Theory Text Ch. 10, Walter Benjamin “The work of art in the age of mechanical reproduction”

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Fabrication. Readings: Theory Text Ch. 10, Walter Benjamin “The work of art in the age of mechanical reproduction”. Image-making & thinking about images. objectives & practices, materials and techniques of image-makers http://www.caiguoqiang.com/. - PowerPoint PPT Presentation

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Page 1: Fabrication

Fabrication

Readings: Theory Text Ch. 10, Walter Benjamin “The work of art in the age of

mechanical reproduction”

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Image-making & thinking about images

• objectives & practices, materials and techniques of image-makers– http://www.caiguoqiang.com/

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Paul Klee-- Taking a Line for a Walk

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Klee (continued)

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Klee (continued)

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Bridget Riley--Movement in Square

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Bridget Riley

• Blaze

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Mitchell--Electronic Tools,

• Problematic nature of “tool” in communications research

• Digital Images and Manipulation as Challenges to authority of photographic records

• Rethinking conventions in visual discourse

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Terminology

• Capture Processes– Analogue photography

• physical-chemical process

– Digital image capture• electronic

• Filtering– Sampling on grid locations– Quantization (converting samples of intensity in a

finite range process)

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Pixel Values

• Relation– To artist’s production– To “scene” or thing or phenomenon

depicted

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Spatial and Tonal Resolution of an Image

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Pixels as Signifiers

• About relationships, context

• Prominent pixels -- create tensions between process and objects of depiction

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Data Interpretation Using color

coding schemes • Images of Mars

(Mariner IV data)– http://www.solarviews.com/

cap/mars/mar4geom.htm

• Roots in artistic systems (ex. Paul Klee)

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Paul Klee-New Harmony

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Digital Imaging Technologies

(Mitchell)

• Fundamental change in visual discourse?

• Memory and display• Print vs. screen image• 3-D• Interaction

Early head-mounted display in research on simulation (virtual reality) by Ivan Sutherland at Harvard, c. 1967

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Virtual Worlds?? Actively inhabit and interact with images in ways not possible before

•Photograph by Robbie Cooper (New York Times 2007)

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Other Directions--visualization of mouvement (scientific research)

• Link to Pixar mathematical research on simulations of movement for Ratatouille

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David Hockney on uses of technology by

“Old Masters”• Camera Lucida (an optical aid)

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Artist Using Camera Lucida

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Hockney with Camera

Lucida

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Giotto

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Masolino-- Healing of the Lame Man and Raising of Tabitha

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Hockney’s Collage of the History of the Use of Optical Aids by Artists

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Galison on Scientific Image-making & controversies

• Competing systems for gathering information and analyzing it

• Tensions between visual images and other ways of knowing

• Example from Marontate’s Digital Dialogues Team (R. Karsten’s oceonographic research)

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The Motion of the Ocean:Imaging Ocean Currents and

Environmental Changes Richard Karsten

[email protected]

Digital Dialogues:connecting in art and science

18 September 2003

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Images of the ocean …

The beach.

Waves

Tides

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Oceanography … heading out to sea

Atlantis, 1931-1964WHOI

WHOI Cruises

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Cruise Results (from Pedlosky 1987)

(Fuglister 1963)

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The wind driven ocean currents

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A new view from Satellites

TOPEX/Poseidonlaunched 1992

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The wind driven ocean currents from altimetry

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The turbulent ocean

•the ocean is full of eddies

•satellites allow us to see and quantify the effect of these eddies

Australia

CCAR Real-Time Altimeter Data Research Group

L H

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Getting a 3D Image

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Argo data

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The Southern Ocean is warming

Gille, Science 2001

Difference between recent ALACE Float data temperatures measured from 700–1100 m and historical mean temperatures.

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Follow the fresh water

Salinity

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Photograph taken from space shuttle showing the Indian Ocean.

Ocean images

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Enhanced sea colour images showing the coast

of B.C.

Provided by the SeaWiFS Project, NASA/Goddard Space

Flight Center and ORBIMAGE.

Ocean images

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Ocean images

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Colouring science?•data showing something?•use colours to represent complex data•scale chosen to emphasize result•further emphasize by comparison

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The thermohaline circulation I

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The thermohaline circulation II

(Schmitz 1996)

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Catastrophic climate change(www.whoi.edu/institutes/occi/currenttopics/climatechange_wef.html)

R.B. Alley, from The Two-Mile Time Machine, 2000

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Conclusions

•oceanography has become a science of data and thus images

•digital images are changing how oceanography is done

•images can enhance or obscure good science