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Meelee Ahn

갈래갈래 Galeh-galeh, 2017Acrylic on canvas, 4 panels, 60 x 24" each

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Heather Alfaro

#mfadressup2017, 2017Cotton, foamboard, canvas, yarn, and polyester fabrics, 40 x 60 x 36"

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Waller Huntsberry Austin

Prosaic (dis)appearance, 2016–17Crayon, gesso, linen, mylar, poplar, stainless steel, aluminum, and 48,648 paper wrappers, 224 x 224 x 60" (overall)

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Shawn Burkard

Jupiter Thunderbird Votive Offering, from Satan’s Beach, 2017Metal, glass, ceramic, plywood, records, record player, receiver, speakers, freezer, frozen slushie, rubber balls, and artist’s book, 78 x 77 x 24" (overall)

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Colton Carter

Contemplation of a Place Slow and Constant, 2017Stones, motor, steel, wood, and photograph, 60 x 36 x 36"

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Jonathan Cornell

Funerary Urns, 2017Mixed-media installation, 72 x 144 x 48" (overall)

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Ryan Doyle

Disco Sucks, 2017*Cast acrylic paint, approx. 30 x 29"

He says the sun came out last night. He says it sang to him., 2017Oil on canvas, 13 ¾ x 10 ¾"

Spooky Dan, 2017Oil on canvas, 13 ¾ x 11"

Untitled, 2017Oil on canvas, 12 ½ x 12 ½"

Whistle While You Hum, 2017Oil on canvas, 71 x 53"

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Sara Fleenor

Modern Love, 2017Oil on canvas, 72 x 120"

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Wei Huang

The Anatomy Lesson of You There, 2016*A Face Drawn in Sand, 2016Interactive digital installations

Invisible Man, 2016Inkjet print, 40 x 32" (framed)

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Kahlil Robert Irving

Cynodon dactylon (Devil’s Grass), 2017Jacquard weaving, 50 x 60"

“Many men, many, many, many, many, many men, wish death ‘pon me,” 2017

“Lord I don’t cry no more, look to the sky no more,” 2017

“Have mercy on me,” 2017Printed flags on metal poles Flags: 60 x 36" each

Soul Sitter: Quell, 2017Glazed stoneware and steel, 51 x 24 x 24"

Stand: Soul Sitter, 2017 Glazed stoneware and steel, 44 x 20 x 20"

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Brittany Jasin

Tenderness Filters, 2017Chiffon and curtain rods, 192 x 300"

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Moon Kim

Somewhere, There, 2017Mixed media on canvas, 2 panels, 60 x 72" each

EXHIBITION CHECKLIST

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THESIS EXHIBITIONMay 12–August 6, 2017

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Xizi Liu

Boeing Factory, 2017*Acrylic on canvas, 62 x 62"

Computer Factory, 2017Acrylic on canvas, 62 x 78"

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Yihuang Lu

Folds–Hope, 2016*Folds–Peace, 2016Inkjet prints on rice paper, 24 x 30" each

Murmuring, 2017Single-channel video and audio, both 3:29 min.

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Whitney Meredith

A Kind of Homesickness, 2017Mixed-media installation, overall dimensions variable

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Clayton Petras

Flesh and Blood: Diagnosis, 2017Flesh and Blood: A Perfect Organism, 2017Flesh and Blood: Subsummation, 2017*Block relief prints, 96 x 48" each

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Natalie Rainer

Telerrain, 2017Multimedia installation with limestone, acrylic, lacquer, mylar, and single-channel video projection on glass and audio, both 7:13 min.

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Tommy Riefe

Matter in Time, 20173 figures with graphite, gypsum, polyactide, and wood, 100 x 23 x 13", 43 x 24 x 22", and 33 x 55 x 18"

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Edo and Le’ad Rosenblith

The Tower Polyptych, 2016-17Acrylic on 4 wood panels and artist’s book with acrylic on paper, 97 x 113" overallBook: 15 x 22" (open)

The Phantasmagoria Series (25 Variations), 2016-17*Watercolor crayon, oil pastel, oil stick, acrylic, digital print, hard molding paste, and acrylic ground for pastels on 25 wood panels, 14 x 14" each

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Allana Ross

38.7731159, -90.5154291, 2017Mixed media on Tyvek and paper, 96 x 96"

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Melissa Shelton

BECOMING / a fine line, 2017Multimedia installation with mirrors, feather boa, white cat mask, two-channel digital video projection, and audio Video: 4:04 min.; audio: 6:03 min.

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Maggie J. Tarr

My skin crawls as my body is visually probed by the eyes of bums and corrupted watchmen, and I find that the dogs I pass on the streets have more chivalry than these men., 2017Oil on canvas, 2 panels, 84 x 66" and 84 x 101"

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Anna Maria Tucker

Perceptions of the Eyed Persephone, 2016Single-channel video with sound, 10:39 min.

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Kari Varner

The Missouri River38.81408088787352, -90.12370347726687 and 38.815604433618454,

-90.12407945049151, 2017Water, 10,000 prints on organic paper, two glass tanks, archival pigment print on acrylic, resin, and single-channel video, 30 min. Tanks: 12 x 12 x 72"; print: 72 x 12"

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Chloe West

Corner (Linoleum with Scratches), 2017Oil on 4 panels, 2 x 24 x 36" (overall)

Lovers (Dark Glasses), 2017*Lovers (La Jalousie), 2017Lovers (Silere), 2017Oil on canvas, 67 x 34" each

* illustrated

The exhibition is curated by Meredith Malone, associate curator, Mildred Lane Kemper Art Museum. Support is provided by the Sam Fox School of Design & Visual Arts and members of the Kemper Art Museum. All artworks appear courtesy of the artist.

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