example 6.14 analyzing classical form first movement, 17–32 · 555555555 m 5m5 m54 f 5 g eee p...

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G E E Allegro p B 5 5 5 B 5 5 M 5 M 5 M 5 M 5 M 5 M 5 M B 5 5 B 5 B B 5 B 5 B B 5 B : 5 5 5 5 5 M 5 M 5 5 5 : : 5 5 5 5 4 E E B ' 5 5 B : B : 4 G ' ' B B : : 5 B B B B B : 5 M 5 B : 5 5 4 25 G E E p B 5 5 5 B 5 5 M 5 M 5 M 5 M 5 M 5 M 5 M B B B B B B 5 5 5 5 M 5 5 M 5 5 M 5 5 M ff 5 5 5 E E B ' 5 5 B : B : 4 G ' ' ' ' 5 5 B B 5 5 5 5 B B 5 5 5 5 M 5 M 5 M 5 5 Copyright © 2013 Oxford University Press Example 6.14 Haydn, Symphony No. 104 in D (“London”) first movement, 17–32 1 Analyzing Classical Form

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Page 1: Example 6.14 Analyzing Classical Form first movement, 17–32 · 555555555 m 5m5 m54 f 5 g eee p 5b 4 0 55555 55 4 5b 4 0 5 m5m5m54 f 5 eee p 5b 4 0 5 m5m5m5 4 5b 4 0 5e5!554 f 5

GEEAllegro

pB 5 55 B 5 5M 5M 5M 5M 5M 5M 5M B 5 5 B5 B B 5 B5 B B 5 B :5 5 5 5 5

M5M5 55 :: 55� 55 4

�EE B' 5 5 B :B : 4 G '' BB :: 5� B B B B B : 5M 5B : 5 5 4

25GEEpB 5 55 B 5 5M 5M 5M 5M 5M 5M 5M B B B B B B 5 5 55M 55M 55M 55M

ff

555

�EE B' 5 5 B :B : 4 G '' '' � 55 BB 55 55 BB 55 5 5M 5M 5M 55

Copyright © 2013 Oxford University Press

Example 6.14Haydn, Symphony No. 104 in D (“London”)first movement, 17–32

1

Analyzing Classical Form

Page 2: Example 6.14 Analyzing Classical Form first movement, 17–32 · 555555555 m 5m5 m54 f 5 g eee p 5b 4 0 55555 55 4 5b 4 0 5 m5m5m54 f 5 eee p 5b 4 0 5 m5m5m5 4 5b 4 0 5e5!554 f 5

����

Allegretto

G�� 3p

5 5 5 5 5 5 5 5 5 5! 5 5 5E 5 5 5! 5 5 5 5� 5 5E 5 5 5 5 5 5 5 5 5! 5 5 5 5��� 4 G 5 5 5 55 5 5 5 5 55 5 BB5 5 5 5 5 5 5 5 5 5 5 55 5 5 5 5 55 5 5 :5 5 5 5 !5 5 5 55� �5 5 5 55 5 !5 5 5 55 5

6G��cresc.

5555 55 5! 5 5E 55 5p

5 5E 5 5! 5 5! 3555555 55�� 5555 55 55 55 55!! 55 55

55EE5555 55!! 555555 55�� 55

G�� �55555 5

55 555 5 555 55 5 5 5 55 5 5 53 5555� =5� 555 55 5 55555 5 BB5 5555 555 55555 5 55555 5

12G�� 55EE 55 �5�cresc.

555 5 5 !5 5 5 5!5 5 �5 5 5 55 5 !5 5 5 55 5

f

555 55 55 55EE

5555M 55M55 555�

��� 5 :5 5 5 5 !5 5 5 55� �5 5 5 55 5 !5 5 5 55 5 5 5 5 55 5 �5 5 5 55 5 5 5 5 55 5 5 5 5 55 5

Copyright © 2013 Oxford University Press

Example 6.15Beethoven, Piano Sonata in B-flat, Op. 22fourth movement, 1–18

1

Analyzing Classical Form

Page 3: Example 6.14 Analyzing Classical Form first movement, 17–32 · 555555555 m 5m5 m54 f 5 g eee p 5b 4 0 55555 55 4 5b 4 0 5 m5m5m54 f 5 eee p 5b 4 0 5 m5m5m5 4 5b 4 0 5e5!554 f 5

16G��p cresc.55EE 55 55 5 5 5 5! 5! 5E 5 8

p

5 5! 5 5E 5 5� 5! 5�5 5 5�5 5 : 5 5� =5�

��� 5$ 5 :�5 5 5 �5 5 5 55 5 5 5 5 55 5 5 5 5 5 55� =5 5

Example 6.15, Beethoven, Piano Sonata in B-flat, Op. 22, fourth movement, 1–18 (continued)

Copyright © 2013 Oxford University Press 2

Page 4: Example 6.14 Analyzing Classical Form first movement, 17–32 · 555555555 m 5m5 m54 f 5 g eee p 5b 4 0 55555 55 4 5b 4 0 5 m5m5m54 f 5 eee p 5b 4 0 5 m5m5m5 4 5b 4 0 5e5!554 f 5

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Allegro1

2

GEEEp

5 5M 5E� 5 5 5! 5 5 5 5 5 5M 5M 5M 5 4 5 5M 5� 5 5 5 5 5 5 5 5 5M 5M 5M 5 4f5

GEEEp5 B 4 00 5 55 55 55 4 5 B 4 00 5M 5M 5M 5 4

f5

�EEEp

5 B 4 00 5M 5M 5M 5 4 5 B 4 00 5 5E 5! 5 4f5

�EEEp

5 B 4 00 5M 5M 5M 5 4 5 B 4 00 BM 5 4f5

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2

GEEE5M 5 5 5 5 4 5 5M 5E 5 5! 5 4

p

5 5M 5 5 5 5 5 5 5 5 5 B 5 5 5 4

GEEE5M 5 5 5 5 4 5 5M 5E 5 5! 5 4

p

5 BM 5 5 5 5 5 5 5 5 5 5 5 5 4

�EEE 5M 5 5 5 5 4 5 5M 5E 5 5! 5 4p

5 BM 5 4 4 4 4 5 5 4

�EEE 5M 5 5 5 5 4 5 5M 5E 5 5! 5 4p

5 BM 5 4 4 5 5 5 5 4

Copyright © 2013 Oxford University Press

Example 6.16Mozart, String Quartet in A, K. 464first movement, 1–16

1

Analyzing Classical Form

Page 5: Example 6.14 Analyzing Classical Form first movement, 17–32 · 555555555 m 5m5 m54 f 5 g eee p 5b 4 0 55555 55 4 5b 4 0 5 m5m5m54 f 5 eee p 5b 4 0 5 m5m5m5 4 5b 4 0 5e5!554 f 5

������

Andante

G���p

5 5 5sf

5p

5 : 555� =p

5 5 5 5 5 55555� =p55� =

sf55 p55 5555

G���p

5 5 5 55 5 5 5 5 5 5 5 = 5 5 5 5 5p

5 5 5 5 5 5 3sf

5 5 5 3 5 5 5 5 5 5 55 5 5 5 5 5���� BB :: BB :: 4 5 5 B 5� =

5� =sf

B5� 5 5

6G���p55� =

sf55 p55 5555 5M 5E 5 5! 5

55 5E 5 5 5 5 5 5 5! 5� 5 5 5 5 5 5 5 5 5 5 5 5 5G���

p

3sf

5553555p

555 5 5 4 = 5� 55! 55� 5M 5M 5M 5 5 5

sfp

5 555555555� =���� 5�5

� =sf

B5 5 55 4 = 5� 5 : 5 5 5 5 B B :

Copyright © 2013 Oxford University Press

Example 6.17Mozart, Violin Sonata in B-flat, K. 454second movement, 1–21

1

Analyzing Classical Form

Page 6: Example 6.14 Analyzing Classical Form first movement, 17–32 · 555555555 m 5m5 m54 f 5 g eee p 5b 4 0 55555 55 4 5b 4 0 5 m5m5m54 f 5 eee p 5b 4 0 5 m5m5m5 4 5b 4 0 5e5!554 f 5

11G��� 5 5 5 5 55

p5 5 5 5 5 5 3

sf

5553555p

555 5 3sf

5553555p

555 5 5� = 555K 5K 555L 5L

G��� 5 5�5 : 5 5 : 5! 555� = 55

� =sf55 p55 5555 55

� =sf55 p55 5555 555K 5K 555

L 5L 555L 5L3

���� 4 5 5 B 5� =p5� =5� =

sf

B5 5p

5� =5� =sf

B5 5p

5� = 4 4

16G��� 5 : 5 5 : 5 5 : 5 5 : 5 5$5 : 5 5 5 5 5 5 5 5 5 5 5L 5L 5L 5 5 5 5L 5L 5L 5 5 5 5L 5L 5L3 3 3 3 3 3

G��� 5 : 5 5 : 5 5 : 5 5 : 5 5 : 5 5$5 5 5 5 5 5 5 585 : 5 5 5 5 5 5K 5K 5K 5 5 5 5

L 5L 5L 5 5 5 5L 5L 5L3 3 3 3 3 3���� BB :: 5 5 5 5 4 4

19G���5 5 5 5E 5 5! 5 5 5 5� 5 5! 5! 5 5� 5

sfp

5� 5 5 : 5 5 4

G��� 5 5 5 5 5 5 5 5! 5 5� 5 5 5 5 5 5sfp

5� 5 5 : 5 3 5 5 5 5�=

���� BB :: 5 5 5 5� = 4

Example 6.17, Mozart, Violin Sonata in B-flat, K. 454, second movement, 1–21 (continued)

Copyright © 2013 Oxford University Press 2

Page 7: Example 6.14 Analyzing Classical Form first movement, 17–32 · 555555555 m 5m5 m54 f 5 g eee p 5b 4 0 55555 55 4 5b 4 0 5 m5m5m54 f 5 eee p 5b 4 0 5 m5m5m5 4 5b 4 0 5e5!554 f 5

Moderato

GEEEE 5 :5 : 5� 55� 5 : 5 5 : 5 5 85 5 5 5 4 5 :5� 5 : 5� 55� 5 : 5 5 : 5 5 5 5 555K 555K 45�GEEEE = 5� 5 : 5 5E 5 B5 5 5 5 5 5 4 � = 5�

5 : 5 5E 5 B5 5 5 5 5 5 5K 5K 4

5GEEEE5$5 5 5 5 5 5 5 5K� = 3

5 5 5 5 5 5 5 5 5 5 5 5�5 5 5 5 5 5 5 5�

=66

6

6

�EEEE =55 55

= =55 55

= =55 55 55

= 55 55 55

7GEEEE5$5 5 5 5 5 5 5 5K� = 3

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5K 46

66

6

3

�EEEE =55 55

= =55 55

= =55 55 55

= 5 5 5 5� =3

Copyright © 2013 Oxford University Press

Example 6.18Haydn, Piano Sonata in E, H. 31first movement, 1–8 (R=½N)

1

Analyzing Classical Form

Page 8: Example 6.14 Analyzing Classical Form first movement, 17–32 · 555555555 m 5m5 m54 f 5 g eee p 5b 4 0 55555 55 4 5b 4 0 5 m5m5m54 f 5 eee p 5b 4 0 5 m5m5m5 4 5b 4 0 5e5!554 f 5

��

��

Andante

G���Cantabile e grazioso

= �55 55 55 555 555 555 555 555 555 555 55 5 5

G5 5 55 5

55 5 5 55 5 5 5 5 5 55 55 55 555 5���� 55MM 55MM 55 55

�55 55 5 5 5 5 5 5 5 5 5 5 5 5 5�5

5 5 5

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55 555

55 55 55 55 55 55p

55 55 55 5 5 5cresc.

5 5 5 5p

55MM 55 55 55 55 55

���� 55M 5� 5M5 55 55 555 555 55 55 55 55 55 5M5 5 5 55M 5� 55 5 5 5 5

Copyright © 2013 Oxford University Press

Example 6.19Beethoven, Bagatelle in E-flat, Op. 126, No. 31–16

1

Analyzing Classical Form

Page 9: Example 6.14 Analyzing Classical Form first movement, 17–32 · 555555555 m 5m5 m54 f 5 g eee p 5b 4 0 55555 55 4 5b 4 0 5 m5m5m54 f 5 eee p 5b 4 0 5 m5m5m5 4 5b 4 0 5e5!554 f 5

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Adagio molto e mesto

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Œ œ œ.œœ œn œ œ.œœ œ ≈ œ.. œ œœœ œn œ œ œ œ. œ.n œ œ œ œb .œœ. œ œ œ œ.œœ œœn œœ.... œ

œ ˙ œ œ œ œ ≈ ‰ œ œ. œ œ œ œ. œ. œ œ œ œ. œ œ œ œ. œ œœn œœ œ

Œ œ œ œ œn œ œ ≈ œ œ œ œ œ. œ œ œ. œ. œ œn œb œ œ.œ œ œ œ.œ œ œ.. œ

Œ Œ œ œ œ œ œ œ œ œ. œ œn œ œ. œ. œ œ œ œ. œ œ œ œ. œ œ œ.. œ

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cresc. p

œ œ œ œ œ œ œ œ œ œn œn œœ œ œ œ ‰ œœ œ œ œ œ œ œ œ œ œn œb œ œ œn œœ œ. œ

œ œ œ œn œ œ œ œ œ œ œ œ œJ ‰ ‰ œ œ œ œ œ œ œ œ œ œ œœ œœ

œ œn œ œ œ œn œ œ œ œ œ.j ≈ œ œ œ. œ œn œ œ. œ. œ œ œ œ. œ

œ œ œ. œ œ œ.œœ œn œ œ. œœ œ ≈ œ.. œ œœœ œn œ œ œ œ. œ.n œ œ œ œb .œœ. œ

Copyright © 2013 Oxford University Press

Example 6.20Beethoven, String Quartet in F, Op. 59, No. 1third movement, 1–16

1

Analyzing Classical Form

Page 10: Example 6.14 Analyzing Classical Form first movement, 17–32 · 555555555 m 5m5 m54 f 5 g eee p 5b 4 0 55555 55 4 5b 4 0 5 m5m5m54 f 5 eee p 5b 4 0 5 m5m5m5 4 5b 4 0 5e5!554 f 5

°

¢

14

&bbbbf f morendo

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morendoBbbbbf f morendo

&bbbbf f

morendo

œ œ. œb œ œ œ œ œ œ œ

œœ œœ œ œ œ œ œœ œn œœ

œ œ œ œ œ œœ œœ.... œ œ œ œœ œ œ. œ œ œn œ.. œ œ œ œ

Example 6.20, Beethoven, String Quartet in F, Op. 59, No. 1, third movement, 1–16 (continued)

Copyright © 2013 Oxford University Press 2

Page 11: Example 6.14 Analyzing Classical Form first movement, 17–32 · 555555555 m 5m5 m54 f 5 g eee p 5b 4 0 55555 55 4 5b 4 0 5 m5m5m54 f 5 eee p 5b 4 0 5 m5m5m5 4 5b 4 0 5e5!554 f 5

Allegro molto

G�� ? 4 5 5 5M 5 5 5M 5 5 5 5 4 5 5 5M 5 5 5M 5 5 5M 5M 4 5 5

��� 5= 4 ?55 55 55 555 55 55 55 =4 ?55 55 55 555 55 55 55 = 4 ?55 55 55 555 55 55 55 =

4 ?55 55 55 555 55 55 55 = 4 ?55 55 55 55 55 55 55

6G�� 5M 5 5 5M 5 5 5 5 4 5 5 5ME 5 5� 5M 5 5 5M 5M 4 5 5 5 5 5E 5

��� 5=

4 ?55 55 55

5E55 55 55 55 = 4 ?

55 55 55 555 55 55 55 =4 ?

55 55 555

55E 55 55 55 = 4 ?55 55 55 '55 55 55 55 = 55 55E 55 55 55 55 55

11G�� 5 5 4 5 5 5 5 5E 5 5 545 5 5! 5'' 5E 5 5 E'5 5! 5 5 5

��� '= 55 55 55 '55 55 55 55 = 55 55E 55 55 55 55 55 ''' !B :' 5E 5 55 �B'5 5E5 5 5 55

Copyright © 2013 Oxford University Press

Example 6.21Mozart, Symphony No. 40 in G minor, K. 550first movement, 1–20

1

Analyzing Classical Form

Page 12: Example 6.14 Analyzing Classical Form first movement, 17–32 · 555555555 m 5m5 m54 f 5 g eee p 5b 4 0 55555 55 4 5b 4 0 5 m5m5m54 f 5 eee p 5b 4 0 5 m5m5m5 4 5b 4 0 5e5!554 f 5

16G�� 555E 4f

BBBBEE5555E 4

BBBBEE5555E 4

BBBBEE555ME 5555M!E 555M 5555M BBBE

���E55B4

4BB E555 5 B 4

4BB E555 5 B 4

4BB E555 5 5 55 55 55 55 55 BBB

Example 6.21, Mozart, Symphony No. 40 in G minor, first movement, 1–20 (continued)

Copyright © 2013 Oxford University Press 2

Page 13: Example 6.14 Analyzing Classical Form first movement, 17–32 · 555555555 m 5m5 m54 f 5 g eee p 5b 4 0 55555 55 4 5b 4 0 5 m5m5m54 f 5 eee p 5b 4 0 5 m5m5m5 4 5b 4 0 5e5!554 f 5

��

��

Allegro

G���5 5 5 5 5K� = 4 5555 5K� = = fz

5 5 5 5 5 5 5 5 5 :55K� = 5555 5K� = 4 5555 5K� = = 5 5 5���� 4 5� =5�

5� = 45� 5� =5�5� = 4

5 :5�5 : 5 5 5 55 5 5 5 4 4 5� =5�

5� = 45� 5� =5�5� = 45�

7G���fz

55 5 5 5

5 5 5 5 5 :55� = 5555 55555 555555 5! 5! 5� 5 5 5! 5 5 5 5 5 5 5 5 5 5K� = 4 =

����5 :5 : 5 5 5 55 5 5 5 4 4 BBB ::: 55 :: = 4 4 4 55 = 5 5 5 5K�

Copyright © 2013 Oxford University Press

Example 6.22Haydn, Piano Sonata in E-flat, H. 49first movement, 1–12

1

Analyzing Classical Form