evolution by c:p.seibt

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www.cpseibt.com facebook.com/cpseibt http://studiocpseibt.blogspot.com C.P.SEIBT EVOLUTION A CIRCLE OF 36 PAINTINGS

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EVOLUTION A circle of 36 paintings:Since many years the phenomena we call evolution amazes me, increasingly. We are far away from knowing everything about it.But in the process of creation the questions disappear s and the abundance convinces my attentiveness.

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Page 1: Evolution by C:P.Seibt

www.cpseibt.com facebook.com/cpseibt http://studiocpseibt.blogspot.com  

C.P.SEIBT

EVOLUTION���A CIRCLE���

OF 36 PAINTINGS

Page 2: Evolution by C:P.Seibt

C.P.SEIBT

EVOLUTION ���

A CIRCLE���OF 36 PAINTINGS

������

Since many years the phenomena we call evolution amazes me, increasingly.���

We are far away from knowing everything about it.

But in the process of creation the questions disappear���and the abundance convinces my attentiveness.���

��� ������

Page 3: Evolution by C:P.Seibt

Evolution 2, oil on shipwood, 125 x 125 cm, 49,1 x 49,1 in, 1998 - 2003  

Page 4: Evolution by C:P.Seibt

Evolution 3, oil on cardboard, 80 x 60 cm, 31 x 24 in, 1998 - 2003  

Page 5: Evolution by C:P.Seibt

Evolution 4, oil on shipwood, 125 x 125 cm, 49,1 x 49,1 in, 1998 - 2003  

Page 6: Evolution by C:P.Seibt

Evolution 5, oil on cardboard, 80 x 60 cm, 31 x 24 in, 1998 - 2003  

Page 7: Evolution by C:P.Seibt

Evolution 6, oil on shipwood, 125 x 125 cm, 49,1 x 49,1 in, 1998 - 2003  

Page 8: Evolution by C:P.Seibt

Evolution 7, oil on shipwood, 125 x 125 cm, 49,1 x 49,1 in, 1998 - 2003  

Page 9: Evolution by C:P.Seibt

Evolution 8, oil on cardboard, 80 x 60 cm, 31 x 24 in, 1998 - 2003  

Page 10: Evolution by C:P.Seibt

Evolution 9, oil on shipwood, 125 x 125 cm, 49,1 x 49,1 in, 1998 - 2003  

Page 11: Evolution by C:P.Seibt

Evolution 10, oil on cardboard, 80 x 60 cm, 31 x 24 in, 1998 - 2003  

Page 12: Evolution by C:P.Seibt

Evolution 11, oil on cardboard, 80 x 60 cm, 31 x 24 in, 1998 - 2003  

Page 13: Evolution by C:P.Seibt

Evolution 12, oil on shipwood, 125 x 125 cm, 49,1 x 49,1 in, 1998 - 2003  

Page 14: Evolution by C:P.Seibt

Evolution 13, oil on cardboard, 80 x 60 cm, 31 x 24 in, 1998 - 2003  

Page 15: Evolution by C:P.Seibt

Evolution 14, oil on cardboard, 80 x 60 cm, 31 x 24 in, 1998 - 2003  

Page 16: Evolution by C:P.Seibt

Evolution 15, oil on cardboard, 80 x 60 cm, 31 x 24 in, 1998 - 2003  

Page 17: Evolution by C:P.Seibt

Evolution 16, oil on cardboard, 80 x 60 cm, 31 x 24 in, 1998 - 2003  

Page 18: Evolution by C:P.Seibt

Evolution 17, oil on cardboard, 80 x 60 cm, 31 x 24 in, 1998 - 2003  

Page 19: Evolution by C:P.Seibt

Evolution 18, oil on cardboard, 80 x 60 cm, 31 x 24 in, 1998 - 2003  

Page 20: Evolution by C:P.Seibt

Evolution 19, oil on shipwood, 125 x 125 cm, 49,1 x 49,1 in, 1998 - 2003  

Page 21: Evolution by C:P.Seibt

Evolution 20, oil on shipwood, 125 x 125 cm, 49,1 x 49,1 in, 1998 - 2003  

Page 22: Evolution by C:P.Seibt

Evolution 21, oil on cardboard, 80 x 60 cm, 31 x 24 in, 1998 - 2003  

Page 23: Evolution by C:P.Seibt

Evolution 22, oil on shipwood, 125 x 125 cm, 49,1 x 49,1 in, 1998 - 2003  

Page 24: Evolution by C:P.Seibt

Evolution 23, oil on shipwood, 125 x 125 cm, 49,1 x 49,1 in, 1998 - 2003  

Page 25: Evolution by C:P.Seibt

Evolution 24, oil on shipwood, 125 x 125 cm, 49,1 x 49,1 in, 1998 - 2003  

Page 26: Evolution by C:P.Seibt

Evolution 25, oil on cardboard, 80 x 60 cm, 31 x 24 in, 1998 - 2003  

Page 27: Evolution by C:P.Seibt

Evolution 26, oil on shipwood, 125 x 125 cm, 49,1 x 49,1 in, 1998 - 2003  

Page 28: Evolution by C:P.Seibt

Evolution 27, oil on shipwood, 125 x 125 cm, 49,1 x 49,1 in, 1998 - 2003  

Page 29: Evolution by C:P.Seibt

Evolution 28, oil on shipwood, 125 x 125 cm, 49,1 x 49,1 in, 1998 - 2003  

Page 30: Evolution by C:P.Seibt

Evolution 29, oil on shipwood, 125 x 125 cm, 49,1 x 49,1 in, 1998 - 2003  

Page 31: Evolution by C:P.Seibt

Evolution 30, oil on cardboard, 80 x 60 cm, 31 x 24 in, 1998 - 2003  

Page 32: Evolution by C:P.Seibt

Evolution 31, oil on shipwood, 125 x 125 cm, 49,1 x 49,1 in, 1998 - 2003  

Page 33: Evolution by C:P.Seibt

Evolution 32, oil on cardboard, 80 x 60 cm, 31 x 24 in, 1998 - 2003  

Page 34: Evolution by C:P.Seibt

Evolution 33, oil on shipwood, 250 x 125 cm, 98,2 x 49,1 in, 1998 - 2003  

Page 35: Evolution by C:P.Seibt

Evolution 34, oil on shipwood, 250 x 125 cm, 98,2 x 49,1 in, 1998 - 2003  

Page 36: Evolution by C:P.Seibt

Evolution 35, oil on shipwood, 250 x 125 cm, 98,2 x 49,1 in, 1998 - 2003  

Page 37: Evolution by C:P.Seibt

Evolution 36, oil on shipwood, 125 x 125 cm, 49,1 x 49,1 in, 1998 - 2003  

Page 38: Evolution by C:P.Seibt

Painting is my earliest memory of my second year. Now I am seventy-seven and I continue working daily and intensively. After having lived in many places of different countries, in various cultures am I a Swiss resident of the Greek island of Paros where I have worked for many years. By biographic coincidences, the combination of different talents, interests and chances I worked in various projects, in different areas of life. The center is always my creative work as an artist. I develop my awareness, understanding and doing.

Usual learning, usual institutes, usual teachers have been always not a fit for me. For all techniques, knowledge and abilities I found in each case the optimal teachers and institutions. I learned most by the pictures of all the great painters before me and by my constant intensive working. Off about 1986 I gave up most of my technical skills, methods, effects and my work became autonomously, relevant, singular. I found always sequences in simultaneous motions, directions (or they discovered myself, of course) to my own transreal work. My topics, my projects, my painting develops permanently.  

 

My attitude is constant: I do not arrive, I continue. I do not create a rigid brand label. I am responsible for my work, but neither their constructor nor controller, but part of these developing processes. And I work incessantly.

Models I do not have. I feel relationships however. Of the width of my interests and upbringings out I am a distant cousin of the Renaissance artists, by the daily intensity of my work and my constant developing rather a relative of the creatoholics of modern art, absolutely, passionate.

My position in the art of the present: I do not work according to the rules of the art market. Therefore I create my own area from classical conditions, demands on me and my attentiveness of the present. My work does not fit into the raster of the usual classifications. It is transreal: on the way, not at the end of a frozen style, connecting different realities and inviting to others, abundance. My work points over itself outside, because it is created out of our old, deep dwells and common understandings, inviting to subjective experiencing, from which new common realities develops.������C.P.Seibt