esquire philippines - february 2016
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M A I N E
I S O N
T O P
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PHILIPPINESMAN AT HIS BEST FEBUARY 2016
A R E W E H A V I N G F U N Y E T ?
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M EN D O Z A
A RO L L. CAN S HE
TH I S ACT?
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T H E I S S U E
I N W H I C H
W E P R O V E
T H A T F U N I S
W A S T E D O N
T H E Y O U N G
Angel Aquino is a womanof a certain age (and that
age is 42)p.74
What Rock Stars Dowhen they don’t die
p.66
Midlife Sentencesfrom three writers
p.49
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THE PERFECT PAIR
Esquire and Preview partner on yet another style collab—this
time taking sartorial coupling to romantic lengths with real-life
model couple, John James Uy and Jessica Yang. Have a peek at
his-and-hers style featuring Uniqlo’s assortment of stylish
pants—perfect pairs, indeed.
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CONTENTS
FEBRUARY 2016
14
ESQ&A
Margarita Forés, Asia’s
Best Female Chef 2016,
talks about nostalgic
food, Italian mothers,
and women in the
kitchen.
18
MahB: Drinking
The most pleasant way
to end the day is with the
tranquility of scotch and
a cigar.
20
MaHB: TechFitness trackers
are all the rage, but
do you need it?
24
MaHB: Cars
Meet the Jaguar XE, the
baddest cat on the road.
66
The Case ForFading Away
When the limelight
dims: Tirso Ripoll,
Manuel Legarda, Kevin
Roy, Jett Pangan,
and Zach Lucero find
peace in older age.
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CONTENTS
FEBRUARY 2016
74
Woman We Love
Angel Aquino talks
about growing up
ugly, aging fearlessly,
and her favorite
four-letter word.
22
MaHB: Art
The return of artists
Alfredo and Isabel
Aquilizan has the
local art world abuzz
with anticipation.
26
MaHB: Books
This month, fall in love
with four female
heroines (who may be
unlucky in love).
27
Style
Store openings
and expansions
accommodate the
growing tastes of men.
49
Notes & Essays
Francis Joseph
A. Cruz on film,
Clinton Palanca on
friendships, and Kristine
Fonacier on forty.
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CONTENTS
FEBRUARY 2016
60
How Not To Die
Or your money
back. (Kidding.)
80
In Dub We Trust
Maine, her men, and
the phenomenon
that is AlDub defy all
reasonable explanations.
88
Snow
A fictional story about
things that are cold and
lonely, by Sarge Lacuesta.
96
What I’ve Learned
With Gregorio Honasan
108
This Way Out
Esquire October 1972
98
Lighten Up
Turn your wardrobe on its
head with of-the-moment
pieces guaranteed to
punch up a lackluster look.
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P H O T O G R A P H F
R U H L E I N E
C O N A R
8 E S Q U I R E • F E B R U A R Y 2 0 1 6
A LETTER FROM THE EDITOR
In Medias Res
Let’s save the introductions for next time.
Seems only proper, since I’ve arrived in the
middle of everything.
The middle gets such a bad rap, because
it’s so easy to be entranced by the extremes
on either end—like revolution, the beginning
and the end are both l imned in poetry, while
the middle is conducted in the prose of
governance. But if there’s anything that all of
us should know from these past few decades,
it’s that we can’t live on either poetry or
revolution alone. It’s what we do in the middle
parts that can really show us what we’re
made of.Esquire is a magazine that is, in many
ways, made for the man in the middle—not
on the sidelines, but in the middle of things,
right where the action is. The Esquire Man,
we keep getting reminded, is someone who
has achieved a certain status in life, and who,
having done so, can start enjoying life. (I’m
avoiding using the term “arrived,” because it
sounds so definitive, because it’s in the past
tense. But perhaps it’s the right word to use,
because an arrival is where all the fun begins—
who leaves right after they get there?).
Lest people forget, too, Esquire is itself a
magazine that’s arrived, having been launchedin the Philippines in 2011 and in the US since
1933 . If that doesn’t blow your mind, we’re
using italics to help you understand the sheer
gravity of that fact. And—here’s more—Esquire
is older than rubber tires, M&Ms, canned beer,
Colt revolvers, and instant coffee.
The Philippine edition is much younger,
though at five years, it’s come into its own
quite well, in a way that’s only possible when
you’ve seen some shit. Pardon my French,
but I mean that as a compliment: Esquire
Philippines has taken some pretty big chances
over the years, and weathered its fair share of
criticism (some good, some bad; some very
bad), and that kind of thing makes you grow
up, and it gives you character. It’s what has
made the magazine you hold in your hands
now a substantive publication that has truly
made a mark in the industry.
It’s undeserved luck on my part to have
come into the magazine after it’s come so far,
and for that we have to pause and give credit
where credit is due: to the editorial team that
has come and gone, headed of course by the
estimable Erwin Romulo, and to his stellar
cadre of writers and editors. Not enoughhas been said, however, about those who
came and stayed through the transitions—
our masthead is filled with the names of the
incredibly talented editors who continue
to power Esquire Philippines. I won’t name
them here, if only to avoid sounding like
every flustered awards-show winner, but they
deserve recognition in one way or another.
Part of my job will be to make sure that they
get the space to keep on doing great work, and
to get them due recognition. We’ll also save
that for another time.
This is another problem we have with
finding ourselves in medias res. We’re in themiddle of it all, but both language and human
nature constantly points us to the end. It’s as if,
having been done with the beginning, we only
have the end to look forward to now. But that’s
just nuts. The middle is where it all happens.
The middle is where the fun really begins. The
middle is exactly where we want to be.
— KRISTINE FONACIER
BEFORE WE BEGIN
FEBRUARY 2016
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STYLEAGENDA
FANCY A STAYATHOME DATE? PLAN IT WELL AND
SPRUCE UP YOUR PLACE. IT WON’T LOOK LIKE A
LAZY/LASTMINUTE IDEA WHEN YOU AND YOUR
KITCHEN ARE ALL DECKED OUT. MAKE HER A MEAL,
FIX HER A DRINK, AND TAKE YOUR SWEET TIME.
DATE
NIGHT
CUP IT, JOEWhen something this handsome greets her in the morning, it’ll make you
want to keep up. The Wolf Coffee System blends substance and style
as good as it prepares your cup of joe. It meets the standards of even the
most demanding home barista, yet i t’s incredibly easy to use and maintain.
At one touch of a button, it produces professional-quality brewed coffee,
espresso, cappuccino, latte, and macchiato, and perfectly steams and
foams milk. Plus, it comes in different looks and inishes to match your
designer kitchen.
OPEN DOORS FOR HER
Ladies love it when you hold the doors
open for them. Especially when they
open up to reveal what’s cooking.
Sure, chivalry and what’s inside
counts, but how you look matters too.
Sub-Zero Integrated Refrigeration
took a page out of the Esquire styleguide. They designed the doors to
disappear into the room’s décors. Plus,
they’re not just sleek; they’re smart
too. All models are equipped with
superior preservation technology and
a patented Air Puriication System
based on NASA technology.
WEAR IT ON
YOUR SLEEVE
This is not for the feint of heart.When you do muster up the
conidence to say it, go
for it. Maybe having the
Victorinox Swiss Army Airboss
Mach 9 will help those three
magical words takeoff and land a
little smoother than you imagined.
HAVE A GROOVY TIME
Best not to be late to your own date. You
know how time lies when you’re having fun.Bringing back the good times isn’t as easy as
reviving a ‘70s retro watch like the Hamilton
Pan Europ. Originally released in 1971, it was
one of the irst auto chrono watches that
decorated men’s wrists. It comes with both
leather and nato straps to dress you up for
any mood or occasion.
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16/13210 E S Q U I R E • F E B R U A R Y 2 0 1 6
Clinton Palanca has won awards for his
fiction and in 1998, came out with Landscapes,
a book compiling his short stories and earlier
works for children. Today, he ventures into
food writing with his regular column on In-
quirer Lifestyle, and with restaurant reviews
for other publications. For this issue, Clinton
wrote about friendship for Notes and Essays.
Francisco Guerrero shoots for numerous
international clients in travel and lifestyle, such
as Condé Nast Traveller, and Travel+Leisure.
Having lived in Spain for a number of years,
he re-explores his country through his own
travel documentary show, What I See, under
CNN Philippines Lifestyle.
Geric Cruz discovered photography by
accident when his uncle gave him a Polaroid
camera in 2006. His hard-hitting personal
work has won him awards in multiple
ASEAN competitions. Geric’s unique voice
in photography has placed his pictures in
several exhibitions in the Philippines as wellas art shows in Australia, Denmark, Thailand,
Korea, China, and India.
PJ Caña is a writer at Forbes Philippines.
A big fan of the Before film series, he once
retraced the steps of the characters in Paris
and Vienna, and wrote about it for Rappler.
PJ is a live music geek and writes for other
numerous publications about the biggest
concerts in Manila and abroad.
Sonny Thakur is a travel photographer and
the Photo Editor of GRID Magazine. “Family
Ties,” his on-going project documenting the
lives of his family in Manila and Ahmedabad,
was featured at the 2nd Singapore International
Photography Festival in 2010, at the New Delhi
Photo Festival in 2011, and most recently at theWorld Events Young Artist Festival. Sonny shot
this month’s story on rock stars in their midlife.
THIS MONTH’S
Contributors
Lori Baltazar is a food writer, cancer
conqueror and one of the country’s top food
bloggers. Her website Dessert Comes First
also spawned a book of the same title. In this
issue, she interviews Asia’s Best Female Chef
for 2016, Margarita Forés for ESQ&A.
BEFORE WE BEGIN
FEBRUARY 2016
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HEARST MAGAZINESINTERNATIONAL
President/CEODuncan Edwards
Senior Vice President,
CFO and General ManagerSimon Horne
Senior Vice President/
Director of Licensing and
Business DevelopmentGautam Ranji
Senior Vice President/International PublishingDirectorJeannette Chang
Senior Vice President/Editorial DirectorKim St. Clair Bodden
Executive Creative Director/
International Branding
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DirectorKristen Ingersoll
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BEFORE WE BEGIN
FEBRUARY 2016
ED ITORINCHIEF
KRISTINE
FONACIER
F E B R U A R Y 2 0 1 6 • E S Q U I R E 11
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PUBLISHING
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PRESIDENT ANDGENERAL MANAGER
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GOKONGWEI
CHENG
BEFORE WE BEGIN
FEBRUARY 2016
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Man at His BestFEBRUARY 2016
“Make the best of every moment. We’re notevolving. We’re not going anywhere.”
DAVID BOWIE, “WHAT I’VE LEARNED” ESQUIRE, MARCH 2004
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ESQ&AMaHB
ESQUIRE: How are you feeling a week after
the announcement?
MARGARITA FORÉS: I’m still totally
flustered. My sister called my attention
because she saw my two posts on Instagram
on the second and the third days, and they
were both pictures of me still in shock.
She said, “Can you stop with this disbelief
thing?” But I’m still feeling that way. Maybe
because it really came as such a surprise.
For Antonio’s to get into the list last year
was really a door opener for us in the
industry. The reason why we haven’t gotten
into the list any earlier than that is also
because people didn’t come to Manila very
much. Breakthroughs in tourism really onlyhappened in the last two or three years, so
it’s really been kind of like a steady climb to
get to Philippine cuisine.
ESQ: Since you mentioned it, why do youthink that now is the time that [more]
people—maybe the world—are receptive to
Filipino cuisine?
MF: I think that largely it’s because all of us
Filipinos have decided to just be united in this
whole effort to bring the country forward.
For the longest time, our sense of identity was
always muddled and we all felt very differently.
But I think that consciously we all just decided
to become one, and to feel strongly about
ourselves, about how great our country is,and about how wonderful we are as a people.
That’s why there’s been a turnaround. It has
affected pretty much all aspects.
ESQ: Part of the official description of the
Asia’s Best Female Chef award states, “This
award celebrates and rewards successful
women who have risen to the top of the
gastronomic world. The winner’s cooking
must impress the world’s toughest critics
and venerated chefs.” That’s a very lofty
description but I want to ask you, Margarita:
Why do you think you won?
MF: Apart from just having done quite a
number of successful food concepts and
quite a bit of catering for 30 years, I thinkit’s really partly also the advocacies that
I’ve been working on in the last decade.
It also started with my work helping the
Filipino farmer get his products noticed,
get our ingredients more globally known.
And aside from that, I think it’s also helping
the awareness even just here in our own
country with pushing for organic produce
and sustainability. It’s largely that as well,
that got a lot of attention. Maybe my work
also with pushing Filipino cuisine forward
abroad, at global fairs and events. It’s pretty
much like going up the ladder with that
Margarita ForésIT MAY HAVE COME AS A SHOCK TO HER, BUT BEING NAM EDASIA’S BEST FEMALE CHEF 2016 WAS REALLY THE INEVITABLE OUTCOMEOF A PROLIFIC CAREER, NOT JUST AS A RESTAURATEUR, BUT AS ANADVOCATE FOR LOCAL CUISINE AND HOMEGROWN INGREDIENTS.LORI BALTAZAR TALKS TO MARGARITA FORÉS ABOUT NOSTALGIC FOOD,ITALIAN MOTHERS, AND WOMEN IN THE KITCHEN.
PHOTOGRAPHS BY SONNY THAKUR
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9 772243 845007
11
ISSN2243-8459
MERRY
CHRISTMAS!His ExcellencyVice President
Jejomar Binaywelcomes you
to ou r Me a n i n g
of Life issue
PHILIPPINESMAN ATHIS BEST DECEMBER2015-JANUARY2016
December 2015 -
January 2016
SINK YOUR TEETH INTO OUR FOOD AND DRINK ISSUE.
COLEEN GARCIA JP ANGLO JEROME GOMEZ
KARA ORTIGA JOSÉ ANDRÉS LUIS KATIGBAKRICK Y CA RA NDA NG B ON A PP ETIT!
MAN AT HIS BEST
August 2015
Bite Me.SINK YOUR TEETH INTO OUR FOOD AND DRINK ISSUE.
COLEEN GARCIA SUCCUMBS TO HER GUILTY PLEASURES. JP ANGLO FEASTS ON LOBSTERS IN ISABELA. JEROME GOMEZ DIVES FOR
UNI IN BACOLOD. KARA ORTIGA HUNTS FOR DOG MEAT IN BAGUIO. JOSÉ ANDRÉS REVEALS THE FUTURE OF FOOD. LUIS KATIGBAKSAYS GOODBYE TO FAST FOOD. AND RICKY CARANDANG, WHO GUEST EDITS THIS ISSUE, GETS DRUNK ON TEQUILA. BON APPETIT!
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August 2015
MAN AT HIS BEST
April 2015
THETRANSFIGURATION
OFJOHNLLOYDCRUZ O T O
G R A P H A N D A R T B Y
G E L O Y C O N C E P C I O N
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April 2015
November 2015
“IF I WERE PRESIDENT...”
HOWTOBE AMAN
MAN AT HIS BEST
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March 2015
MAN ATHIS BEST OCTOBER2015 PHILIPPINES
P200
The CaseAgainstChina
NATIVETONGUESExcerpts, Essays,
EtCeteraby
Ricky Lee,
LualhatiBautista,
Norman Wilwayco,
JeromeGomez,
andPeteLacaba
FRANCIS TOLENTINO ON EDSA
An Interviewwith
MAN ATHIS BESTTTTTTT OCTOTOBER2015
P2P2
The CaseAgainstChina
IVE
Excerpts, Essays,
EtCeteraby
Ricky Lee,
LualhatiBautista,
Norman Wilwayco,
JeromeGomez,
andPeteLacaba
FRANCIS TOLETINO ONEDSA
An Interviewwith
I I IILII L I II L I II I III I IIIIII II I II II I II II L I IILII II II II I II II I II SSI SI I II I II I II II I III II I II I II III I II II I II
JASMINE CURTISSMITH
RAISE YOUR GLASS,ESQUIRE TURNS FOUR!
YourGuidetoWheretoDrink Now
andofcourse,
9 772243 845007
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ISSN 2243-8459
JusticeAntonioCarpio
andLourddeVeyradebate
theScarborough Shoal
October 2015
MAN AT HIS BEST
June 2015
20Yearsof SummitMedia
FERNANDO PO E JR.
TributesbyErwin Castillo and Lourd DeVeyra
featuring rarelyseen photographsspanning fivedecadeson screen
LONG LIVE THE KING
HappyFather’sDay! On the cover: Fernando Poe Jr
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June 2015
THECURSE OFTHEJUANLUNA PAINTING
page84
THESTORY OFAFOOTFETISH
page58
THE LOVE COMMANDOS OFINDIA ’S UNDERGROUND
page92
THEBEST NEWRESTAURANT S
page67
MAN ATHISBE ST
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SAY YOU WANT A REVOLUTIONFEATURING PIOLO PASCUAL
ANDSTORIESFROM THE DAYSOF DISQUIET
DECLARATIONOF WAR
Pete Lacaba’sPrometheus Unbound
DECADE UNDERTHE INFLUENCE
Disco, Drugs, and theDictatorship
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SLEEPING WITHTHE ENEMY
AMartial Law LoveStory
WHAT TO WEAR NOW 40 PAGES OF NECESSARY STYLE
September 2015
MAN AT HIS BEST
May 2015
We named Karen Davila the Sexiest Woman Alive.
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MAN AT HIS BESTDecember 2014 January 2015
Th ef u t u re,a s t h eys a y, i s n ’ t wh a t i t u s edt o b e.
Butmaybethat’sa goodthing. Anything’sbetterthantheprospect of things
s t a yi ng t es a me. Welcometo ourspecialBest andBrightest
issue,editedby DavidGuerrero. Weinvited tenof thecountry’s leading
mi n d s t o ma p o u t s o mep o s s ib i l i ti es f o rt h e
Wealso received reportsfrom theyear 2019on thefuture of Advertising,Fashion,Tech,Sports,andof course,Sex.
Wesatdownwith SenatorGracePoe, whomi g h t j u st b eh ea d ed f o ra b i g g erro l ei n a l lourlives.
We’vebe comeused to“the waythingsare.”Butwe shouldn’tbe.
realchangehas tohappen.
eyondrumorsand hype,it’supt o u s t o d ec i d ewh a t n eed s t o b edone.
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July 2015
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ESQ&AMaHB
advocacy. I’m just humbled [by] having had
the opportunity to wave the flag at those
events, and I think that that’s really what
helped. I guess the judges take notice. The
judges are from all over Asia. I don’t think
that the population of Filipino judges is
very large in the group, so it’s really quite
overwhelming.
ESQ: Has winning the award proven
something to you? Like, “Okay,
Margarita, time to slow down,” or “Yes!
Mission accomplished!”
MF: I guess, mission accomplished. It’s
starting out without having had any formal
training. That says a lot about how far my
team and I have reached and that you can
actually take a different path to success . Itdoesn’t have to be the normal route. I’ve
always said that I’m not a planner. Things
kind of just fall into place all because I just
follow my passion. From the days that I
was just cooking with one or two assista nts,
carrying pots for myself and starting to
cook in people’s homes, starting out that
way, it just says that you can do things in a
very untraditional way and get to the top of
any industry.
ESQ: You are a female and the first Filipino
to win this award, and just winning the
award is a hugely empowering statement
that you make. Is it easier now to be a female
in the kitchen or are there challenges still?MF: Thirty years after I started, I think that
the playing field for women in the industry
now is [even]. They’re equally as successful
as the men. And judging from how the
industry is in the Philippines alone, there
are more female culinary students now than
there are male. That’s been a fact in the last
two years. And for women to choose that
industry, it’s because the doors have opened
for them. It’s really the females that allows
us to be successful in this industry. After all,
the industry is about feeding, and this is what
we’re made of. We’re nurturing and that’s
what makes us different from men.
ESQ: Why is it that you felt this attractionto Italian cuisine as opposed to New York,
where you spent a lot of your formative
years, or even Hong Kong? Why not Chinese
cuisine or New York cuisine?
MF: It’s really funny, but the time for
me that was most memorable growing
up in New York was the early ’80s. It was
just maybe providential that it was the
Italianization of New York. There was a
mushrooming of very nice modern Italian
restaurants that were untraditional. They
were more Milanese in style, no longer the
red and white plaid tablecloths and the
Chianti bottles and the ceiling concepts. And
I think those were the ones that really made an
impression on me. There were little pizzerias
that were very modern. It was the first time
I had a cream-based pasta with truffle and
salmon and it was a very fresh spinach pasta.
It was a very memorable experience trying it
for the first time. This was a restaurant that
my grandfather would take us to almost every
Sunday. It was in midtown and it was that kind
of experience that made me want to go and
learn more about Italian cooking, but from the
parts that were not so known.
And I was also having the best time of
my life in New York. My mother had a really
wonderful circle of friends that made an
impression on me. It was that whole sort of
Studio 54 vibe in the ’80s. It made me feellike this kind of lifestyle was something that
I wanted to bring back home and share with
Manila. I guess going to the root, going to
Italy and really doing an immersion was the
best way to do that. I was in Italy those four
months—it was a very short time but I was
by myself so it allowed me to be a sponge. I
had no Filipino friends at that time so I was
also forced to learn the language.
ESQ: What made you come back? You
could’ve stayed in New York.
MF: It was largely that feeling that I had
where I wanted to bring what I enjoyed
most from my Italian experience and bring
it to the Filipino market. And I remember when I started Cibo in 1997, putting the
concept together, I was very clear: I wa nted
it to be in a mall setting. I wanted it to offer
value for money and I wanted the food to be
really authentic—the way they do it in Italy.
At the same time, I also wanted it to be able
to offer a concept that was homegrown,
created by a Filipino. Because at that time,
in 1997, the TGIFriday’ses and the Hard
Rock Cafés were making a killing, and
people were paying a premium for these
businesses that were making money in the
Philippines but basically sending out their
franchise fees abroad. So I wanted to be
able to give them a run for their money atthat time. Eighteen years down the road, I
feel that that’s mission accomplished.
ESQ: They say that the best restaurants are
the ones that not only offer good food, but
also offer the diner new perspectives and an
education in that regard. In [all your] years
as a restaurateur, how has the Filipino diner
changed, and is there anything else you
wish they could be?
MF: I’m glad that I was a purist when I
started, when I was introducing something
new to the Filipino diner. But I think
that, because the Filipino diner is so well-
traveled now, the level of sophistication
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and expectation of the Filipino diner is
absolutely world-class. So it’s a great time to
be in the industry and it has also forced me
to re-engineer my whole way of thinking.
I remember when I started with Cibo, the
menu had a notation in the bottom that
said, “No substitutions please,” for the
ingredients that were put together in every
[dish]. Nowadays, all the more the diner is
so educated. Do whatever you want! I’ve had
to rebrief the staff in Cibo. It’s been 30 years
from when I started working, and then 18
years with my first restaurant. And the way
the industry has boomed in the last decade…
I’m proud that I’m part of the industry and
that I was part of it from 30 years ago.
And if you think about it, the mostcelebrated chefs from 30 years ago are
mostly female. The famous chefs are
[people like] Tita Glenda Barretto, or food
personalities that influenced our thinking
then—people like Tita Nora Daza, and
Doreen [Fernandez] with her writing. Maybe
if Filipino cuisine had a gender, she
would be female. It’s the nanay’sand the
lola’s cooking that encapsulates what
Filipino cuisine is all about. It’s home
cooking, much in the same way that
Italian cooking is. I remember when
I started, the first opportunities I had
to cook in Malacañang, at that time
the side vegetables were carrots, green beans, and frozen peas. Because those
were the vegetables that appeared in
every plate that came out of a hotel
restaurant. So Filipino restaurants took
the cue. You would never find heirloom
rice for that matter, or sigarilyas, or
bulaklak ng kalabasa, or our native talong …
ESQ: I think we might even accuse you of
being bakya back then if you used those things.
MF: Exactly. And it dawned on me that
maybe that appreciation came after my
Italian experience. Because then, you have
this newfound awareness that, “Hey, our
vegetables are exotic for a foreign palate.”
ESQ: And even to some Filipinos as well.MF: Exactly. As a matter of fact, I think
that that’s what’s also driving the new
discoveries in the ingredients side for all
of us Filipino chefs. You know, the alugbati
flowers, the pansit-pansitan, the wood sorrel
that Noma used to use a lot, we realize it
grows like weeds in our garden! I think
that is also partly what has caused this
newfound attention that Filipino cuisine and
Philippine produce is getting.
ESQ: Margarita, how has your being a
mighty two-time cancer conqueror reflected
on your food, particularly at Grace Park?
MF: It’s really the newfound respect for
clean ingredients, finding the purveyors and
the farmers who have chosen to take a path
that’s a little bit more difficult. I mean, it’s
more costly, your product comes out more
expensive than others, but I think choosing
to promote those ingredients very early
on… I started it actually in Cibo 10 years
ago, soon after my thyroid cancer episode
and it was really the choice to go that path
even if it affected the bottom line because
I always felt that success and the benefits
from the business don’t always have to come
in the form of peso signs. The goodwill that
Cibo received through the years when we
started first doing our squash soup with
organic squash from Negros. We would
have it brought in by boat and really take astand and say, “Okay, we’re gonna use the
clean squash.” And we are now at 80 percent
organic greens, organic herbs, and organic
vegetables whenever we can at Cibo. It was
hard to defend that with my co-owners and
family in the beginning, because they knew
that the food cost jumped a little bit because
of it, but it was worth sticking our necks
out and being pioneers with that kind of
movement. Because nowadays, everybody’s
doing it and it’s great because it also helped
the farmer sustain their businesses and at
the same time, allowed the prices to come
down a bit.ESQ: Okay, I’m gonna put you on the hot
seat for a while by asking, what is your
favorite region in Italy?
MF: Oh boy. Oh dear… Although I started
my love affair in Tuscany, I think that it’s the
work that I do with Emilia-Romagna that is
closest to my heart at the moment. Because
I guess that they have the monopoly on the
best ingredients and the iconic products that
Italy is known for are from that region. And
Artusi hails from there.
ESQ: Okay, let’s jump the fence. What is
your favorite province in the Philippines?
MF: I guess it would have to be my home.
It would have to be Negros... Being able to
give homage to our heritage and to really be
proud of that part of me, it says a lot. Negros
has always been the pioneer for pushing
organic produce. Not only do other regions
in the Philippines look up to them for what
they’ve done in that aspect, but even other
Asian countries have taken notice of what
Negros has done.
ESQ: How would you describe yourself as an
eater? What kind of food do you like to eat?
MF: I’m actually a creature of habit. I really
love good Chinese food. Apart from a good
bowl of pasta, I’d always have to say that
my most favorite dish is still buttered rice
and talangka. I appreciate that as much
as a perfectly executed pasta. But maybeChinese cuisine [also], because it’s such
an old culture. What I know of it mostly
is Cantonese food and Shanghainese food
but I guess, just like Italy and just like the
Philippines, there are also so many other
parts of China that would be nice to discover
food-wise. What else? A good burger! I
love a good burger patty.
ESQ: Is there anything that you don’t
eat? Or don’t like to eat?
MF: Umm, abalone, maybe? A little bit.
I guess I eat pretty much everything but
maybe that and sea cucumber.
ESQ: What about what Margarita wants
to do next? Not the female chef who just won an accolade. What do you want to
do? Do you want to just rest?
MF: Yes! ( laughs ) That too. Maybe go
on an eating trip with my son. We haven’t
done my one-on-one trip with him to
Italy yet. I had to put that on hold when
I got sick. The most wonderful thing was
that he just wanted to come home and be
with me so that I could get well as quickly as
possible. So that’s what I wanna do. That’s
really what I want to do this year with
him. And one more dream: open a Filipino
restaurant abroad.
ESQ: When you cook, what is the creative
process for you like?MF: It’s in my mind. I create the flavors in
my head. I imagine the tastes in my head
and then I have the team help me execute it.
Because I’m not a technician in the kitchen.
I don’t even measure. That was very difficult
when I started Cibo, because in the end
it’s a business. When I cook, I’m like that.
It all starts in the head. I always say this,
maybe the eurekas, it’s like God whispers
them to me. Because the combinations of
the ingredients, you try to think, how could
you have thought of that without some help
from the heavens? When you imagine the
flavors together, it can blow your mind.
I think that consciously we all
just decided to become one,
and to feel strongly about
ourselves, about how greatour country is, and about how
wonderful we are as a people.
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DRINKINGMaHB
A good lick of fi re a nd ice down one’s
throat. The ineffable tranquility of a
good smoke. Once the sun dips low
enough, it’s a fine time to hunker
down for a treat.
Barely two months old, Discovery
Primea’s cigar and whi sky bar,
1824 (named after the year the first
license for single malt distilleries was
purchased), offers itself as a lush,discreet haven to down the water of
life, and a choice ciga r or two.
There is nothing stodgy about the
place; they’ve done away with the Old
Boy’s Club atmosphere. You’ll find a
lot less leather, but the exclusive feel
remains—cool interiors are softly lit,
warmed with wood details, and there
are great seats at the bar and plush
little coves to lose hours in. Relaxed
elegance comes to mind, untouched
by c urrent trends a nd outside nois e. It
feels like a place where decisions a re
mulled over and made.
ThePleasurable
Quaf andDrawFINE BROWN SPIRITS, FRAGRANT
CIGARS, AND CHEERY NIBBLES.
TIME SLOWS DOWN AT 1824.
BY NAYNA KATIGBAK
PHOTOGRAPHS BY TAMMY DAVID
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1824 IS A FINE PLACE FOR A WEE DRAM OR TWO. PICK YOUR DRINK AND CIGAR
AND SIT BACK FOR A SPECIAL COZE.
A PLUMP FINES DE CLAIRE OYSTER WITH SHAVED, FROZEN VINAIGRETTE RESTS ON
A BED OF ICE.
NOT SURE WHERE TO START? FLIGHTS ARE A GREAT WAY TO ENJOY 1824’S WIDE
WHISKY SELECTION. TOUR THE BEST OF THE ISLES, ONE POUR AT A TIME.
A CUSTOMMADE HUMIDOR HOUSES A WIDE SELECTION OF CUBAN AND
PHILIPPINE HANDROLLED CIGARS.
1824 IS OPEN FROM 4 P.M. TO
MIDNIG HT, MONDAYS TO SATURDAYS.DISCOVERYPRIMEA.COM
1824 offers well over a hundred
varieties of single malts and
whiskies—Speyside, Islay, Lowland,
and Highland, along with an array of
fine wines and liquors. Whisky flights
are on the menu, should you be in an
explorative mood. A mix of Cuban
and local cigars housed in a custom
humidor are offered tableside, cut and
lit to your specifications—whether
you prefer a n efficient butane torch
for a quick light, or one of their
specially made cedar spills. Salted
nuts and mixed chocolate nibs are
served with your order, but try their
small bites: chilled, plump Fines de
Claire oysters in a tangy vinaigrette;
or a rich, toasty grilled black truffle
sandwich with dressed greens on the
side. For something sweet, try the
warm chocolate truffles—dusted with
vanilla suga r, crunchy on the outside
and with oozing dark chocolate on the
inside. It hits a bliss point, excellent
with your whisky.1824 invites you t o sip, smoke,
and savor, whether you’ve come
for contemplation or spirited
conversation; the reasonable prices
are a good reason to keep coming
back. The celebrated pairing of cigars
and a good dra m of scotch work very
well in making t ime slow down when
you need it to, which is not such a bad
idea at the end of the day.There is nothing stodgy aboutthe place; they’ve done away with
the Old Boy’s Club atmosphere.
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TECH
On Christmas day, after having two bowls of
beef bone marrow soup, I finally unboxed some
fitness trackers from their mint packaging
and fiddled with them in confusion. The
overwhelming thought bubble in my head
being, how the hell does this work?
I’ve never used a fitness tracker before.
I’ve never even been successful enough to
integrate a legit fitness regime into my life.But my god, believe me, I have tried. I’m a
serial polygamist when it gets to sticking
to one (exercise): going from dormant, to
Bikram yoga, to Crossfit, to boxing, and then
back to square one. But once in a while, I’ll
be in a good place. I’ll adopt a fitness routine
with my game face on. And this was exactly
my mood on Christmas morning.
I tested three brands: Jawbone UP 24 [1],
Garmin Vivosmart [2], and the Misfit Shine [3].
First thing I noticed was how nice they looked.
Sleek and trendy. The Jawbone UP is the most
masculine, just a thick rubber bracelet that wraps
around your wrist. The Garmin Vivosmart looks
more like a digital watch with an LED screen
protruding on the top, lighting up when you
prompt it to give you an update. I like most the
Misfit Shine, a circular tracking device that lets
you choose how you want to wear it, whether
you pop it on a rubber band as a bracelet, or a
necklace, or a keychain.
In choosing your fitness tracker, you
decide based on two things: how it looksas an accessory, and how the application
interface looks on your phone. The way the
data is designed and disseminated varies.
Some apps are easier to digest (I l ike Misfit’s
simple graphs and easy-to-use interface),
while others have too much going on.
On that note, I find it odd that these
modern-day trackers won’t really let you
track anything without a smart phone. While
the bracelets do their job in taking note of
your movements, you can’t actually see any
of these details until you’ve downloaded the
app, connect via Bluetooth, and sync the
data with your phone. Seems like a lot of
steps to get your number of steps. Something
which, I have found quite by accident, your
regular iPhone can do too.
But one thing the fitness trackers do is
get you hooked on numbers. Because this
wearable tech can now quantify how much
activity (or inactivity) you’ve been doing,
you really have no excuse. A quick look at
the app before you sleep gives you an idea:
“Wow. I only clocked in a pathetic 432 steps
today, compared to yesterday’s 1,060 steps.”
Pretty shitty. Point is, if you’ve got no one
else to rah-rah you to booty camp, your fitness
tracker is bound to do that for you. It’s like
the more mobile, quieter, non-judgmental,
fitter version of yourself. If you need
a friendly reminder to get rid of the
beer belly, get a fitness tracker. If youneed someone to encourage you not
be such a slob, get a fitness tracker.
If you’ve been on a diet since age 13, get a
fitness tracker. Almost everyone is wearing
one, it looks decent too. Otherwise, if you’ve
actually grown accustomed to a decent
fitness routine, you have a good sense of
discipline, and you are able to juggle a
bala nced diet, I real ly don’t see the need
for one. Your iPhone can do the same. It’s
just a fancy bracelet and a subtle way of
saying: “Hey people! I’m making an effort
to be sexy!” Which I guess isn’t such a bad
thing either.
MaHB
BY KARA ORTIGA
ILLUSTRATION BY JAO SAN PEDRO
BOOTY CAMPDO WE REALLY NEED FITNESS TRACKERS?
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ARTMaHB
Rules of EngagementAFTER BEING AWAY FOR YEARS, ARTISTS ALFREDO AND ISABEL AQUILIZAN
ARE READY TO SHOW US THEIR NEW WORKAND WE’RE EXCITED.
BY DEVI DE VEYRA
PHOTOGRAPHS BY JL JAVIER
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CARSMaHB
Tamingthe beast
JAGUAR XE IS DETERMINED
TO BE A BAD CAT
BY JASON K. ANG
The Jaguar XE sedan is a dangerous car. We
found this out the hard way, as it first gave
us a hard conk on the head, then carved
out a little bit of our shin. The first was
courtesy of its low, coupe-like roofline, the
second by way of an angular air vent oddly
sticking out of the dashboard. Thinking
back the following day, I couldn’t accept that
it was my fault. I regularly get in and out of
different cars and don’t get a scratch. Now
it’s two in one day.
It had to be the Jag. It certainly looks
the part, all Darth Vader evil especially
in the dark gray paint scheme. The
face that Jaguar prefers now is a beady-eyed
scowl. The headlamps are tucked low, with
a furrowed brow courtesy of the swooping
hood. The grille is an understated black
rectangle framed in chrome. Embedded
within is a grinning cat surrounded by
red. That red badge and an engine vent in
the front fender that reads “R-Sport”—those
are overt clues that this XE is tuned for driving.
Those, and the sedan’s long-slung stance,
with large 18-inch wheels poking out from
the fenders, are a firm invitation to party.
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By far the greatest source of entertainment
in the XE is in the driving. The engine emits
a subtle growl at idle. It grows louder quickly
and disproportionately with each small prod
of the accelerator. The turbocharger spools
up quickly and provides instant gratification,
even outside sport mode. Engage sport and
the 2.0-liter turbo revs more quickly.
That responsiveness is baked into theJaguar XE, and not just grafted on. Rather
than use an existing design, the XE uses a
newly-developed monocoque chassis. That
frame makes intensive use of aluminum,
which is lighter than steel, building on
Jaguar’s experience with aluminum. Its
flagship XJ is also built on an aluminum
frame, making it lighter than some rivals.
In the XE, 75 percent of the chassis is
constructed from aluminum.
The payback is that the XE has the
acceleration feel and agility of a sports car.
By far the greatest source of entertainment in the XE
is in the driving. The engine emits a subtle growl atidle. It grows louder quickly and disproportionatelywith each small prod of the accelerator.
There’s a small rear spoiler, and aluminum
tread plates on the doorsill. The front
bumper, side sills, and side power vents are
all specific to the R-Sport.
Park yourself in the Jaguar’s cockpit—
mind the roof and the air vent on the way
in—and you feel like you are integrated
into the car itself. The starter button
flashes red, like a pulse. Push it and therotary shifter, to use a bad James Bond
pun, rises to the occasion.
All the expected creature comforts are
standard in the XE. These include automatic
dual-zone climate control, parking sensors on
all corners of the car, and backup camera. The
audio system is controlled by touchscreen,
and it can integrate phone and streaming
functions via Bluetooth. The leather sport
seats are firm and supportive. They’re
trimmed with a combination of leather
and mesh fabric.
The steering is quick and responsive, thanks
to the tuned electric power steering system
and sports suspension.
The Jaguar XE is the company’s bid
to take a healthy chunk of the premium
compact sedan segment. The default choices
in this segment are all German: solid in
both construction and perceived value. The
XE provides a healthy challenge by usinga lighter chassis, and a more responsive
driving feel.
Jaguar seems to relish its antagonistic
image, first proclaiming that “it’s good to
be bad” with a trio of British actors in its
Superbowl ad, then providing a prototype car
to the latest Bond villain. The XE continues
that theme, all anger and tension.
Which provides quite an entertaining
experience for the driver. The XE may have
been a pain to get into, but once you’re
behind the wheel, you won’t want to stop.
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MAGDA
Meike Ziervogel
Meike Ziervogel—founder
of the independentPeirene Press, which
specializes in short fiction
in translation—has written
her own novel, about the life
of Magda Goebbels. Blending
historical fact and poetic
license, we meet the wife of
the Nazi propaganda minister
Joseph Goebbels first as an
illegitimate child, then as a
woman desperate for home
and security, and then as a
woman prided as the Nazi
ideal of womanhood—whose
fanatic devotion for the
Führer compels her to usher
her children into the bunker
for certain death.
BOOKSMaHB
Femme FataleA LOOK AT FOUR FEMALE HEROINES AND THEIR U NUSUAL BOUTS WITH LOVE.
BY SASHA MARTINEZ
ILLUSTRATIONS BY ALYSSE ASILO
THE LAST LOVER
Can Xue
Winner of the 2015 Best
Translated Book Award,this novel takes the reader
into a lyrical, ps ychedelic,
fractal-ridden trip through
the messy and all-too-
intertwined relationships
of wives and husbands and
mistresses and sometime-
paramours. The prose
is fraught with fanta sy,
and the plot energetically
meanders with the
characters’ hapless but
always vivid journeys
toward love. The Last Lover
has been translated from
the Chinese by Annelise
Finegan Wasmoen.
THE PUMPK IN E ATE R
Penelope Mortimer
The vividness ascribed to
the unnamed heroine—withher diagnosed hysteria, her
series of marriages (her
latest husband is a successful
playwright, carelessly
callous with her emotions,
casually unfaithful with
nannies and starlets), and
her ever-growing brood of
offspring—all make for dark
comedy. But only until our
nameless narrator turns
the tables on the reader and
goes right for emotional
rawness. This novel was the
basis of a 1964 film of the
same name.
HALF A LIFE LO NG
RO MANC E
Eileen Chang
The steady publicationof the English-language
translations of Eileen
Chang’s oeuvre has been
bringing her lushly romantic
and politically subversive
brand of literature to more
and more readers. In Half
a Lifelong Romance, weonce again meet a cast of
characters caught in love
affairs rendered forbidden
by duty to one’s family,
to one’s social caste, to
the revolving uprisings in
one’s country. The quiet
language brings to the fore
impressions of Ang Lee’s
Lust, Caution.
“You learn nothing by hurting
others; you only learn by being
hurt. Where I had been viable,
ignorant, rash and loving I
was now an accomplished
bitch, creating and emptiness
in which my own emptiness
might survive.”
“The world was suddenly
bathed in light that made
everything transparent, all
of it real and precise.”
“—longing for this storm
to arrive, hoping that she
will be tossed aside by it,
overwhelmed, so that
she no longer needs to
think for herself and
can thus be released from
all responsibility.”
“She burned with desire,
walking back and forth
under the sun like a beast.”
ALL BOOKS AVAILABLE AT NATIONAL BOOKSTORE
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Style FEBRUARY 2016
Make your way to the recently opened second level of Hermès, where, amid the now-available furniture and homeware
(get your leather-trimmed portable lamp here), is a wider selection of clothing and accessories for men, including
various applications of leather; from loafers to briefcases, jackets to bracelets. The manipulation of animal hide is
the French house’s expertise, so much so that if they could make everything with leather, they probably would. In
fact, they already do. A sweatshirt in croc? Did it. A double-zip hoodie in watersnake? Done that. A bicycle? A pink
elephant? A ball cap in buttery-soft lambskin? Yes, yes (it’s a decorative objective), and yes! Anything is possible in the
hands of their artisans, and now, you can start building a life surrounded by the most beautiful skins right here.
IN THIS SKINPHOTOGRAPHS BY PIA PUNO
STYLING BY CLIFFORD OLANDAY
Lambskin leather cap, silk button-down shirt, and cotton crepe shorts. Jardin d’Osier wallpaper.
Second loor, Hermès, Greenbelt 4, Makati City.
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Style
It’s all in the details:At Hermès, fastenyour shirt with alambskin clasp andsecure your watchwith a scratch-resistant barenia
leather strap.
Cotton shirt withlambskin leather collartab, cotton jerseyT-shirt, and ArceauChrono watch withbarenia calfskin strap.Perspectives Cavaliereswallpaper.
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When a leather jacketis crazy soft andcrazy light—which iswhat sets an Hermèspiece apart fromthe rest—it makes itpossible to wear in
whatever weather,including ours.
Reversible lambskinleather jacket, cottonbutton-down shirt, cottongabardine trousers withzip details. Pantongraphereading loor lamp andLanterne d’Hermes
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Hermès indulges its fans with the expansionof its flagship store in Greenbelt 3. The new160-square-meter extension, found above theoriginal store, features (apart from men’s wear)its fabulous Maison collection, a covetableline of immaculately crafted furnishings andaccessories that bear the French hyper-luxury brand’s impeccable cachet.
A fabulous collection needs a spectacularhome infused with the Hermès spirit. TheFrench brand commissioned Paris-basedRena Dumas Architecture Interieur for itsinterior design. Details were considered togive Hermès clients an enjoyable experience.
Huge windows allow for ample light, whileBrazilian teak wood floors give the space aluxurious yet cozy ambience where guests canleisurely examine and appreciate the Maisoncollection’s exquisite offerings.
Stepping inside the boutique is prettymuch like walking into a well-appointed andtastefully decorated home. The dining areafeatures tables and chairs by Jean-MichelFrank—a prestigious re-edition coveted byserious collectors from all over the world. Finechina and tableware accompany the quaintsetting. A baby section is filled with things forthe stylish junior set, while an office vignetteseems like the perfect work station for thedesign-conscious executive.
Over at the living area, Antonio Citterio’sgrayed oak-and-leather sofa faces Jean-Michel
Frank’s parchment leather-covered coffee
table. A storage coffer in canaleto wood, linedwith bull leather draws the eye—it featureshidden compartments that slide languidlywith a gentle push. Lights by Michele deLucchi and crystal and porcelain decor fromthe La Table Hermès collection are scatteredabout for easy viewing.
A sweep of the interior space would reveala striking wall installation designed byJapanese architect Shigeru Ban. News of hiscollaboration with Hermès caused ripples inthe design world, and with good reason. Ban, the2015 Pritzker Prize awardee, created a series ofpanels that can be customized for walls or used
as dividers. Its holding structure is made fromaluminum and features a grid of H-shapedforms on which various panels upholstered inexquisite skins can be attached. Hermès offersa range of materials for the panels’ covers,including crocodile skin, cowhide, luxurioussilk-and-linen blends, cotton and abaca, andpure cotton. Shelving and drawers are also anoption, giving customers the freedom to craftinterior architectural details unique to theirpersonal spaces.
Hermès isn’t just about design or prestige; it’smore about a rarefied lifestyle. With the Maisoncollection, they invite you to take that delicateand special experience home.—DEVI DE VEYRA
30 E S Q U I R E • F E B R U A R Y 2 0 1 6
Natural calfskin leather jacket, poplin cotton shirt,cotton gabardine trousers, and Etriviere barenia
calfskin bracelet.
Style
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There is a good
possibility that with
care and a bit of
luck, a leather jacket
will outlive you,
your children, and
even your children’schildren. And when
made of calfskin,
which wears no
protective coating,
the garment will look
even better with use
as it gains patina
over time.
Natural calfskin leatherjacket, cotton jerseyT-shirt, lannel-and-woolcashmere trousers, andSteve bag. Sellier chair.
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Three new shops accommodate theexpanding tastes of men.
TAKING STOCK
BY MIGUEL ESCOBAR
PHOTOGRAPHS BY MAGIC LIWANAG
You don’t often allow yourself to admit it, but you like to shop. It’s easily half the fun of dressing well.
There’s the thrill of the chase—in the quest for a sport coat, a white shirt, or a pair of shoes that no one
else has and which took ages to find. That’s what men look for in a retail establishment—a shop where
they can discover pieces that are difficult to come across or unlike most others. And because of this
thirst for shopping, options are expanding. More and more stores are keen to provide men with what
they seek, and you’d be damned if you said you didn’t enjoy it.
Style
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CALVIN KLEIN PLATINUMYou’d be hard-pressed to name brands that are as globally
iconic as American fashion and retail titan Calvin Klein.
While CK is better known for its underwear and jeans (not
to mention its famously risqué advertising campaigns),
the house has long branched out into several sub-labels.
Among the newest is Calvin Klein Platinum—a label
launched by creative director Kevin Carrigan in 2014 as
the part of a reorganization of the company’s portfolio.
Platinum identi ies itself as a younger, more modern side of
the classic brand. With clear inluences from high fashion’s
present infatuation with sportswear and athleisure, the
men’s wear collection offers timeless silhouettes in
contemporary cuts and luxurious Italian fabrics like alpaca
wool, merino wool, cashmere, and silk. Black, white, and
shades of gray are the dominant colors across their current
offerings (with occasional blues). The brand stays true to
Calvin Klein’s proclivity for the traditional, the essential,
and the classic, while at once being current and decidedly
urban. Expect to ind clothes that are simple yet exquisite
on your visit.
SM Aura, Taguig City
From top right: Sport coat (P32,385), T-shirt (P10,985),and pants (P14,985). Leather jacket (P64,485) and shirt(P14,685). Opposite: Cardigan P23,985, shirt P12,985,and pants P17,685.
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TRYST STUDIOPeople have never taken to travel as much as they do now,
and one noteworthy effect of all this exploration is retail
inspiration. Consider Michele Chan, the food retailer who
was so captivated by Europe and European style that she
decided to bring brands from Italy, Spain, Germany, and
France to the Philippines through the new multi-brand
lifestyle shop Tryst Studio. “I feel that European fashion
is more classic, less lashy, and has better workmanship.
[Europeans] value these things,” she says in praise of the
culture and clothing she brings to Manila. Her selections
do give that impression: Incotex is an Italian label that
specializes in trousers with impeccable it; Barcelona-based
Koike carries shirts in playful, original prints; and RobertFriedman is another Italian shirt company that combines
Italian elegance with American style (these are their three
most popular men’s brands).
The priorities that tie Tryst’s brands together are clear:
they’re all relatively hard-to-ind specialty brands, priced
above the High Street range but well below the popular
luxury brands—just right, with a premium on quality and
uniqueness. “The brands that we chose all specialize in a
particular item. It’s all they do. In a way, they’ve mastered
it,” Michelle explains.
Since their early pop-ups and residence in Myth in Greenbelt 5,
Tryst has been quietly building a following, and is now expecting
to bring in more brands in the new year. Their fearless selection
of quality-irst brands has done well to bridge Europe to Manila.
Greenbelt 4, Makati City
Style
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Right: Shirt (P7,595) by Koike, pants (P11,995) by Incotex,shoes (P6,995) by Castañer, and hat (P3,495) by Bailey.
Opposite: Shirt (P8,295) by Robert Friedman and hat(P2,495) by Bailey.
Right, clockwise from top left: Shoes
(P6,995) by Castañer, bowtie (P2,695)by Altea, shirt (P8,595) by RobertFriedman, hat (P3,095) by Bailey,
scarf (P4,995) by Altea, and pants(P12,595) by Incotex.
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URBAN TRAVELLER & COOurs is an age deined by the Internet. And while the Fil ipino
man has only recently grown accustomed to buying things
online, web-based stores have been gaining ground against
their brick-and-mortar counterparts. Take Urban Traveller &
Co, the web-only store that carries bags and accessories
you won’t easily ind anywhere else. It started with Venque,
a Canadian brand of bags that entrepreneur and frequent
traveler Hans Fernandez decided to peddle locally. Once the
demand made itself clear, Hans took in more brands of the
same kind of goods: all utilitarian essentials of high quality
and design. Today, their product mix seems straight out of
an explorer’s wet dream: backpacks made of superstrong
quanta fabric from Venque (ideal for adventurers), slimwallets with hidden laps (for large bills) from Bellroy, and
weather-resistant, military-grade duffel bags from Bomber &
Company. Hans puts durability and longevity on a pedestal
when selecting his brands. “The Filipino man is becoming
more and more discerning about the items he carries every
day. We’re all looking for products that are of high quality,
durability, and function,” he says.
And because there’s no one to assist you right away in a
virtual store, the site has put together a Lifestyle Curator,
which narrows down products based on what you need.
Choose “minimalist” from the menu, and you will be faced
with a forest green portfolio, among others. Hans notes, “We
understand that people have different needs, and we want
to help match our customers with the perfect carry items.”
urbantravellerco.com
Laptop folio (P16,500) by This is Ground and wallet(P1,250 on notebook) by Natsu.
From top: Backpack (P10,000) by Archival, messengerbag (14,900) by Gnome and Bow, and backpack(P16,400) by Gnome and Bow.
Style
P H
O T O G R A P H S
( P R O D U C T S ) P A U L D E L R O S A R
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HONG KONG: INITIAL
THE LOWDOWN Steampunk
meets Asian dandy.The brand has turned a
subculture into a fashion
empire in Hong Kong,
where it was founded over
15 years ago.
BEST BETS The layering
pieces in subdued palettes.
Everything echoes a
vintag e feel th at makes
the most polished guy
look even cooler.
EXTRAS Hats—there is one
for every look. They’ve
expanded into homeware
and a dining concept, too.
Shop and eat.
532 Jaffe Road, Causeway
Bay; +852 2442 1433.
BANGKOK: SSAP
THE LOWDOWN Born in
New York and now based
in Bangkok, this cult brand
incorporates camo patterns
and Thai techniques in
fabric dying to create
streetwear, from graphic tees
to hoodies to track pants,
offered at friendly prices.
BEST BETS The reversible
jacket—camo on one side
and black or olive on
the other—is on its way
to cult status.
EXTRAS Denim track
pants, anyone?
Gin and Milk, Siam
Center; +66 2 658 1000.
HONG KONG:
NEW CREATIONS
CUSTOM TAILORS
THE LOWDOWN Its sartorial
staples with i mpeccable
fit will make it hard for
you to ret urn to t he world
of ready-to-wear. Here,
orders (bespoke shirts,suits, jackets) with all your
requested details, from
monogramming to collar
and lapel rolls, can be
finished in a few days. Tip:
Drop by the shop on your
first day in the city and have
yoursel f measured by the
owner, Ramesh Bhojwani
(he’s been making made-
to-measure pieces for men
around the world for over
40 years), and then pick
up your orders before your
flight back to Manila. He
can also have them shipped
right to your door for a
minimal fee.
BEST BETS Dress shirts in
a wide array of fabrics and
prints will please your
inner preppy.
EXTRAS Boardroom
neckties to go with
workwear button-down
shirts.
Holiday Inn Shopping
Arc, Tsim Sha Tsui;
+852 2721 6061.
SINGAPORE:
BENJAMIN BARKER
THE LOWDOWN Founded
by an Australi a-based
Singaporean, this men’s
wear label, with boutiques
scattered around the plush
shopping districts of the
city-state, offers an ultra-
dapper wardrobe.
BEST BETS An eclec tic
but elegant suit wil l make
you believe i n the power
of clothes to make things
happen—whether in the
office or on a night out.
EXTRAS Variation s of
coats, shirts, and pants can be embell ished w ith an
equally deep collection of
accessories: pocket squares,
suspenders, lapel pins,
ties, and leather footwear.
Avail of custom-fitt ing,
embroidery, and other
swanky finishes, as well.
benjaminbarker.co.
TOKYO: VISVIM
THE LOWDOWN This
premium men’s label is
known for mixing Native
Americ an elements
with modern Japanese
sensibilities in traditionally
crafted and detail-focused
garments, earning it a
cult-like status in global
streetwear. Each piece
boast s of the br and’s unique
construction and “vintage
craftsmanship,” which even
utilizes natural dyes or Sea
Island cotton that’s known
for exceptional softness.
BEST BETS If we can say
“everything,” we would,
but its prem ium price p oint
dictates otherwise. Invest in
outerwear, luxe sport coats,
jackets, or cardig ans t hat
are sure to last a lifetime or
its famous, sneaker-soled
FBT moccasin, a modern
rendition of the Native
Americ an leather shoe.
EXTRAS The brand is available
locally, but nothing beats the
mothership in Omotesando,
which also houses their first
café, Little Cloud Coffee.
Gyre, Jingumae Shibuya-ku;
+81 3 5468 5424.
For brand-new threads (including a custom suit that’s made in a few days),
consider these style destinations.
AND NOW, ONE(OR FIVE) FOR THE ROAD
BY NICOLE LIMOS
F E B R U A R Y 2 0 1 6 • E S Q U I R E 37
You can never say that Riccardo Tisci
of Givenchy is afraid of prints when
much his work has been powered
by iconography, whether it was a
snarling Rottweiler, a collage of
Bambi and a nude female form, or
the passion of Jesus imprinted like a
ghost on the sweatshirts and overalls
in his latest spring collection. More
than just a punch of graphic, these
visuals are statements of whatever
question Tisci may be exploring. Can
you be provocative? Are you a sinner
or a saint? Are we all prisoners (like
JC)? Heavy, right?
For men who might not be ready to
wear such statements emblazoned on
their chests, Tisci extends a helping
hand, releasing a one-off collection
inspired by the more elegant jacquard
motif of a club tie. Tisci reworked
the idea into something more
abstract and applied it on wearable
pieces like, for example, a reversible
bomber jacket, with the micro pattern
on its wool side and a clean wash
of black on its nylon half, plus
accompanying accessories.
If you are still on the fence about
putting on a print, even with such
a quiet design (from afar, it would
appear that you are covered in a
lourish of dots), we fully support
the compromise of breaking the suit.
Wear just the jacket or just the trouser.
Or wear your workday uniform but
carry the printed briefcase.
And what does this pattern say
about you? That you are playful,
adventurous, whimsical, or fun—to an
extent? Or that you are just trying this
for now? Whatever it may be, this is a
ine way to dive into the fearlessness
of prints.
Greenbelt 4, Makati City and Shangri-
La Plaza East Wing, Mandaluyong City.
Prints Please
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These days, timepieces are no longer purchased
simply for their practical function of keeping
time, but more for their artistry, and the
collective effort—driven by extreme, near-
obsessive perfectionism—that it took to create
such a thing of beauty and precision. Why else
would you spend the equivalent of a cool car or a
cushy condo on a wearable accessory?
“There is a very absurd dedication to the
highest level of quality that sets apart a certain brand, because it’s unnecessary… to spend
so much time laboring over a watch,” says
Ellen Sorensen, regional managing director
for Vacheron Constantin, the world’s oldest
watch manufacturer engaged in uninterrupted
activity since 1755. “It’s very artistic in the
way that an artist will work hard to search for
something beautiful, and more beautiful, and
more beautiful… and make something that the
world will like, and that’s what would really
make it turn on its head.”
It took seven years to create and launch the
Harmony collection, which is composed of seven
limited edition watches meant to celebrate the
260 years since Vacheron Constatin’s founding
by Genevan master watchmaker Jean-Marc
Vacheron. Apart from presenting dual-time
watches (including a smaller version in 18k
white or pink gold set with 88 diamonds), and
a chronograph (also with a smaller version in
18k pink gold set with 84 diamonds—the first
ladies’ chronograph for the brand), Vacheron
also created the world’s thinnest self-winding
split-seconds chronograph (only 10 individuallynumbered watches, each sporting a caliber