The Magic City of Birmingham, Alabama has engaged in many historical events that helped to shape and mold

history all over the world. With the Civil Rights Movement of the 1960’s the city of Birmingham was engulfed in

the most vehement hate ever seen anywhere across the South. Today, with the recent success of our very own for-

mer American Idol Winner Ruben Studdard, Taylor Hicks, and Bo Brice, it is now time for the city to take on its

epoch or new era. The entertainment industry is the most lucrative endorsement in the world. Through the many

palettes of talent offered here in Birmingham, Al the city could procure a monopoly of businesses. The city of Bir-

mingham should be a growing city similar to that of Atlanta, GA. We need more talented singers and dancers to

come to the forefront exposing their talents. Look at all the pride demonstrated by the city for our star Ruben

Studdard. Big prospering cities like California and New York finally started to pay close attention to the city of

Birmingham, Al. The more exposure and publicity the city receives will bring more money for business expendi-

tures. Just visualize the endless capabilities for the city. I can see it clearly. As an aspiring artist myself, I know

how laborious the effort can be making it into the entertainment industry. As a young teenager, I would go around

the city entering myself into the local talent shows at YMCA’s and the very popular nightclub. I was looking for

any information I could find on dance, vocal, and instrumental auditions. Had I been exposed to some type of lit-

erature to use as guidance with specific auditions, and tips on performing, this would have helped me tremendous-

ly.

Epok (pronounced as E-Pac) is an urban entertain-

ment magazine fabricated to expand culture aware-

ness in the areas of the arts. This magazine will be

much like Source, Rolling Stone, and Ebony maga-

zines. Epok magazine is designed to advertise the

local artistry in the inner city in the fields of vocal

and instrumental, rap, lyricists, dance, poetry, and

more. Epok will cover a plethora of topics from the

latest music, fashion, food, festive events in and

around the city of Birmingham, and the technology

of video shouting. The magazine will act as an ave-

nue for young, black, adolescents and give adults in

the locale an opportunity to display their businesses

and philanthropists skills. E-pok will also focus on

the outstanding black collegiate students of the city

to display their academic and athletic achievements.

The entertainment magazine will help the city of

Birmingham gradually economize through the 23rd

Century.

For the year 2012 and beyond the city of Bir-

mingham will attract many amenities like new

restaurants, banks, amusement parks, and shop-

ping centers. As for myself, I am emphatic in writ-

ing each article in Birmingham’s first authentic

urban entertainment magazine. This is not only a

challenge for me to write this magazine in its en-

tirety but it is also a chance for me to give posi-

tive feedback to my community. I will provide the

city of Birmingham’s youth and adults with infi-

nite knowledge about the entertainment industry.

In return, I hope that the magazine will allow the

city of Birmingham to recognize its full potential

as being the largest city in all of Alabama.

Love Always

Founder of Epok

Kenakia L. Simpkins

By: Kenakia Simpkins

he Gump, that’s Montgomery, Alabama. Port

City, Oh, that’s Mobile, Al. Hunts-Vegas got to be

Huntsville, Al. Home of the Trojans is Troy,

Alabama. Circle City, can only be Dothan, Al. Each

city has its very own trendy, nickname for which the

state is known as. Too long has the state of Alabama

become excluded of our rightful ownerships,

recognitions, and stripped of our titles. Some

exclusion’s is the fact of whether the city of

Birmingham is the largest city in the state of

Alabama and who owns the title as “The Magic

City.” Many people even believe that Montgomery,

Al is the largest city in Alabama. Ironically this is so

far from the truth. This mistake is being made by big

cities such as New York, California, Detroit,

Atlanta, and by the small surrounding states. Small,

rural cities like Montgomery, Troy, and Dothan, Al

have identified the term “The Magic City” as being

affiliated with Atlanta GA.

With the growing economy and numerous

recording artists beginning careers in the

entertainment industry in Atlanta, millions of people

flock to the scathe pace of the city. Atlanta celebrity

natives include R/B singers Usher, Ciara, Monica,

Ludacris, Young Jeezy, Yin-Yang Twins, Ludacris,

T.I., and Jermaine Dupri, attract over one million

tourist to the exciting pompous lifestyle of Atlanta.

Hundreds of your everyday Jane’s and Joe’s visit the

city of Atlanta to attend nightclubs that celebrities

frequently visit such as Club 112. Men travel from

around the world to visit the popular exotic dance

clubs The Blue Flame and ironically, “The Magic

City.”

For this reason many believe that Atlanta is “The

Magic City.” The Yin-Yang Twins (rapper duo

brothers out of Atlanta) even make reference to the

“The Magic City” and advertises “Magic City” in

their hit song “I YI’ YI.” The song pays homage to

the exotic nightclubs from the Blue Flame, Jazzy

Tease, and again “The Magic City.” Which city is the

“Magic City?” Atlanta or Birmingham? If you picked

Atlanta then you are 100% wrong! The Magic is in

the city of Birmingham, Alabama. Home to “The

Magic City” Classic football game. (Alabama State

University vs. Alabama A&M University.) What

many people do not know is the phrase “The Magic

City” was first coined in Birmingham, Alabama.

A man (name and identity is unknown) started an

exotic dance club here in Birmingham, Alabama

located on 3rd Ave North near the fairgrounds. Today

many would know this club as “The Palace.” (today

Mike’s Crossroads.) The idea of the exotic dance

club called “The Magic City” was then branched off

to Atlanta, GA to later become one of the most

popular dance clubs of the south. The would be

“Magic City” exotic dance club that was located here

in Birmingham was not as high maintenance as the

dance club located in Atlanta, GA but it was here in

Birmingham, Alabama domain first. Birmingham, Al

and Atlanta are only about two hours (depending on

how you drive) in distance from one another so this

is a simple mistake that may have filtered around.

For years, even through the broadcasting on radio

stations, Birmingham, Alabama has always been

known as W.E.N.N. “Magic” 95.7(now apart of

K.I.S.S.) and “Magic” K.I.S.S. 192.

As for Birmingham’s population, a census taken

in 2010 indicates that there are approximately

212,237 people residing in the city of Birmingham,

making it the largest city in the state of Alabama.

The capital, Montgomery has 205,764 people living

in the state. Dothan, Al has 65,496 people in the entire city.

Troy, Al last on the totem poles has only 18,033 people living

in the state. Birmingham is also known as “The Pittsburgh of

the South” due to the many years the economy was built on

steel mining.

The readers are probably wandering where is all the

“Magic” the city of Birmingham has to offer? For anyone

who comes to the city of Birmingham, Alabama can

guarantee there is “magic” on the prices here in the city. There

are cheaper prices on real estate, automobiles, commercial

property, food and even clothing. You even get more land for

your money in Alabama. Notice how people from New York

come to small cities similar to Birmingham able to live well-

off and become financially stable. With their fast-talking,

willing-to-take-a risk wittiness, any Northerner can come to

Alabama and easily setup shop quickly in the south. A

northerner can come to a city such as Huntsville, Al to live a

decent, comfortable life without the burden of worrying about

extreme, high crime rates which other cities like Washington,

D.C., Detroit, and New York experience.

Everyone must admit that during the 1960’s the city of

Birmingham had a lot of magical tricks up our sleeve. With

the freedom protest demonstrated by marches, boycotts, sit-

ins, and the arrestment of Martin Luther King Jr. in the

Birmingham City jail, “the magic” of Birmingham has been

sprinkled throughout the times in history. If it were not for the

horrific events seen every Black history month such as the

violent water-hosing of Black civil rights activists, and the

bombing of 16th St Baptist Church, many rights that veto

Blacks would still be extant today in Alabama.

We cannot overlook our Ruben Studdard’s majestic voice of

2003. Ruben helped push Alabama a few steps toward where

we need to be. He shot the very first music video ever in the

historical downtown Lynn Park in Birmingham, Al. And there

will be more videos by more talented artist here to come in the

‘Ham. We have big names like Rickey Smiley, model Cynthia

Bailey of reality show RHWOA, actor Hosea Chanchez of

“The Game,” Quinnes “Q” Parker of R/B group 112, football

sensation Terrell Owens, Grammy Award Winning Lionel

Richie, former American Idol winner Ruben Studdard, and

Gucci Man. Rickey Smiley has done I don’t how many years

of hosting BET’s Club Comic View. He’s allowed people

across the world to understand how we do it in the ‘Ham.

Every joke he tells on Comic View Rickey makes sure he

alludes to our Southern traditional churches in Kingston,

Ensley, or maybe West End. Even though everyone does not

always have a clue as to what this Southern comic is saying , it

still puts hope in my heart for Birmingham to have seen

Rickey Smiley on BET.

To top that off, Rickey and Ruben even did a piece together in

2005. So B’Ham doing Big Things.! All of this is important

for the state of Alabama to grow and prosper as a thriving

state. It is necessary to stake claim of titles in which we

already possess. So for all of the other states east coast, west

coast, Midwest and the dirty south, the city of Birmingham

would like to give big up’s to Atlanta’s success. But don’t get

it twisted! Atlanta is called ATL shawty! Other names for

Atlanta include The Baby New York, and Hot’ Lanta. Learn

your alphabets all over again because Atlanta is the Alpha

and Birmingham is the Beta. As for the city of Birmingham,

Al we are and always will be recognized as “The Magic City.”

in the state. Dothan, Al has 65,496 people in the entire city.

Troy, Al last on the totem poles has only 18,033 people living

in the state. Birmingham is also known as “The Pittsburgh of

the South” due to the many years the economy was built on

steel mining.

The readers are probably wandering where is all the

“Magic” the city of Birmingham has to offer? For anyone

who comes to the city of Birmingham, Alabama can

guarantee there is “magic” on the prices here in the city. There

are cheaper prices on real estate, automobiles, commercial

property, food and even clothing. You even get more land for

your money in Alabama. Notice how people from New York

come to small cities similar to Birmingham able to live well-

off and become financially stable. With their fast-talking,

willing-to-take-a risk wittiness, any Northerner can come to

Alabama and easily setup shop quickly in the south. A

northerner can come to a city such as Huntsville, Al to live a

decent, comfortable life without the burden of worrying about

extreme, high crime rates which other cities like Washington,

D.C., Detroit, and New York experience.

Everyone must admit that during the 1960’s the city of

Birmingham had a lot of magical tricks up our sleeve. With

the freedom protest demonstrated by marches, boycotts, sit-

ins, and the arrestment of Martin Luther King Jr. in the

Birmingham City jail, “the magic” of Birmingham has been

sprinkled throughout the times in history. If it were not for the

horrific events seen every Black history month such as the

violent water-hosing of Black civil rights activists, and the

bombing of 16th St Baptist Church, many rights that veto

Blacks would still be extant today in Alabama.

We cannot overlook our Ruben Studdard’s majestic voice of

2003. Ruben helped push Alabama a few steps toward where

we need to be. He shot the very first music video ever in the

historical downtown Lynn Park in Birmingham, Al. And there

will be more videos by more talented artist here to come in the

‘Ham. We have big names like Rickey Smiley, model Cynthia

Bailey of reality show RHWOA, actor Hosea Chanchez of

“The Game,” Quinnes “Q” Parker of R/B group 112, football

sensation Terrell Owens, Grammy Award Winning Lionel

Richie, former American Idol winner Ruben Studdard, and

Gucci Man. Rickey Smiley has done I don’t how many years

of hosting BET’s Club Comic View. He’s allowed people

across the world to understand how we do it in the ‘Ham.

Every joke he tells on Comic View Rickey makes sure he

alludes to our Southern traditional churches in Kingston,

Ensley, or maybe West End. Even though everyone does not

always have a clue as to what this Southern comic is saying , it

still puts hope in my heart for Birmingham to have seen

Rickey Smiley on BET.

To top that off, Rickey and Ruben even did a piece together in

2005. So B’Ham doing Big Things.! All of this is important

for the state of Alabama to grow and prosper as a thriving

state. It is necessary to stake claim of titles in which we

already possess. So for all of the other states east coast, west

coast, Midwest and the dirty south, the city of Birmingham

would like to give big up’s to Atlanta’s success. But don’t get

it twisted! Atlanta is called ATL shawty! Other names for

Atlanta include The Baby New York, and Hot’ Lanta. Learn

your alphabets all over again because Atlanta is the Alpha

and Birmingham is the Beta. As for the city of Birmingham,

Al we are and always will be recognized as “The Magic City.”

e’s back! With the follow up to his new mixtape “Me & My Music” Vol. 2. B. Sykes is not your ordinary

rapper that is usually overly cocky and obnoxious. Instead, B. Sykes is a laid back kind of guy, with a quiet

confidence that gets the job done. As B. Sykes would say it, “I’m just a cool ass cat.”

First things first the name is B. Sykes. “Byron Sykes because I am me on and off stage, in or out of the booth.” B.

Sykes represents the South, Decatur AL but he makes music for whomever can feel and relate to where he is coming

from. Regardless of where you may reside, Sykes has been seriously recording music for close to ten years now. So

he’s not at all new to the game.

B. Sykes has had some regional success with the singles, “Cool Cat”, and more recently “Aint She” (Yup), His most

recent work, “Me & My Music” mixtape Vol. 2, was released summer 2010 and he is enjoying a growing street and

internet buzz.

Epok Magazine caught up with the Alabama bound rapper, to talk with him about his new follow up release mix

tape, “Me & My Music” Vol. 2.

What’s been going on with B Sykes?

B.Sykes: Just working hard getting this mixtape out real heavy.

Who or what was your inspiration for this mixtape Vol. 2?

B.Sykes: My fans inspired me. So many people were asking, “When are you going to drop another cd?” So I had to

give them what they asked for.

How did you come up with the title for your mixtape “Me & My Music?”

B.Sykes: The title comes from a collection of original tracks and beats from other artist I like. I spit my flavor over

their beats. So its me and my music. Its the follow up to my last mixtape “Me & My Music.” So I just stuck to the

script and this is Vol. 2.

You always have that one banger for the ladies. Did you have one for the females on Vol. 2 as well?

B.Sykes: Ha! Yeah! I got a couple on this time. I did a remix to Kelly Rowland's, “Motivation” and a remix to Wiz

Khalifia’s, “Never Been.” They both going too!

What is your personal favorite off your mixtape “Me & My Music Vol. 2?”

B.Sykes: Hmmm I’d probably say track

one, “Real Talk.” I just spit for like three

minutes. No hook. Just bars. Some real

shit too!

What does “Real Talk” mean to you?

What do you want to convey or say to

the listeners on Real Talk?

B.Sykes: “Real Talk” is me saying who I

am and not trying to be put into anyone’s

box. Its me being myself. A ordinary

dude with extraordinary rap skills.

Lol…….

So far, what kind of feedback have

you been getting from “Me & My Mu-

sic Vol. 2?”

B.Sykes: Aww man! It’s been great! My

old fans say it better than the last mixtape

and my new fans say they love it. As

an artist that's what you want.

Where can the fans catch your perfor-

mances, shows, and download your

mixtape “Me & My Music Vol 2.?”

B.Sykes: Right now, we’re working on getting shows booked in the North Alabama area. You can download the

mixtape on Facebook.com/BSykesmuzik or Datpiff.com/Bykes.

Follow B. Sykes @

Facebook.com/B.Sykesmuzik

Twitter.com/@BSykes37

www.reverbnation.com/bsykesonline

Seven style embodies all the elements of what

real Hip Hop truly is. Her style brings to mind

earlier pioneers of 80’s rap MC Lyte and

Queen Latifah. Seven’s blazing hit “Brand

New” is a lyrical blessing from God. Though

Seven is not brand new to lyrical content, to

hear her on this single is a breathe of fresh.

Its “Lights, Camera, Action” when Mz Joi comes around. And she

has the swagger and jazzy personality to match. Never shy to the

camera, Mz. Joi always gives you style and grace with whatever she

brings. This Rapper/Songwriter is seen all over the place doing in-

terviews at Atlanta’s V103 and on the red carpet of The Soul Train

Award Show. Put Mz. Joi in any cypher and she will not disappoint.

Whether he is hosting an event for his signature saying, “Oh Kay” or rip-

ping the stage with one of his own hits, CC Mista FLA will make it

“Boomerang.” Signed to 100 Percent Entertainment with label mate Ben

Frank, (the producer of Yung LA ft. T.I. “Aint I”) and Lady Lace, CC

knows all good music must come full circle. Just releasing his new mix-

tape “Champion vs. Contender” whatever state of mind C.C.’s in, he keeps

banging out the hit tracks nonstop. So be sure to stay tuned for updates.

“How Bout It!”

If you ever wandered whose on the hook for Jackie Chain’s

“Rolling”, then look no further. Jhi Ali is known for his infa-

mous laid back or tongue twisting style on any hooks. One of

the members of rap group XO, Jhi Ali does things his own

way. From XO to PRGz, Jhi Ali rhymes move with the speed

of sound.

CP is without a doubt an example of what Southern pride is all

about. Known to many as Chris Pride, he hails from Huntsville,

Al. From his sarcastic and bad ass lyrical attitude, he exudes

Southern flavor. He has scores of radio hits with his group

Laponne and as a solo artist. Big hit singles like “Diamondz”

Featuring who, Mike Jones, CP has shut down many clubs. ‘I Do

It Well” to “Tear Dat Azz Up,” CP has a catalogue of more hits

to come.

Rudi Da-Ville is a force to be reckoned with. This deep husky voice

gets you ready everyday during WEUP’s 103.1 five o’clock traffic.

He even has his own dance called the Alabama Jook. How can you

beat that. Not merely just a Southern rapper but Rudi is also a Pro-

ducer of tracks for local artist right here in the Alabama. He’s

worked with the likes of B.o.B. and Trae just to name a few. Don’t

sleep on Rudi Da Ville because he’s coming hard like a tsunami.

Whether he is hosting an event for his signature saying, “Oh Kay” or rip-

ping the stage with one of his own hits, CC Mista FLA will make it

“Boomerang.” Signed to 100 Percent Entertainment with label mate Ben

Frank, (the producer of Yung LA ft. T.I. “Aint I”) and Lady Lace, CC

knows all good music must come full circle. Just releasing his new mix-

tape “Champion vs. Contender” whatever state of mind C.C.’s in, he keeps

banging out the hit tracks nonstop. So be sure to stay tuned for updates.

“How Bout It!”

Based on a scale of 1-5 Confederate Flags

Country Redneck

(Poor)

Country and slightly Backwoods (Not

Good)

Starting A Riot( Good) REVOLUNTIONARY (Excellent) ALABAMA MOVEMENT (Superior)

WHAT THEY WANT HOSTED BY DJ SCREAM &

CORY B FT. EDDY FONTANE

“What They Want” begins with a

soulful rendition of “People Are You

Ready.” Todd Marshall crooning on

the hook gives a solid representation

of the Southern life. While Translee

argues he’s not a conscious rapper,

he is very conscious of the high de-

mand for his music. From Alabama

to touring across the globe, “Hello”

Ft. Eddy Fontane is an interlude with

an old school 90’s flow. On a road-

less travelled, it seems that Translee

is glorified for all of his talents and

his shortcomings, which he takes

note of on the track “Glory.” Still

REVOLUNTIONARY MOVE

while everyone is dying to take a slice out of life, on “American Way”, Translee

forces everyone to see the correlation between the corporate working woman to

your everyday stripper. On “Who Knows” Translee thinks out loud about ques-

tions only he can answer. Reminiscing on his chances of meeting Collipark to if

he never went to college, to political ones of Jesse Jackson sharing MLK’s fate.

Translee questions a life without drama or a life without good or evil. You cant

have one without the other. “Here To Stay” is where the irony gets deeper. Eddy

Fontane strikes a chord within, as Translee speaks of an absent Mother and Father

only to replace the voids with a personified, surrogate substance to relieve his

stress. Transcending beyond his years, Translee leaves his fans with something

to ponder on.

“Without further Ado” starts off as a brash declaration of realness.

“Like me” Griz explains the love hate toggle-of -war that often

comes with the rise to the top. While many are anticipating his new

music, others are envious of his next move. With so many rappers

jaded by the money Griz on “Like Me” promises to remain true,

staying loyal to his up-bringing in the Alabama streets. “Oh Yeah”

is the typical hustlers night out in the club with much alcohol, drugs,

and money. Bouncing through the crowd at the Platinum club, Griz

and J Kush is looking to flash money and take your girl. Speaking

of ladies, “Make It Clap” is a brutally, honest, yet comical affirma-

tion to the ladies for an even trade off. No more buying drinks for

pretty ladies in the club only to be rejected by the end of the night. Griz believes in the barter system.

“Riding Clean” featuring The Establishment is something all Southerners can attest. Not quite driving a

Mercedes or Aston Martin? That’s okay because the Chevy’s and Impala’s in the South will always

shine on twenty-eights or better. “Plain 2 C” featuring J Kush has a catchy, ready for the radio hook

about winning and getting it in. Things start to get serious with “Rather Be.” Griz takes a dance with the

devil to choose a life of crime. Faced with everyday survival on the streets, Griz is haunted with conse-

quences to protect his life. If you looking for that upbeat riding music for your Chevy this is the one to

have.

WITHOUT FURTHER ADO HOSTED BY DJ SCREAM PRODUCED BY J KUSH FT. J. KUSH

STARTING A RIOT

Gritty Boi has come a long

ways since his days of

Boppers. “I Want In” his

latest mixtape demon-

strates just that. To smooth

out the roughness of the

hardcore reality of street life, Gritty Boi

brought along Pimpin Ken to add a little

standup comedy. “Money Hortas” featuring

Mook has some bounce for the club. This

track has a East Coast gangster feel to it.

You can definitely walk and twist your fin-

gers to this one. “Cut Throat” ft. 6 Tre

Gangsta is a hardcore anthem that speaks

of the street life with no apologies. “Push A

Pack” is a laid back track about ambitions

of making enough money to get out the

game for good. “Cross-Guard Traffic” is a

cool, funny analogy of your everyday

street pharmacy. Ladies beware. If you’re

afraid of the sharks in the water, stay clear

of the bad boys. “Sharks” is Gritty Boi

showing no love to females. “Hoe Ass Nig-

ga” is a track with an old school swagged

out sample, ft. Mic Strange pulling pretend-

ers cards on a daily basis. If you’re a G

deep into the hustle of the everyday streets

“I Want In” is a smooth chaser to help you

swallow it all down.

I WANT IN HOSTED BY PIMPIN KEN

STARTING A RIOT

STAK OR STARV INC PRESENTS DYNOMITE KID Y2K J.J. EVANS WHERE DA HATERS

AT? HOSTED BY DJ ILLIE ILL

Dynomite Kid is Southside

slumping as the new millennium

2012 J.J. Evans. “Where Da

Haters” At hosted by Core DJ’s

Illie Ill opens up with a slow mid

tempo track called “Hate On.”

Here DK addresses and clears up

all misconceptions between him

and the Haters. Money is the

kids only mission and he is not

concerned about anything else.

The mixtape picks up with “Do

It,” the power up track for the

clubs while your sipping on that

liquid courage to help get what-

ever you want off your chest. If

you need two reasons to cop

DK’s mixtape “Running To Da

Money” and “Haters Every-

where” debunks any reservation

one may have. Packed with am-

munition and ambition,

“Running To The Money” is

about chasing the success similar

to that of your modern day Don-

ald Trump. Everyone has them

but no one likes them, still some

how on “Haters Everywhere,”

Dynomite Kid has the ability to make everyone feel good about having Haters.

Switching up the style and tempo from the entire cd, “Lights, Camera, Action”

lets you know when DK steps out, he is not the average rapper dude but indeed

someone unique to see. Please do not be mislead, Dynomite Kid is not friendly

which he makes quite frank on “Speak N Beat Your Feet.” All in all, “Where Da

Haters At?” is a fun, turned-up, summer mixtape, with a lot of momentum to safe-

guard you against the Haters. Don’t believe me? Just fall off in your local club

and watch the crowd Southside Slumping. Dynomite Kid is guaranteed to get it

jumping. Lets go.

STARTING A RIOT

Jackie Chain has no problem owning up to who he is. For “After

Hours” mixtape, Jackie Chain caught up with NY’s own Nick

Catchdubs. Catchdubs has worked with a litter of Southern rappers

from Wale to Solider Boy. “Chevy” ft. PRGz Mata and Jhi Ali speaks of a cool

night riding through the city of Hunts-Vegaz. “Getting It” is a quick glimpse into

J.C. hustle from around the clock. For Jackie Chain a “Club Chick” comes a dime

a dozen while he is moving from city to city. Its no question that “Molly” is the

track that encompasses the true essence of who is Jackie Chain. The sister to

“Rolling,” Jackie Chain’s best work yet, “Molly” is Jackie’s endless search for

love in a capsule. When “The Night Is Young,” Ft. Freddie, for Jackie Chain the

outcome is a commercial, techno joint that is great for a nice rave party full of sex,

oxycotton, and lortabs. Snagging the sampled hook from Hip Hop Gods 8 Ball

and MJG, “Don’t Violate” sends a direct shot to Jackie Chain nemesis to not dis-

respect the game and to have his money. “Riding In Da Fo’ Do’ is just straight

classic Alabama pimping to the strip club and dodging the police. From weed

smoking, pill popping, codeine sipping, and alcohol makes a good “After Hours”

conversational piece that is music to the ears.

AFTER HOURS PRODUCED BY FOOLS GOLD NICK CATCHDUBS & BLOCK BETTAZ

REVOLUNTIONARY MOVE

“If you are still here

today and you’ve

been through any-

thing, you can change

and make a differ-

ence. Shake it off.

I’m a criminal, it’s

hard to get a job, I’m

a felon, I know. It’s

hard to do anything

unless you make it

yourself.”

ynomite Kid has been making a huge impact on the music scene in the South. His catchy records, passion

and talent all make for an interesting artist. Although his music is nothing less than amazing, the man be-

hind the beat is even more so. You may know him as Dynomite Kid but his family and friends know him as

“L-Jay.” Lajers Wheeler’s life began in Mullins, South Carolina on September 1,1983. His childhood was

complex. In the small town of Mullins where everybody knows everybody, his father was the main attrac-

tion. Affording his family the good life by means of hustling, there were secrets inside their household. Lajers

had a great father, but he was not a good husband. Infidelity and physical abuse got the best of his parents rela-

tionship. After the split of his mother and father at age 6, Lajers and his siblings moved to Huntsville, Ala-

bama. Their now single mother was struggling to make ends meet, working two or three jobs at a time. Lajers and

his small family bounced around from one project housing to the next. Even though his life was crazy this obvi-

ously inspired Lajers because at the ripe age of 12, he began writing. Throughout the years of trials and tribula-

tions he learned that writing turned into more of a coping mechanism to release the stressors of daily life. Writing

gave him a sense of freedom that he could not find anywhere else; a sense of sanity. Though this was an outlet, the

stress was too much for this young dreamer. Between the divorce, moving, lack of financial support and a dis-

missive father, by the age of 15 he was kicked out of the house, school and landed himself in prison by 17. Being

sent to prison was a volatile time in his life. This did not stop him from getting knocked with another 3 year sen-

tence just shortly after. During his time in prison he learned that all of his “mingling on the streets” was not worth

it. Through family deaths and friends losing their lives, he had a bit of a wake up call. Even when everyone

around him didn’t believe in him, his grandmother did. She never judged him for his past, all she wanted was to

see him successful and happy. Lajers used this as motivation to make it. Now that his grandmother is gone, he

always remembers her inspiring words. Music was always calling his name throughout those turbulent

years. Dynomite Kid’s story is truly a testament to any young boy who is trying to follow their dreams. Through

his music, he wants to show the world that you can do what he did . “If you are still here today and you’ve been

through anything, you can change and make a difference. Shake it off. I’m a criminal, it’s hard to get a job, I’m a

felon, I know. It’s hard to do anything unless you make it yourself.” He hopes that by sharing his story with

young dreamers like himself, that others can steer away from making mistakes ahead of time. “Being a thug is not

what’s cool anymore”, he says. He has been through it, he knows where he has been and he knows how to get out

of it. Throughout all of his struggles, success and failures he has learned that life is too short and is now on a hell-

bent mission to make it. With inspirations such as Wu-Tang Clan, Billy Ocean, Cameo and KRS One, you can

hear that his music has to be a mix of greatness. Everything in his life from his children to his fans drives him to

keep making great records. Lajers will continue to use his music to inspire the ones who were alone just as he was

at one time. Hopefully you can use Dynomite Kid’s music as your outlet.

“My album

“Don Mazerati”

released on the

29th of Novem-

ber. Literally

my album had

absolutely no

promotion oth-

er than online. I

did half

of Yelawolf’s

first week num-

bers with no

promotion.

First week I

sold about

20,000.”

pointed stars ancient origins are used in many religions with a variety of meanings. The

six points are said to stand for the six days of creation, and also represent the six attributes of

God which is Power, Wisdom, Majesty, Love, Mercy, and Justice. Other superstitions view the

six pointed star as the mark of the beast, a hexagram or a cursed mark. In modern day Israel, the

six pointed star is a symbol of Judaism. The star is also the same as the Star of David or Solomon’s

Seal. Whether it is viewed as The Double Triangle, The Shield of David or an occult symbol, the num-

ber six serves purposeful meaning in 6 Tre Gangsta’s life.

EPOK MAGAZINE:I’m sitting here with the legendary 6 Tre Gangsta from Birmingham, Al. One of the

biggest rappers out of Alabama. Lets talk about your new album “Don Mazerati”?

6 Tre G: “Don Mazerati.” Its my first official Def Jam Record release. Its considered a setup record. A setup rec-

ord is a c.d. that you release basically preparing the market for your coming out. Its to get activity out in the mar-

ket. To get people primed in order for you to come back and set the market. To set the market is to become one of

the premier releases in that quarter in your market.

EPOK MAGAZINE: How is your album “Don Mazerati” doing so far?

6 Tre G:It did well! My album “Don Mazerati” released on the 29th of November. Literally my album had abso-

lutely no promotion other than online. I did half of Yelawolf’s first week numbers with no promotion. First week I

sold about 20,000.

EPOK MAGAZINE: What collaborations did you have on this album?

6 Tre G: I had Young Buck on the album. I had Jona Crooner on the album. I picked up a Birmingham, Al legend,

MP. I got him on a couple of songs. Cotton Rowe has been with me thirteen years now and they definitely on the

album. That’s Codeine and Kush. Hollow Tip, who made the track for “Birmingham,” is also on the album.

EPOK MAGAZINE: Did you make any tracks on this album “Don Mazerati?”

6 Tre G: Oh yea! The tracks I produced most of those are on the bonus edition. The deluxe. The first one I pro-

duced is called “Down With Me” featuring another artist I was working with. His name is Psycho. The other one

is called “Get Away.” Another one called “Hands Up.” But as far as producing, I produce every record. As far as

making beats, I made about four or five. I record, mixed and mastered everything myself.

EPOK MAGAZINE: When did you first get signed? What was your first deal like compared to your deal

with Def Jam today?

6 Tre G: My first deal was in 1999 with Warner Bros. Records. That situation spiraled out of control because there

was never any control in the situation. I had an artist deal. I did seven years in prison. When I got out I had thou-

sands of songs. I ran into this club owner in Huntsville, Alabama name Joe Douglas (which is Frankie Beverly and

Maze’s Manager.) Joe and his staff were taken back by me and what I could do. So Joe signed me to a manage-

ment deal. My first record deal pretty much came from me going to Houston. I did eight records. Joe sent them

EPOK MAGAZINE: When you were with Warner Bros., how did Warner Bros. treat you?

6 Tre G: Warner Bros. treated me very well! The budget that Warner Bros. gave me was mismanaged and mishan-

dled. I had the biggest deal they gave an artist since Ice T at that time. Warner Bros. gave me a seven year deal worth

11.2 million dollars. My first budget was well over a million.

EPOK MAGAZINE: So you had a seven year deal with Warner Bros. During that time, what were your obliga-

tions as an artist? What were you doing?

6 Tre G: I wasn’t with Warner Bros. for seven years but I was in production for the majority of the duration of my

deal. I had a record placement on a HBO mini series called “The Corner.” It was about heroin addiction in Baltimore. I

made the theme song for it and we won an Emmy Award for that. At the end of the day, my record deal, flopped be-

cause the money was mismanaged. My management went to buying Hummers, suburban's, and Benzes. I wasn’t get-

ting none of that! Just being real. I ain’t get none of that shit!

EPOK MAGAZINE: So how long were you signed with Warner Bros.?

6 Tre G: I was with Warner Bros. like two and a half years. Time Warner and AOL merged around the year 2001. The

A&R’s at Warner Bros. knew the money was being messed over. So they designed a released form, which said there

was a breech of contract to let me get out my deal. Warner Bros. turned into a very short time spent at Columbia Rec-

ords. Columbia Records turned into Arista Records because Tony came in and got in the mix. He had something go-

ing on at Arista records that flopped. Then several years later Jive Records.

“I had a record place-

ment on a HBO mini

series called “The

Corner.” It was about

heroin addiction in

Baltimore. I made the

theme song for it and

we won an Emmy

Award for that.”

EPOK MAGAZINE: It didn’t workout at Warner Bros, Columbia, Arista, or Jive records. What is your situ-

ation today like at Def Jam Records?

6 Tre G: This deal (Def Jam) comes from my affiliation with No ID. No ID is the guy who produced all of Com-

mon Sense original music out of Chicago. He went from that to discovering Kanye West. Training him and teaching

him to produce. He (No ID) took Kanye West to Jay Z and got him signed. Now No ID is the President of the A&R

Department at Def Jam. We were very close. So I was able to ease up in Def Jam from a distribution standpoint. I

don’t have an artist deal. I have a label deal with Mazerati Records. Right now I’m operating independently with

major distribution.

EPOK MAGAZINE: How did you create the song entitled “Birmingham?”

6 Tre G: I think that would have had to start with Hollow Tip. So I was sitting around one day and he was playing

his music. He said, “Listen to this freestyle I did.” So he played this beat and it was for “Birmingham.” He was free

styling over it. He recorded it. So I’m listening and he said, “What you think man?” I told him, “I think its a waste of

a great track. I feel like that’s a record!” So I told him to play it back. It took me about twenty minutes to come up

with the pre-hook and the actual hook for the record. We recorded it. I promised him whatever I do with the song he

would be on it too. That record lingered for months.

EPOK MAGAZINE: What happened with you and Young Buck?

6 Tre G: After I came off my European tour, I got a management offer in 2010 from Murda Rich (Young Buck's

manager.) Murda Rich gave me some money and said, "Im going to manage you and take you to the next level. First

thing we gone do is a feature with Buck." But me and Buck chemistry was so strong that one feature turned into an

album. The first song was called "Money." We did three more that same day. After that "Hard Drugs" came from

that. But we never ever had any issues.

EPOK MAGAZINE: The song "I’m Fresh" was shot in New York. A lot of people were upset that the video

was not shot in Alabama. Why did you shoot your video "I’m Fresh" in New York?

6 Tre G: I didn't have no got damn money to shoot no got damn video! Tony, BMG, Jive label group fronted the ten

thousand and got 50 Cents director to come do it. And they called me and told me what to do and where to show up.

They booked the e-tickets and said its gonna be in Queens, New York at this particular location. From this director

this where he wanna take it. Look! I have a job! I’m a signed artist! I signed a recording deal with them.

EPOK MAGAZINE: Why do you think Alabama is not on the level it should be on? Do you think there is

unity in Alabama?

6 Tre G: Its Alabama! There is no unity. There is no unity within the record labels. You might have your clique

before its over, they gone turn on you! But before you get the check or get to the check, all that’s going to go sour!

We had more artist to come from Alabama than any state in the South. We place blame on everyone else. We're un-

derdeveloped here.

EPOK MAGAZINE: Who are your artist on Mazerati Records?

6 Tre G: Kodeine The Pusha Man and Kush. Together we make the group Cotton Rowe. We ain’t going no where.

My lil’ nigga's cold as fuck! They're go getters! They made their own fucking record label! They got my own em-

pire. They are the epitome of what I always wanted from anybody I worked with. One hundred percent loyalty. I got

Jona Crooner. Very dedicated. Very driven. I’m working with MP. MP is his own man. His own boss. But what I

do, I do a lot of consulting for MP. I distribute MP. We have a close relationship.

“I had Young Buck on the album. I had Jona Croon-

er on the album. I picked up a Birmingham, Al leg-

end, MP. I got him on a couple of songs. Cotton

Rowe has been with me thirteen years now and they

definitely on the album. That’s Kodeine and Kush.

Hollow Tip, who made the track for “Birmingham,”

is also on the album.”

EPOK MAGAZINE: What is your expectations for your record label Mazerati Records?

6 Tre G: My hopes, dreams, and aspirations for my label is for it to become a real machine. You know? I hope

when I get this bitter taste out my mouth and I become more open to working with artist again, it will (Mazerati

Records) already be developed to the point to where we put you in this machine and you go! That’s what I’m doing

now. I’m just developing the label. I’m not in no hurry. Everybody around me I’m watching very closely. My thing

is where is your heart. Shots out to Mazerati Redd. That’s my Marketing Director. That’s my fucking baby! My

heart! Y'all go follow her @Mazerati_Redd. She cold! She the star of the "Birmingham" video. Y'all gone flip the

fuck out!

EPOK MAGAZINE: Are you doing the BET Hip Hop Awards this year?

6 Tre G: I do it every year. I probably wont win nothing. I got nominated when my single "I’m Fresh" came out

for about eight or nine got damn awards! In 2009 or 2010.

EPOK MAGAZINE: Name me the Alabama Artist you rock with? Jackie Chain?

6 Tre G:My Dog! Yelawolf? 6 Tre G: My Son. Rich Boy? 6 Tre G: Ummmm........

Translee?

6 Tre G: Brilliant.

Mic Strange? 6 Tre G: My Son.

Slow Motions Sounds?

6 Tre G: Which one? Its three of them.

Mali Boi?

6 Tre G: Best guy in Huntsville, Al! Let me just expound on Mali Boi. A guy that really gets it. He knows how to

tend to his business. Make his fucking money. And leave the rest of y'all haters alone. Lab rat. Heart 100%. The

definition of being 100%! I love Mali Boi.

Artillery South?

6 Tre G: My mother fucking nigga! Man Cain! Hey we will go to war with anybody out here in these streets. I’m straight up Disciples! They straight Rolling Bloods! We don’t give a fuck because we men first! Cain is like a

brother. I’m all the way in with that guy.

Ken P?

6 Tre G:What! Are you serious! Me and Ken on another level. That’s my lil’ brother too! I’m the only artist

he ever saw a check with. I’m so proud. He used that and he's winning because of it. I love that nigga.

Ben Frank?

6 Tre G:I haven’t really had the opportunity to work with Ben. I don’t know Ben personally. For what I've heard

he is very advanced. He’s made some moves and I'd love to work with him.

M16 and Attitude?

6 Tre G: OMG! M16 we got the whole album together. I just did a record off his

album. Attitude is in my video "Birmingham." The thing about Attitude is he's got

one of the best hearts I ever seen. We all have our advantages when it comes to

doing music. Attitude my dog.

There you have it.

6 Tre G: Shouts out to the lovely KK. I appreciate you for staying patient with

me.

“Its Alabama! There is no

unity. There is no unity

within the record labels.

You might have your

click before its over, they

gone turn on you! But be-

fore you get the check or

get to the check, all that’s

going to go sour! We had

more artist to come from

Alabama than any state

in the South. We place

blame on everyone else.

We're underdeveloped

here.”

Hear Ye Hear Ye!!!!! Have you ever wondered about the Dirty South’s

lingo? Many who are not native to the South laugh at our slow-talking,

disdain, and lack of emphasis to the English language. But it is our

Southern drawl that makes Alabama so distinct. So take notes and read

every month for Epok’s ten word list of Bama-Bonics.

1.pie: n- Effeminate male lacking masculine qualities. Softy. sensi-

tive. Example: “ He a pie Ass dude!”

2. janky: adv– A person with bad luck; An indecisive or unsure individu-

al. Impulsive; Untrustworthy. Example: Dat Boy so janky!”

3. Aint It Maine-adj-Figurative phrase similar to other statements

like, “Aint that the truth.”

4. going ham: adv– To act wildly out of control; Over-excited; Hyperac-

tive.

5. go live: adv: to go all out for the cause.

6.Forfen: adv– to Forfeit. To back out of an agreement.

7. throwed: adv– Not articulate; crazy; Lacking coordination. Not atten-

tive; intoxicated; under the influence of a substance.

8.gator:-n-A thorough individual; A strong leader; A gangster.

9. Lucious– A left turn. “Bust this luscious right here.”

10. Rico– A right turn. “Lets make this rico right here.”

Martin Lawrence could be making his way

back to television real soon. CBS picked up

a new comedy pilot staring the former sit-

com actor. According to Hollywood Reporter

he’s set to play the role of a widower and fa-

ther of two teens. After losing his construc-

tion job, he decides to enroll into the police

academy to become a cop at the age of 46.

Produced by “$#*! My Dad Says” duo, Mike

Lisbe and Nate Reger, the show is another

test project for the pair. A previous show,

“How to be a Gentleman” was pulled shortly

after airing this season. If Lawrence’s show

is picked up, this would be his first return to

television since his hit show “Martin” ended

in 1997.

Beyoncé gave birth to her daughter Blue Ivy Carter in January

and it seems like the famous mom is already back on her

grind. Earlier this month we reported that Beyonce is already

beginning to prep two new albums and now she's apparently

in talks to appear in Ryan Murphy's upcoming film One Hit

Wonders. The film would be a musical comedy that could

potentially star B's pal Gwyneth Paltrow, as well as Reese

Witherspoon, Cameron Diaz and "Saturday Night Live" star Andy Samberg. The film would

follow Paltrow, Witherspoon and Diaz as pop stars who hit it big in the '90s as — you guessed

it — one-hit wonders. In order to gain back some of the pop-star recognition they once had, the

ladies join forces and form a supergroup. Samberg and his Lonely Island team would be in-

volved in coming up with the movie's songs. Beyoncé's role is still unknown.. The "Glee" crea-

tor would direct and co-write the screenplay with his frequent collaborators, Brad Falchuk and

Ian Brennan. He's expected to begin work on it after his big-screen adaptation of the play "The

Normal Heart." Deadline Reports that the film's idea came after Paltrow, Witherspoon and Diaz

dined with Murphy at New York hotspot Soho House and they all wanted to work on a fun pro-

ject together. The pitch to Sony Pictures chief Amy Pascal was reportedly scooped up in 10

minutes. Deals are currently being worked out. MTV News' email to Murphy's rep had not been

returned by press time. Regardless of how this film shakes out, Beyoncé is reportedly already

thinking about her music career again. Producer Ryan Tedder shared that the singer is prepping

several follow-up albums to 2011's 4. "The conversations about her next album literally just

started and there [are] two projects happening. All I can say is, you kind of feed her the best

that you have, and she's this phenomenal filter and she takes it all in." One of those albums may

be the soundtrack for the upcoming Clint Eastwood film "A Star Is Born," which the singer is

also attached to star in.

Lil Wayne is one of the hottest rappers in

the world, but it looks like he’s ready to

settle down he proposed to his girlfriend

Dhea on Valentine’s Day! Wayne, 29,

took to Twitter early on Feb. 15 to write, “She said yes!” This came after Media

Take Out reported that Dhea told Wayne

she was pregnant, and he cares about her

so much that he wanted to make their love

official! They also report that the wedding

will take place this spring. Dhea is a cock-

tail waitress, and if she is pregnant it will

be Wayne’s first child with her and his

fifth overall. Wayne just took to Twitter

again, writing, “Ohhhhhhh now I see

why! I meant “she said yes” to being my

valentine!!! Hahahahahahaha!” Y’all kra-zy!” Also be on the look out for Lil

Wayne’s new clothing line Truckers.

He wears two chains, he likes his women

in two’s, and now he will be picking up

two checks. Tity Boi has come up with a

stylish retro anti-radiation handset for any

smart phone. So for all my eighties babies,

you can chose between a variety of bright

colors and just plug it right into your

phone. This throwback phone can actually

set a stylish trend and you can have fun

while doing it. Remember getting tangled

in the long extended coil attached to the

fun? Well this bulky, playful phone will be

the main attraction to any room you step

foot into. And Tity Boi doesn't kill your

pockets with pricing. The Flex phone is

only $29.99. Want to set the trend this

summer, then be sure to pick up 2 Chainz

Flex phone.

He’s not afraid to tell you

that he is half Korean and

half white. While most Ala-

bama rappers are caught up

with only dominating the

Alabama sector, Jackie

Chain is able to run circles

around his competitors. For

one he seldom says, “No”

to anyone who asks him to

lace a verse on a track. Fan

or no Fan, if you’ve heard

about him or not, you can

always see him dabbing

everyone up with a hand-

shake and giving hugs.

Jackie stays in his lane and

knows exact where his

strengths lie. He under-

stands while its important to

get the support of your

hometown, its more eagerly

important to get outside the

state of Alabama.

“Don’t wait

on the label

to do shit!

Still grind

like an indie

artist.”

What’s been going on with Jackie Chain?

Jackie Chain: Just been on the road doing shows and staying in the studio grinding?

There have been rumors that you are signed to Universal or that your not signed. Are you still signed to

Universal Records?

Jackie Chain: I was signed with Universal/Motown but last year the whole label kind of folded for personal rea-

sons . So they moved a few artists like, me, Lil Wayne, Nicki Minaj, Drake, pretty much the whole Young Money

Squad, Kid Cudi and a few others to Universal/Republic. Its kind of like I got a new deal but I got the same A/R

and the same team I had at Motown.

How did you get your deal with Universal?

Jackie Chain: I first got noticed because of my song “Rolling.” And they just respected my grind.

What is your formula for working?

Jackie Chain: Balls to the wall! I get it in when it comes to grinding. You have to stay relevant in this game.

Who did you work with for your new mixtape “After Hours?”

I worked with a deejay out of New York named Nick Catchdubs, he is with Fools Gold Records and is huge on the

club scene. I wanted to reach out to another market, plus I got a nice fan base in that genre because of my

“Rolling” song. I got features from Freddie Gibbs, Gangsta Boo, PRGZ, Zilla, and a few other folks.

You have a lot of mixtapes like “Mr. VIP, Wax On Wax Off,” “Fear The Future”, and “Who Da Mane.” Do

you have a formula or strategy you use when creating mixtapes?

Jackie Chain: I actually got a lot more mixtapes out than that; Over ten. Most are only available for digital down-

load. I really don't have a formula. I just try and make the best music for how I’m feeling at the time. I love all mu-

sic so all different influences come out in my work.

What separates you from most of the rappers in Alabama?

Jackie Chain: Nothing really. I don't get hung up on who’s the best in the city or state. I know a lot of dope rappers

out of ‘Bama. Some real lyricists. I’m more of a street type rapper, than a lyrical rapper. I just speak what I know

and either you dig it or you don't. I’m a

dope dealing, weed smoking, whore get-

ting, Muthafucker.

Lol…… Nice. You worked with Bun B

before for your single “Get The Fuck

On.” How did you catch up with Big

Krit and Bun B again for your single

“Parked Outside?”

Jackie Chain: I was on tour with Krit for

like thirty dates so we got to be real cool.

He did the beat for “Parked Outside” and

when I heard it, I could hear Bun B on it.

So I just reached out to him (Bun B). He is

a real good dude plus he is a fan of mine

“I could hear Bun

B on it. So I just

reached out to him.

He is a real good

dude plus he is a

fan of mine which

is crazy to me be-

cause I grew up

listening to UGK. It

just all came to-

gether.”

which is crazy to me

because I grew up

listening to UGK. It

just all came togeth-

er.

Yes. Bun B is real

cool. He shows a lot

of love to Epok

Magazine. When

your on the road

performing what

song is requested by

fans “Rolling”,

“Molly”, or

“Blinded By The

Light?”

Jackie Chain: Yea

“Rolling” always

get’em going.

What was it like

performing with

Wiz Khalifa and Big

Krit?

Jackie Chain: It was

real dope. They both

have a great live

show and stage per-

formance. They real-

ly made me step my

game up when it

comes to my stage presence.

Where were you and how did you feel when your video “Parked Outside” was premiered on BET’s 106 &

Park?

Jackie Chain: I was in the car so I didn't actually see it live. But my homie Tivo’d it so I saw it later. It felt real

good for me and ‘Bama.

What is one thing you have learned now that you’re signed to Universal/Republic?

Jackie Chain: Don’t wait on the label to do shit! Still grind like an indie artist.

“I’m a dope dealing, weed smoking, whore-getting, Muthafuck-

er.”

For those who don’t know who you and are possibly living under a rock, let the readers know who you are.

M 16: I GO BY THE NAME OF M16. TUSCALOOSA'S OWN PRODUCER OF PLAYAZ CIRCLE "DUFFLE

BAG BOYS" FT. LIL WAYNE AND YOUNG JEEZY'S SINGLE "I DO" FT. JAY Z AND ANDRE 3000.

How long have you been making tracks?

M16: CONSISTENTLY FOR ABOUT 7 YEARS NOW.

Do you remember the very first track you ever created? What was the name of it?

M16: I DONT REMEMBER NAMING IT BUT IT WAS A BASIC DRUM PATTERN ON THE DR.5.

When and how did you get your start making tracks for major rap artist in the industry?

M16: OUT NETWORKING UNTIL I GOT HEARD.

How did you come up with the track for “Duffle Bag Boy?”

M16: I MADE THAT BEAT FOR A BEAT BATTLE. BUT DECIDED TO GIVE IT TO TIT (Tity Boi) TO SEE

WHAT HE THOUGHT ABOUT THE TRACK AND THE REST IS HISTORY.

Did you sit down personally to make “Duffle Bag Boy” with 2 Chainz (aka Tity Boi) or was the track al-

ready completed? What was the arrangement?

“I GO BY THE NAME OF

M16. TUSCALOOSA'S

OWN PRODUCER OF PLA-

YAZ CIRCLE "DUFFLE

BAG BOYS" FT. LIL

WAYNE AND YOUNG

JEEZY'S SINGLE "I DO"

FT. JAY Z AND ANDRE

3000.”

M16: THE TRACK. IT WAS ALREADY DONE.

When I found out that you did the track "I Do" for Young Jezzy I couldnt believe it. I was reading it in a

magazine which I feel they didn’t give you the credit you deserved for creating such a smash hit. They just

stated your name and that’s it. I was like, Wow..... here's another banger for Alabama! So how did you catch

up with Young Jezzy for "I Do"?

M16-I LEFT SOME BEATS FOR MY BRO DJ TOOMP AND HE PLAYED THE TRACK FOR JEEZY AND HE

LACED THE TRACK FROM THAT POINT.

What was it like working with Young Jezzy?

M16: I HAVENT PERSONALLY WORKED WITH HIM BUT FOR THE NEXT PROJECT WE ARE ARRANG-

ING THAT NOW.

What inspired you to create the track "I Do"?

M16: I’M JUST WANTING TO BE KNOWN FOR MY TALENTS. THATS HOW I TREAT EVERY TRACK .

Do you use a lot of samples from old school songs when creating tracks for artist?

M16:ITS HALF AND HALF. BUT I LIKE THE ART OF SAMPLING.

What’s your formula or creative process when your about to make a track?

M16:NOTHING TO DIFFERENT FROM THE NORM. I JUST START WITH A DRUM PATTERN AND GO

FROM THERE.

“I LEFT SOME BEATS FOR MY BRO

DJ TOOMP AND HE PLAYED THE

TRACK FOR JEEZY AND HE

LACED THE TRACK FROM THAT

POINT.”

What are three things you must have when you’re in the studio?

M16: PEACE, QUIET, AND BEATS BY DRE HEADPHONES.

I really enjoyed your last mixtape. “Alright, Alright” with Kevin Heart. That was hilarious! Lol... Are you

working on another mixtape?

M16: THANKS. YES I AM. ACTUALLY A FEW IN THE WORKS. ONE WITH DJ TOPSHELF AND ONE

WITH DJ DON CANNON.

What other major rap artist are you working with?

M16: Ludacris, Rich Boy, Rocko, Travis Porter, Wale, Vado, ZRo, Gucci Mane. The list goes on.

What would you like to see happen with this Alabama Movement?

M16:JUST FOR EVERYONE TO HAVE A SUPPORT SYSTEM WHEN SOMEONE IS MAKING THINGS

HAPPEN. EVERYBODY CANT SHINE AT THE SAME TIME. PEOPLE HAVE TO PLAY THEIR POSTION.

WE ARE TOO CLOSE TO HAVING THE PROPER RECOGNITION.

“JUST FOR EVERYONE

TO HAVE A SUPPORT

SYSTEM WHEN SOME-

ONE IS MAKING

THINGS HAPPEN. EVE-

RYBODY CANT SHINE

AT THE SAME TIME.

PEOPLE HAVE TO

PLAY THEIR POSTION.

WE ARE TOO CLOSE

TO HAVING THE

PROPER RECOGNI-

TION.”

Ever heard of Duece Komradez, Dirty Boys or Young Jarvez? Or maybe you’ve heard of M16,

Cotton Rowe, Laura Luke, or King South. You sleeping if you haven't heard the hits from these

Alabama native.

TOP 30 HIP HOP & R/B SONGS OF ALABAMA

1.YELAWOLF– LET’S ROLL

2. M16 “I DO” YOUNG JEEZY FT. JAY Z AND ANDRE 3000

3. Rich Boy– THROW SOME D’S ON IT

4. Ben Frank– AINT I

5. 6 Tre Gangsta-FRESH

6. Slow Motion Sounds-LACS N PRICES

7.Jackie Chian-ROLLING

8. TRANSLEE-WALK IN THE CLUB

9. KING SOUTH-CRY FOR YOU

10. Duece Commaradz– DOWN WITH THE SOUTH

11. CP/Laponne– DIAMONDZ Ft. Mike Jones

12. Mata/PRGZ– HELLO

13. Attitude-BLOW YA BACK OUT

14. RE’AL-ENCORE

15. Birmingham J.– (BACK IT ON UP) MOVE BACK

16. Mook– MONEY HOARDERS

17. MS SHYNE-SO OVER YOU

18 Mz. Joi– LIGHTS, CAMERA, ACTION

19. South Paw– ITS GOING DOWN WHERE IM FROM

20. Modesty Xo– WHAT YA GOT?

21. TAM TAM-MY LIFE IS REAL

22. Jhi Ali- MY WAY

23. Mic Strange– GOING HARD

24. Boy Wonda– ALL ON ME

25. King David– P.U.S.H.

26. Hater Proof-BY MYSELF

27. G-Mane-BEAT DOWN YOUR TRUNK

28. The Last Mr. Big– TIME TO GO TO TRAIL

29.DYNOMITE KID-HATERS EVERYWHERE

30.LAURA LUKE-BEAUTIFUL MISTAKE

Tell me all the names of the members in the group CSM?

Oskie: We have seven artist. Starting off with D Love and Scoota Boy. They were the ones on “Fall Back.” Then we

got Los. Then we got Sluggamane. Then we got AD. Then we got Gee. Then we got G-Bredd.

How did you guys meet? Who came up with the name CSM?

Oskie: Basically, I came up with the name CSM. It was like, I think I heard something similar to it. But Cant Stop is

subliminal. You know what I’m saying? Like I cant stop. I aint gone never stop doing whatever it is that I like do-

ing. I aint gone let nothing get in my way that’s going to stop me.

How long have you guys been knowing each other?

Oskie: I say, all our lives! Half of the artist are friends and family members. The other half, you know we just know

them from out the neighborhood.

How did you guys come up with the song “Fall Back?”

Oskie: “Fall Back” it just came up, you know when we were in the studio kicking it and chilling. D Love and Scoota

Boy and somebody was just like, “Man quit playing man! Fall back in this bitch! Chill the fuck out!” So you know,

we kind of came up with the concept like that. It went on from and started there.

One of my favorite lines from the song “Fall Back” is, “All in the Greenroom I’m looking for Nia Long”……

Who came up with that line?

Oskie: Thats ahhhh .……..D Love. Yeah that’s D Love right there.

Is there a dance for the song “Fall Back?”

Oskie: Yeah its a dance. You just joog and do ya thang! Then “Ya throw your hands up and let’em know you

clean.” Jig and bounce around.

Who produced the track “Fall Back?”

Oskie: Ben Frank produced the track.

Really? It doesn’t sound like one of Ben Franks traditional beats. Like “Aint I,” the track he did for Yung

LA featuring T.I.

Oskie: See the thing about it, we told Ben Frank we want our own sound! Create our own sound! So when he heard

our music develop on his tracks, he said, “Okay I got ya’ll sound.” So he matched that sound to what CSM (Cant

Stop Muzik) likes so it came out real good.

Who are some of you guys influences in the music industry? Who do you respect in the

industry?

Oskie: Right now man, I got to say, T.I., Kanye, Jay-Z ,Young Jezzy Rick Ross. Even Gucci

Mane. I respect his hustle; his grind mane. He made folks respect him man!

Its a lot of artist in Alabama. Everyone wants to rap, sing, and be in the music indus-

try. What is CSM goal? What are you trying to bring to the Alabama Movement?

Oskie. I mean we bringing a lot! I mean its not just for us or CSM we doing this for. You

know what I’m saying? We doing it for the whole state! All the kids. Everybody that feel like

they have been stepped on. We feel like when someone gets big out of Alabama they don’t

represent Alabama. They rep their city. We represent everything in Alabama! We let-

ting them know just because we in the industry doing what we do, we still coming back, giv-

ing back to the kids. Making sure they have things, like “Back To School Drives.” So you

know we trying to put on.

What is CSM style of music? Gangster rap, Conscious rap? Hood rap? Trap?

“D Love, Scoota Boy and somebody was just like, “Man quit playing man! Fall

back in this bitch! Chill the fuck out!” So you know, we kind of came up with the

concept like that. It went on from and started there.”

Oskie: I’m going tell you how we call it. See its something new. We dropping Country Clas-

sics! You know what I’m saying? Its a bit of some of everything. Its conscious. You can jig to

it. Its something to give you something to think about. Just everything. You know what I’m

saying? R/B. Something to slow groove to.

When CSM first released the song “Fall Back,” you got a lot of air play on the radio.

What kind of feedback did you get from the city of Huntsville? How did you feel with the

support CSM received?

Oskie? Man it was great! I cant lie! The city like really put on for us. They represented that. So

I can say, shout out to my city Huntz-Vegas because they put on for us! We was on the air jig-

ging and all in the clubs we go to, everybody in there was jigging doing there thing.

What’s next in the future for Cant Stop Muzik?

Oskie: We got the reunion album coming. Like I said everybody has made it back home. We

all together now. So we probably ten to fifteen songs in now. We recorded like thirty to forty

songs and pick from them. So that’s what we got coming up. Shout out to your girl at Epok

Magazine. Know what I’m talking bout? CSM getting it in! CSM in with her now! So you

know we turned up!

“I mean its not just for us or CSM we

doing this for. You know what I’m say-

ing? We doing it for the whole state! We

represent everything in Alabama! ”

Born Sept. 1, 1984, Naimah Elmore is a female artist from Birmingham, Alabama. Raised in the Mormon

Church, Na’imah meaning “A blessing in Paradise” is what she truly brings to her music and entertain-

ment. She began her music career at age five but she insists that Hip-Hop/rap music was her life at age eleven.

Writing and recording her own music, Naimah and her childhood friend formed a female duo group called, “Threat

2 Society.” By 2010, the group was disband. Now branching off and becoming a solo artist, Naimah released her

first single “We the Crunkest,” from her first mixtape “A Legend Before the Money.” “We the Crunkest” was re-

leased in 2011 and is available on ITunes, Zune and many other websites. Now for 2012, Naimah is back with her

new single and video “HD LIFE.” Keep your eyes on the prize. There is still much more to come from

this talented, young, female artist.

Describe yourself? Who is Na’imah?

NA’IMAH: I’m a very humble person and artist. At times I can be arrogant or a little cocky. That’s’ because you

don’t see too many female artist grind like me! I’m a perfectionist and very intelligent. Always bring my “A” game

no matter what!

When did you know you wanted to pursue music?

NA’IMAH: At the age of eight when I started playing piano. But I didn’t get involved in rapping until 1996.

So you play piano? Do play by ear and do you think playing the piano adds or helps you in the creative pro-

cess when writing?

NA’IMAH: Yes I do! It relaxes my mind when it comes to writing something outside the box. I’m learning to play

by ear, but mostly musical. One day, before I have a show I’m going to play the piano then bust into my rap! I’m

very creative when it comes to music. Lol….

Name one Classical piece that you play?

NA’IMAH: I haven’t mastered it yet, but I’m getting there. “Requiem” by Wolfgang Mozart.

Who inspires you to do music? Industry wise. Family? Friends?

NA’IMAH: God, my parents; Everlener, Cade who is my best friend. My Aunt Jackie. (She was one of my biggest

inspirations. She passed last year do to failure from a stroke). My grandparents, all of my Aunts and Uncles. Alonzo

(close family friend). My Label M.S.E./Presidential Gorilla Movement! Man! I can go on for days! At first they

(my family) didn’t see the vision that I saw, but now they understand.

What do you think about the female rappers in the music industry today? Are the female rappers lacking

anything? Do you have any favorites?

NA’IMAH: I think we are finally being heard! Meaning we have always been in the industry, but it seems like all

the women started fading away from the music scene! Are we lacking? Yes. Because this industry is male dominat-

ed. They (men) only have to bring 100% to the table. By us being women, and in order for us (women) to make a

mark or earn respect, we have to bring 300%! We lack the hustle and grind! Roxanne Shuntae is still my favor-

ite because of how she stood up to men.

Does your name Nia’mah mean anything?

NA’IMAH: Yes. Its origin is Muslim/Arabic. It means, “A Blessing in Paradise.” And that’s what I’m bringing to

the industry! Lol…..

Good answer! Speaking of bringing something to the industry, what style and flavor is Na’imah bringing to

help the rap game?

NA’IMAH: Beast mode! I’m mixing all types of music with different beats. A little Techno, Crunk, R/B, and Hip

Hop. I’m just trying to touch a different person everyday. Something everybody relates to or can say a friend went

through. I’m bringing different!

Love it! Before we go, you have to show some love and give Epok Magazine a shout out.

NA’IMAH: I wanna say that I love Epok for this great movement! You all are wonderful and about business! I love

what you all are doing. I give ya’ll ten stars all day! And I recommend if artist wanna be heard, they need to network

with Epok Magazine! I love you all! Thanks for another blessing in my life.

Twitter.com/Namiah96

“I think we are finally being

heard! Meaning, we have al-

ways been in the industry,

but it seems like all the wom-

en started fading away from

the music scene! Are we

lacking? Yes. Because this

industry is male dominated.

They (men) only have to

bring 100% to the table. By

us being women, and in order

for us to make a mark or earn

respect, we have to

bring 300%! We lack the

hustle and grind! Roxanne

Shuntae is still my favor-

ite because of how she stood

up to men.”