entry chesterwood | the meadowlark · 22’-5” x 14’-9” livingroom 25’-1” x 17’-0”...

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CHESTERWOOD | THE MEADOWLARK STOCKBRIDGE, MASSACHUSETTS NORTH ELEVATION SCALE: 1/8” = 1’-0” EAST ELEVATION SCALE: 1/8” = 1’-0” SOUTH ELEVATION SCALE: 1/8” = 1’-0” FIRST FLOOR PLAN SCALE: 1/8” = 1’-0” SECOND FLOOR PLAN SCALE: 1/8” = 1’-0” SECTION BB’ SCALE: 1/8” = 1’-0” CHESTERWOOD SITE PLAN SCALE: 1:2000 In 1896 noted American sculptor, Daniel Chester French, established his summer home and studio in the Berkshire Hills near Stockbridge, Massachusetts. French created works such as the Sitting Lincoln for the Washington, DC, Lincoln Memorial in his Berkshire’s studio. His studio and residence were designed by the famous architect of the Lincoln Memorial, Henry Bacon. Due to French’s contribution to American art, his estate in the Berkshires, called Chesterwood, has become a significant historic site to commemorate his work and life. While it was in the main studio of the estate that French mostly worked, there is another studio at Chesterwood. As French acquired commissions, the main studio became increasingly difficult to work in due to numerous visitors, his clients, two assistants, models, a studio boy, and frequently a plaster caster. As a result, in 1905, French hired local architect Will Hawkins to build another studio on the estate to rediscover the tranquil atmosphere he needed to work. Hawkins designed a smaller studio across the road from the main house and studio, located on the crest of a hill, which overlooks the Housatonic River. One of the features of the “lower studio,” now known as Meadowlark, was a porch that jutted out over the steep hillside. By walking down the hill and looking back up towards the porch, French could assess sculptures and how they might look placed on a five-story building—an invaluable tool for preparing outdoor sculptures. Like the main studio, the main feature of Meadowlark is its large, two-story high room, in which French worked. Originally, the only other room in the studio was a small casting room, but the studio has since expanded by converting the casting room into a kitchen and adding two bedrooms, a closet, and a bathroom. Today, visitors have the opportunity to stay overnight in French’s second studio. WEST ELEVATION SCALE: 1/8” = 1’-0” 0 1 2 4 METERS 1:96 0 5 10 20 FEET 1/8” = 1’-0” GLENDALE ROAD WILLIAMSVILLE ROAD MAIN STUDIO MAIN HOUSE MEADOWLARK HOUSATONIC 0 100 200 400 FEET 0 25 50 100 METERS RIVER N SECTION AA’ 0 5 10 20 FEET METERS 0 1 2 4 N UP DECK 22’-5” x 14’-9” LIVINGROOM 25’-1” x 17’-0” BEDROOM 1 16’-2” x 16’-3” KITCHEN 8’-4” x 7’-7” HALL CLOSET BATHROOM DN BEDROOM 2 16’-3” x 16’-3” COMPETITION WINNER ENTRY

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Page 1: ENTRY CHESTERWOOD | THE MEADOWLARK · 22’-5” x 14’-9” livingroom 25’-1” x 17’-0” bedroom 1 16’-2” x 16’-3” kitchen 8’-4” x 7’-7” hall closet bathroom

CHESTERWOOD | THE MEADOWLARKSTOCKBRIDGE, MASSACHUSETTS

NORTH ELEVATIONSCALE: 1/8” = 1’-0”

EAST ELEVATIONSCALE: 1/8” = 1’-0”

SOUTH ELEVATIONSCALE: 1/8” = 1’-0”

FIRST FLOOR PLANSCALE: 1/8” = 1’-0”

SECOND FLOOR PLANSCALE: 1/8” = 1’-0”

SECTION BB’SCALE: 1/8” = 1’-0”

CHESTERWOOD SITE PLANSCALE: 1:2000

In 1896 noted American sculptor, Daniel Chester French, established his summer home and studio in the Berkshire Hills near Stockbridge, Massachusetts. French created works such as the Sitting

Lincoln for the Washington, DC, Lincoln Memorial in his Berkshire’s studio. His studio and residence were designed by the famous architect of the Lincoln Memorial, Henry Bacon. Due to French’s contribution to American art, his estate in the Berkshires, called Chesterwood, has become a s i g n i f i c a n t historic site to commemorate his work and life.

While it was in the main studio of the estate that French mostly worked, there is another studio at Chesterwood. As French acquired commissions, the main studio became increasingly difficult to work in due to numerous visitors, his clients, two assistants, models, a studio boy, and frequently a plaster caster. As a result, in 1905, French hired local architect Will Hawkins to build another studio on the estate to rediscover the tranquil atmosphere he needed to work. Hawkins designed a smaller studio across the road from the main house and studio, located on the crest of a hill, which overlooks the Housatonic River.

One of the features of the “lower studio,” now known as Meadowlark, was a porch that jutted out over the steep hillside. By walking down the hill and looking back up towards the porch, French could assess sculptures and how they might look placed on a five-story building—an invaluable tool for preparing outdoor sculptures. Like the main studio, the main feature of Meadowlark is its large, two-story high room, in which French worked. Originally, the only other room in the studio was a small casting room, but the studio has since expanded by converting the casting room into a kitchen and adding two bedrooms, a closet, and a bathroom. Today, visitors have the opportunity to stay overnight in French’s second studio.

WEST ELEVATIONSCALE: 1/8” = 1’-0”

0 1 2 4

METERS 1:96

0 5 10 20

FEET 1/8” = 1’-0”

GLENDALE ROAD

WILLIAMSVILLE ROAD

MAIN STUDIOMAIN HOUSE

MEADOWLARK

HOUSATONIC

0 100 200 400

FEET0 25 50 100

METERSRIVER

N

SECTION AA’0 5 10 20

FEET

METERS

0 1 2 4

N

UP

DECK22’-5” x 14’-9”

LIVINGROOM25’-1” x 17’-0”

BEDROOM 116’-2” x 16’-3”

KITCHEN8’-4” x 7’-7”

HALL

CLOSET

BATHROOM

DN

BEDROOM 216’-3” x 16’-3”

COMPETITION WINNERENTRY