engl 4860: special topics in film studies the gangster film spring 2011 room: ph 322

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ENGL 4860: Special Topics in Film Studies The Gangster Film Spring 2011 Room: PH 322 Day/Time: Monday, 430-730 pm Gangster Film

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ENGL 4860: Special Topics in Film Studies The Gangster Film Spring 2011 Room: PH 322 Day/Time: Monday, 430-730 pm. Gangster Film. 2/28/11 | Meeting 6 The Long Good Friday (John Mackenzie, 1981; 114) Reading: Williams (GFR, 237) Spring Break, March 7-13. Gangster Film. - PowerPoint PPT Presentation

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Page 1: ENGL 4860:  Special Topics in Film Studies The Gangster Film Spring 2011 Room: PH 322

ENGL 4860: Special Topics in Film Studies

The Gangster Film

Spring 2011Room: PH 322

Day/Time: Monday, 430-730 pm

Gangster FilmGangster Film

Page 2: ENGL 4860:  Special Topics in Film Studies The Gangster Film Spring 2011 Room: PH 322

Gangster FilmGangster Film

2/28/11 | Meeting 6 The Long Good Friday (John Mackenzie, 1981; 114)Reading: Williams (GFR, 237)

Spring Break, March 7-13

Page 3: ENGL 4860:  Special Topics in Film Studies The Gangster Film Spring 2011 Room: PH 322

Gangster FilmGangster Film

Brighton Rock (John Boulting,

1947)

Important British Gangster Films

Important British Gangster Films

Page 4: ENGL 4860:  Special Topics in Film Studies The Gangster Film Spring 2011 Room: PH 322

Gangster FilmGangster Film

Performance (Donald Cammell &

Nicholas Roeg, 1970)

Important British Gangster Films

Important British Gangster Films

Page 5: ENGL 4860:  Special Topics in Film Studies The Gangster Film Spring 2011 Room: PH 322

Gangster FilmGangster Film

Get Carter (Mike Hodges, 1971)

Important British Gangster Films

Important British Gangster Films

Page 6: ENGL 4860:  Special Topics in Film Studies The Gangster Film Spring 2011 Room: PH 322

Gangster FilmGangster Film

The Long Good Friday (John

Mackenzie, 1981)

Important British Gangster Films

Important British Gangster Films

Page 7: ENGL 4860:  Special Topics in Film Studies The Gangster Film Spring 2011 Room: PH 322

Gangster FilmGangster Film

The Krays (Peter Medak, 1990)

Important British Gangster Films

Important British Gangster Films

Page 8: ENGL 4860:  Special Topics in Film Studies The Gangster Film Spring 2011 Room: PH 322

Gangster FilmGangster Film

Lock, Stock, and Two Smoking Barrels (Guy Ritchie, 1998)

Important British Gangster Films

Important British Gangster Films

Page 9: ENGL 4860:  Special Topics in Film Studies The Gangster Film Spring 2011 Room: PH 322

Gangster FilmGangster Film

The General (John Boorman, 1998)

Important British Gangster Films

Important British Gangster Films

Page 10: ENGL 4860:  Special Topics in Film Studies The Gangster Film Spring 2011 Room: PH 322

Gangster FilmGangster Film

Snatch (Guy Ritchie, 2000)

Important British Gangster Films

Important British Gangster Films

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Gangster FilmGangster Film

Sexy Beast (Jonathan Glazer,

2000)

Important British Gangster Films

Important British Gangster Films

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Gangster FilmGangster Film

Layer Cake (Matthew Vaughan,

2004)

Important British Gangster Films

Important British Gangster Films

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Gangster FilmGangster Film

The Film

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Gangster FilmGangster Film

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Gangster FilmGangster Film

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Gangster FilmGangster Film

Page 17: ENGL 4860:  Special Topics in Film Studies The Gangster Film Spring 2011 Room: PH 322

Gangster FilmGangster Film

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Gangster FilmGangster Film

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Gangster FilmGangster Film

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Gangster FilmGangster Film

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Page 22: ENGL 4860:  Special Topics in Film Studies The Gangster Film Spring 2011 Room: PH 322

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Long Good Friday

Cast

Page 23: ENGL 4860:  Special Topics in Film Studies The Gangster Film Spring 2011 Room: PH 322

Gangster FilmGangster Film

Bob Hoskins—Harold Shand

Page 24: ENGL 4860:  Special Topics in Film Studies The Gangster Film Spring 2011 Room: PH 322

Gangster FilmGangster Film

Helen Mirren—Victoria

Page 25: ENGL 4860:  Special Topics in Film Studies The Gangster Film Spring 2011 Room: PH 322

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Eddie Constantine—Charlie

Page 26: ENGL 4860:  Special Topics in Film Studies The Gangster Film Spring 2011 Room: PH 322

Gangster FilmGangster Film

Paul Freeman—Colin

Belloq in Raidersof the Last Ark

Page 27: ENGL 4860:  Special Topics in Film Studies The Gangster Film Spring 2011 Room: PH 322

Gangster FilmGangster Film

Pierce Brosnan—IRA Hit Man

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Gangster FilmGangster Film

Notes from the Mackenzie DVD Commentary

The music by Francis Monkman—a classical composer who did rock to cut loseOpening—was originally more mysterious, a tracking of the suitcaseThe original title was The Paddy FactorThe Troubles—always Mackenzie’s wish to include; wanted the film to be Terrorist vs. CapitalistNo Ireland reveal in the opening sequenceLong Good Friday—working title only, but it stuck

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Gangster FilmGangster Film

Notes from the Mackenzie DVD Commentary

The Concorde

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Gangster FilmGangster Film

Notes from the Mackenzie DVD CommentaryWanting to avoid traditional London icons—no buses, cabs

Page 31: ENGL 4860:  Special Topics in Film Studies The Gangster Film Spring 2011 Room: PH 322

Gangster FilmGangster Film

Notes from the Mackenzie DVD Commentary

How can you blow up a Rolls Royce?—he was repeatedly asked this questionHarold’s patriotism; his speech on the river, his kiss-off to the MafiaMackenzie estimates he has seen the film 400 times

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Gangster FilmGangster Film

Notes from the Mackenzie DVD Commentary

On location or built sets, but not one scene in a studio.

Page 33: ENGL 4860:  Special Topics in Film Studies The Gangster Film Spring 2011 Room: PH 322

Gangster FilmGangster Film

Long Good Friday

Locations

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Gangster FilmGangster Film

Heathrow Airport—Sarah Lavery arrives (photo by David Lavery, Spring 2007)

Page 36: ENGL 4860:  Special Topics in Film Studies The Gangster Film Spring 2011 Room: PH 322

Gangster FilmGangster Film

The New London—The London Eye on the Thames (photo by David Lavery, Summer 2007)

Page 37: ENGL 4860:  Special Topics in Film Studies The Gangster Film Spring 2011 Room: PH 322

Gangster FilmGangster Film

Tower Bridge—from the Thames (photo by David Lavery, Summer 2007)[Harold Shand talks before this same image at 21:19.]

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Gangster FilmGangster Film

The Thames from a Tour Boat (photo by David Lavery, Summer 2007)

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Gangster FilmGangster Film

The New London—from a Thames Tour Boat (photo by David Lavery, Summer 2007)

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Gangster FilmGangster Film

The Docklands Today (photo by David Lavery, Summer 2007)

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Gangster FilmGangster Film

The Docklands Today (photo by David Lavery, Summer 2007)

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Gangster FilmGangster Film

The Docklands Today (photo by David Lavery, Summer 2007)

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Gangster FilmGangster Film

Notes from the Mackenzie DVD Commentary

The Humo[u]r of Harold Shand:

“You don’t go around crucifying someone outside a church on Good Friday.”

“Colin would never hurt a fly except when it was necessary.”

“Apart from his asshole being fifty feet away from his brains.”

“Helllo Parky. I’m afraid the dinner has got a little bit burned.”

“Shut up you long streak of paralyzed piss. What I am looking for is someone who can contribute to what England has given to the world. Culture. Sophistication. Genius. A little bit more than a hot dog, know what I mean?”

Page 44: ENGL 4860:  Special Topics in Film Studies The Gangster Film Spring 2011 Room: PH 322

Gangster FilmGangster Film

Notes from the Mackenzie DVD Commentary

The boy Harold gives money to in Brixton—Dexter Fletcher—would later have a role in Lock, Stock, and Two Smoking Barrels.The pub that blew up, a built set, began attracting customers.The gang gathering—mostly actual gangsters.Illuminating St. Paul’s—Jeff and Victoria in the car.Difficulty of hanging people upside down in the abattoir.There was supposed to be a love scene after the abattoir.The distributors did not like that Harold lost to the IRA; they wanted to bury the film.Jeff was not originally killed on the boat. Mackenzie replaced anaction scene—a car chase—with real drama.The bottle was an afterthought. The fake bottles were madeovernight.Mackenzie hates blood and looks away when he watchesJeff’s killing.Sold to Handmade Films (George Harrison’s film company) for800,000 pounds (about a $1,000,000)