ed kahn folder20 merletravis 1

8/6/2019 Ed Kahn Folder20 MerleTravis 1

1/82

PROFESSIONAL COpycop is intended for the use of PROFESSIONAL SINGERS ONLY, and anyfound el ling it or exposing it lor sale, is liable to a fine or imprisonmentoth, on will be prosecuted, under the Copyright Law, by the PUBUSHER.

Words and Music bMERLE TRAVIS anTEX ATCHISON

c Gl 7 .- ' . . . . . c : t . _ _ ? t1Yes, I know youve tost your on - Iy true love And the life you_j'j I , 1 1 .~ :: . . . ~ r i- f ..i i !~ - = - ~S;: .. -,j ~ r f. r< 7 " - :i - 4 t . iT - Ir, C7

- ' r r . ,live is not worth - while But r'n bet you'd be sur - prised youdfl 1~ . . . . . . . "'I tf"lr- ~r = = ~ - . . . , b , . - ~ 41 -~ it ~

c

F D7 G7' "oj . . . I t . . . .. ,on - ly dry your eyes, And see how sweet it is to wear a smile1\ J 1.J i"..t r t r #!' ~ " '*11 ..... . . ~ I e r I r.r

- .t . . . . - I 1tCopyright 1946 by AMEiUCANMUSIC, fNC 9109 Sunset Blvd., Hollywood 46, Colif.International Copyright &ecured Printed in U.S.A. .Al l rights reserved including the right of public performance for profi t.


2/82

CHORUSG7 c Cdi F C G71\ m: .., - - " . . . u_:zt I:I.When you smile the whole world smites with you And your life is

2. (Just like) birds of feath- er al - ways do Hap-py hearts w i l l3. (Dont ., hang your head in mls - er - y AJ- though life and4. (So __ ) dry your eyes and don't be blue And those mem - o -' " : ..., f J ~ r - I 1 t 1 ! e f " ' . . . : - i r ~ , 1 ' r , - if f. r , r :it .t . . . . . . 1 . . . .

I~~,..

c G7 C Cdim F C G7" .il ...- " . . . lJjust a hap - py song Lovewon't lin - ger with a heart that's bluegath- er in a throng __ But_ sor - row loves its sol - i - tudelove has done you wrong For what fate has planned is sure to beries wodt lm-ger tong When you smile the whole world smiles with you1\

III . . . . . T -,j tfi-'~ If"~ ~ .r ttt'~ '.. . ::"

"U'-l~tl'- .t ~ ."

11.2.3.c G7 F C-&_---WHEN

WHENWHENWHEN

YOU CRY You G.RY A -YOU CRYYOU CRY A-YOU CRY YOU CRY A -YOU CRY YOU CRY A -

LONE __ 2. Just likeLONE __ 3. Don't_LONE __ 4. 80__

LONE _

~~----


3/82

Words and Music byMERLE TRAVIS

.fl L E D7.ill baby does double talk Then just. 'Whenmy her to me I get as

2. "'hen my bale faybee does her dull fubble tallfawk to mealfee ___ Then I gillfit jullfust as8. When my bakie dakie daby does her duckie double talkie dawkto meekle-dee_ Then I gikkydit jukkydust as

_iLL r t I. .~ - - T - . . - f~ :I : . . . . . . . t rt r ~r~r I~ rt I I t11 ~ T T .. v ~ ~ ~ -

F7

~ L B7

.J -e.:.___-4 'I . . .bap-py as I can be And ev-'ry time I hold her hand,hal-fappy as I can . bealfee And ev-'ry tilefime I holefold her halfandbacky-dappy as I can beaky-dee And ecky-devertyky-dime I ho8.kydold her hackie-dan

~ L ...-a'"'l Iill q r r -& Ir~r....~r... lit- . . . . . . . . . f , . . ffi 'i~

I~ . . , "J l1 l i ' - it ' i J - : c i : : a

fJ r E F7 B7. ," , an-oth-er land, With a lan-guage only can under - standere in wewe're in an-otb- er lalfand, With a Iale fanguage 01 folney wealfee can ,.ul lunder stalfand __we're in an - other Jackie da.ekie With a lakie danguange owe doanlyweekydee can un der staekiedan_

fJ I t dan, ~ I 1 I I t" . . . T t r t r I "q~ ~ r ~ H f"

I I ! I . . i 11 iii . . . . . . . . . . . . iii ~11Copyright 1\149 by AMERICANMUSIC, INC., 9109 Sunset Blvd., Hollywood, Calif.International Copyright Secured All Rights Reserved


4/82

_iLL B7 E D7 EeJ , . r I IAnd when I the love - light bin ., in her eyes A-- see s - mAnd when I sealfee the lu.!fuve lilefigbt shile finn in her Hefies A--- And when I seekiedeethe luckydovelikydight sJJyka dinin in her eykie dies A-IIl I I I I. / ( . r ; . r . . . V ~ n . - - . III' . . ~r~r t r ~fI I I . . . i ;II if: - , J - if . . . . . . " : J . itiLl F7 A ~4' " 'light- in~ up my prt - vate par- a - , dise Then I say Hon- e s , do youlil fightin ulfup my pril fivate par - a - dilefise Then 1 say' hull funny do you.

lyka dightin uckiedup my rykie divate para-dyka - dize Then I say hucky dunny do- you.11.1 I I . L. . , r q r f -0- - r q r ~ r r ft-rr~ ~ . . . ~ . . , . . . . . .1 1 I Adim E C7 F7It " r D d ~love t ?" And know I do!''Whenmy ba-by does here rue. she says Now, a d - d Y , ont you

lullfuve me ttulfoo? And she says dal fad- dy dont you know I doolfoo,When my bale faybe does herlucky dove me true? And she says Idoodi-ka doodi- ka doodi- ka do, When my bakiedakie baby does

.1 1 __l t .. ~ I '" t I ......., J.I 1 .her~. , . . -'"I " ' 1 - 1 r r rr 1 t p - ~ I ! . . . . . . .11-2E~ E~dim B7

don - ble talk to me _dull fubble tallfawk to me _

2, When my8.When my


5/82

\ PRO F E S S ION A L COP YThis co~. intended for the use of PROFESSIONAL SINGERS OlaY, and onye faun s.ailing it D r exposing it for sale, Is l iable to a fine or h n p r . i ljoqroentboth, a will be prosecuted, under the Copyright Lew, by the PUBLISHEIt\. What A Line~\ .\. Wo rd s a nd M usic bM ERLE TRA VIS anHAROLD HENSLE

_l l t.i 1 I' I I1. You hand me that ba - 10 - ney, and you tell me them ole lies, But when I saw your

2. (You) told me that your girl friend stayed with you last night tilt four, She must have left her11 ! J I I.._; it if ... f " f i- "i' .. - ~ r ~ , i- ...... -I I I t 1. . . i . . i *' i . . . ii . . . irfI I

. 1 I '-~ _ '* -address book, Ba - by, I got wise, And I'm through WHAT Aci - gar butt in my eus - pi - dar A nd I'm through WHAT A,., I I " I-' it :j f ~

v_ . . . f . . v i ~ F b " ~ ~ r b , ~ = ~I. . i . . . . . . '--*' . .fl t E . { I I 7 E~ E dim Fm7 B7

_ .. J ' - - c t . : _?f. 1 1 - -LINE - I'm get-tin' might -y tired of this stuff all the time 2. Y ouLINE I'm get-tin' might-y tired of thi stuff all the, . , I I I I t I

-' ~ " t , . Y ' " r r r . . . . . . . . ~ , r r ..I:t I I I I.4 1 - 1 i . . 1 i . . . . . _ . . . i .. f- " ' . . . i1Copyright 1946 by AMERICAN MUSIC. INC., 9109 Sunset Blvd.Hollywood 46. Calif.

International Copyrlgbt Secured Printed in U.S.A.All rigbts reserved including the right of publ ic performance for profi t.


6/82

I." I 1m m :eJ " ,time S.When you were out last night, you said you went to see a

(4. You) said that was the milk -man, Babe, that brought you to the(5. You) say you're sav - in' cou-pons, Gal, to buy a tot - ta

lJ. L I I I I I IeJ ,r r ~# it i" . . . - " ~ ~ it i- .-tI I I I. : f t . . . . ~ - ii . . . i 41 i . . i

F 7

IIi. I I .. , .1 -show, But look-in' at a pic -ture would -n't smear your lip - stick so, And I'm

door, A milk-man with a Cad - il . lac I've nev-er seen be - fore, And I'mthings, Don't tell me, Gal, yo~ save e-nough to bu thaf. dit- mond ri~g, And I 'm1\ I., f r ~ , - ... 'i" .. 11 1.f - ]I" , V i ~

I I I I. . . i i . . i . . . . . . . . . . . . . _ _ . .

I.AI

. 1 "_6-":"__- ~ ,--7f..: ~'?J. Ithrough WHAT A LINE----- I'm get-tin'might-y tired o f. through WHAT A LINE I'm get -tin' might-y tired of

.,..I through WHAT A LINE I'm get- tin' might-y tired o~. , F b , ' t f ! b ~ ; : : = ~ " t , T', I r ~ r. . . . . . i . . . i . . . . i

IS-4- E~dim Fm 7 B~" 1 1 5 E ~ A~" E~~this stuff all the time 4, Youthis stuff an the time 5. You

all the time

t ,


7/82

'\\\ PROFESSIONAL COpy..... l..,.it..'I'~...... "&Il~[I'" coP:f'"1sintended lor the USB of P RO FE SSIO NA L S IN G ER S O NL Y, and anyfound ~~lling it or exposing it for sale, is l ic;ili le to a fine or imprisonmentor both, and'will be prosecuted, under the Copyright Lcrw, by the PUEUfjHER.'s\~ New Day 'Iomorrow'~y.

/'. $e~mpo:

Words.and Music bMER LE TR AV IS &HAROLD HENSLEY

.1 : . I I" ~ ~ '* . . . . . , 4-,j-t. THERE's A NEW DAY ro- MOR~ROW, A new day to dream, And a new Sun a-8. (When we) kissed in the moon-light, you told me a lie When you told me howfI l I l. . .. , if . . J r t - r 1 1 ?J : t r4 $ , r~ rj !f b ; : !~

j \. i ., . . ~ ~ r ~ :: ~ i 11:; ~

F7

E~A j_ I .. 1 " I r -ove, 'way up there There's an old love t9 die, A_hap - pywe'd be Now I'm tired of your game and I, 1\ I 1 I " .. , J f r ' " ~ . , f . , $ , j- . . ~ r J r t , ,t I I I\ " '" ~ " 1 5 1 - ~ " 2 ~ -~ ~ ;... -9 ~A~ F7fI l .., ":j " 1 5 1 - . . . . . . . . . .true love to cry o ver dreams of an old love af - fairdoJt feel the same, THERE'S A NEW DAY TO - MOR- ROW for mefI I .., . - : ; J : t , - r~ ri .~ fb, !7 ~f"::- : 0 : . .'2:.(:0) I I I~ I - - -t: F ~ ~ = ! : ~ 11 " " ~ . .lS - ;;S ~

Copyright 1946 by AMERICAN MUSIC. INC. 9109 Sunset Blvd., Hollywood 46. Calif.International CoPyri9ht Secured Printed in U.S .A.All rights reserved includinq the right oi publ ic performance for profit.


8/82

1\ l A F7. . 'r :i 4 . . .2. There's a long way to trav - el , A long road a - head to the4. You can tray - e , your way, Dear, and I'll do the same, Just re -fl I "I . T q r. . . . . . f. r ~ r 1 1 - a - 1 r : ; ? ~ r j a) I.~ ? i .~ ~ l= f ~ .J:; ,~ ~ =6

E~1 1 L . r;;J . . . . . . ! r

cas - tles we built in the air There's a new day tomem - ber what you done to me I am sure that youIi L I _}.~ ; b f * ~ ~ , r TO t , t ~ t 1w - - i P - f. r " rI I.

~ ;i 11 v ~ 4, 7t - : : l - _ : e -6 ~A~

. . . _ . . .come when_ you'llknow you will reapI ~ , ~ ,

F7

bewhat

the oneyou sow,

'--To _ car - ry yourOn that New Day To -

~ f

sor - row and care ...,--mor row you'll

3.When we


9/82

PROFESSIONAL COpyThis py is intended for the use of PROFESSIONAL SINGERS ONLY, and anyone 10 d selling it or exposing it for sale, is liable to a line or imprisonmentor oath, nd will be prosecuted, under the Copyright Law, by the PUBLlSHER.

Texas Home(Here I Come) '4'- Words and MusicMERL E; T RAV ISTEX ATCHISON

D A7 D D A7

used to long to al-ways roam and nev- er set - tIe down, I [lev - er knew

D A7

I nev - er knew it was so true a

D D A E7 A7f\ II~ ., . . . . .; - ~ - . . . .

hout the roll- in' stone, But now I know and my rig-gin' is read-y to gofl II

~. ~ - q r ,y # . ~ f - t F t F ! # p ~ 4- - - - -" 2 1 !f~ . . . . . . 41 - . . I .

CHORUS A7 D EI ~ rn.~ I r '- . . . u---TEX- AS HOME I Here I come Been too fongA.. -RI !r f' i '"i '"i i F I r ~ r I r ~ ~ U- -t ~ t , :

hI hI 4 1 1 'ilr _ .Copyright 1946 by AMERICAN MUSIC, INC 9109 Sunset Blvd., Hollywood 46, Calif.International Copyright Secured Printed in U.S.A\'-All rights reserved including the right of public performance for profit .


10/82

AM. ' ._"l1 - J . . . . 'Uh-. I - - - y- on the roam Gon-na have my fling Gen-na have my fun_ _ _ / ' . . . - I ,....." -4t J r - , ~ fF'r: T r = F ' to , r 'f- r .. I r' r ' F ~ r . . . . . . . . -i J Til l"ii . . .

,A ' 1 D

II M

- - u._."i't - ..._~- - u : : ~-.- III' -. I- Hear the cow-bays sing when the round-up's done Gon-na ride Old Pin-to o_/j .. .;_ J I - F '.r'I' r , ..~~ r ~ F = ' I J IE . . . . . . . q* ... 'lIP ~~7 f . . . . . . . . " . - 7F t

Em A7 D D '1 G

A7 D B EI M I m ., ..e J r r - - - - - . . . . . . '.,-- .more ,by The AI-a - rna See my gal and my pal and the old cor- ral ofI 1 0 1 -, ' " F ' r ~ F ' t F " r " 'F ,. .~r" -.;:-, . . . - ~ . . . # p v rit

7 I T - . . . . . . .A7 DII ... _ , r T T x - : ' sore So I'm hit~tin' the trail to the set - - tin' .sunA M I -III I q F t , F~ ~ "r .... ...r - r , I r~1" 1 - F ' l ! : .r . . . $ii s. -a f - . J -

1 1 1Em A7 D G D 7 D o , G D

HOMEnev-er more to roam, Here I corne TEX-AS corne'

~. -


11/82

Sweet Temptation" . . . . . . . . . \

~.\.Wo rd s a nd .M us ic byMERLE TRAVIS &CLIFFIE SlONE

TEMP TA - TION,TEMP - - TA - TION,

That's what youTh e most de

me,peach

are toIi- cious

F7 Fdim F7

I" I -aJ li', .. . . . rThats all you'll al- ways be it seems SWEET TEMP,-

is at- ways out of reach, they say SWEET TEMP -" I I , . . . . . ,jJ 1 !..., it ~ , r ' # F s rL~ " I . . . U, Ii , ~ i ~ :ji qi ~ r i . .:ji 4

F7" I .. , t t I . . .TA - nON, You smile a n d pass me b y , Bnt yon still oc- cu - py myTA - TION, You're just a lit - tie flirt, Yon know yo u migbt get hurt thatI II 1 t I I I 1 .~ r f I , , J . " ' r !....f ~~ I I I,i . . . i '* . . i "$ . .

Copyright 1947 by AMERICAN MUSIC. INC . 9109 Sunset Blvd., Hollywood 46 . Calif.Intemattonal Copyright Secured Printed inU.S.A.

AJ]rights reserved including the right of public performance for profit.


12/82

1\ I

. . , I , I -reams May- be I've got Jots of hid - den channsway Some-day you may get a big sur - prise1\ I J 1 J J I~ f. ' - L I f _ r j: if v .. . . - ~r I ,) JlJ I 1 I~ I I I.

I I . . . i . . . . . . 1 i IE I> Fdim F 7II l

ei '--" ~ I I- you d f ind if you'd just hold me in your arms But you're just- by some-one who will make you re- al - ize That you're justII I 1 1 I' J I I. . , t , t r II y v' " . . . t ~ , l ~rI q ~ if . . .I I I I J I. . . . . i . . . . i ~i . . .

At - .. . . I I . .SWEET TEMP - - TA - TION , A dia-mond in the rough, You make itSWEET TEMP - - TA - TION A dia-mond . in the rough, You make ItI r--t , J IAt I L I. . f. I f ~ i , t r j it f : V i If! ~ ...

I I I I Iii - i . . . . . . i . . . . . ii -

C8 F7 + I : ! ~ Ab . Ap7 A 7f r 'me

aw - ful tough for me _aw - fut tough fOT


13/82

Words and MusicRED MURRELLMERLE TRAVIS

Ir. :. . , r ~ . . ....._..

1. How man - y fimes have I ca - ressed you __ Think-in' the love __3. (We made our) p1ans __ 'mid love and laugh - ter __ PI an -ning to spend.LfI . . . . j -II I ! S r~ r - ~ , , ~3 f , 'f 'f' r f. r f. r. . . . . ~ . . . , ~ ~ ~

F Gm7 07

IIl. . , r ,

_- you gave' was true An - oth - er's gold is what im-- my life with you Sil - ver and gold is all you're, . , 1 I J . . . . JIJ - - - itt ~ J ' r : . . : r I __t I f t,r ~ ;- 'i- . . .

~ '" " ~ ,


14/82

F Gm'7 C' 7. ,eI r r - - -2. Ev - er - y vow was just pre - tend ing_._ Dar - tin~ that

4. Sil - ver and gold will lose its glit - ter_ You'll miss thet: . . . . . . .-' r J - r t - r - ~ f~ .~ f , t1 t1 , r

"" :i


15/82

So Firm , So Fu lly PackedWords and Music byMERLE TFAVIS

CLIFFIE STONE &. , ED D IE K IRKF

S o Round.So Firm, So Full-y Packed,

G7 C7 F"~ ~ . . . . . . . . '" .,


16/82

G7 C7 F Gi l C7 F

owns one, So Round, So Firm, So Full-y Packed, That's my gal,

F G7 C7

She's for me, She's just like a man - ey - backo Round, So Firm, So FuU.y"Packed,

F A7 Dm A7 Dmh

~ .. 4 Anduar an - tee; Like a bar-fly goes for drink, Like the bob-by - sox go for Frank,1\ -- -eJ :J ' iIt',~r I~~. t J r ~ r # iP - i~ ":J: i-. . .t . . ~ . . . . . . . .

c Cldim 67 C7 F G7

just lIke Jes-se James would go formon-ey in the bank, Fromb ead to foot she's per-feet size, She's a

C7 A7 D7

Butshewears a for- ty-flve - gun, that is, She's gut the look that's so im-press-in:

I J 2" F7 Fgal. S o gal,


17/82

okel Smoke! Smoke!(That Cigarette) Worda and MUlic byMERLE TRAVIS &TEX WILLIAMS

B 7

{'m a fel-ler with a heut of gold, And the ways_ of a gen.He maD, I've been told, Thegame of chance the_ oth - er night" ., Old_ Dadie For. tune was a - do-in'me right, Theoth - er night 1__ had a date With the cut-eat lit -tte iirl in the_ for-tyeight atatea, A

F 7 F'-,..jkind of a guy that would-n't e-ven harm_. a flea _

Kings and Queensjust kept_ on com-in' a -round _high - bred, up - town, fan - cy lit - tIe dame _

- -utif me and a certain..__I._played 'em_ hard and IShe_ said she lovedme and it

F- - . . _ . . .char ac - ter metI The_ guy that in- vent-ed the_ cig - a- rette, I'dbet _ 'emhigh, But my 'bluff did n't workOna_ cer - tain guy, Heseemed to me That- thing. were_. 'bout like the, ought - a be, $0

mur. der that lon-of - a -kept_ ,on rail- in' andhand_ in hanL we

- - -ot_'c&use_ I don't_ smokemy- .elf, AndHe'd.,_ raise_ me and_ l~ raile him, IShe was oh, 80 far from a cake of ice, Our

Copyrlqhl 1947 by AMElUCAN MUSIC; INc.. 9109 Sun!lel Blvd. . Hon rwoOci 46. Calif .International Copyright Secured ' P!inled in U.s.A.AUrights reserved including the r ight of publ ic perlinmance for profit.


18/82

_I. B b 7III don't

sweat edsmooch- in'

C1. . . . . . . . . -reck-on they'lL harm y.our health_

blood.; got-ta link or swim, Hepar. ty '.Val a - go in' nice. SoI've smoked all myfin - a 11 y called andhelp me Han nab,

r .__....life_ and_ ain't deaddid n'ti, _" raise theI think Pd a been there

r- -et _bet _yet - __

r " " T " " ' I " ' t

~ .._._., '-" " - -But_ nlc- a-tine slaves are- all the same, At a pet- tin' par- ty or aI said "A .. ces full, pal,_ how 'bout you?" He laid "I'll teU you_ in aBllt_ 1giveher a kiss and a lit > tle aqueese, And_ she said "TeL. ex -

-. .

I F ~------~C7~ ~-----~F-~"~ . . . . . . . '-" -ok er game, Ev-'ry-thing must atop while they

min-ute or two, Right now I've just got tocuse_ me please, l've_ just gotto have an

~ . . . . . . . . . . . . . _ _ - - -moke that eig- a - rette,have a ctg- a - "rette."ath - er cig-" a . rette."~ ~=-" 1 i t - . . 1i:.~CHORm (Nowling)Bb7

.SMOKE, SMOKE, SMOKETHATCIG - A~ >. >- >- Puff, Puff and if you:>

C7

to havean - atber oi, a


19/82

" 0 no mORE mOURD lnli"The literature of people's musicincludes, in addition to many fightingsongs, a host of dirges and remem-

brances for fallen martyrs. Songs like"'Joe Hill", "Kevin Barry", "WillieMcGee's Goodbye". and many othersmust be sung in memory -- and inwarning. But it is the job of song-writers and composers and all musi-cians to join with millions of peoplethroughout the world to stop the needfor future dirges,

Today, two people sit in the deathhouse at Sing Sing awaiting executionfor supposedly stealing atomic sec-rets. Perhaps, in the quiet of theircel ls, julius and Ethel Rosenberg arewondering what kind of song their fu-ture holds -- another dirge in tearfulmemory -- or a joyous freedom songl~~~~~~~~~~~~~~~! ,~ tJeee I~[ Vol. 3 November JNo, 3 -= .,,,.~ 1952/[[ Copyright 1952 by People's Art- }ist11!nY', 79 9 Broadway, NYCJAll }[ rigJtt.g"resl~rved. $2.00 peV'ear, ]( 25~ per copy" i-ubltshed monthly. ~[ Editor Irwin Silber 1[ Circulation Mgr. Laura Duncan' ][ Music Staff: Jerry Silverman, ][ Donald Lanclos, Leon Jero o j[ Art Staff: Hilda Kevess, ]I Ray Gordon, Rena Taub ](Reviewers: Betty Sanders, 1

tFred Moore JJ

d:ONTRlBUTORS: Howard Fast,Sidney Finkelstein, Waldemar(Hille, James Hutchinson, Aaron 1Kramer, Alan Lomax, Walter 1Lowenfels, Paul Robeson, Earl ]f Robinson, Ruth Rubin. ]( 1" ' "" " "' . . .. .. _ _ u ,_ _ . .. .. , ._ . . .. .. .. . .. .. .. ,~-. . t . .. .. .. " " "" " .. .. .. . .. .. . " " "" " . . .. .. .. . : . 1

when they are re-united withchildren and friends.The space of this magazine islimited to present here many oiStrong ~f Em'reasons why we believe the ltOserlOtll'lt S t R ~ ! d h ' j m 2 J ) I jare entitled to a new trial in 'OJ _ ~ j .. .jwill be able to prove their lnn.OCElntfiFor more information on the caseseli, we urge our readers to writeNational Committee to Securein the Rosenberg Case, 246New York, N, Y. In any event,sure that you will agree that thethe Rosenbergs are entitled tocommutation of their death selllte:n~The only one who can dothe President of the Unitedwe ask that such appeals beto him.In this issue of SING OUT, wesent two songs, a new song andone, dedicated to the struggle tothe Rosenbergs. (See pages 12 andIn addition, there are many finewhich can be effectively usedstruggle to save the Rosenbergs. ton, and whatdoyouget,stirring Yiddish partisan song,Nit Keinmol" (SING OUT - Vol. ~!l7 Em C'l! ~ 1 i ~ i o ~ ~ : : : : ' ~ :t n n r o n r - t a t e . j s ~ t~~JU~Jgl~o?~Ji:~)~.~1J~ J~3~I~J5J~J-~i~1(People's Songbook) and other. __ - Y '--ietermination and strength canhe fight.

Let us join the thousands whoippalled at the cruelty of thissentence in bringing about aroar of popular protest. Letsure that we will not have todirge in memory of Julius andRosenberg -- but that our voicesresound in a song of victory andand peace when justice is won.

ON THE COVEROne of the letters from Ethelberg to her husband Julius. Alet containing this and otherhas been issued by themittee to Secure Justice in theberg Case (see address above,)

-2-

r> '- . ~. , ... .. ... ,"tr. r-.) V :v U U o wSixteen Ton

C7I; J J B7J I; ; J I- - - . . . . -traditional mtner+s song speaks a sharpin its poetry, Sing it with a steady,

Some folks say a roan's made out of mud _, But aB7 Emr J I) I; ; nI

blood_, mus-cle andblood

C7IrJJ I Jman's madeAmj I; J . mus - cle andEm& P I r J U

J I; J Jbone, a mind that's weak(CHORUS) EmU O P "I J I U

and a

six - teen

and dee - per in debt_,Am)I;J ., butf B' l~ J J It J I J . J Igo, 1aint Pe - ter, don't you call me, 'cause 1 can't~ jr B7 EmJ I J J J 14 J J J I I

awe my soul to the com - pa ny store,I was born one morning when the sun didn't shine,1grabbed my shovel and went to the mine,I loaded siXteen ton ofNumber Nine coal,The foreman said, "Well, bless my soul!" (Cho,)I was born one morning in a drizzling rain,And fighting and trouble been my middle name,You see me coming, you better step astde,A lot of men didn't and a lot of men died, (Cho,)

-3 -

out of

skin and

back that's stronz_, You load

a - no - ther dayEm

0 1 . - der


20/82

o

aDI=-C


21/82

\PetaI From A Faded Rose\.. ).. , ".,..../\ /ssiou->" -,

Words and Music bMERLE TRAVISand LEON RUSK

" I :eI . . T r . . . . . _4 . . . . .i.Here's a rose from the gar - den Wheretbe bloom3. (Now our) love is a mem -'ry Where it's gone" I I I. .. . . . ,. .._.__ ~ "" J r . ~ _ s r . . ~ ~ l - ft . l - : J J " " i : : : - - - I 1-- I I I~. :

'1 T . . . . _ r r t;i>

B I > F7

B I > D7" i .. J '-' ~ _" Iof ro-mance grows But I'll k e e p one part near my-- God on - Iy knows But I'll hold so dear as a

" I 1 I I IO J ~ 4 ~ I: - it. _ - 2 f ' . . 1 I f0 - r r, I I J I J : : : : " - I , h

. . . . . I r ~F? B I> F7\ I

I - - rach - ing heart_ Just A PET-AL FROM_ A FAD-ED ROSEsou- ve - nir __ Just A PET-AL FROM_ A FAD-ED ROSE1\ ! j I ~ +-,eJ j t f r-f - l - .jI. b'.., t r ~ ~ . .


22/82

B~ F7 F7.~I. . . . . I I' 4_' _4 . . . . . .2. Love is sweet in the morn - illg when the4. I will live with the ros - es where the'" l I A

.-

I' . . . . . . 'lJ c.- J . r ~: . - . r -I ~. . J J I ~I 1 I I "I--~I I ""- r r

1\ I . - - - - - - - ~ _


23/82

Words and Music byMERLE TRAVIS &CLIFFIE STONE

r .. I ..., . . . I . . . c" "1 . n you'd come down off your stee=ple , and mix with com-mon peo - pie,2.m you'd) sell that sil - ver fox-hide, and throw a - way that p'rox- ide,s.m you'd) on - Iy try to love me, in - stead of fly a - hove me,111 I I. ! if' . . . . . . . . 1'" ! . . . . . . . . . . . ,, r

;. . - - . . ~ . . .Bdiru F7 F+fl I . ~ _J . . .Law-dy, Law-dy LAW-DY,WHAT A GAL Well I hope you ain't for -

Law-dy, Law-dy LAW- nY,WHATA GAL You could he a lit - tieLaw-dy, Law-dy LAW- D"Y , WHAT A GAL If you'd do a lit - tier .. I I I

.. . r b f . If I f r r t r t r! ... - -. . . . . . . . .Bdim F7fl I ~ .--; I . . . "'. ,~!j....ot - ten I met you pij;k - in' cot - ton, Law-dy, Law-dy, LAW - DY, AT A

cu - tie, hut you'res~ dog-gone snoot - y, Law - dy , Law-dy , 'LAW- DY,WHAT Asqueez-in' in - stead of so much teas - in', Law-dy, Law-dy, LAW- DY, WHAT Ar. I ' , ... .1t ! I'" .. it ... , . r r If ~f ~ , .~: . . . . . . . . . . -

International Copyright Secured Printed in U.S.A.Copyright 1948 by AMERICAN MUSIC . INC., 9109 Sunset Blvd., Hollywood 46, Calif.

All rights reserved including the right of public performance for profit.


24/82

II IIII -u:__ __7f. t I I . "GAL guessyou'reolde - nough to wear most an - y - thing you

GAL You keep your eyes wide o - pen ev - 'ry time I'm kiss-ingGAL You'd bet - ter make your mind 1 I f > to be just_ what you

_ . f J . _ 1 ~.:> 1III 7 :t :> I . . j: j: f . . - it.!t f .a: ~:. . . . .- 4- -

E p F7fl. I. .lut. - -


25/82

Words and Music byM ER LE TR AV ISR ED M UR RE LL andHAROLD HENSLEY

c

1. t. 2 . You3. That4.0h,

Tell me, Dear, is your love sin- cere or is it just a tease?love just like a_ tel - e - phone, so ring_ al! you pleaseoth - er par - ty_ on the line keeps cut - tin' in on me,tell me, Dear, is your love sin-cere or is it just a tease?

, . ,But be-TeU meWon't au

F c G7 cl ~ t T~ . . . . ._ . . . . . _ _ . . . . . . . . . . . . . " " . - . . . . .Tell me where I __ stand with you IN-FOR-MA-TlON PLEASE; You whis - per sweet wordsfore I take my re - ceiv , er down_ IN-FOR-MA-TlON PLEASE; You're old e - nough thatwhat's he got that_ I ain't got? gim-me IN-FOR-MA-TION PLEASE; You whis - per sweet words" tel merherr 1__ stand with you, gim-me IN-FOR- MA-TlON PLEASE; You whis-per sweet words

. . , . . . . . . . . r , ~. . . :;:~ rr~ ! : J . . i~t: '" - :; ~ " *IlIV . . - ._.. . . . . . - _ - . 4-in my eac and then you hug and_ squeeze, But you still leave me in the dark,you should know a - bout the birds and.L, bees, What makes you keep me up a pole?in my ear but evJry time I start to squeeze, I see Long Dis-tance in your eyes,

in my ear and then you hug and_ squeeze, But yorstilJ keer~:m~ in the dark," .II!! = # . . . f ! :t . . . . i- !: If~- . . . . . .r,

~. ~ '4 Ci. 4

F c

Copyright 1948 by AMERICAN MUSIC., INC., 9109 SLlnset Blvd., Hollywood 46, Calif,International Copyright Secured Printed in U.S.A.

All rights reserved including the right of public performance for prDfit.


26/82

67 c F I C I (,7... ...... .g

IN-FOR-MA-TlON PLEASE.IN-FOR. MA-TION PLEASE,IN-FOR- MA-TION PLEASE,IN-FOR-MA-TION PLEASE,

F-..-' _

t What~ to - mor -I_ thought I hadAnd I've seen too man-yt What's to - mar -row, Ba - by,when you_your num- ber_ and_fa -mil- iar names in thatrow, Ba~bY'lwh~n y~u_.

don't knowwhat~ inev-'ry - thing waswrit- in' on yourdon'tknowwhat's in .

If'I'

c c F c 6fl 7 7. . . - r:J. . .store? t Just an oth - er day to war - ry li'Jrn-the day be - fore; In -fine, But I've got in - ter - fer - enee from a "dead cat" on the line; Thatwall, It looks to me like you been mak - in' lots of 10 - cal calls; Now,store? t Just an- oth - er day to war _ ry like the day be - forej It's~ I I.. . . I r l' ,S . . . . . 1 4 P - ~ ~ i r ~ t

"# CJ ':6 CJ CJ ~ ~c Fstead of griev - in',bus - y .sig- nalBa-bY,don't youget-tin' crowd-ed

now rn e - venleaves me cold, inknow I'd hate toin this booth, with

get down 00 myfact I think I'llget down on mytrou -bles such as

knees,freezeknees,these,

ToIfButSo,

find out if yourI dont turn yourjust to keep myHan - ey, just to

1 1-2-3A~7 67 c 67 67 clove isdamp-er down, gim-merec-ord straigbt,~m-meknow the truth, gtm-me

IN-FOR-MA-TlON PLEASE, 2. YouIN-FOR-MA- TlON PLEASE, 3.ThatIN-FOR-MA-TION PLEASE. 4. Oh, IN-FOR-MA-TION PLEASE,


27/82

2 I'VE GOT A HOME UP IN GLORY 1yMAYBELLE 0 RTEHELEN CARTE1

JUNE CARTER FINJRO. ANITA CARTE ~. . .

~. ,~ 1 " f . . . .,Q-_ "" - f . . .I: . . ~o C7m m m mERSE_/j .~ ____. -&-..__-90i- I used to wan - der in dark - ness. __2. ~ight-ning may flash on the 0_ - cean , __

_/j3.(The) Light-house in heav - en is shin - ing. ___.i .1:~ t. r t r ~ r ~ t ~ ~ ~ r,~ [": : ~r u m

IA. . . . Lost the of des pair.n sea -Storm clouds and thun - der may roll.It beck-ons me to come home. TheA _ .t _ I _I :v t f t + ~ i t f ~ f { : f t r: . . .

MADE IN U.S.A. ALL RIGHTS RESERVE

cm m) .~ Since I made with S~v - - -eace my - rour ,My ship is an - chored by Jes - usha - loes of ten thcus - and an - gelsfJ IV t f t - r - t r f. r ~ - r ~ - r - . ~ t


28/82

TOLE , fG71. mil cm mROM ie t~il~: f U t J I i J ~ '1 . . T -e- ~- - -Iy' y I1 ; ! t 1 - 0 ,~ ."" afe ~ in His care.~f nee n m. Qeav I- en my goal.Ii~ to the throne.! ~ :I f ~ ~ I f r = i f -9- f I f r f I f

cCHO. m m~v -..:_. . . ~ .I

I'VE GOT A HOMEUp IN GLO- RY._ I've got a home up o1 '1 I I 1 r r~ t r t r t r t r ~~~ Ttt, I r t r t r t rI.

!Ilv ..._. ~ ~

high. Built by the hands of my Sav -~. tl I I ..v If f tftr f. r f. . r ~ r r ~~ ~ r , t ,

cm

l :v - - - - - . - - -- jil-' -9- ~.That's where I'll live by and b;---- 2 . b?-fl 3. The ~:. . . , I f I i f-f .. 7;1' f'ft jr ~ .'" l-~ I: I: . .

= -I've Go! A Home Up In Glory-2


29/82

E GOT A HOME UP INJUNE CARTER F ~ rANITA CARTE, r t 1 " f .~ . . -Q "" -i .:;;)


30/82

c .

..,~onight Of My B lue Eyes~ Words and Music byA.P. CARTER

DON MARCOTTE.e: I I1) tJ ~ I 11 ...-i -i 1. v -I \TI,__L~_rl .. ~ : 6 t 4 CI ltCl ~

VERSE FmIC#dim~

Dm

m mC#dim~

Dma

1 mC#dim

m mDma

;mA7mj~ I - ."Ev - er since he went a - way, I've been think - ing night and day(she)

I (j 1 - ' I I - - - - - - ,-IJ f) _ f ~r f t '1t~ ~- 1t~ "":' r . . ~f' m l jI I I I I I--I '-J_ U U ?;' =-6

Gmm m G7000m m C7 am Gm E~7 C7m m m m ' ; mI,

f. . . . .Of the day when he'll ' come back to me. .(she'll)I ~ -I -~ .IL f7 qu . . ~ D r . ! , ':1~ I~ - --I\ I - -:&----r

Copyright 1930 by PEER INTERNATIONAL CORPORATIONCopyright 1942 by PEER INTERNATIONAL CORPORATlON

Sole Selling Agents Southern Music Publishing Co. Inc., 1619 Broadway, New York, N.Y.International Copyright Secured Printed in D, S,A.

All Rights Reserved Including the Right of Public Performance for profit


31/82

CHORUS' Fm m F D+ D7 07C7 0 0 0 000,m m m m m m m ml Guitar tacet""~ I I U~GIon, I'M THINK-ING TO- NIGHT OF MY BLUE EYES, Who is

~ I I I I""

@ . r . I I .:1 iii ~r T. . . q ' " 1 J ~" r ~'Imp-mfj ""\ U GI -,j- 7JC7 0 F F C7 0m m m m m mg r r J I j J J I C) ]J J F I r J J- - ) - -I'l I I I

,.~ r . . ' 1 1 1 ~ , .~ . . ~r r t, r ! I :I iI


32/82

Dm Dm6A7 Dm Aaug.Dm7 G7m m m m m m m m m ! * m m1 .@ ) - Tell him . I'll wait 'til he comes home todown on my love, Tell her I'd love to hold her in myfJ -..... '

@ ., ~f q ! ~ : : ~f~ri I q ~ t - q n< ) .", ~ I I J I I"-0 .- z : :: ; - z ?yo r-------r r6C7 0m Gm E~7 C7m ; m m m m Fm; C7 0m m D+ . D7* *1 I

f. 'stay; I Ion, I'M THINK - ING TO - NIGHT OF MYfl arms; I,--... I

@ . ~ ( D t _ ' " f ~===- f I I 1 iI" f r I'. . .) . - . . . . . . . . ~ - - - - - r I I - - I u u ? J -fl ,f) o~o IBLUE EYES, And I won - der if he thinks offl I I (she)

~ f.) ~'1 ~. Vr I r tI ~ -lr- ir 1 1 1 ~ 7J ~ - : ; ; : ~

-e-G::-:7=------fm m

H. F Bdimm m m m C7(susF)C7 0m m m 1 1 2 . Fm m Bb6 Edim Fm m m m m m.0

os, I'Me. __

mf

I'm Thinking. 3


33/82

(Little Darling) Words and Music byM ERLE TRA VIS andCLIFF STONEHEAD

c F G7fl:. . , ,I I .I

1 . I'M SICK AND TIRED OF YOU, Lit - tie Dar-ling You can 'start to - day and2. (All the) tears they've shed for you, Lit - tIe Dar-ling Has _ stained and soiled their3. (Oh, I) hope YOllre sat - is - fled, Lit - tie Dar-ling Break-ing hearts andprov - iog" ! I I . I I:. , . . . i F ~ . , F t , . . . . lIP . .

~ ' i J . . . . . . - . .fl 1m

tJ - -~ - . . . . .say that we are through For in ev - 'ry' song they sing, Lit - tiepH- lows through and through Though you know yon cause u, still , you won'tso_ .. un - - true Ev - 'ry ti~e ' I turn a - round, you haveI -j

eJ .. 'If. 11 ill t ii' ~ D r f ~r" 1 1 ' . . . . . t . F ~ ~ ~t

I I - :;t. - . j .

C G7 c C7

F F#dim c G7 11-2C Cdim Dm7 G7fl . :eI I I'M SICIU'-NDTIRED~ F ~4Dar-ling you're to blame, Lit-tle Dar-ling, YOU . 2 . All thepay their laun-dry bill, Lit-He Dar-ling, I'M SICKANDTIRED OF YOu I. os, Jturned some-bod - y down, Lit-tIe Dar-ling, I'M SICKANDTIRED OFf\ I 1 I.IJ S # S . . . l r v r 1'1- .go ; l !..;;Ii " f ' t - ~ :. . . . . . jfV ~J I

Copyright 1946 by AMERICAN MUSIC. INC 9109 Sunset Blvd., Hollywood 46, Calif.Internatlonal Copyright Secured Printed in U.S.A.All tights reserved includinq th" right of public performance for prof it.


34/82

3C D '7 G '7 FfI 1m m : .. J - 4 : T - . . _.6- rYOU 4. Ev - 'ry day you change y';lUr ways, lit-tIe Dar v ling ___S. (You should) hang your head in shame, Lit= tle Dar ~ ling __ ._._6. (You must) have an aw - ful line, Lit-tle Dar - ling __7. (You're a) Fe- male Ca- sa - no-va, Lit- tIe Dar - ling ___fI I I I: .

&l~ t' r - r . . . ~ F . . . . . . F F f :~J I ~ - ~ . .

G7 C C#dim G711~ '--- First they lQve you, then they tell you they are through And J-- Caus- ing folks to stay a - wake the way you do For they

-- J am sure I'll riev - er see your point of view You're so- But J guess you hare your good ad - van - tage, too If youfI J. . , , F . . . . . . . . . . . . . . 7 ft . . . . . -.t t , . ~ b r ~~r . . 'i T . . - Ic C'7 F CII 1m

eJ . . . . . Ijust can't fig- ure out what the heck it's all a - bout, Lit - tIe Dar -ling, I'Meith - er pray to die or they hang their head and cry, Lit - tIe Dar - ling, I'Mlove - ly and , Ii-ar and cheat, Lit- tie Dar c llng , j'Mo , sweet, you re a ahad - n't come a - long, how w~ld cow-boys write a song? Lit - tIe Dar-ling I'MfI I I ~ I I '. . , - - - . . . r b , . - 1" :# :t $ . . . t r 'f 'I ~ ~ t:, a : ~ . . - +tv

G7 f4-S-6C Cdim Dm7 G7 1 1 7C Cdim F7 C

SICK AND TIREDSICK AND TIRED OFSICK AND TIRED OFSICK AND TIRED OF

5. You should6. You must7. You're a.oU _


35/82

2 r~TO FYBELLE CARTE_ -

rm One Of God's Chil.-~

~f fCHORUS F1 mfj : .-.I 1. I~ . . . . . - ~~- . .ONE OF GOD'S CHIL-DREN a'I want to go home.2. (I'M) ONE OF GOD'S CHIL-DREN and I'm wait - ing down here.S. (I'M) ONE OF GOD'S CHIL-DREN and I'm not a - fraid.4. (I'M) ONE OF GOD'S OHIL- DREN now I'm com-ing_ home.fJ 5. (I'ld) ONE OF GOD'S OHIL-DREN and my work is done..-.I . . . r r r r 1r . . ~ f r ~ f f: . . .

C7m m Fm mj -. . , - -- - - - -


36/82

EN IOh, _Oh, _Oh, _Oh, _Oh,

- -av_glo_ -sin_Moth -s~

-our_ry_I'llners,_er andners, hear . . . .please hear mysoon have whit'they_ pierced HiDad_- dy, Imyc.--- last re-~f f

I

f fI. . . . . - . ,

fJ .--.r - - ------'"'___ (-*Y -" . . . . . .prayer. I know I'll meet Moth - er and'wings. I'll join them in hsav - en tosides. And there on the crOBS He washear. Your sweet voi - ces ring- ing 80

f1 quest Pil - low your heads on the.; ~ f f . -4 f f ~ f f r 1 - 1

. . . . . . -fJ F

- . :v ~ 1 ~ T ==:Dad - dy up there. 2 .geth- er we'll sing. 3 . I ' Mcru __ - ci - fied. 4 . I ' M -plain in my ear. 5. I ' Mo sweet;Say-iour-s breast:v . .~ T ~ f f ~ f - f ~ f f II. . II' -. , . . 08

I'm One Of God's Children-2


37/82

- n IS one..if f r 11 .. ~ , - r ~ f f. . . . . .

One Of God's

.~ r r

B bm mI I : JF B b1 m m m

W W I J J J 3 ' I J . J J .ONEONEONEONEONE

OF GOD'S CHILDREN axia"l want to goOF GOD'S CHIL-DRENand I'm wait - ing downOF GOD'S CHIL-DREN and I'm not a :OF GOD'S CHIL-DREN now I'm com-ingOF GOD'S CHIL DREN a d my work .

C7mWIF~I'm a -Histhetoa

lone in this wide world tocom - ing and I have noroan - ger where my Sav-ioursee God's heav - en -. lyvoice call- ing .me to

left hereWait-inglay inCorn-ingI hearTo

I

Fm m11home. _here. _fraid. _home. _d

roam. _fear. _laid. _thron\l. __come ._--

~ f t-r ~ ff ~ri. . -COPYRIGHT 1949 BY ACUFF-ROSE PUBLICATIONS

2510 Franklin RoadNASHVILLE 4, TENNESSEE

RIGHT SECURED MAnE IN U,S.A. ALL RIGHTS RESERVED

I - - - - - - -h, Sav_ iour.LOh, glo_ - ry_l'llou, sin_ ners,_ou , Moth - er andOh, I sin - ners, hear. .

ft I~f f f f""

,. ,v '--''''' ...._..,.-(i!. (. . ) . . . . . . . - - .prayer. I know I'll meet Moth - erwings. I'll join them in heav - ensides. And there on the cross Hehear. Your sweet voi - ces ring- ing~ quest PH - low your heads on-.I ~ f f - 4 1 !- r - - r . . 1f ~.

. . . . . .~ F-.I .~ i~ )ad - dy up there. 2.geth- er we'll sing. 3. I ' Mcru __ - ci - fied . 4 . I ' M -plain in my ear. 5 . I ' M~ sweatBav-Lour-s breast:-.I ~ . , . . . . . .~ f f ~ f! ~ f f I

I I... . ., . . . . u8I'm One Of God's ChildI'en~2


38/82

C7 F" .""eI y 6 ' " u , """- ! ..

__


39/82

F F F7"" through I want-ed to just for - give you

do Don't ev - er think I'll for - give' you ,fI I j I l I 1 I .l1 l i ~ ~ ~ , 3 f. r ~ r ~ r J . r) ....-;-...._

" " " "-" r;,; . . . . ""D7 G7 C7fl.

I I- But you lied , [lev - er tried to be true Now it's- I won't try, when you lie like you do Now it's.. . , I I I I I I I!Ii ~ r r J 'r I r q ' 4 F . . ... "I r f fr I r ~ b r r

IG


40/82

Words and Music bRED MURRELL &MERLETAAVIS

8F c1 J , _ G7 7. . . I I I I '" -. Life is but a school where each les-son you must learn From the cold and

3. When you went a - way, bit - ter tears I could-n't hide, Tho'they on - lyfl. I I I I I I I I I, . . . . D . . q . . . - . - i q , , ~ P j :! :j it, I I~c.,/ :; ; '" " . . . . ~fl.

. . . I I I I teru ~ el hand of Fate I was but a fool, nOWmyhelp a heart to ache Now I have to pay for a

fI I I I I I I , II) . . . . . . . . . f r " r f r " r . . . D . . . q . . . -

I I I I r I . - . . . . . ..


41/82

F G1. '~ '7

aI t . I I . . ,2. When ~e met, my Dar - lin', my heart_ had no pain, -;l4. There may come a time when your smiles will be so few, cII I 1 I J . I I I J,.,eJ . . P" ~ . . - - f ~r,~,----r--;---.._t '-" - : 6 "" . . . . ~

C '1 F.s: ~ ". ) . . I I IAnd Ithought that you would at - ways wait When we start - edTears will fall, your love will turn to hate Love can be so

fI I I IaI P I !f . . - " . . . . . frJt J r - ~ t . . . I) .. q . . . . .I 1 _ L I - -J


42/82

F F7 F

theba ~by,..daugn ...terand. storm~ynightiller rail -road en-:gi. -:'lle~l',did -ITtsee tJte light, gift f'romHeav-was a rend"

C7 . . . '. I. .: :..... I,

sent from up a - bove,-,.,....:.....,~~'---'"-,,---crash heard thruthe night' ...... -~"His work would oft.. enNOWd~d-dy's gone he'll

itake him rata

C . 0 1 1 1 e no m o r e_L

r . - ~ , 7' u r _ .~ . .r v r ,t ,- , r"'I 1 .: j.- = - . . : : t o . . = 4 1 ." . . . . '~ . . - _ .B~ 07 . F B~. . . .way from home atgone. where flow - ers Inight;grow;

-'1

i f t rHe lit .~tIe heart wouldp~ne ford-:'d- dy'sruns a train on rails of 801- id..

~love;gold, _;_'---"--'

. . r t r u& 'n . . . - 1i r t f f #1 I -.- 4" : e . . . . ..~I 07 F F7 1 ) 7

@ _ , -- ; ' . - ' . . ,But each : mo:rJL-ingbright and--~For God's r-ail-road up in.

." ' 1 : ~f- ..~

'-i . . . .ear ,- Iy she wouldHeav -en needs an- tad-dIeoth-er to' his bed,.en .. gi- neer,_ . AndBut-he'I~tt4~~

Oopy?ight 1945 CAPITOLSO~'GS, Ine., RXO Building, Radio City, New York.2Q,N.y.. .International Copyrighi Secl,ll'edMade in U.S. A. All Rights Reserved

- - t- r . . f, ". . . 4 .~." { .' :.,~.1., 1'..


43/82

G7 07 B~ 07 F F7 F~ " " , ''f, l' " " " " "ba - by eyes of blue would shine so gay, Shed cud-dIe up be ., side him,' kiss ,he'young andten"der. heart can't under ~ stand, She cud-dlesup .to mom-my's breast an,. , I , ' 1 = = - - I - I I I .'

'~

.@ _ ~u.' " ! W " ' ,'I '~ "" f tr l F r i - r f f I - , '1-< - f-

, , ,, . ,JI .

" " lI- c . , ,'';I :;j ,~ . . , : ; i i - ,f " c c " F Bbin7 F" - - - - - - - - - r ' "I,,- " f . .r f. r " t - ' f ~~

",, ,

" .. ,.. ,',id.ad-dy,ten-dEjT-,ly,soft and ten.,-der.,..Iy," . " , " , ' " " " 1 , , , " " , , , . , . ; _ _ -.From ba:~ by lips these wQrdsyoudhear her say: _..,--......c....~_With; tea:r filled eyes thesa.words.you hear her say:

, 1 - -

t f V r , '4T~r~rI ,,','"I~~~1i~~~"~~:;~~~~~~"~~~.~4~~I~~i~~~~",~,~,~~~22~REFRAIN F DdHn 'C7

~"

' .:

fe. . _ . , co . . . . . - , - - :1 "I -I'D R EAMED 'T HAT MY 'D AD ~DY COME HOME, When you're g'oneat nightI'm so- ~ "~~ - 1 I , : 1 I "I @ f I , " q . ' , ' ~ ~ r ~ ~ , . .rf~ ,f ~ ,"i") rt . .. :, 1 , J "I . . . ~ . . - ~ ~ : ; j j " , , : 1 ij . ~

0-9 09 Cm9 C7

F F+F6F+ F F7 G7";,, .., ' , ' - " "'-- .~ . . "lone. " A l - though my dad- dy's here, I miss you dad- dy dear,~ , " ..-- I I _,-- - ) 'I 1",.

fe c-~ f ~~f ~ V f ~ q f f , - f I ,~ I ,f- f ~F' I t" I" "I 1 1 I. . .,

. ."

. . , :j . . 1 ; > - 1 5 , '~ T: C7 Abdim. 07 J l 2 F_, D~7 " F

2. One.~'


44/82

THAT MY DAD DY C OME H O M E. K ey of F(c .;_E} .. RWESLEY/UTTLR. MERLE. TRAVIS .

C7

sent from up a.-,.'crash .heardthrufhe

B~ , 07 F~'- . . . . ! ht ; i!tr " . ' . 1 . - ." ~:way from home at rugnr; little heart would pine for dad-dyl; love . ........,. . -, gonewhere flow- ers grow; He a train ralls of sol- id gold, . .runs on -~ - . . , ,..

1'- r > " f f- ro t t. -0&'" . . . . 7t r l ~ f ~~~, I I ! . . i ." 1 1 1 1 . . . . . -~ . . .... ~ .....c D7kif'7 F7 D7' ", ,.~ ear - Iyshe. w;;'ldHeav-en .needsan -

' . : . .tod-dle to his bed, .other. .en~.gi- neer,- - And her-But her.;~! : .& 1' -f 'F . . f , . - .f.. : r f. . . . I . :.... . . . . -- - d o . " . c : t - . '. tJ4 ~. -n

..:1. . . . . . . .

G7 07 B~ 07 F7~ .,~ I. . s t e ' aa- by eyes of blue wouldshine so .gay, cUd-.dle up be- si4e himyoung and ten-der heart c a J ) . ' t un ~der- stand, She cud-dles up .ttl mom-my's

. - - J _I . " , . ' - - t ;_.. It .. '- . ~n' ..~ .: ' 1 ' " " , - - r . r f'flf f f .r -.

. I- '. ,I . ..

' . . " ...:." . : ; jL . , . . . . ; .11 . . ~ . ..' ~ F B~iIt7F

F DdiID. .

+., ' ".~I DREAMED THAT MYDAD~DY COME HOME,_' ----, ---- ' , .WhenyoU'regone at n ight. ' ._ _.;---- .T I I. . t f f I .-6- ~ } '~" l~ r ,vf~ -tf . " ' -. "'1 I

'. . . : : ; J . . . - : ; 1 . - . .... ~ ...;..~F+ F6 F+ F F7 G7__ ..'- ~ - lone ..... 'Al- thOlf9lmy dad-dy's here, I miss 'you dad- dy dea~ .. .;" .: ~L 'k- , ----I - - I : : : : - ,.

~ ' - - $ f l _ ' ~ ' f V f ~ ~ f f f. I f' I f' f I~r 'I .~< 1 1... - ... . . . . ;e ';:. ., .~ 'p~ ]Ii 11Abdim . Gm7 .07


45/82

I CANNOT

VERSEfIIe) 1. let ~~;r \- . . . -. --.I lust re - ceived your to - day You're ask - ing

2.(The) vows ~hatyou've bro - ken are hard to for - get I'm sure that yourfI S.(You) know I'll for - giv~ you. though I can't for - ge$ A U that youI * - ' . - .- III . . : - j: J j r . . r r ~~II

- . _ ,for - loved mee to - give You said tha.t you and

love is un - true It would be the same way if I_ f J . once meant to me But ~d up in heav-en knowsIe) ~ jr r ~ r r ~r r . . ~ - . . _ " . - ,

. , G7 ~f}

If) . . . . - -. r - - 6 1 : . - - - ~ .want -ed me back You'd love me as long as I l~took you back now You'd make me un - hap-py and blue.f J . I Iove you yet YoU;ll stpl live in myvmsm -0 - ,.yie) r f f ~ t I - .- . . . .....! r f - ' r ". . .. t

COPYR IGHT 1US BY ACUFF~ROSK PUBLICATIONS2510 Frankf in Ro.!.d

NASHYILLE4, TENNESSEEINTERNATIONAL CoP-YRlGH'!'" 5EC[,RED MAOE IN (l.~.A. ALL RIGHTS RESi!::RVED


46/82

3

You BACK NoW ~_ AI-

f r r rIIV

though I would like to some - how. You.IIO V I , r ~ I - ' " r I r r I t - r:

:itFm ml

O V - - I know I still love you but all I can say, Dear, is I CAN NOTfl I IO V . . . . . -if. $. ~ r f i r r . . . . :f

-fl

O V . . . . . . 4-~-9- 4~4TAKE You BACK Now. 2. The

fl 3. You, Now..v i 'ilt ! 6P f r r f I iJ~ -9-t

:J: ~I Cannot Take You "BackNow- 2


47/82

ANNOT TAKE YOUNow --

f r re

J d bJ I r s J J I J 3 J I J omlust 1"6 - ceived your let - ter to - day You're ask - ingthat you've bro - ken are hard to Cor - get I'm sure that your: r : T i : I f I I r t I M j ' f l lt to me ut G~d up in heav-en knows1Tf ~r r .~ ...:#

G7 -$ .

cRJ 1 IJror - giV6 _un - truB _

m mJI J r I r Jme back You'd love meack now You'd make me

fl~

though I would like to some - how. Yfl~ I r r ~ rr I r r ~ f r:

~1E)I r J J I J J J cm mou said that you loved me andI t would be the same way if IB

_fJIt! .. . . . . .

know 1 still love you but aU I can say, Dear, is I OANfl I IIt! . . . . $. , r r r r r . . . - - - :. .-'"cm mJ I J .J 3 1 j. . I J . I I &7m ms long as I l~un - bap-py and blue. _ _ f 1

. @) oj" - 4~4 4~.s.TAKE YOU BACK Now. 2. The

_fl 3. You. Now..IV j:


48/82

PROFESSIONAL COPYpy is intended for the use of PR OFE SSIO NA L SIN GE RS O NL Y, an d anyone fo d selling it or exposing It for sale, is l iable to a fine orjmprisonmentboth,' dwill be prosecuted, under the CClP} 'TiqhtLa., ! ,>" by thll ,P .UBUSHEB,

Words and Musi"MERLE T RAV IST EX ATCH ISON

III I. , . . . r I , I I . v . . . . _ . . . . . . . . . . . -

1 . HERE COM ES My HEART A - G A IN __ I'm send-ing it to y o n _ _ A let - ter3. (The heav - ens) up a - bove _ watched o'er me writ - ing this __ A to -kentJ . L I J. I I , I III J: i T ~ r f. r f. r r 1 1 1 . . J i~ - ,i~. 4- . . -6 - "" ~I\L

1\ L

fromo f!

-a friend __ ' who's feel - ingmy' love __ sealed with a, ~ t . . . 1":_ 1 blue _kiss _ .. r tThe tears that stain each line __A sto - ry of a dreamI "I+ f- I

III I .., I I I .. . .- will prove I'm true __ HERECOM ES M Y HEA RT A -G AIN , I'm send-jog it to {you.- that won't come true __ . HERE COMES MY HEART A-GAIN I'm send-ing it to you.II I

"I I I I I I. . I' I I.:II "T v'" . . . . R'I r r "r r ":I ,,,. !a : 1-.

~- . . . 4- ",--_~. . "" - . . . .&'Copy.-ight 1946 by AMEIIICANM trSJC . INc.. 9109 Sooset ~1vd., Hollywood 46. Calif .International GopyrighlSecured .Pr in ted In. U.s.A.

Al l rights reserved lncluding the riqht of pubUc peri~ fQ r ptofU.


49/82

f

/" 1 .... ' ~ I' I I I I . . . . . . . _ - . . . . _2 . I write such. fool - ish things __ but, Dar-ling, yo n will find __ The things m y .4.Tho' this may . mean good" bye I know there'll aI-ways .be __ Locked in my" 1 I ~ I J I 1'.1~ : J j: ~ f. r f. r f . r r 1it J i , . - iti: :.

4- 4 ;9 " '" -~

,., I . .. _ , . . -~ y 1heart would sing __ be -tween the lines So read it o'er and O\!f_ach - ing heart __ a mem-o - ry Of an the hap - pi - ness_

" I 1 ~ I I I l f..~ to . l f. j- r "j:~ t r-:tr r f j iT f. r J . r - :

p

. . . . -~ 4- 4 . ." 1 .; I 1 1- and thru and thru HERE COMES My HEART A - G A IN, I'm- that once we knew HERE COMES My HEART A -G A IN , I'mr. l I 1 I I I I J I._ , '- 'r ".. ., ., r I I I J r " r - r. -

I . . 4


50/82

2 ~TOM A yn E LL E C AR TEH EL EN C AR TE R

From

VERSE

t, From Gen ' e2.(From Gen - e)

ais _sis laia :

tions _tio ns __ " _ je - susHe prom- is -

F

said, ~ __ "Come un - toeS a home on

Put_ yourI'm go - ing

a - lone into live for-

G?m O?! m i lFrom your sins _When I bid _ you shall be free ~ _this world good - bye _ Oh, can't youOh, in the

ing, _tro ns __ "Come to - day _Sev - en an

r:OPYRlGHT 1949 BY Ar:UFFROSE PTJSLICATIONS2010 Franklin Rd.NASHVILLE 4, TENNESSEE

INTERNATfONAL COPYRlGHT SECURED MADE IN E. S. A.


51/82

t ffJtJ lad - en, __ Come un - to me, I'll give you rest"heav - en __ warn - ing signs for you and me.rl I J ~ .tJ ~t ~ . . I e- ~t ~f ~r ~ fir ~ f t f:: = f. . . . . . ~ . . . . . .

FCH~RUS m m w_ ~tJ - -ROM GEN- F. SIS TO REV- E - LA - TIONS_ Sweet-est SiD -IJ I II ItJ ~ l I I I I I ... .,; - f r f f ~ f ~r~i: . . . . . . . . . . . . .

IfJ.,

told __ FRO~1GEN-R - SIS To REV - E - LA e TI~_ Be-lieve andy ev-er.: j_ - - - - I J I ItJ ~T'" ~ f ~ , - f- - 'f ~ f I e- I " I ! . . . . . . f f f f ~ r: . . . . . . . . . . .

F C7 F7. o : m m m m . m m m m m m ! t i m:tJ walk - - - - - -J the streets of gold. 2.From Geo - e - gold. J

: :. . , .;..~r 1 . I i r ~ l f - - . : : f ~ r ~f I I. I: I;j_ -, . . . . . ~~

From Gene sis To Reve lat ion s _2

s


52/82

Fm mJ J I t E J J_) J I . C 2 2 L J J J J I

G? C?m m . m mE A ] J I e21J J r J I e~22J J J J J IFrom your sins you shall be free Oh, can't you

1 IF7 B,

1 r r F r I j &iSL ' J J I~ -=-==the Sav - iour call ing,__ "Come to - day _of Rev - e - la - hans Sev - en an - -I ; : t r 1 1 r t r 1n ~r : IOPYRIGHT 1949 BY ACUFF-ROSE PUBLICATIONS2010 F i- ankl in Rd.

NASHVILLE 4, TENNESSEEGHT SECURED MADE TN T}. S. A ALL RTr;-}iTS flESERVED

II -tI lad - en_ come Ull - to me, I'll give you rest"heav - en __ J w g , ;! , - ing signs for you and me.,. , I

I " ~f I '" I 7C 1 T ~t ~f t. f ir ~ f ~ f = ~." ~ - " ' - ,.Il FCH~RUS m m - m mtI - -.__;.FROMGEN- E - SlS To REV- E - LA - TlONS_ Sweet-est sto -,. , I ~ I I II , f l I " '-1 T I I ...... I r ~f ~f ~r~. . -.- '" . . .

Fm mI ~tI told ~_ FROMGEN-F - SIS To REV- E - LA - T I - ; ; ; - _ Be-lievy ev-er() I - I J I I,

er ~ . . . . . . f r r- r , r I I I " I ~~f t f t: . . . . -. -.,F F7 07

ft. m m m m m m m m m m m m- - . r ~ ___...walk the streets of gold. 2.From Gen- e- gold. TII - :otJ .~~t ~ I Y rt f lf:: : f I r I fl T. T I: -

~ -., ~-~From Genesis To Reve l ation s c S


53/82

PROFESSIONAL COPYThis copy S intended for the use of PR OfE SSIO NA L SIN GE RS O NL Y, and anyone found !ling it or exposing it for sale, is liable to a !ine or imprisonmentor both, and ill be prosecuted, under the Copyright Law, by the PUBLISHER,~,. etter Or For WorseWords and Music byMERLE TRAVIS &CLIFFIE STONE

F C7 Fdim F G7 C7"Il I '- 0 ,1 . FOR BETTER OR FOR WORSE , we made that vow' To love and to)ptayed that love r ' it's. ( I would last all thru the years, But, Dar ~ In,3, (FOR) BET-TER OR FOR WORSE you prom - ised me To love un - til" I I I I I ". 1 . . . . . . . . . . ~ r f' I f- I . . . . . ' - ' . ~ : ~ I f' I~ r

._F""~~ ,fJI , ~

fI. ' I I I Jhon - or and a - bey But the . cas. - tles .we built havehard to live a lie May be -1'11 ror-, get the Fast a n dDeath drew us a - part But your prom-ise was un - true it'sII ! ! t ! I ' I

0

aJ f r- f. ! t - ~ . f I : : . , _ . . . . . . . . - f. r f. I.

"' " ~ '71- ~ "fJI _____ " , l ' ! _ r ; ; , o

F C7 Fdim F

G7 C7 FII ry..-..I) I '" I - - ~all_ tum- bled now, And our love dreams have fad - ed all a - jwaytime will dry my tears, But I know my f-Jor heart will at - ways cry

ets - - -y to see S I T~at Y i l l did - n 't love me from the start1\ I \ I 1e) ~ I . . . . - r ~ r I t- ! . . . . . . 1I I ~ r-U-.

fJI :4 : it ~Copyright 1946 by AMElUCAN MUSIC. INC 9109 Sunset Blvd., Hollywood 46. Calif.lnternational Copyright Secured Prin!ad In U.S.A.

All r ights reserved including the right of public perfOrmance for proUt


54/82

F C7 F

lfl _

~ .._..- The ros ~ es I gave you that da y , H ave- The love , D ea r , tha t yo u ha d is gone ' But- Some da y w hen you're with ered and o ld A nd th efl_ I I I. .eJ . . _ . . ~ : F t r~ . . . . < - < " f. I r.; r 1 _ _ t. II. . . . . _ _ _ . , : 6 f ~:ft . . . . ~ "' " :i

lfI ~ .eJ Iwith . efed and gone to de - ctrj Two hear ts tha t w ere

my love will still lin g- er on So yo u go yourwho le wor ld is b it - ter and cold You' l l think. o f tlleIi J I I J I _j. .. , f- I r . . I I f. r f ' r I J . r 4 -

I I~ . e - 4 1'1. ~ " ' " ' - - - f!_-

Am F C7

F G 7 C7" ,eJ I . . . .light a re b reak - in g to - night, But FO R BET - TER ORan d I'll

Iw ay have to pay , Put FOR EET - TER ORd a y yo u threw love a - way , But FOR B r - TER ORt. I L I I 1 J I I J f. r . . I f. I . . . . . . "" ~~ I . . II t -

o. . - - - - - - - " " . . . . ~11 : ~L Dm')' Gm7 C7 l i s B~7 FF FWORSE I love yotl now ') I"" .WORSE I Jove you now 3 ,FORWORSE I love you


55/82

c G7_ L , _@/ ~ . . . . . ._ . . . . . . . " ' , - - , , " ._. - - - - - . . . . , . ,1. The whole world hates the c rep - - ro - - hates with a lust for grasp and_2. (So) sad is the sight in the day_ or the night,when you he{tr a crash and_3~(\Yhenyou) work or_ play or_ have a hol- i-day and your heart with hap-pi-ness is

;1 ,f f . . . . ~ ~ } . . . . " I . J " . . . 7t 7tr:t ~ 7- -c F cfi

@/ ._. . . . . ._ _ _ _ . . .greed, There are some who'd scorn the_ man L that's_ born.; of a,A_ youth so fair man-with '1 ' hair_ plungeee, or a 81 - vryfilled And you pack your grip and_ plan to take a trip_ in your

I ,f\ - I I 1.~ ~ r ~ i . . . . . . . f " ;. . .I:t fill ., .:i

G7 c

dif - f'rent_ col - or orin - to e - ter - - ni -trust - y old au - to _ rno _

creed ,ty,bile,

But theWhen theyIf you

worldmightmust

is thick with ahave_ lived__ ifeel _' e _ brate _ don't

Copyright 1~49 hy AMERICANMUSIC, INC.,9109 Sunset Blvd., Hollywood, Calif.International Copyright Secured All Rights Reserved


56/82

G7. c : C .eJ

- _ _ _ _ _ _ - + - . . _ . - ' . . -;----- - ,In - - na - - tic so - - ei - e _. ty__ wonld_ eon - eeal, But yonon - ly he would give a__ mo-ment t o the world's_ ap - peal And-nev - er trust i Fate, 'cause we know not _ what she con - eeals And you'll,

fJ I -III :: :J ~ l f ~ -it -it t r i- i- : ; 1 . ..~ ~F c G7 c,

eJ - . . . . : : . . . ~.._/--. -~ - - . . , . 4meet him ev- 'ry day, as you drive a-long the way_he's A FOOL AT THE STEER-ING WHEEL.try to think twice, for the Dev-ilwould en - tice _ the_ FOOL AT THESTEER-ING WHEEL.ev - er re - gret whenc., once., you have met _ the _ FOOL AT THESTEER-ING WHEEL.

fl IeJ I I I t - It f f. , - W f -.,i ! ~~f

. . . f I S J :i ~ " - . . : _ = d i :CHORUS c G7 c

and heed to the world's ap - peal, To

c G7 11-2c'-

ev-er be - ware

AFool etc. 2


57/82

F A .T G A LWords and Music byMERLE TRAVIS

D GIl.ll .., . . r y ._ t p -- - _ - . .1. She keeps me warm in the win- ter __ t t Sha- dy in the2. Now when she's_ tick-led __ So much of her_ has the3, She's a __ bar- gain __ For the same ole__ price_ look at

1 1 . 1 1 I . . . . . . . . ~:. . i 2: . . " I . . r . . ~~t: f . . , " "1 1 " *- .. __ 1 J" - . ,

D E7 A7

bout that FAT GAL of mine _to that FAT GAL 01 mine _I got that gal of mine _

And when I$ t She'st t t

D G11~. . . r , . . . . _ . . . . . - - _ - _ ' " ' -;-. . . . .see my_ land -lord __ There's 80_ much of her to__ . hide be - hind, Younr -v er__ . fick-Ie __ You better put your name on the dot ted line The; ., .When I'm out . work-in' __ She_ sits_ home on her dav+ en ~ ,: ette, Don't/I" I - l.. . , t I . ~ i ..~____.i '1 ,. . , f . . :f: :t

. . . T . . . . . . T I . .--opyright 19+8 by AMERICAN MUSIC, lNC~ 9109 Sunset Bl\>dHollywood 46. Cali f .International Copyright Secured Printed in U.S.A.All rights reserved including the right of public performance for proHt.


58/82

D E7 D G D/I Il. .Vfo~l

. . . ._ . . . ,,_ . . - - - . . .pay- rent_ if your time was spent like mine Nowfirst_ time you meet with a big FAT GAL !ille mine Thisbsw_ DO_ trou.bie with_ that FAT GAL of mine Now

fill

. . , ~ r ~ # i = J: q l = ;: f ,~ 1 , : ,l . . . . iT - I . . . .G DAll. . " - - " . . - _ _ "_" -he's 80 sweet with the soft- est heart, She's pret- ty soft a round_ oth - - er parls_hard time talk_ don't_ trouble me, I keep as hap-py as a han - - ey bee, If

fili she's my shel-ter in the time of storm, I bel- ter skel- ter rigbt_ unvder her ann__ , :J . . - f :t: .- t r , r r r Ii .. ~ ~ rIt . . . . .

A E7 A7- - - - -on't_ need a pit-low when_hard _ I'll ren - der my_ gal_ and_face, And you should-n't be a - look- in' an - y

ahe's a - round.sell the lard.oth - er place.

G D

Sha- dy in the sum-mer time, That's what I like a - bout

E7 A7 ]1-2D

that FAT GAL of mine. 2. !:'ow3. f.


59/82

:.~ ~ f = % : 5 : 1 :&.I=~:: ; r i @~ ~ C l v . . . . ~ 1)~.~ ~ '\k .w~~~{~ : f r :~32 i3 : f i= : : \ i - - , t : - j - : t :

1...0~~ - - - - - - - - - - - - ~ ~ --.

--


60/82

. - - - - _ ..

..._

.... _--_.""~------- .

-_-_. -._-----_.-=-v=.~'~_

-. -----


61/82

PROFSSIONAL COPYThis ,PY is ~tanded forfhe \lJie of PROFESs rONAL S INGERS ._ONt ,:Y , and an yone f nd sell ing it or e: :


62/82

F7 Cm7 F7 B~ B~dim C7Ii. I 1 . . . ,

through We will stop at , star that is shin ~ev ~ ryme Then we'll gath- er up a b a s ~ ket of moon ~

Ii. I I " ' I. 1 f. ~r ~ r f. l r . . . . . . ~""",. , , r ~ . , r f. fCO o l ~ V .., " 6 f :

" ,It! and we'll Iing make be ~Heve we're in a rain - bow sea Then Our

beams, and we'll scat- ter them on ev - 'ry rose we see Then we'll" I I I I I I I~ t "f ... :i . . . I ~ "\ t- I " "I 'F

I"" "" . . ?f 1 ' 1 ' I

F7 Cm6 D7

Edim B~ D" Gm C7fI. tw J I . , Idreams will all true, (or, my Dar-ling I I love , En ~gi- neerome you, Wont you my

sprin- kle them with dew, for, my Da r - ling, I love you, Won't yO:J En- gi- neer my,.., I I I I I. . . if"~ 'i- . . . f . ; r ~ ! r ;'''-'''- If" - ,

-9 qe ..go v j_ -: I : 6 tF7 Cm7 F7B~ B~

Dream Train for me?Dream Train for Will you rne? _


63/82

. PROF Ea S10K A L CO PTy is intended for the use of PROFESsIONAL SmGERS. ,ONI ,. Y . and anyone lou salling it or e%p05inq it fo r aalfl- , is .1iabl.e to a l ine or imprisonmentr both, a d will be prosecuted, under !h & (;opyrlqht Law, by thePUBUSHERDr m Train Engineer"-, Words and Music bMERLE TRAVISand LEON RUSK

B p C7

Ih . . . 1 III

. . . ~Will you b e the En - gi - neer of my Dream Train, and we'll(Will you) be the En - gi - . Deer of my Dream Train, and we'll1\ I I~ ! ~ it it ~........ t , r f. '" r ~ r t " I f. :

(;; "' " ~

F7 B~ F7 B p

I1\ I .j)

ride on rails of rain - bow hue And should we strike aride the line where fares are free And when we cross thefI t I I

.J . . . ~ t r t r f f F t , b~ ,.. f J' I : ' "r ..


64/82

F 7 Cm7' F7 B~ Bbdim C7Ii. I

. . . 'I Ithrough We will stop at , star that is shin -v - ryme Then wetl gath- er up a bas - ket of moon -

1\ I I .1 1. f T + - r + - 1 r ..... ;'1#,'" ~. , r f - . , r f o . . r. . . . . ~


65/82

2 ON'T WAIT MA~LLTcA.;\HiaN'(I~TiI.:INTRO. VERS

ilJ.Iv hur n c - ing all the sin - ners will be ':' to seek a place toun -mngBi __ .~.ble or_ keep it there close by you It tells us bow toil~ - - .Itl . . ---?i- t t r t r t f r t f ' r:

A7m m D7m m 67m mI~ .I'" hide a-way and It-Il be too lateJmy broth - er, inpray.live and how to die. When t his old world start s ree I - ing, you'll.iI~ .- I.I'" t R:J = - . . . . t (q)_'" t i t~ t r . . . . . . - - - ....-t;f : -rtc D7 G

1101 m m m m _ m m m m 1m-~ " " -in don't go no fur-ther. You'd bet-ter get read-y for that Judge-ment Daythinkthena-bout knoal-Ing.Jt- 'II be too late;your time has come to diei l l -- :jj: -iF

F . cfl G, C. . . 1 . . . . . - . .Il Pack your grip and get o~ your wfY Or there's gon-na be TH E DEY - IL To PAY.~:.;:... . . . . . . . . . . . . . . . . f ~f ..!if

~ . . _ . . ~ ~ . . . . . . . . . . . . .International Copyright Secured Printed in U.S.A.

Copyright 1948 by AMERICAN MUSIC., INC., 9109 Sunset Blvd., Hollywood 46, Cali .

All rights reserved including the right of public perforMance tor profit.


72/82

c F c D7 (' 7f1 T. 1 I , - . . . . . . " " , - , " "All them lies that you have told_ The good Lords a-mark-, in' up a - gainst your soul LII .. I:. 1 j: ....... # - - - r r r . . . f - 1 ~

:;j: ~ _ . . . :;j: 1tc F c (;7 c!J T

1 . . . . . . . . _ . . . .When old Sa-tan has had his day_ There's gon-na be THE DEV- IL TO PAY. Youfl I I. . I I .. .tI = = ..r . . . . . - t 1 = f f ....! f

~ - _ . . . :;j: ~ ~__./c F c D7II TW I r r tri - ~ - :'

. . .,-,,,,knowed I tried to do you r i e ht I. . Bit yo~ kept on day and night_!J

tI= =

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{Il TtI Here's 'one , ~ DEV .t: ';0 P~Y.hing that I can s(', Theres gon-na be THEfl IW I I . . . . . . . .... :# - t ~f '....f

~ - . . . . . . _ _ - 4t ~ ~Jc F c DfI 7 T7

.,W I r . . . . . . . . _ .You played heck with my bank rol_ You got me sev - en hundred dol-lars In ihe hole, Butfl . . , . .1 1 /

..~ . . . . . . . . . " ' : 1 : I -. . . . . . r r = . . . . # f + f r~" . ~-..

~ - ,--- ~ . . .


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c F c G 7 cle! , * * - ~.. ._,"I got wise to your big cause, Go find your-self an- oth, er San- ta claUs. While_fj 1 - ~ I

iii :# ... .. . 4 1 - + It r r , *~-l ,".~ . . . _ . . . ~ ~ ~ _ . . ,

FIl C C D7 G7O J r . . . - _ " "Il I ' l l go find an other lo~el One that's true as the stars a - bove.L,

~ ... '* ... 1+. . . . . , . . . - . - ~ 1'- ~~ ..-i~.ti: . . . ""--. .it - - -

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r -. * .. _ .Ev v'ry dogs gon-na ,have his day_ And theres gon-na be THE DEV-IL To PAY.Il ~ 1 IfI) # ......... 1* :i: '-" . . . f J i f"~' t:

~ . . . - it ~ 'it__./

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c F c D GIl 7 .7iii r dodt mean I'm ;;n. fa - _ _ " "From now on there'll be a c~an!fe And I change your name_Il :e! J . . . . . . . . - I~ ~ ~.::Ji- .:tt f "i~

: f i t . . _ _ . . ~ Tc F c G 7 c

You bet - ter quit your low.down ways_ Or there's gon-na be THE DEV- IL TO PAY.


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- \I..", ."'"r, ',,11"1 ,J/f.RfF rs.nrs, ,',11"/'01. HF01/,'/) NI07:!~.e Devil rro Pay

Word and Music byM}


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c F c G7 cl~ 1 . . . . . . ~~ . .got wise to your big cause, Go find your-self an- oth , er San - ta clilus. Whilefl I- I. I~ ~ ... -ij. .ij. I" - 'f r r f .. r : - ~bi . .:it - _ _ . . ~ ~ ~__./

F.1 1 c C D7 G7 . . - - . . ~ . . - _ " "11 1 ' 1 1 go find an - oth - er 10~el One that's true as the stars a - bove.L,

" ;: ~ . . . . . I"S ._ . . . . .- ~ ,.~!. -'?' f.:tt . . . - - ~ . . .F c G

1

1l C T7 C --.: . . . . _. .Ev-'ry dog's gon-na ,have his day_ And there s gon- na be THE DEV-IL TO PAY.fI I. . I ItJ :j ...if. ...... - - - . . f J : 1 f"! f

~ - . . ~ ~ ~_.7F c

1

J1 C 1)7 G7I!I r mean I'm ~-~

_......From now on there'll be a change And I don't change your narne_1 1 '" I':~.~

. . . . . . .. :i: - - I"'~ ,B-~ .-~~. . - t 'i"~ . . _ . . ~ ~c F c G7 cYou bet - ter quit your low-down ways_ Or there's gon-na be 'filE DEV- lL TO PAY.


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D eck of Cards Music composed and'Words written and adaptedb y T. Texas Tyler .Recorded O! 4 Four Stltr Reoord N(I.12

s b F

-African campaign a bunch of soldier buys had been on a long hike. They arrived in a littlewhen I look at the Ace it reminds rnethere is but one God, And when I see the Deuce it reNine Ithink of the lepers our Savior cleansed and nine of the ten didl

Il t 7IJ town called Cassino and the next day being Sunday, s~veral of the boys went to church ',After the chaplainread thepray

minds me that the Bible is divided into two parts, the Old and the New Testaments, Andwhen I see the Treeven thank Him.When I see the Ten I think of the ten commandments God handed to Moses on the table of

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F B b F c F C7

1\ A7 m

IJ the text was taken up,Those of the boys who had prayerbooks took them out but one buy had only adeck of cards, so he spread themI think of the Father, the Son and the Holy Ghost ___ Andwhen Isee the Four.I think of the four. ,stoneAnd when I see the King if reminds me once again there is but one King of Heaven, God AI .Il. . , _7t "it e; .~ 7 - ~~.

_7i t :; ; ~-& _ ' : 6 # : ; $ '1Y--

D

Il G7 C7. . , -ut. The sergeant who commanded the boys saw the cards and said Soldier , put awaJ those cards~Mterservicewasevangelists who preached the gospel, There were Matthew.MarkLuke and Johnmighty, And when I see the Queen I think ofthe blessedVirgin Mary who isQueen of Heav'n AIidthe Jackor Knav_1l , ,., is the.IJ : : : : # ~ r q u - -Iju I ! r i : F - =-

_7 7 1: ---------CopyrlQht 1948 by AMEBlCAH WSlC. me.. 9109S~t 81..0., Hollywood 46, CeJ!L

International Copyright Secured PrInted In U.S.A.All righls reserved includlnq the ri'lhl of public perlormance for profi!.


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_h '

&I - - - soldier was taken prisoner and br-oughtbefore the provost marshal. s . [ ::sergeant.Whynave Y O Uover the The marshal said brought this--- And when I see the Five it reminds me of the fiveWiseVirgins who trimmed their lamps.There were ten of theDevil And when.I count the number ofspots on a deck of cards I find' '' !hree hundred and sixty five, the number of days ins: 'I I I, I - : : : ' _ 7 J " '" ~ -- -I

~ I ~ _v < '-"- -

F F

fI C7

_Q J ~man here?" "For playing cards in Church, Sir.""And what have you to say for yourself, Son?" "Much, Sir: The soldier re -five were wise and were saved, Fivewere foolish and were shut out And when Isee the Six it reminds me that in six days Godyear. There are fifty two cards the number of weeks in ayear.There are thirteen tricks the number of weeks in afI I ' I I I '

" -~ 08- . . CI . . ~ i "0"__ -n-" " I I I CI -

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eJ --plied. The marshal said "I hope sotor if not Ihall punish you severely." The Idi d~ eee,1;;ir, (have been on the]so rer sas ou march for sixmade this great Heaven and Earth,And when Iee the Seven it reminds rne that on the seventh day God rested,quarter. There are four suits, the number of weeks in a month. There are twelve picture cards, the number of monthfI in a

81 ' : : : : . # 7f ~ .gJ. ~ ~ . . . . . _ _ -~-~ :; #~ _:;it # 1 5 ~ ~_A G7 C7 '"

81 - - neither bible nor prayer book, But Ihope to satisfy you,ays and [ had Sir, with the purity of my intentions ___And when (see the Eight I think of the eight righteous persons God saved when he destroyed thisearth ,There was Noah.his wife,theiryear. So you see, Sir,my deck of cards has served me as a Bible, Almanacand.s.

f !l ~ :t ~lT b u - -e--_--.: r : r 7 J "

P F B~m Fprayer book__ And.friendsjhis story Is true.I know,because I was that soldier __

~ -&-----1--fI. Comjl tlll1 spots one to ten, the J(,cl((u eleven,Queen (IS twt:lve,King as thirteen an


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224

HERITAGE:

mines.

a ha - bit and seep in yourFr I F J J P r ru W A Y D O W N IN T H E M IN E Su ~soul, your blood run as dark as thecJ 1 m r 'Amr)rica'~ co al m in er s have a rich heritage of song. TIRW'JI'kr:,':; 1)[ 'J'lf r:II'Jril.ry'~>coal flelds, particularly in Wp~tr-rn P',nn,-;ylvani", W(;st Virgini a, and Kentucky , have pour"~111I'ir ' xp,riPIH'(o.; and :;irllggjclO Into a music which is nnf

,,' U", rn,,:;L :;i!'.ni[ir:alll b 'Jdl (!~ of :~ong in our folk herltag~,A grf'at many 'if thesr: songs, such as the one presen!l>4here, have grown out of the day to day working conditions clthe coal miners. Many others have come from the mllitaMtradition of struggle for union organizatton in the minesover the past seventy years.

CHORUS GIIJ ) 1 I J V IFor It's darkoal. a dun - geon and damp as the..::( ..asG7

) 1MWhere the dan - gers are doub-IeC7) } I - l 1 I J

Where the rain nev-er falls0, 7 Ct T r I r F ' p I r J

dew, and the plea -suresareOne of America's greatest and most profound union sonrs;"Which Side Are You On?", was born in bloody H a l ' I 3 1 1County in Kentucky. Still others, like "Miner's Lifeguard'(" ... Keep your hand upon the dollar and your eyes uprethe scale), indicate a high degree of class conctousnessbased on the specifics of every day work tied together wi ~a rich tradi tion of bal lad-making.

r rfew,07t r and the sun nev-erFJ Ii r roal mine tragedies and strikes of the miners have inspiHo!many sang-writers in recent years. "Pineville", by UfHays, is a magnificent musical documentary of mine disas-ters over the years, which graphically goes beyond the im -mediate disaster: "There's blood on the coal, and blood bthe mines, and blood an the min"! owner's hands ....and that is w hat your coal is warth!" Ishines, It's dark ----. . . .~ C 1. 2. ~ CLast Im tJ ij:llr II dun - geon way down in thes at' '-mines. It' sGeorge Korson's "Minstrels of the Mine Patch" and "CtlllDust an the Fiddle" are two exeel. lent collections of miners'

songs f rom Western Pennsylvania .

~IIJ FoJ 3, I hope when I die and the ages shallrollMy body will blacken and turn into coal.'Then rUlook from the door of my heavenly home.And pity the miner -- a slave to my bones. (Chorus). .Dark As A Dungeon 2 0 It's many a man 1have known in my dayW :ho has, lived just to labor his whole lif~ away,Like a fiend with his dope and a drunkard his wineA man will have lust for the lure of the mine, (Ch~rus)

-8-

JCome all you young fei-Iows, so brave and so

r JF' CiF t1 iIF rfine, And seek your for - tune way down in theot


80/82

500 liS FO R( J q S T I [ E I,:~;~"'M''I'he t:;_21nci.~dU18 world-Wide cam-paign to save the lives of Julius andEthel Rosenberg .is writing a new and

brilliant page in the history of strugg-les for justice, In every inhabitedplace on the globe, the voice of thepeople in a cry for justice and mercyhas been heard. The conscience of theworld has been stirred by the issuesinvolved in the Rosenberg case as ithas not been for generations.

It would seem that a campaign ofthis breadth .and urgency would havestirred our composers and song-writers to produce hundreds of musi-cal works -- songs, cantatas, chorales,hymns, marches -- which would re-flect and inspire this world-wide move-ment, But this has not happened. Thenumber of songs written in the UnitedStates as past of this struggle is in-finitesmally small when contrastedwith the scope and depth of the pro-test movement.

We know that hundreds ofAmericanmusicians have lent their names andvoices to this campaign. But the cre-ative worker must do more than Sign apetition or join in the many actions ofsuch a movement. The composer andsong-writer must give musical voiceto this movement with songs whichwill stir the hearts and minds of mil-lions. This is a truly heroic respon-sibility today -- a responsibility whichmust be faced and accepted and livedup to by our creative musicians if theyWould truly consider themselves thecreator-s of the people's Songs,The struggle for clemency for theRosenbergs is grOWing in tntenstty as

the time allowed for action growsshorter. It is not yet too late for ourmusic makers to join this strugglewith the full wealth of their talentsand energies,

Songs alone will not save the livesof the Rosenbergs. But an army ofmillions, armed with and inspired by afighting mUSiC, will make the sound oftheir protest penetrate the walls ofhatred and fear and injustice.

1Wh i ch Shall It Be?~~~f:\~~l~~~:~mefor Julius. and Ethel Rosenberg from the PeLos Angeles.r.

P r o k o f i e vThe editors of SING ou rjoin with the saddened millioDOthroughout the world who mourathe passing of one of the musicagiants of our age -- Sergei' Pro' 't' one in pri-son stands;Two chairs are wai - mg,ofiev. His life, his work, bib B7

music have been annspirati(to1 ~ ~E~m~~ ~ ~ ~ ~ g~ ~ ~ ~ ~ ~ ~ J ~ ~ ~ ~ ~ ~ ~ ~o every person, and particular!,every mUSician, Whounderstandsthat there can be no music, noculture without a world ofpeace,The people's music of everyland which helps to usher in !lie 1~~~i~~~~~~~~~~~~~~~~~~~~awn of peace will be the surestand most permanent testament tothe great contribution he ~made to our cultural heritage,

Em

home that was made by a woman's hands,ait-ing in aB7m

liv ing and the peace-ful night and d2,Y;or the - B7 EmOnewas made for dy - tng inCHORUS a grim and tor - tured way.

Volume 3Number 8 April1953 Which shallEm be, Oh, which oneEm shallB7 it be?Em The

eight 1953' by People's Art-InC.'~99 oadwaY,NYC. Allrig.hts reserv d, $2,00 per year,25~ per c Y Published monthly,ans - wer is wait-ing and on meln you

Editor Irwin SilberCirculation Mgr. Laura DuncanMusic Staff: Donald Lanclos

Jerry Silvel'man, Leon Jero

Two doors are waiting, one locked on a cell; .2. One is waiting in a home that afather loves,so w,ell~_One holds him in prison 'tm a fateful word is saidTo send him forth infreedom or through that portal dead,Two windows waiting, one is barred and gr,ay; .3. One looks on a garden where two lonely Chlldre? play,One mocks the longing of a guiltless m~ and wife,Through the other shines a hope of happiness and life.

(Chorus)CONTRIBUTORS: Howard Fast,Sidney Finkelstein, Waldemar:HiUe, James Hutchinson, AaronKramer, Ernie Lieberman, AlanLomax, Walter Lowenfels, PaulRobeson, Earl Robinson, RuthRubin, Betty Sanders, AlbertWood,

(Chorus)4 Gag rule and terror will fade away for good; Men will walk in ways of peace and live in brotherhood;Prison doors will open ,and,ChainSdfalthlo th~dg:ro~d[ (Chorus)If the thunder of our voice is hear ewar

- 2 - - 3 -


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Words and Music bMERLE TRAVIS&'SIDNAJ. KELLY

1 1 1 * ~

" r r I j t t 1 I 4 - -1.. Hon- ey , how man-y times.L; must I say that you and me are through, Y~u'll_2 . (60_) tell your_ trou- bles to the Judge and force them pho - ny tears, He'II_3 . ( Now_) abi't sou_ smart, and ain't you proud, and doJt you think you're cute! Youwere

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G &7 A7 D7. , ~~ . . . t I I' r

have to find some.L, other guy to ___ give your_ or- ders to, 'causethink how mean 1__ must have been for__ all these man-y years, Sosweet as heck when you got that check from the guy in the sail- or suit, But

,~~ I I I r I I .1 ~ r ~ P' ' f I~~ r .. ~ q t f. r7 . . . t

Copyright 1\149 by AMERICANMUSIC, INC., 9109 Sunset Blvd. ,Hollywood 46, Calif.Internatiunai Copyright Secured All Rights Reserved


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11.~ G G7 o. . , I I I I I r r -= 4 rgot trou- bles of why keep ha " a round?y own, so a - ng- ill -tell 'em all your nome-made lies and how Dame_ Fbr - tune frowned, I

now I'm back in civ - ie flothes and what do you thinL I've found? IfI ~ f I I I f I ~eJ . . . . . . . . . . . . - - ; . r r T , . - e- - _~ f ~ ,.. I 1.z, jo I G E7 A'l D7 G

. . , . . - - - -1 r r r , . .Bye - bye_ Ba- by_- I'm Iong.c, gone, I'm_ AL-I- MO- NY BOUND.She's gon-na smile in a lit - tle_ while, I'm_ AL- I - MO- NY BOUND.fought the.i., war and I paid off the car, Now I'm AL-I-MO-NY BOUND,

f1 1 0 1 - I I I I1!1

~ r I . . I~ .....~... ,ttT . . . . . . , . . . .

CHORUSG G o G1 1 0 1 7

@) I _ r r I Y Y I " ~ . .Good-bye, my hon- ey , good-bye,mymon-ey and good-bye to this old town, YOU'llhear from me justf1 ~ I ~ t. I ~ . . . . . . . . I , . _ _" r r . . . , . : r r ""-1-. r -'iiii' .. 'r'f~f I r r

I 7 T I T

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