early renaissance.ppt

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    Renaissance

    Art in the

    1400

    1600

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    Overview

    Italian/Early 1400-1490

    Italian/High 1500-1600

    Northern/Late 1500-1600

    one can argue about dates:

    13001520

    14001600

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    map

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    Renaissance 1stperiod to name itself and say nasty thingsabout earlier times:

    Gothic & Dark Ages

    Term means Rebirth

    Looking back to Classical cultureAncientGreece and Rome

    Names! Artists known by name1stcontemporary art historian (1550);Individuality celebrated in this era

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    Renaissance Church is still the biggest powerstructure

    Beginning of banking

    Private fortunes & power

    Starts in Italyspecifically Florence

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    Man loves himself

    once again

    The Return ofHumanism

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    . . . I feel that I have come to someunderstanding of why man is the mostfortunate of living things and, consequently,

    deserving of all admiration; of what may bethe condition in the hierarchy of beingsassigned to him, which draws upon him theenvy, not of the brutes alone, but of the astral

    beings and of the very intelligences whichdwell beyond the confines of the world.

    from Pico della Mirandola'sOration on the Dignity of Man (1486)

    see also p. 190

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    Donatello, David,1432

    p.

    203

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    Donatello, David,1432

    Tuscan hat

    p.

    203

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    Style of helmet & art symbolic reference to otherItalian city-states

    Love of texture

    Donatello,David,1432

    Goliaths headdetail

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    Donatello, David, 1432 1stfree-standing, lifesize nude sculpturesince antiquity!

    contrapposto; but notjust an imitation of pastmodels

    for private collection

    David = underdog =Florence

    Goliath = giant = Milan& other central Italiancities in league against

    Florence

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    Donatello, David, 1432 Inscription:

    The victor is whoever defendsthe fatherland. God crushes

    the wrath of an enormous foe.Behold - a boy overcame agreat tyrant! Conquer, Ocitizens! Kingdoms fall through

    luxury, cities rise throughvirtues. Behold the neck ofpride, severed by the hand ofhumility.

    p.

    203

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    An earlier Donatello David(c.1410)

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    Florence CathedralBrunelleschi dome

    p. 193-197

    CONFIDENCEREDISCOVERED!

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    Florence CathedralBrunelleschi domeinside view

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    Towerdesigned byGiotto,

    1334

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    View of Duomo from Pitti Palace (across the river)

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    View from the Duomo

    Uffizzi Pitti Palace

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    Pazzi Chapel

    Post & lintelreturns;

    GEOMETRY

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    Pazzi Chapel

    p. 198

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    Pitti Palace

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    Alberti (faade architect), Santa Maria Novella,

    Florence, 1470

    By thenumbers:

    2:13:1

    4:1

    not in text

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    p. 202

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    MasaccioTrinity1427-28

    Fresco21' 10 1/2" x 10' 4Santa Maria Novella,Florence

    1stuse oflinearperspective

    not in text

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    Masaccio, Tribute Money, c. 1427

    p. 199

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    Tribute Money,

    detail

    Note use of

    chiaroscuro(light and dark

    shading) to

    create volume inthe clothes.

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    Ghiberti, LorenzoThe Gates of Paradise1425-52

    Bronze with gilding

    p. 195-196

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    Ghiberti, LorenzoThe Gates of Paradise1425-52Bronze with gilding

    p. 195-

    196

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    Ghiberti, LorenzoThe Gates of Paradise1425-52Bronze with gilding

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    Ghiberti, LorenzoThe Gates of Paradise1425-52Bronze with gilding

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    Ghiberti, LorenzoDetail from theGates of Paradise

    The story of Joseph1425-52Bronze with gilding80 x 80 cmBaptistery, Florence

    not in text

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    BOTTICELLI, SandroThe birth of Venusc. 1485, Tempera on canvas(67 7/8 x 109 5/8 in.) NOT IN TEXT

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    p. 199

    BOTTICELLI, SandroPrimaverac. 1482. Tempera on wood

    203 x 314 cm

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    BOTTICELLI, SandroPrimaverac. 1482. Tempera on wood203 x 314 cm

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    BOTTICELLI, SandroVenus and Marsc. 1485. Egg tempera and oil on poplar

    69 x 173.5 cm not in text

    NOT BIBLICAL!

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    KEY IMAGE

    PERIOD:PLACE:

    ARTIST:

    TITLE:

    DATE:

    p. 203

    Early Renaissance

    Florence

    Donatello

    David

    1432

    PERIOD

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    KEY IMAGEPERIOD:

    ARTIST:

    TITLE:p. 199

    Renaissance

    Botticelli

    La Primavera (Birth of Spring)

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    Pazzi Chapel

    KEY IMAGE

    p. 198

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    Summary Italian Renaissance

    POLITICSItalian city-states; powerfrom money

    EARLY RENAISSANCEFlorenceHIGH RENAISSANCE

    ARTClassical ideals revived

    IDEASHumanism returns

    MUSIC