early renaissance.ppt
TRANSCRIPT
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Renaissance
Art in the
1400
1600
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Overview
Italian/Early 1400-1490
Italian/High 1500-1600
Northern/Late 1500-1600
one can argue about dates:
13001520
14001600
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map
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Renaissance 1stperiod to name itself and say nasty thingsabout earlier times:
Gothic & Dark Ages
Term means Rebirth
Looking back to Classical cultureAncientGreece and Rome
Names! Artists known by name1stcontemporary art historian (1550);Individuality celebrated in this era
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Renaissance Church is still the biggest powerstructure
Beginning of banking
Private fortunes & power
Starts in Italyspecifically Florence
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Man loves himself
once again
The Return ofHumanism
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. . . I feel that I have come to someunderstanding of why man is the mostfortunate of living things and, consequently,
deserving of all admiration; of what may bethe condition in the hierarchy of beingsassigned to him, which draws upon him theenvy, not of the brutes alone, but of the astral
beings and of the very intelligences whichdwell beyond the confines of the world.
from Pico della Mirandola'sOration on the Dignity of Man (1486)
see also p. 190
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Donatello, David,1432
p.
203
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Donatello, David,1432
Tuscan hat
p.
203
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Style of helmet & art symbolic reference to otherItalian city-states
Love of texture
Donatello,David,1432
Goliaths headdetail
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Donatello, David, 1432 1stfree-standing, lifesize nude sculpturesince antiquity!
contrapposto; but notjust an imitation of pastmodels
for private collection
David = underdog =Florence
Goliath = giant = Milan& other central Italiancities in league against
Florence
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Donatello, David, 1432 Inscription:
The victor is whoever defendsthe fatherland. God crushes
the wrath of an enormous foe.Behold - a boy overcame agreat tyrant! Conquer, Ocitizens! Kingdoms fall through
luxury, cities rise throughvirtues. Behold the neck ofpride, severed by the hand ofhumility.
p.
203
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An earlier Donatello David(c.1410)
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Florence CathedralBrunelleschi dome
p. 193-197
CONFIDENCEREDISCOVERED!
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Florence CathedralBrunelleschi domeinside view
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Towerdesigned byGiotto,
1334
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View of Duomo from Pitti Palace (across the river)
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View from the Duomo
Uffizzi Pitti Palace
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Pazzi Chapel
Post & lintelreturns;
GEOMETRY
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Pazzi Chapel
p. 198
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Pitti Palace
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Alberti (faade architect), Santa Maria Novella,
Florence, 1470
By thenumbers:
2:13:1
4:1
not in text
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p. 202
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MasaccioTrinity1427-28
Fresco21' 10 1/2" x 10' 4Santa Maria Novella,Florence
1stuse oflinearperspective
not in text
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Masaccio, Tribute Money, c. 1427
p. 199
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Tribute Money,
detail
Note use of
chiaroscuro(light and dark
shading) to
create volume inthe clothes.
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Ghiberti, LorenzoThe Gates of Paradise1425-52
Bronze with gilding
p. 195-196
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Ghiberti, LorenzoThe Gates of Paradise1425-52Bronze with gilding
p. 195-
196
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Ghiberti, LorenzoThe Gates of Paradise1425-52Bronze with gilding
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Ghiberti, LorenzoThe Gates of Paradise1425-52Bronze with gilding
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Ghiberti, LorenzoDetail from theGates of Paradise
The story of Joseph1425-52Bronze with gilding80 x 80 cmBaptistery, Florence
not in text
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BOTTICELLI, SandroThe birth of Venusc. 1485, Tempera on canvas(67 7/8 x 109 5/8 in.) NOT IN TEXT
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p. 199
BOTTICELLI, SandroPrimaverac. 1482. Tempera on wood
203 x 314 cm
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BOTTICELLI, SandroPrimaverac. 1482. Tempera on wood203 x 314 cm
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BOTTICELLI, SandroVenus and Marsc. 1485. Egg tempera and oil on poplar
69 x 173.5 cm not in text
NOT BIBLICAL!
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KEY IMAGE
PERIOD:PLACE:
ARTIST:
TITLE:
DATE:
p. 203
Early Renaissance
Florence
Donatello
David
1432
PERIOD
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KEY IMAGEPERIOD:
ARTIST:
TITLE:p. 199
Renaissance
Botticelli
La Primavera (Birth of Spring)
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Pazzi Chapel
KEY IMAGE
p. 198
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Summary Italian Renaissance
POLITICSItalian city-states; powerfrom money
EARLY RENAISSANCEFlorenceHIGH RENAISSANCE
ARTClassical ideals revived
IDEASHumanism returns
MUSIC