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    Early Music

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    A quick recap

    Draw a mind map or list all theconcepts you know that are relatedto Renaissance Music.

    As you work, listen to this famouspiece of Renaissance music called

    Spem in Alium y !homas !allis.

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    "i#her Renaissance concepts

    "ow many did you rememer$

    Mass %"& contrapuntal'polyphonic %()&

    Mode'Modal %"&Syllaic %()&

    *lainchant %"& Melismatic %()&

    A cappella %()&

    +ith a partner, discuss these concepts and write a denition for each whilslistenin# to -yrds Ae /erum 0orpus.

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    "i#her 0oncepts reision

    1isten to this piece of ocal music. 2rom the concepts listed preiously,identify how many appear in the music.

    +hich period of musical history do you

    think this elon#s to$ 3ustify your answer.

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    +hat you will learn4

    Renaissance

    *aan

    5alliard

    Motet

    Ayre'Air

    -allett

    Madri#al

    2u#ue

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    0omposer 2actle 5rouppresentation

    Split up and form 6 #roups.

    Each #roup is to research acomposer from the followin# slides.

    As a #roup you will present yourndin#s to the class

    As well as io#raphical information,e sure to include some audioe7amples of their famous works.

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    *alestrina

    Born 1525 in Palestrina, Italy

    Died 1594 in Rome

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    !homas !allis

    Born 1505 in Kent

    Died 1585 in Greenwich

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    +illiam -yrd

    Born 1540 in ondon

    Died 1!2" in #sse$

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    *aan

    A court dance which is slow and statelywith 8 eats in the ar. !his dance isoften paired with the 5alliard.

    1isten to and watch the ideo

    2ill in the missin# notes from themelody line in your 9otter.

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    5alliard

    A court dance which often followsthe paan. :t is quick and liely with6 eats in the ar.

    1isten to this e7ample

    At the e#innin# of each ar, writean appropriate chord aoe themusic .

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    Motet

    A polyphonic sacred choralcomposition which, in theRenaissance period, was sun# a

    cappella. !he te7t is in 1atin. %om&are t

    .thin a/o+t notation, harmony, te$t translation

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    Madri#al

    *olyphonic ocal music which issecular %non;reli#ious&. !hey areusually unaccompanied and written

    for a small #roup of sin#ers. !he useof word paintin# is common andmadri#als tend to e throu#hcomposed.

    1isten to Sleep,

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    Ayre'Air

    1ike a Madri#al e7cept it is for solooice, usually with an instrumentalaccompaniment. !his would normallye /oice and 1ute. 1isten to E7 >

    After watchin# the ideo opposite,

    what similarities and di?erences arethere etween lute notation and#uitar ta$

    E7 >

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    -allett

    1ike a Madri#al e7cept a -allett isstrophic and often danced to. :t is easilyreco#nised y its 2a;la;la refrain.

    (ow is the month of Mayin#

    My onnie lass she smileth

    =ou should now nd a -allett to sin# asa class.

    Draw a ta/le o+tlinin the ey similaritie

    /etween the 'adrial,

    https://www.youtube.com/watch?v=lwxnIaH9Znghttps://www.youtube.com/watch?v=lwxnIaH9Znghttps://www.youtube.com/watch?v=lwxnIaH9Znghttps://www.youtube.com/watch?v=lwxnIaH9Znghttps://www.youtube.com/watch?v=lwxnIaH9Znghttps://www.youtube.com/watch?v=lwxnIaH9Zng
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    2u#ue

    3 com&le$, contra&+ntal &iece/ased on a theme .s+/ectheard in one &art or oice onlyto /ein with) 6he theme.s+/ect is then imitated /yother oices in close s+ccession)

    1isten and watch +.2. -ach@s2u#hetta. !he di?erent oices haeeen colour coded to make it easierto follow.

    7+he

    7+he

    http://f/AH%20new%20course%202015/Fughetta%20page%201.tifhttp://f/AH%20new%20course%202015/Fughetta%20page%202.tifhttp://f/AH%20new%20course%202015/Fughetta%20page%202.tifhttp://f/AH%20new%20course%202015/Fughetta%20page%201.tif
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    Fugue a complex musical composition written for either

    instruments or voices

    a type of contrapuntal music(music that is able say more than one thing at a time)

    a piece where each voice or part enters in successi

    with a theme (usually called the subject).

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    The finale of Falstaff contains a good example of a fugin action.

    This presentation will look specifically at the beginning

    of the fugue. Not only is this where erdi introduces tmain musical ideas! but it is also where the fuguemechanics are most visible.

    The first section of a fugue is called the exposition.This is simply where the composer exposes the listene

    to the main musical ideas.

    The first idea is called the subjector fugue subject"it is simply the main theme.

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    SubjectThe sub#ect is first sung by the character Falstaff. $e sings th

    Everything in the world is a joke. Man is born a jester.

    %ince erdi was &talian! his opera is of course sung in &talian.

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    FUGUE SUBJECT

    'ou can hear the excerptbelow at the beginning of

    Track 4 of theMUSC!"#$S C%.

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    >>

    88

    66

    FalstaffFentonMistress &uickl'(liceMeg)annetta

    For*%r Caius

    ))

    BB

    CC

    ight different characters sing

    the fugue subject.

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    >>

    88

    66

    FalstaffFentonMistress &uickl'(lice

    The first four characters play themost important role in the

    expositionand clearly demonstratfuguestructure.

    $ere is how it works.

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    >>Subject

    The st voice enters singing thesubject.

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    Then a +n* ,oiceenters singing thesub#ect but transposed into a newkey. This is called the ans-er.

    (ns-er88

    >>Subject

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    *t the same time the .st ,oicecontinues with an accompaniment.This is called the counter subject.

    (ns-er88

    CounterSubject

    >>Subject

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    66

    Subject

    88

    >>

    CounterSubjectSubject

    (ns-er

    +hen a /r*,oiceenters! thesub#ect returns to the original keyand voice , moves to the

    counter sub#ect.

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    +hen the 4t0,oice enters it is alsotransposed. %o the -thentry is alsocalled the ans-er.

    (ns-er

    6688

    >>

    Subject

    (ns-er

    Subject

    CounterSubject

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    *t the same time! 1oice /moves to the counter subject.

    (ns-er

    6688

    >>

    Subject

    (ns-er

    Subject

    Counter

    Subject

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    The .st,oicebegins on the note C.

    .

    00

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    The +n*,oicebegins a th higher onthe note G.

    55

    .

    00 +

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    .

    00

    0000

    The /r*,oicestarts also on C!one octave higher than the stvoice

    +

    55

    /

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    .

    00

    00

    /00

    +

    55

    55

    455

    The 4t0,oiceis also on G!one octave higher than the ,ndvoice

    >> Falstaff

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    >>

    88

    66

    FalstaffFentonMistress &uickl'

    (liceMeg)annetta

    For*%r Caius

    ))

    BB

    CC

    For the next four entries! erdi usea special techni/ue called stretto.Find these entries in the score.

    St tt

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    Stretto an overlapping of fugal entries to

    increase the sense of excitement in tmusic.

    oices to 0 overlap1 they

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    Strett

    CC

    BB

    ))

    oices to 0 overlap1 theydon2t wait for the previous

    entry to finish. This is stretto.

    *fter the exposition is complete erdi develops

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    Episo*es

    *fter the expositionis complete! erdi developsthe musical material.

    $e creates further sections of music calledepiso*es.

    ach episode is based very heavily on the subjeand counter subject.

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    mitation

    * key concept used in the episodes is imitation

    %hort phrases are copied from one voice to the

    next! or sometimes echoed by the entire orchest

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    2u#ue Actiity

    +atch the Musicworks D/D whiche7plores /erdi fu#ue from his opera@2alsta?@. (ow complete the 2u#ue

    actiity.

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    2u#ue Analysis

    1ook at the music to -ach@s 0 Ma9orfu#ue. A *D2 is in the folder.

    1isten to the music here

    Annotate the music, hi#hli#htin# thesu9ect, answer, countersu9ect and

    stretto.

    nce yo+ hae :nished, show yo+r wor

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    Reision Fuestion >

    1isten to this piece of music and identify concepts from the list elowwhich are present in the music. =ou will hear the music twice.

    3 ca&ella Descant Galliard ;omo&hony ied

    'ass 'otet PlainchantPoly&hony +s&ension

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    Reision Fuestion 8

    1isten to this e7cerpt and identify concepts from the list elow4

    7++e trill ;ar&sichord t+rn ylla/ic

    Dim)

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    Reision Fuestion 6

    !his question is modelled on Fuestion B of the 1istenin# e7am paper.

    Answer the question usin# the lined sheet s in your 9otter.

    E7cerpt >

    E7cerpt 8

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    Mini Assi#nment ; !he Mass

    !he last question focused on the Mass. =ou should now inesti#ate thisform in more detail.

    =ou will now look at the deelopment of the Mass y rie

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    =outue links to further listenin#

    *aan 5alliard

    Spem in alium %H part motet&

    Madri#al ala Gaty *erry %9ust a it of funI&

    Madri#al

    /ocal 2u#ue -ach *reludes and 2u#ues with score

    https://www.youtube.com/watch?v=5d6fZ-rdpXQhttps://www.youtube.com/watch?v=QmH1nZSGIyYhttps://www.youtube.com/watch?v=hPZTT0ZYhS4https://www.youtube.com/watch?v=OiOWQzRHmbIhttps://www.youtube.com/watch?v=QZM4yxbE0ZEhttps://www.youtube.com/watch?v=HlXDJhLeShghttps://www.youtube.com/watch?v=HlXDJhLeShghttps://www.youtube.com/watch?v=QZM4yxbE0ZEhttps://www.youtube.com/watch?v=OiOWQzRHmbIhttps://www.youtube.com/watch?v=hPZTT0ZYhS4https://www.youtube.com/watch?v=QmH1nZSGIyYhttps://www.youtube.com/watch?v=QmH1nZSGIyYhttps://www.youtube.com/watch?v=QmH1nZSGIyYhttps://www.youtube.com/watch?v=QmH1nZSGIyYhttps://www.youtube.com/watch?v=5d6fZ-rdpXQhttps://www.youtube.com/watch?v=5d6fZ-rdpXQ