- - -- e fan asia._ _____________________ -'-

AIIemande (from Lut e Su ite in E minor, BWV 996) 4

Et ude op. 6 no. 9 .... ____ .......... __ .. ______ ..................................... -.... ·-·--·-·-·-.. --.. -·--·----------... -- 6

=- ~= I art arr. Almeida Blue Moon ... ...... . .... ........... 8

B

~ orroba Fandanguillo (no. 1 from Suite Castellana) ..

Nortena (A homage to Julian Aguir re) ............ ..

Se ela perguntar (Waltz) ..... .... .... .. ............................. ..

Preludio trist6n (no. 2 of Cinco preludios) ........ ..

Le quartier latin (from Le tango parisienne)

................................. ... 10

. ........ 12

. ... .. .... 14

. ...... 16

...... 18

Technical Suite (Scales, Arpeggios and Exercises)...... .... ..... 20

- -:e,.. a ive pieces for this grade (2010-2012):

PA

__ arvaez

e Ia Maza

-=.-ega

P B

- 0

:::=m ambuco

Etude XII a Mr. Holm [de Copenhagen] (from 25 Etudes op. 38)

Differencias sobre 'Guardame las vacas' (from Hispanae Citharae Ars Viva ed. Emilio Pujol Vilarrubf)

Paseo (from Platero v Yo)

La Mariposa (from Opere per Chitarra vol. 2 Studi)

Etude 19 (from Etudes simples 4e serie)

Yacambu - Vals Venezuelanos no. 4 (from Works for Guitar val. 1)

Grauna (from Famous ChOros vol. 1)

Schott GA34

Schott GA176

UME UMG21738

Berben E1532 B

Eschig ME8495

Caroni Music C2001

Chanterelle 761

. 2 S

.., --:;ar arr. Burden

Mambo des Nuances (from Mambo des Nuances et Lille song) Editions Henry Lemoine 26193HL

Ashokan Farewell (from Certain Hits 4!) Garden Music GM21

Pieces ee pieces to be performed, at least one from each group, chosen from the pieces included in this book or from

- c alternative pieces listed for the grade, to form a balanced programme. Full details of alternative pieces are ; · en above and in the current Guitar Syllabus. One piece may be replaced by the candidate's own composition of ::.similar length and standard to the other pieces chosen.

echnical work :ce inside back cover for details.

Supporting tests :.C idates to prepare i) and ii):

Sight Reading

ii) ural or Improvisation

:=e he cu rrent Guitar Syllabus for details.

:ant

idates and teachers must refer to the Information & Regulations booklet for all examination requirements

egulat ions. Syllabuses and further information can be obtained from your Trinity Guildhall Centre Representative · ity's Head Office.

Guitar Grade 7 Pieces & Exercises for Trinity Guildhall examinations

2010-2015

Published by: Trinity College London 89 Albert Embankment London SE1 7TP UK

T +44 (0)20 7820 6100 F +44 (0)20 7820 6161 E music@trinityguildhall.co.uk www.trinityguildhall.co.uk

Copyright © 2009 Trinity College London

Unauthorised photocopying is illegal No part of this publication may be copied or reproduced in any form or by any means without the prior permission of the publisher.

Music processed by Artemis Music Ltd. Printed in England by Halstan & Co. Ltd, Amersham, Bucks.

\

(. = 2 - 88]

.... I', .. J j'j .. -- . f

I' .. .... ..

Fa tasia

1~

YzCII- - -- -- - ----- -- -- - - - -- - -- -- -l CIII

11 4J J J I 4.J --4 1 1 4 I OF-' ljiJ" 1~ 2jiJ"

i

YzCII - ----- --- - -- --- - l

4IJ 2J--

J

Anthony Holborne (c. 1545-1602)

r

o II"" ·r J

::; Copyright © 2009 Trinity College London

~en

'fj~~~ J l~·2 Lr t t:r c~~~E;rtj l ·~~;1::~ poco a poco cr

[ .. = 100-116]

[M-] ,... I ..

' L :; ~ .>

CIV - - - - - - - - - - - - - - - - l

9 -74

'\..- A e an e from Lute Suite in E minor, BWV 996

Johann Sebastian Bach

(1685-1750)

@ CIV- - - - - - - ---- - - - - - --- - - -- - - - - - l @ CII

7

p p :;

en----------1

crr------ ----- ------ 1 [~,_] -

3 1

Copyright © 2009 Trinity College London

15

~ ' \

en-- ---- ------ ---- -~­

==* ....

Andante allegro [ .. = 84-96]

Fernando Sor (1778-1839)

~·l~J 1il~i 1J J.~~ i~ I j J t ~ r 1P I ~~J lJ ~qj ~ ~~ S I mp

YzCIII CI-- ---------- - -1 ~

4~ 1_. /j l I I I .. 4.J J J J 4~ J. }

-~ ~r ~ 7 I _l J I t- ~r ~ 7 L 3r 0- 3 =

("

f - r ...

&9 d 121~ f.., f

--t I

G9 §B f..,

Copyright© 2009 Trinity College London

49 J. 4J 4~ ... 4.1 -J -4~ I fJ I ._2 4 .. 1•

~ - r -

~r ,. r r 2'1 r I ("' -

r· i

---- ---- ...... eida

~3~

£. = sa-92] n = J ; CIII

I ... ,., n I 4 ,1111 I _.,. ,. ..

I qr - 1q-r r mp

CIV ----- -l

fJ .. !-+ . __ fi _ I 1.J 1.J ... .. .. t 1r o~r

r

--

I e

CII

4 • 41 4..0...

i (" I I -

i m i r p

[nif]

r 41 ..0...

rr@ I I I

p r

Music by Richard Rodgers (1902-1979)

Lyrics by Lorenz Hart (1895-1943)

CIV-- ---- ---- -l CVII - - - - - - - l

2 1111 41 --4~ n4J@ --r i m i I ~ 1 ~

p

cvn------- -l

1111 _J_ ~ n4J

r \ I ~ I 1~

-.J _; n CIV - - ------ - - --- -- - ----- -- l · - f) .. ;t_ 4 ..0...

~ r L J J I I ,. . •'

t r

I I I r r r I lr - or 2 .. r 2iii 3i ..

Copyright © 1934 (Renewed) METRO-GOLDWYN-MAYER INC. All Rights Controlled and Administered by EMI ROBBINS CATALOG INC. (Publishing) and ALFRED PUBLISHING CO., INC. (Print)

All Rights Reserved. Used By Permission.

Y2CII- - ---- - l CII - -- - -- - -- l

21

CIII ____________ _____ _______ _

r

CIV -l CTV - - - - - - - l .---• 4t j_~ ~ 41 3D4-.;I.._ ... ,:-25 fl ® J<D .u. 1+ I I I I 4_fi_ ®

~ 1r 2~r 1r 2qr I I 2p@ 1r 'I® tP" r

~ 29

CII- - - - - - - - - - - - - - - - - - - - - - - ~ - -1 \ CIV - - - - - - - - - - l

-4_o_ @ ® 1

2 1

motto rail. CIX----- -l Y2CIV

32 41 1J (.\.

4 ® 1 "'

2 2 4r ~ r·~ ®

v

7 Fanda g illo no. 1 from Suite Castellana

_-illegro, tempo di Fandango [J = 58-66]

Federico Moreno-Torroba

(189H982)

ff r·~

a tempo

l l J J ] J I J, J~ ' I "--?7 lr r· 3 3r·~r·~r· r·~r r

= i r I

r. @

I -

--====== f

i

I

pp

r·~r ~

harm. 7

~ 1 1 ~ • 1-' - 1-

r·~r·~P"· f

vm--- ------- ---- --- ----- ------- -1

vm -- ------- ---- -------- ---l

i

-- "' @

-f==~; ~: J J J ,J±IfF· 'r ·r l:r:@ rgp ~~@): . ~ 1 ~: J ~ q.J J mt· ! ·r I @ @ pizz. --------J

Copyright © 1926 SCHOTT MUSIC GmbH & Co. KG, Mainz- Germany. Copyright renewal © 1954 SCHOTT MUSIC Ltd London. Reproduced by permission. All rights reserved.

54 fl .. +i'

- -

r·~r·

..... @

.If .Iff

, _ --

II-- --- - - --- -- - -- -- - - - - --- - ------- ----- -- ------ -- - -l YzCII-- - - ---- - - - - - ------

I I I I

--====== cresc.

CII · - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - l

~

f= P"·~

f =======-

I r· r ,) ,J I i; ~ ; I·{ 'F~_:_tF· ;·"r @ ten.

64 a tempo

fu ~ J-J _,__,P ~~ htt~ n P ~ ~ Jm~ J J P 1E Ja: J • • • r·~r r r·~r r r·~r r r·~

PP . \. rail. cvn-- l

'fu ! J IJ J ] p I J J- fd iJ j 3 I '3 ·S d d S )j I 1

'-'r r r·~r r r· 3

r·~r·-==f

~ ~ . 3~ r· @ ----------J mf

p p

... .. :mp]

~ ... 4; .. t- - 11'7 2r

@

1

en

ern

-o ena A homage to Julian Aguirre

Jorge Gomez Crespo

(1900-1971)

eVIl em 3 ®- ----,

4[Jj 4 1 1r

Second time

I"':'\ al -{jt 0 ll ~ I I ~ I -

r ~f r 2r tamb. X X

en @

- ======= mf ]

ev

em ---- 1 ev eVIl

ev~ 3 4m @

~ I

1 rz M

op 1+r

\

em -- ---,

3

i

q·. 3~r 2qr

ev-- --- ---,

4

4

@) @ [--========

evn

legato dolce

© Copyright 1990 by Columbia Music Company Inc. Reproduced from Latin American Solos for Guitar (CO 313)

Used by permission of Columbia Music Company Inc.

~-------

CVIII CVII

'fti :f ? :~ t#a i~ ~~---~~~f~~q,----ir p~!~ ----:i : ~~pp

35 ~------------- 1

- Q) @ r· -

r·

pont.

lltp- ! !!

poco 1'7'\ 1'7'\ D -em CVII al-& 44

ocr r '\;.) ®= @

[f]0r

ij}-coda 49 XII VII XII VII XII

_flil! b j I I I I ,,-...

.,.......

~ I

£ t 7 ~~ 0 ~ 1:= ~ l-¥ ::t @

1 ~f= r·~ (Z) ... ·~

[mp]

Se ela perguntar Waltz

_...\.ndante [ .. = 92- 108]

- * ' • .._ 1

.. 4L· . -= :;.1. =

Dilermando Reis

(1916-1977)

?f=2 I I~ f =

: p ]espressivo r· ~C\ -------- - - - - - - -- - -----1

• -5-.

~ ~ F;J 1. ,~3! i;f ~ I ~

-e-.

)

r

n 1. - - -~ I ~

r·

Q I I~

f F @ _. (2) [cresc. ] ®

t (.'..

I.§D ~D\ D I'·"{

('l\ or or· (2) 77• ~ [cresc. ] · @ r:· cvn- ------------ --- --1 'f Second time

~ I { ~ · ·b,,Q I'J , : ~I

Copyright © 1954 Bandeirante Editora Musical Ltda. © 1990 Guitar Solo Publications (this arrangement). International Copyright Secured. All Rights Reserved.

62

en------- ----------- ------ ' =en--- ---- --- --

[nif'J

C\TII -----------------l

u

harm. 12

-

~ r

@ 0?· @ r· @ I @

C\TII -------- ----- ---------- ------ ------ -------

3.;. 2 1. 2

I ~- ·~ ~ 1 .~. ·: I

[ =

. ~ :L

I{ iFrL-

r· C\TIII-------------------

D.S. al-(j}

T mpo di :\1ilonga [ = 72- 80]

·- _ 1_.. ~­-u-= ]

ben cantando

a tempo =CX ·-------- -l

2

" l""""CY

rail.

re dio trist6n no. 2 of Cinco preludios

Maximo Diego Pujol

(born 1957)

a tempo piu mosso rJ = 108-120]

©Copyright 1985 by Universal Edition (Australia) Pty. Ltd. I UE29180. Reproduced by permission. All rights reserved.

rail. [a tempo] 47 ®------~ -~ ----------------------- -: -~-------- - --- -- ----- - - -l ~ j cantabile • r--.-: f ·F ,of ; v a 1 F ,of ; v a 1 .. • 11 r a-F ·

2-rr '-' 1~ '-' ~ ~ u r:\ r r i u- ~ ~ \ ['"!f]

rail. poco a poco art. harms. --- -- ----- - -- ---- ---- -- -- -l

60 ; b 0 f#:t-~·d"~o~·r.r ~':·~·a-F". 1 f.~ u-r r l:tto:J~j

[nat.]

-=- ~= - -- l-

• ,-~

r • 4 • r r @

Le quartier latin from Le tango parisienne

--r -r . i @

~ .D·s lq~ ligr lz #~i 4

J ,; 0

Lee Sollory

(born 1959)

J

I -- - - -1 'l2CI YzCV

~ ;· :p ~ F ·~f~ .~J -·~j ~ 1 ;- r ~ r 't~ ~·~· r ~ r ::r

1' ...

a/iss. g___- 1. 1

.•

Copyright © 2009 Camden Music Reproduced from Le tango parisienne, CM244

~

& 1' ,, li - --#- -

@~ T

J = 66 Very slow and calm

27 J 1 1 ( 1 ~ J 1 1 cv _i--f I i·r '-,r · ,~t p~ i;·~?''& '[# ·ri i r -r ~r ~ ~- 1 f ~ ~ · ,=. _._ +

@ pont. '"!/ harm. m.d. norm.

31

4,~£·~ a·~r ~ r r r ~~~ r·~r· ff#k r#r ~

~

- =================== f

D.S. al-fr

-

mp ~====== f r r t ~ t r.-,

1; ;u; *q~~~ ]

f i ( 1 ) gliss. gently towards the 19th fret.

Technical Suite -=-- ::.::::-:=:.:: c oosing Option ii) Technical Suite in the Technical Work section of the examination must prepare all the following

:::~ = =.-:::=;gios and exercises.

Sc les and arpeggios cto be performed from memory)

-- ~ =- · Guitar & Plectrum Guitar Scales and Exercises from 2007, published by Trinity Guildhall.

:==. == :~ e prepared apoyando or tirando, * at candidate's choice. Straight rhythm. - -:=:;:;· s o be prepared tirando.

:-::.~-E c -'her Group 1 or Group 2.

pl ajor scale (three octaves), im fingering**

armonic and melodic minor scales (two octaves), ma fingering** - ajor arpeggio (three octaves) ::r:ninished 7th arpeggio starting on A (three octaves)

oup 2 major scale (two octaves), ma fingering**

· harmonic and melodic minor scales (three octaves), im fingering* * • minor arpeggio (three octaves) ominant 7th ar[Jeggio in the key of D, starting on A (two octaves)

,. - yando = rest stroke; tirando = free stroke .3. different fingering to that listed for the same scales in Technical Work Option i), and to that printed in Guitar & Plectrum

..::- ·car Scales & Exercises from 2007.

Exercises \0

1. Mirage (harp arpeggios)

J = 60-72 6

t=~ ~ jJJJJJ: 3 .

~ p 1 m a """"- p

f

6

3 . p 1 m a ~p

mp

J

\ 6

J lj]JJJ J; J :l 1.1). J mf ~

10 ----------------

p p

f

6

3 . p zma ..__, p II

Copyright © 2009 Trinity College London

\\ 2. Perfect Sky (tremolo)

J = 52- 66 p a m i p a m i etc.

~~~

7 •••

molto rail.

9 l_J _J _J _J_J_J _J_J_J I f} J,}, +I I I I I I I I l-

r r J ~·

-

Copyright © 2009 Trinity Co llege London

\v 3 Rasqadenza (scales and rasqueado)

. -f ~

22

,. ;.. .... ....

'"!{ etouffe __________ ____ J nat.

i

t ttt ttt

~~~ ~~~u E n J i m a

p

\

- o tJe played apoyando and staccato:

A major (three octaves), "!f. imam fingering. Straight rhythm. norm. tone

D major (two octavesl. 11ff. imam fingering. Straight rhythm. norm. tone

To be played apoyando and legato:

A melodic minor (three octaves).p . imam fingering. Swing rhythm. pont. tone

D melodic minor (two octaves),p. imam fingering. Swing rhythm. pont. tone

To be played tirando and legato, with tone colour gradually changing from norm. to pont. to norm. again:

A natural minor (three octavesl.f. ma fingering. Swing rhythm

D natural minor (two octaves),f, ma fingering. Swing rhythm

To be played tirando and legato:

A harmonic minor (three octaves).11ff. im fingering. Triplet rhythm. pont. tone

D harmonic minor (two octavesl.11ff. im f ingering. Triplet rhythm. pont. tone

To be played tirando and staccato:

A major pentatoniC(three octavesl.f. im fingering. Straight rhythm. norm. tone

D major pentatonic (two octaves),f. im fingering. Straight rhythm. norm. tone

To be played apoyando and legato:

Mixolydian starting on A (three octaves),p. ma f ingering. Triplet rhythm. norm. tone

Mixolydian starting on D (two octaves), p. ma fingering. Triplet rhythm. tasto tone

Arpeggios

The following arpegg ios to be performed tirando and legato:

A major (three octavesl.f. pont. tone

D major (two octaves, ,f. pont. tone

A minor (three octaves).p. norm. tone

D minor (two octavesl.p. tasto tone

Dominant 7th in the key of D (three octaves, starting on A), mf Dominant 7th in the key of G (two octaves, starting on D), r'!f Diminished 7th starting on A (three octaves), r'!f Dimin ished 7th starting on D (two octaves), r'!f

Exercises

The following exercises to be performed tirando, legato and '"!f.

D major sca le in paired slurs (two octaves)

A major scale in 3rds (two octaves)

D harmonic minor scale in 6ths (two octaves)

A melodic minor scale in octaves (two octaves)

or ii) Technical Suite

Scales and Arpeggios (to be performed from memory)

As given in Guitar & Plectrum Guitar Scales & Exercises from 2007 published by Trinity Guildhall.

Scales to be prepared apoyando or tirando, * at candidate's choice. Straight rhythm.

Arpeggios to be prepared tirando. Choose either Group 1 or Group 2.

Group 1

A major scale (three octaves), im fingering**

D harmonic and melodic minor scales (two octaves), ma fingering **

A major arpeggio (three octaves)

Diminished 7th arpeggio starting on A (three octaves)

Group 2

D major scale (two octaves), ma fingering**

A harmonic and melodic minor scales (three octaves), im fingering **

A minor arpeggio (three octaves)

Dominant 7th arpeggio in the key of D (two octaves, starting on A)

* apoyando = rest stroke; tirando = free stroke

\

** N.B. different fingering to that listed for the same scales in Technical Work Option i), and to that printed in Guitar & Plectrum Guitar Scales & Exercises from 2007.

Exercises

Candidates to prepare all of the following exercises, printed in this book:

1. Mirage (harp arpeggios)

2. Perfect Sky (tremolo)

3. Rasqadenza (scales and rasqueado)

Fantasia. .. ...... . . ... . . . . · 2

996)· . ... ·.:.· ..... 4

9. .. ...... . ... -. ..... . . . : . :.. - ~ .......... ... ......... . .. . - ~ - . . . ',. :'. . .' .. ~ ........ 6

•

ACI<erman Music 01293 537900 Tg G:;i{_a r Exam PH:~ces - Grade 7

II 111111 11111111111 Ill IIIII III 0000008012630

080fl·GTFH:XA1i. £10.50

TG 008077 ISMN 9790570380398

.. 9 790570 380398