ds-15-curriculumvitae-0215
TRANSCRIPT
DS-15-CURRICULUMVITAE-0215
Curriculum Vitae Divya Saksena, PhD
2015 OBJECTIVE: Academic Career, Curriculum Development & Instructional
Design in Education. Humanities, Literature, Cultural & Women’s Studies
C O N T A C T D-306 Neelpadam One, Vaishali Sector-5 Ghaziabad-201010, India
Cell: +91-844-781-7464 Email: [email protected] [email protected] Web: http://ca.linkedin.com/pub/divya-saksena/8b/207/990/
FUNCTION & SKILLS SUMMARY
Work-specific Essential Skills: Develop course content for degree, diploma or certificate program of study, Conduct
course and program evaluation or review, Deliver lectures and presentations, Lead discussion groups and seminars,
Practical experience related to area of instruction, Provide assistance to students with special needs, Work
individually and in groups with students/learners
Teaching Audience: Youth, Adult, Immigrants, International students, College/University students
Teaching Format: Tutor/one-on-one instruction, Lecture, Classroom, Workshop, Seminar, Distance-Education, teaching
in an international environment.
Computer Applications: Windows, Microsoft Word, Excel, PowerPoint, Access, Spreadsheets, Database software,
Presentation & Desktop publishing software, Internet LMS (Moodle, Blackboard, WebCT)
Multilingual; multicultural skills and experience.
Instructional Design: use multi-platform delivery of interdisciplinary content for learning, evaluation and assessment.
EDUCATION
Degree Institution Dates Field/Major/Subjects Result
PhD English
Department of English,
The George Washington
University, Washington DC,
USA.
August 1999 –
May 2003
British Modernism, Aesthetics, D.H. Lawrence
Dissertation: “The Shimmer Not The Shape of Things: The Aesthetic Philosophy of D. H. Lawrence”
Dissertation passed
“Without Revision”
GPA 3.83/4.0
M.Phil.
Department of English
University of Delhi, Delhi,
India.
December 1979 –
December 1981
English Literature, Literary Theory, Modern
British Novel, Shakespeare, Romance
Tradition. Indian Writings in English
“Passed” written &
oral exams
M.A.
Indraprastha College for
Women, University of Delhi,
Delhi, India
July 1977 – May
1979
English. “A” grade
GPA 4.68/6.0
B.A. University of Delhi, Delhi,
India
July 1974 – May
1977
English, Hindi, Sanskrit, History. 59.6%
General
Certificate of
Education
University of London, UK
Exam Center: British Embassy,
Moscow USSR
January 1974
June 1973
‘A’ Level English Literature.
‘O’ Level: English Language, Hindi, Economics,
Mathematics, Physics with Chemistry
“B” grade
“A” grade in all 5
subjects
Divya Saksena, PhD
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EXPERIENCE
TEACHING: 08/2011-05/2012: College Professor & Distance Education Online Tutor, English & Language Studies, Okanagan College,
Kelowna, BC, (Canada), Full-time, contract, with benefits.
08/2004-12/2009: Associate Professor of English, Middle Tennessee State University (MTSU), Murfreesboro TN (USA).
Renewable tenure track with full benefits
08/2003-05/04 Assistant Professorial Lecturer in English, The George Washington University
(GWU), Columbian School of Arts &Sciences Annual Contract
08/1999-05/2003 Graduate Teaching Assistant & University Fellow, The George Washington
University, Department of English 4-year Contract
1995-1998 Senior Lecturer in English, Gargi College, University of Delhi, India
Permanent appointment (until retirement age with benefits)
1993-1995 Lecturer in English, Gargi College, University of Delhi, India
Temporary, renewable annual appointment (without benefits)
1989-1993 Lecturer in English, affiliated colleges of University of Delhi, India
Temporary, renewable annual appointments (without benefits)
1990-1996 Accredited Academic Counselor, Distance Learning, English. Indira Gandhi National Open
University (IGNOU) New Delhi, India
Temporary, renewable annual appointment (without benefits)
1980-1983 Lecturer in English, affiliated colleges of University of Delhi, India
Temporary, renewable leave vacancy appointments (without benefits)
OTHER WORK EXPERIENCE: 06/2012-03/2014: Program and Curriculum Design, Professor-English, Shiv Nadar University, India
(startup awaiting UGC approval). Contract, with benefits.
02-10/2010 Curriculum Design and Associate Professor English, Foundation for Liberal and Management
Education, Pune, India. Contract.
2006-2009 Advisory Board, University Fellowships Office, Honors College, MTSU
Consultant and adviser to Fulbright & other fellowship applicants,
2002-2003 Coordinator, Graduate Student Support, The George Washington University,
Office of Graduate Assistantships and Fellowships, Per Contract, with benefits
Special responsibility for Rhodes, Fulbright and other Scholarship Programs, Website Maintenance,
GTA Program & Orientation, March –July 2003.
2002-2003 Mentor, Student Summer Internship Program SLP-154, The George Washington University, Office of
Graduate Assistantships & Fellowships, May-August 2003.
July- August 2002 Writing Fellow, Rhodes and Marshall Scholarship Programs, The George Washington University, Office of
Graduate Assistantships and Fellowships,
Summer 2003 Consultant and Subject Matter Expert, ‘Langnet,’ Online Learning Project,
National Foreign Language Center of the University of Maryland, Per Contract to prepare language
learning objects and lessons online
1993-1998 Speaker, Distance Education broadcasts, All India Radio.
08-09/1993 Course-designer and Instructor, University of Delhi, Department of English
English Language Exchange Program for Japanese students from Fukuoka, Japan, Per Contract
1986-1987 Teacher-in-training, Royal Society of Arts Dip. TEFL & TESL, Luton College of Higher Education, UK.,
Course requirement: English for multicultural and ethnic minority students..
1986-1987 Anchor-presenter, BBC Radio Bedfordshire, UK, live on-air weekly multicultural program. Freelance.
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SELECT INTERNATIONAL PUBLICATIONS & ACADEMIC PRESENTATIONS
●Book Saksena, D. (2008). The Aesthetic Philosophy of D. H. Lawrence, (Saarbrucken: VDM-Verlag, 2008). ISBN: 978-3-639-09056-7.
●Book Chapters Saksena, D. (2009). Thematic essays (3 each) on Hanif Kureishi, The Buddha of the Suburbia, V. S. Naipaul, A Bend in the River and Ivan
Turgenev Fathers and Sons for Special Themes in Literature ed. Jennifer McClinton-Temple, (Facts on File Inc, 2009).
Saksena, D. (2008). “Only connect” the beast and the beautiful: The Secular Humanism of E M Forster and D H Lawrence,” in Tague,
Gregory ed. Origins of English Literary Modernism 1870-1914 (Bethesda, Dublin: Academica Press, 2008), 257-278. ISBN-13:
978-1-933146-48-5.
Saksena D. (2008). Long essay “End of Empire” and introductions to lives and poems of Rupert Brooke, Charles Sorley, Rudyard Kipling
et al in Persoon J. and Watson R. ed. Companion to British Poetry, 1900 to the Present (New York: Facts on File, 2008). ISBN-
13: 978-0-8160-6406-9
Saksena, D. (1997). “Chthonic Celebration of Life: Egypt’s Cleopatra with reference to Shaw and Shakespeare” in Raghavan, Hema V.
ed. The Imaging of Women in Myth and History, (Delhi University, 1997), 101-108.
Saksena, D. (1996). “Points of Viewing: Shakespeare’s Troilus & Cressida and Antony & Cleopatra” in Shakespeare: Varied Perspectives
(New World Literature Series 90), edited by Vikram Chopra, with a Foreword by Kenneth Muir (Delhi: South Asia Books/ B.R.
Publishing Corporation, 1996), 359-369. ISBN: 8170188229
●Citations Saksena, Divya. "Shakespeare's Cleopatra: The Forgotten Factor of Ancient Egypt. (#1054; p 289In Bains, Yashdip S., Antony and
Cleopatra: An Annotated Bibliography (Garland Shakespeare Bibliographies), (Routledge, 1998) ISBN-13: 978-0815314745
Saksena, Divya. "Shakespeare's Cleopatra: The Forgotten Factor of Ancient Egypt.” In Desai, R.W. Shakespeare’s Latencies (Delhi:
Doaba House, 2005)
●Peer Reviewed Journal Contributions Saksena, D. ‘Shakespeare’s Cleopatra: Factoring In Forgotten Egypt,” Journal of Drama Studies Vol. 2 No. 2, 2008, Kurukshetra
University, India, (2009).
Saksena D. “My salad days when I was green in judgement”: Shakespeare, Enobarbus and Cleopatra.” Commemorative volume,
Shakespeare Society of India International Seminar on Shakespeare's Intellectual Resources, edited by B. S. Dahiya,
Kurukshetra University, India
Saksena, D. (1995). “Psychosis of Dream in Shakespeare’s A Midsummer Night’s Dream,” (condensed), Bulletin of The Shakespeare
Society of India, 1994-95, Delhi, 8-9.
Saksena, D. (1992). “Shakespeare’s Cleopatra: The Forgotten Factor of Ancient Egypt,” (abstracted), Bulletin of The Shakespeare
Society of India, 1990-92, Delhi, 5-6.
Saksena, D. (1992).”Deborah Cameron: Feminist Critique of Language,” Book Review, In- Between: Essays and Studies in Literary
Criticism, vol.1 March 1992 no. 1, New Delhi, 98-102.
●Editorial and Proofreading Assistance Harris, J. (2002) Signifying Pain: Constructing and Healing the Self through Writing (Albany: State University of New York Press).
●Conference Papers Saksena, D. “Radical Unlearnedness with Proletarian schooling: Dilemmas of discipline and teaching in D.H. Lawrence’s Education of
the People and Fantasia of the Unconscious”. 2013 International D.H. Lawrence Conference, Centre de recherches
Anglophones et Groupe d’Etudes lawrenciennes, Universite Paris-Ouest, Nantrerre-La Defense, 4-6 April 2013.
Saksena D. “The Fallacy of Understanding: D H Lawrence’s Emotional Logic in Fantasia of the Unconscious and Apocalypse.”
International D H Lawrence Conference, Universite Paris X Nanterre La Defense, Paris, France, 26-28 March 2009.
Saksena D. ‘“A much bigger thing than passion”: D. H. Lawrence’s Women and Love in the Postcolonial Classroom.’ 11th
International
D. H. Lawrence Conference, Nottingham, UK, August 2007.
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Saksena D. “My salad days when I was green in judgement”: Shakespeare, Enobarbus and Cleopatra.” Shakespeare Society of India
International Seminar on Shakespeare's Intellectual Resources, Kurukshetra University, India, October 9-11, 2006
Saksena D. ‘Cultural Identity and the Epics of India, with special reference to the Ramayana.’ International Conference on Cultural
Diversity, MTSU Murfreesboro & Nashville, TN, November 2005.
Saksena D. ‘Blyton out of Blighty: Children’s Literature of the Empire in a post-colonial world.’ Second Biennial Conference on
Children’s Literature, Nashville, TN, April 2005.
Saksena D. ‘“Body, Power and the Panopticon Gaze: Women who have ruled India in spite of men” Women and Power
Interdisciplinary Conference in Women’s Studies, MTSU, March 2005.
Saksena D. ‘A New Place: Aesthetics of Place in D.H. Lawrence’s Aaron’s Rod.’ Modern Language Association of America Annual
Convention, San Diego, CA, December 2003.
Saksena D. ‘A minefield of linguistic constructs: the rewards and recriminations of translation (with special reference to Shakespeare
texts in India).’ South Asian Literature Association Fourth Annual Conference, San Diego, CA, December 2003.
Saksena D., Fuisz, L.S. & Harty, J. ‘Against Parrot-Compulsion: Perspectives on Literature and Learning (Hartley Coleridge, Willa Cather,
D. H. Lawrence).’ Panel presentation International Conference on Arts & Humanities, Honolulu, HI, January 2004
Saksena D., Larsen, K. ‘Star Equilibrium: Aesthetics, cultural value and the writer’s role in adapting D.H. Lawrence’s Sons and Lovers for
film.’ Literature/ Film Association Annual Conference, Towson University, MD, November 2003.
Saksena, D. ‘“Learning not-to-be, to come into being”: D H Lawrence's Aesthetic Vision and Philosophy in the Early Novels.’ Ninth
International D. H. Lawrence Conference. Kyoto, Japan, July 2003.
Saksena, D. ‘Chthonic Celebration of Life: Egypt’s Cleopatra with reference to Shaw and Shakespeare.’ International Seminar on the
Imaging of Women in Myth and History. Gargi College, Delhi University, November 1996.
Saksena, D.’Dream Psychosis in A Midsummer Night’s Dream.’ International Seminar on Shakespeare’s Problem Plays. The British
Council with The Shakespeare Society of India, Delhi, March 1995.
Saksena, D., Hasnain, T. ‘Gender as Power: Contemporary Literary and Cinematic Texts.’ Seminar on Power and Punishment, St
Stephen’s College, Delhi University, Dec. 1994.
Saksena, D. ‘The Concept of Empire: Deuteronomy and Troilus & Cressida.’ The Shakespeare Society of India, April 1993.
Saksena, D. ‘Children’s Fiction of the Edwardian Age: with special reference to Susan Coolidge, Louisa Alcott and Richmal Crompton.’
Inter-university Seminar on The Child in Literature, Hansraj College, Delhi University, December 1992.
Saksena, D. ‘Shakespeare’s Cleopatra: The Forgotten Factor of Ancient Egypt.’ The Shakespeare Society of India, August 1991.
Saksena, D. ‘Points of Viewing: A Study of Shakespeare’s Antony & Cleopatra and Troilus & Cressida.’ International Shakespeare
Seminar, Department of English, Delhi University with The Shakespeare Society of India, December 1989.
WORK IN PROGRESS
Book Manuscript
Saksena, D. (2013-15). All It Takes: A Monkey & A Shotgun, (under preparation). Uses biography, memoir and historical sub-sets to
examine the coming of age experience of young men and women in pre-independence India circa 1925 to 1949.
Research Project
Saksena, D (2012-continuing): “Calculated Gazes: Search for Selfhood, Manipulations of Discourse and Beyond:” Situated in an interdisciplinary academic milieu, the project addresses the historical, political, literary and cultural
parameters within which women participated in India’s freedom movement instead of being marginalized as gendered ciphers and statistics. The continuum of the influence of the epic tradition and its operational effectiveness is unique to India. Using the wide range of political, social, and cultural texts generated by the Ramayana and the Mahabharata, the informing framework of the research uses Foucauldian concepts of surveillance and discipline to re-read manipulations of the Indian epic discourse. These are subject simultaneously to manipulation by both creator(s) and receiver(s). Thus, my project will collate and create a digital database of epic discourse from multiple sources—literature, folk memoirs, mythologies, --films, posters, pamphlets and correspondence– and interrogate multi-media cultural phenomena and artifacts to examine how a national identity for India and Indian women during and following the independence movement has been established, propagated and sustained.
Divya Saksena, PhD
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Research Paper Kapoor A. & Saksena, D. (2015). ‘Friendship Networks in Adolescent Girls in Urban India: A Case Study.’ Examines theory and
practical aspects of network formations in adolescents using computational and sociological strategies.
RESEARCH EVALUATION & SUPERVISION
2012-2013: Research Advisor for one PhD dissertation and one MA thesis at Shiv Nadar University..
2008: External Examiner for evaluating PhD Thesis on Modern Poetry: Yashu Rai: “Kamala Das: A Study in Confessional Mode of
Poetry” supervised by Dr K B Singh, National Institute of Technology, Kurukshetra, India.
2006 - 2009: Examiner for PhD Field Examinations in Anglophone Literature, Middle Tennessee State University Graduate Program.
Responsibilities include
preparation of reading list, field examinations, and questions database
preparing and reading field examinations
conducting oral exam for successful candidates
2006 – 2009: Examiner for PhD Field Examinations in Modern British Literature and British Modernism, Middle Tennessee State
University Graduate Program,. Responsibilities include
preparation of reading list, field examinations, and questions database
preparing and reading field examinations
conducting oral exam for successful candidates
AWARDS & FUNDING
Institution Award Year(s) Value/Details
Middle Tennessee State U Reassigned time 3 credit hrs 2006 USD 2500. Assisted in establishing of
University Fellowships Office
Middle Tennessee State U Conference travel funding 2007,2006 USD 800. For international travel
George Washington U Conference travel funding 2004 USD 800. For international travel
George Washington U Graduate Teaching Award 2002 Nomination
George Washington U University Fellowship &
Graduate Teaching
Assistantship
1999 to
2003
Four-year fellowship of value USD
31,000 per annum
Indraprastha College for
Women, Delhi University
First position in M.A. English
at college level
1979 INR 250. Academic merit award
PROFESSIONAL DEVELOPMENT
New Frontiers in Global Learning & Communication-2013-14:
-Participated in intensive workshop-cum-training for design of online courses and teaching materials, and use of new
technologies in the classroom for teaching, response, assessment and evaluation. Jointly organized by University of
Massachusetts-Boston (USA), Center for Entrepreneurship & Career Oriented Programs & Shaheed Rajguru College of Applied
Sciences for Women, University of Delhi, 28 Dec 2013 – 2 Jan 2014.
The George Washington University:
-Center for Instructional Design and Development: as a participant in SIWI 2004 Teaching Toolbox: received training in design
of online courses and faculty websites for instruction using Blackboard and software like Dreamweaver and Adobe Access
July 2004.
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University of Delhi:
-Center for Professional Development of Higher Education:
(1)Teachers’ Refresher Course in Women’s Studies, April-May 1998
(2)Teachers’ Orientation Course (144 hours) OR-24 Curriculum Development, 1994-1995
-Certificate Course in Film Appreciation, Gargi College, 1995
-National Gallery of Modern Art Certificate in Art Appreciation, 1995-1996
Indian Institute of Technology, New Delhi:
-Computational Linguistics. Basic and Advanced Certificates, (Government of India National Language Teachers’ Training
Program), June-July 1994.
The Royal Society of Arts, UK: Completed course-work for Diploma TEFL/TESL Teaching of English as a Foreign & Second Language,
1986-1987.
UNIVERSITY & COLLEGE SERVICE
Shiv Nadar University
2012-13: Graduate Student Advisor, English Department.
Member, University Library Committee, and Library Journals & Building sub-committees.
Member, University Committee on Sensitization of Gender
Member, Academic Council.
Okanagan College
2012: Member, College Arts Committee.
Middle Tennessee State University
2008-2009: Women’s Studies Program, MTSU: Member, Director Search Committee, Member, Library Committee, Member,
WMST Conference Committee.
2006-07: Co-sponsor of Sigma Tau Delta, the English Honors Society, assisting students preparing to present papers at the
Society’s annual convention.
2005-2006: Recording Secretary, International Programs and Services Committee,
2004-2008: Member English Department ESL Committee (2 x 2-year term)
2005 Member, English Department Full-time Temporary Instructor Search Committee
2005-2009 Associate Member, Graduate Council
2004-2009 Member Women’s Council
The George Washington University
2003: Faculty Member, Review Committee, GWU Shapiro-Bender Scholarships Program.
2002-2003: Student member, Department of English Graduate Studies Committee,
August 2002: International Services Office, Orientation Program for International Students. Group leader, “Adjusting to Life
in the U.S.” and Speaker for panel discussion on “Academic Success in the U.S. Classroom”
University of Delhi
May-July 1998: Assistant Coordinator, Delhi University Evaluation Center for Examinations in English, at Gargi College, Delhi.
1997-98: Member, Department of English Syllabus Revision Committee for B.A. English (Honors) with specific responsibility for
courses on World Literature, Women’s Writing, Literature in Translation.
1995-98: Evaluator, Delhi University Annual Examination, for B.A., English Honors, for (1)“Renaissance Drama” and (2)“The
English Novel in the 18th
& 19th
Centuries.”
1994-96: Member, Executive Committee and Ad hoc Treasurer, The Shakespeare Society of India,
Gargi College, University of Delhi, India
1997-98: Teacher-in-Charge of the College Department of English,
1996-98: Member, College Magazine Committee and Editorial Board,
1995-98: Member, Committees for English Honors and Extra-curricular Admissions,
1996-98: Co-convener of the College Drama Society, Responsible for student and staff productions of Purgatory (W. B. Yeats),
St. Joan ( G. B. Shaw), Catastrophe (Samuel Beckett), Madhavi (Bhisham Sahni).
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MEMBERSHIP OF PROFESSIONAL ORGANIZATIONS & NETWORKS
2012-pres Research Gate Network 2014-pres Chronicle of Higher Education Network 2014-pres American Association for Adult & Continuing Education 2014-pres NAFSA-Association of International Educators 2014-pres Higher Education and Research Forum 2014-2015 AMOL online course and MOOCs design systems
2002-pres The D. H. Lawrence Society of North America, (DHLSNA), USA
2000-2009 The Modern Language Association of America (MLA), USA
2003-2005 South Asian Literature Association, (SALA), USA
2002-2004 Literature/Film Association, USA
1989-LIFE The Shakespeare Society of India, New Delhi, India (formerly affiliated with The International
Shakespeare Association, UK)
PROFESSIONAL EVENT ORGANIZATION & SUPPORT 04/2005 Second Biennial Conference on Children’s Literature, Nashville, TN, Session chair and moderator.
03/2005 The Modern Language Association of America Women and Power Interdisciplinary Conference in Women’s
Studies, MTSU, Moderator.
05/2004 Conference of the Association for the Psychoanalysis of Culture & Society (GWU)Organizing Committee
01/2004 Hawaii International Conference on Arts & Humanities, Honolulu. Reviewer in English.
11/1996 International Seminar on the Imaging of Women in Myth and History, Gargi College, Delhi University.
Stage adaptation of The Woman (Edward Bond).
03/1995 International Seminar on Shakespeare’s Problem Plays,The Shakespeare Society of India with The British
Council, New Delhi, Executive Committee.
02/1995 International Seminar on Re-reading the Romantics, Department of English, Delhi University, Logistics and
Reception Committee.
12/1994 International Conference on Henry James, Department of English, Delhi University, Organizational support and
Registration.
DISSERTATION & RESEARCH: Published. (Details available)
Institution Dates Brief Description of Project
Department of English, The
George Washington
University, Washington DC,
USA
August 1999 –
May 2003
Doctoral Dissertation, under Prof. Margaret Rapp Soltan.
“The Shimmer Not the Shape of Things: The Aesthetic
Philosophy of D. H. Lawrence”
Defense Examination Committee: Prof Alf Hitebeitel, Prof R.
Ganz, Prof Vikram Chandra, Prof. Judith A. A. Plotz, Prof. J.
Green-Lewis, Prof. C. Sten.
Department of English,
University of
Manchester, UK
January –October
1984
Research project under Prof. D. J. Palmer on women in
Shakespeare’s problem plays
MULTICULTURAL COMMUNITY ACTIVITIES & COMPETENCIES
01/2014 Panelist and Moderator, “Girls in ICT Day” Panel Discussion, jointly organized by CISCO and Shaheed Rajguru
College of Applied Sciences for Women, University of Delhi.
2012-13 ‘ Co-owner’ of Falcons Football Team at Shiv Nadar University, India.
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01/2012 Panelist and contributor, Roundtable on Academic Writing, Okanagan College Penticton campus.
11/2011 Assisted with fundraiser event ‘Taste of India’ for Okanagan College Students in Need Fund.
01-05/2005 Designed and taught communicative language course ‘Beginning Hindi’ (for effective spoken and written
interaction with native speakers in appropriate settings with reference to the culture of north India) under
aegis of the Middle Tennessee State University Program for Continuing Education.
01-04/2005 Helped to inaugurate folk art youth-group MAYA (Multicultural Artistes and Young Achievers) of Murfreesboro:
Choreographed and taught Indian folk dance performance “Dandia: Celebration of Spring” for MTSU
International Day.
07-08/2007 ‘Friends of India at Murfreesboro’ (FIAM): Choreographed and taught Indian folk dance for under-14 girls’ group
performance, Independence Day celebration.
10-12/2003 The World Bank Group, Washington DC: Participant and performer, Series & Finale Performances,
Showcase India, ‘Celebration of Cultures’
TRAINING & COMPETENCIES:
Classical Indian art forms: 6 years’ training in Kathak at ‘Sangeet Bharati,’ New Delhi, India.
Multi-cultural competencies through international residence, study and travel in the United States, India,
Canada, the United Kingdom and at the Indian Embassy, Moscow
LANGUAGES
Native capability: English, Hindi; Advanced: Sanskrit Intermediate: French, Russian;
Basic: Latin, German, Punjabi, Gujarati
COURSES TAUGHT & DESIGNED: Details available separately.
Okanagan
College
September
2011 to May
2012
(British Columbia, Canada)
Freshman
Literature
Poetry &
Drama
Spring 2012 For English majors, introduction to critical writing and reading, introduction
to Poetry & Drama, using selections of poetry from medieval to
contemporary, including modern Canadian poets, and drama from classical
to modern (Sophocles Oedipus Rex, Shakespeare Hamlet, Ibsen A Doll’s
House and Stoppard Rosencratz and Guildenstern Are Dead)
Short Fiction
& the Novel
Spring 2012 For English majors, introduction to the novel and short story genres, using
Bronte Wuthering Heights, Dickens Hard Times, Hesse Siddhartha and
selection of short fiction by James Joyce, D. H. Lawrence, Frank O’Connor,
O’Henry, Saki and P.G. Wodehouse.
Narrative Fall 2011 For English majors, freshman, introduction to narrative, in poetry and
prose, from the classical to the contemporary. A range of authors and
topics covered including Alfred Noyes, Loreena McKennitt, Samuel Pepys,
Siegfried Sassoon, James Joyce and Jerome K. Jerome et al.
Writing &
Composition
Freshman
University
Writing
Fall 2011 /
Spring 2012
Using thematic framework ‘Myth and History’ including sub-sets of folklore
and fairy tale and ‘Mystery, Miracle, Macabre,’ including sub-sets of
detective fiction, Gothic, horror and the supernatural. Assignments
concentrate on reading, analysis, critical reasoning, documentation styles,
library research and the writing process.
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Middle Tennessee
State University
Women’s
Studies
2005 to 2009 (Murfreesboro, TN, USA)
“Introduction to
Women’s
Studies”
2005 to 2009 Introductory course designed to expose students to a variety of issues
and disciplinary approaches to the study of women and gender, with
primary focus on women's issues in the modern post 1800 world. In
addition to assigned readings from theory and literary texts, also
examines representations of women and their condition in film and other
media.
“Women and
Leadership”
2006 Examines critically and analyzes leadership tasks and accountability,
strategies and constraints, power and decision making, inter-cultural
tensions and dilemmas, ethics and leadership styles, and the
organization and resource-mobilization in the struggle by women’s
organizations for social development and human rights.
“Feminist
Theory”
2008 For Women’s Studies minors; provides overview and detail of feminist
theory from 18th century to contemporary.
Middle Tennessee
State University
English 2004 to
2009
(Murfreesboro, TN, USA)
Upper Division
Literature Courses
Introduction to
Literary Studies
Fall 2009 For English majors, upper division course on Literary Theory, from the
classical to the contemporary. A range of authors and topics covered
including Aristotle, Horace, Sidney, Kant, Wordsworth, Coleridge, T. S.
Eliot, Saussure, Derrida, Foucault, de Beauvoir, Irigaray, Cixous,
Greenblatt, et al.
Special Topics:
War and
Literature:
Fall 2008 “Shell-shock, trench-trauma and the literary battle scars of World War
One.” Course examines several, now-neglected, masterpieces by British,
American and European writers of the period, to see how each in its own
artistic terms both succeeds and fails to respond adequately to the
horrors of the trenches.
“Lyric Poetry” Summer
2006
For English majors, upper division course on development of the lyric
genre, its various forms and its traditions from ancient to contemporary
times.
“The Modern
Novel”
2007 For English majors, the English novel from Woolf and Conrad to Lessing
and Amis, with a special component devoted exclusively to reading
Ulysses.
“Modern British
Literature”
2007 Specialist course on British Modernism for English majors/seniors: Works
of W.B. Yeats, T. S. Eliot, E. M. Forster, D. H. Lawrence, James Joyce,
Joseph Conrad.
Upper Division
Literature Survey
“British Literature
II –from the 18th
century to the
present”
2006 to
2008
For English majors. Course examines issues that emerge from the
English Civil War and the French Revolution, Victorian dilemmas about
power and faith, and the First World War, to see how literature as art
becomes the means for an individual to hold on to his/her sanity and
survive in a world of chaos where “things fall apart/The center cannot
hold.” Includes a detailed reading of Frankenstein.
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Lower Division
Literature Survey
“Experience of
Literature”
August
2004 to
2009
Introduction to literary genres and devices, using the Bedford Anthology
of English Literature, to fulfill required general education credits.
Freshman Writing &
Composition
Expository
Writing
2004 to
2005
Required credit course, linked with “Writing for ESL Students.”
Departmental approved text.
Writing:
Research &
Argument
2004 to
2005
Required credit course. Departmental approved texts, e.g., One World
Many Cultures.
The George
Washington
University
1999 to 2004 (Washington DC, USA)
Literature Surveys British
Literature:
“Medieval to
18th century”
2001 to 2002 Sophomore, general requirement course, first part of British literature
survey (includes works of Chaucer & Shakespeare, Beowulf, Dr Faustus,
Hamlet, Paradise Lost)
British
Literature:
“The French
Revolution to
the 20th
century”
2002 to 2004 Sophomore, general requirement, course, second part of British
Literature survey. Modernist concerns of alienation, disillusionment and
fragmentation (including Heart of Darkness, The Waste Land, Sons and
Lovers and A Portrait of the Artist as a Young Man, Irish writers (Shaw,
Wilde, Yeats, Heaney) and contemporary representations from
Anglophonic (Asian, Latin-American and African-American) literature).
Specialist
Undergraduate
Courses
Postcolonial
Literature
2003 For juniors & seniors. Specialist undergraduate survey of postcolonial
Anglophone literature and film (Achebe, Atwood, Castle, Kureishi,
Ondaatje, Young).
Comedy 2002 to 2004 Specialist undergraduate survey (a selection of dramatic texts ranging
from Lysistrata, Tartuffe, The Taming of the Shrew, Volpone, and The
School for Scandal to Pygmalion, The Importance of Being Earnest,
Accidental Death of an Anarchist and Noises Off, as well as
representative works of Edward Lear and P. G. Wodehouse) to illustrate
conventions of the commedia dell’arte.
Freshman
Composition
Expository
Writing
2001 to 2003 Theme-based writing courses using Feminist/ Psychoanalytical theory:
Imaging of Women in Folk & Fairy Tale ; Bergson’s theory of laughter;
Cultural Materialism; Foucauldian concepts, the panopticon gaze,
Western and Indian epics .
University of Delhi 1989-98; 1980-
83
(New Delhi, India)
Graduate (M.A.)
course on British
modernism:
The English
Novel
1993-1998 Tutorial classes at college-level.to extend university department lectures:
‘The English Novel 1900-1950.’ Forster, Conrad, James Joyce, D. H.
Lawrence.
Undergraduate
B.A Honors &
B.A/B.Sc./B.Com
general courses
1989-98;
1980-83
English Literature for Honors students; English Language for general and
subsidiary courses for majors other than English. Lecture classes &
tutorial/preceptorial meetings at college-level
TOPICS/Authors include: 17th -20
th century Poetry; Renaissance Drama;
Tragedy (Classic to Modern); Biblical texts/Classics ; Fiction: from the 18th
to the 20th century. Emily Brontë, Dickens, Conrad, Lawrence, Hemingway
Divya Saksena, PhD
Page 11
DS-15-CURRICULUMVITAE-0215
Shiv Nadar
University
2012 to 2014 (NCR, India)
Instructional
Design
2012-13 Program and Curriculum Design for undergraduate and graduate courses in
English and Writing, from Freshman Undergraduate to Master”s and Doctoral
Programs.
Graduate Courses
for M.A. & Ph.D.
students
“Introduction to
Gender Studies”
2012-13 Introductory course designed to expose students to a variety of issues and
disciplinary approaches to the study of women and gender, with primary focus
on women's issues in the modern post 1800 world. In addition to assigned
readings from theory and literary texts, also examines representations of
women and their condition in film and other media.
“18th to 19
th
century Prose”
2013 Examines critically and analyzes leadership tasks and accountability,
strategies and constraints, power and decision making, inter-cultural tensions
and dilemmas, ethics and leadership styles, and the organization and
resource-mobilization in the struggle by women’s organizations for social
development and human rights.
Undergraduate:
Freshman Majors
“Exploring
Literature”
2012 Introduction to literary genres and devices, using classic texts like Oedipus
Rex, Hamlet, A Doll House, selected poems by seminal authors like Keats and
T. S Eliot, and selected short stories by representative writers like Joyce,
Steinbeck, Lawrence, Chitra Divakurni and others.
Academic Writing 2012 Using literary texts like The Strange Case of Dr. Jekyll & Mr. Hyde, introduces
students to academic writing processes. Assignments concentrate on reading,
analysis, critical reasoning, documentation and citation styles, library research
and stages of the writing process.
REFERENCES (with Transcripts & Dossier) available through Interfolio Credentials Service, USA