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Amores, Rhea Mae A.
Ansaldo, Samantha Jean V.Moting, Emie Grace VNardo, Maxine Dominique B.
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A new style of architecture that appearedin Europe in the 1930s.
Young architects thought that SullivansForm follows function could only beinterpreted that if buildings were only madeto function well from a practical POV, allwould be well.
They were wrong.
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A designer cannot give an aesthetically
satisfying form to and object if he/she does
not know its Technical Function Find out what its function is
Make the technical engineer study the laws of
Architects
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A handle to Push
A handle to Pull
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Push Pull
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If a visual form shall express its purpose of
supporting a human body, the form of
perception must be capable of a tendency
to change into an image of a comfortable
haptic form.
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Umcomfortable Chairs
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Do they not look comfortable
enough?
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The designer has to create such form
which will be the expression of the forces
and make it capable of resisting pressure
from its contents.
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Described as one of wearing, supporting,
or tension.
The Parthenon
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Forms like these give a fair expression to
the function of simple wearing but is
sometimes necessary to create a
structure.
Salginatobel Bridge
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Visual hemming in- sometimes appreciated as a protection,sometimes avoided as a hindrance-is one of the mostimportant architectural expressions. The expression ofhemming is given by inner floor, walls, and ceiling.
The steep roof of a building can give a strong expression ofprotecting.
A flat roof gives a weaker impression, but this can becompensated by heavy eaves, as seen from underneath.Buildings without eaves seems unprotected.
Other perceptions add to the attributes of visual form. Dulland dark colors, and a pronounced texture, especially apronounced deep texture, contribute to the expressionmentioned
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The expression of protection can become so strong that it
develops into an expression of closeness or stuffiness. In
such a case, it my become necessary to insert doors and
windows in the wall. These elements will visually connect
the closed room with adjacent spaces.
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The perception of a door- even when
closed-is transformed into an image of
unimpeded motion, whilst a window which
does not reach the floor is connected with
the idea of a protected outlook.
If the window does not reach the floor ,it is
likely to combine with an image ofunimpeded motion as well.
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Such an image can become very
unpleasant if the window is many storeys
above the street. In well-designed houses,
it can sometimes be seen that the architect
has been aware of this, and has therefore
placed the windows higher up in the wall
on these storeys furthest from the ground.
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6. To open and Connect
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One visual from which very well expresses
the function of distributing light, sound, air
and water, is the trumpet form ,which with
sufficient variation be used for light fittings,
megaphones and air mouthpieces. A
tunnel-shaped object. Can also have the
expression of catching and sucking in airor sound, as in the old-type.
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A function associated with the ability ofships cars and aeroplanes to leave theirway during their rapid motion through air or
water streamlining is the visual form of thisfunction. The motor boat gives a definiteexpression of speed and efficiency as itmakes its way through water, and to this
expression, the sharp stem is probably themost important contribution.
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Other perception, for example visually glossy and tactilysmooth surface
can also contribute to the expression of speed.
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Tools which are not meant for dressing or
manufacturing have a special kind of semantic
interest.
They very often give spontaneously created and
spontaneously perceived expression of their
function.
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Example:
- An axe which immediately give its function
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Architectural expressions cannot be
fully understood merely by reading
books. Practical experience isabsolutely necessary.
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The purpose of an object
cannot be often be visualized
without at the same timevisualizing how it is produced.
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The visual expressions for sawing,
planning dressing and twining on a lathe,boring milling, cutting and so on.
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A definite expression of a production
method is by modelling, a given quantity ofmaterial into a new shape.
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-Iron work, moulding, casting, throwing,rolling and so on belongs to this group.
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Plaiting and weaving are indeed
venerable techniques which have
been used all over the world.
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- Baskets demonstrate the way in which the appreciation of the
expression of the technique is closely combined with a formal
aesthetic evaluation of the pattern created by the technique.
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The putting together of objects by
means of fitting different details
closely is a technique, which is, fromthe point of view of expression often
highly appreciated.
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Modular furniture
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Tongue and Groove
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It is sometimes necessary to assemble
parts of a building by specially made
framing elements for this purpose. The
professional Engineer or an Architect canobviously better appreciate this kind of
expression than the layman especially a
proper technical understanding of thestructure highlights of the expression.
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Frame
-A skeletal structure of relatively slender
members designed to give shape and support to
a building or other construction. Framework
-The construction of framework in which
openings between the frames can be filled
with sheets of wood glass iron plates and so
on.
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The process or result by joining two or morethings together to form a single entity.
In architecture:The use of intimate fusion between different
elements of the same or different materials isa relatively new technique based on a certain
modern inventions such as reinforcedconcrete, plastic laminated plywood andwelded iron structure.
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