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ARTHIST 283-01/AAAS 227-01/Modern & Contemporary African American Art
Sam Gilliam and Romare Bearden
October 21, 2019
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Left: Sam Gilliam, 1966. Photo. Right: Sam Gilliam, Light Fan, 1966. Acrylic on canvas.
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Sam Gilliam, Restore, 1968. Magna and acrylic on canvas with aluminum powder.
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Sam Gilliam, April 4, 1969. Acrylic on canvas.
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Sam Gilliam, Seahorses, 1975. Acrylic on canvas. Installation, Philadelphia Museum of Art.
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Sam Gilliam, Lion’s Rock Arc, 1981. Acrylic on canvas.
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Sam Gilliam, Yves Klein Blue, 2017. Acrylic on cerex nylon. Installation, Venice Biennale, Italy.
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Above: Romare Bearden, Editorial Cartoon, Baltimore Afro-American, circa 1936. Right: Romare Bearden, Factory Workers, 1942. Gouache and casein on brown kraft paper mounted on board.
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Romare Bearden, The Family, 1948. Watercolor and gouache on paper.
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Left: Romare Bearden, Eastern Gate, 1961. Oil on canvas. Above: Sam Shaw, Romare Bearden, Harlem,circa 1950s. Photograph.
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Romare Bearden, The Prevalence of Ritual: Baptism, 1964. Collage, mixed media.
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Romare Bearden, Summertime, 1967. Collage on board.
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Romare Bearden, Patchwork Quilt, 1970. Cut-and-pasted cloth and paper with acrylic on board.
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Romare Bearden, Of the Blues: Carolina Shout, 1974. Collage with acrylic and lacquer on board.
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Romare Bearden, Odysseus series: The Sea Nymph, 1977. Collage with paint and graphite on board.
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Romare Bearden, The Piano Lesson, 1983. Collage with paint, ink and graphite on paper.
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Romare Bearden, Obeah, 1984. Watercolor on wove paper.