SEATTLE RECORDER SOCIETY
April 2017Vol. XLVIII, No. 8
www.seattle-recorder.org
Recorder Notes
SRSMeeting
Friday,
April7th,2017@7:30pm
AnnualSRSMeeting
PlayingSession(MatthiasMaute)Praetorius,Handel,
aYiddishsong,andMaute
Allsizesofrecordersandviolsarewelcome.Lowbassrecordersareneeded!
NoBackroomGangJointhelargegroup!
FromtheMusicDirector(VickiBoeckman;photobyBillStickney)
;
NewsletterDeadline
forMayIssue:Sunday,April23rd
Greetings,Everyone,
Anotherwhirlwindofamonth!Letusembracethespringequinoxwithnewintentsandthefiretoignitethem.Takedelightinthescintillatingyellowhuesthattheforsythiaanddaffodilsaresoproudlydisplaying.Experiencethebubblingjoywithinattheverysightofabuddingtree,andallowourselvestotaketimetofully‘drinkin’theintoxicatinglyfragrantDaphneodorathataresoabundantinthePacificNorthwest.Whatagorgeoustimeofyear.April,herewecome!
TheApril7thmeetingwillbeledbyourveryspecialguest,
MatthiasMaute.Therewillnotbeanopeningprogram,butpleasedobeontimesothatwecanholdourSRSannualmeetingtoelectournewofficers.
Allsizesofrecordersfromsopraninoondowntocontraareneeded,themorelowbassesthebetter,andofcourseviolsarealwayswelcome.Matthiashasalreadysentthemusictobecopied,soifanyoneneedsmusicaheadoftimepleaseletmeknowwhatpartyouareinterestedin,andIwillsendapdfassoonasIcan.Hereiswhathehasplannedforus.
ThemusicfortheSRSplayingsessionwillrangefrommusicofthe17thcenturytomusiccomposedasrecentlyasafewyearsago:Praetorius’danceswillpartnerwithHandel’sdramatic“Ombramaifu,”Sting’smelancholy“FieldsofGold,”“Oidortn”—aYiddishsong,andapiecebyMatthiashimself.
Seeyousoon,everyone!
Remembertoputthe“DuelingRecorders”concertonyourcalendarforSaturday,April8th,orSunday,April9th!
(Fordetails,seetherecentemailfromBettySwiftwithconcertflyerandthenewsletterCalendarsection.)
Refreshments(April)
BakedGoodsChristineShultzBettySwift
Fruit
DavidGlogen
VeggiesSharonSchuldt
Thankyouforvolunteering!
ThemasterclasswithMatthiasMautewillbeheldonSaturday,April8th,2017from9:30amuntil1:45pm.ThelocationistheCommunityRoomatMapleLeafLutheranChurch(whereourSRSmeetingsareheld).
MatthiasMauteisundeniablyoneofthemostspectacularandinnovativerecordervirtuososofourtime.Heisanunstoppableenergeticforceofnature,alwaysstrivingforexcellence.HewillbehereinSeattletoleadtheSRSAprilplayingsessiononFriday,April7th,teachamasterclassonSaturday,April8th,andperformtwoconcertswithGallery
Concerts,oneonSaturday,April8that7:30pmandoneonSunday,the9that3pm.HeiseagertofitasmuchteachingashecanintothetightSeattleschedule,andweareveryfortunatetohavehimherewithus.Bepreparedtobewowedineverysenseoftheword.WearenottakinganymoreperformersforMatthias'masterclassonApril8th,butthereareunlimitedslotsforauditors.Thecostforauditingis$25.CashorcheckmadeouttoSeattleRecorderSociety.Forthoseofyouwonderingwhatamasterclassis,itissimplyafancynameforan“open”lesson.Thereisastudent(theactiveparticipant),ateacher,andanaudience(theauditors).Thebeautyofamasterclassisthatitisawin/winsituationforauditorsandparticipantsalike,becauseeveryoneisarecipienttothesameinstruction!Auditorswhoarenot“performing”learnatremendousamountbyfollowingalongwiththeteachingandlearningprocessofsomeoneelse'slesson,withoutthedistractionofgettingnervous.Itisafascinatingwaytoabsorbinformation,beitconfirmationofwhatyoualreadyknow,orintroductiontosomethingnew—aninvitationtolookatthingsthroughadifferentlens.Pleasejoinusforthisinvigoratingdayandhelpcheeronyourfellowplayers!9:30-10:10 LauraFaber&MikeWoolf
(Telemann:DuettoinBbmajor)10:15-10:55 JillCarlsen&SabineEndrigkeit
(Hirose:Ode)11:00-11:40 CarolynLober(TBA)
11:40-12:10 Shortbreakforcoffee/tea/snacks
12:10-12:50 IsabellaPagel(TBA)
12:55-1:40 “WildWomen”NancyGorbman,AnneDennis,GerrityShupe(Castrucci:SonataPrima)
Coffeeandteawillbeavailableduringtheshortbreak.Pleasebring:
*foodifyouneedanenergyboost,
*apillowifyouneedmoresupportthanthefoldingchairsprovide,and
*anotepadandpen/penciltojotdownallthepearlsofwisdom thatMatthiashastooffer!
UpcomingMasterClasswithMatthiasMaute(FromVickiBoeckman)
Members’Night!
Members’NightisonFriday,May12th,2017.
It’stimetostartthinkingaboutwhatyou’dliketoperform.
Theonlycriteriaarethatyourentrydoesnotexceed5minutes(includingspeaking)andthatyouarenotinmorethan3
ensembles.AtleastonememberofyourgroupmustbeacurrentSRSmember.
Asign-upsheetwillbeavailableattheAprilmeeting,
RegistrationIsOpenforthePortTownsendEarlyMusicWorkshop!
JoinyourfellowmusiciansattheSeattleRecorderSocietyPortTownsendEarlyMusicWorkshop—aweeklongworkshopinthePacificNorthwestwithastellarfaculty!When:Sunday,July9th–Saturday,July15th,2017Where:ThebeautifulcampusofUniversityofPugetSound(UPS)inTacoma
Recorder/Flute/EarlyWinds:AdamGilbert,AlisonMelville,CleaGalhano,MiyoAoki,NinaStern,PaulLeenhouts,PeterSeibert,RotemGilbert,andVickiBoeckmanVoices/Viols/MixedConsorts:JackAshworth,JoannaBlendulf,WendyGillespie,andEllenSeibert
WeMissYou!
Someofourmembersarehavingtroublegettingtomeetingsbecausetheyneedaride!Ifthisdescribesyou,pleaseletusknowbycallingoremailinganyoftheBoardmembersfromthe“SRSBoardMembers”boxinthisnewsletter.
Wewanttohelpyoufindaride,whetherwithoneofus,orwithsomeothermember!
RecorderClasses(LauraFaber)
Note:Newplayersarewelcomeatanytime.
ContactLauratogetstarted.
AdvancedBeginner/LowerIntermediateEnsemble
Mondays–12:30to2:30pm
IntermediateEnsembleThursdays–12:30to2:30pm
* * *
ClassDescriptions
AdvancedBeginner/Lower
IntermediateEnsemble(SATB)Simpleandfunmusicchosenfor
playerswhoarenewtoensembleplaying,addinganewsizeinstrument,orprefera
moremodesttempo.
IntermediateEnsemble(SATBGB)
Medievaltomodernmusicforplayerscomfortablewithcommonfingeringsand
rhythmswhoareinterestedindevelopingtheirtechniquefurther.SkillsincludeplayingbothFandCinstruments,
readingaltoup,countinghalves,andreadingfromparts.
BassEnsemble,
BeginningEnsemble,andEveningEnsembleAvailableifinterestarises!
***
Peoplewhoareinterested
orbycalling(206)619-0671.
Meetingsareusually(butnotalways)heldonthefirstFridayofeachmonth,SeptembertoMay,at7:30p.m.,MapleLeafLutheranChurch,1000532ndNE,Seattle.
Meetingsincludeashortperformanceorlectureofinterestto
recorderandviolplayers,ensembleplayingforalllevelsofrecorderplayers,andabeginningrecorderensemble.A$5.00donationisrequestedfornon-members.
September 16, 2016
October 7, 2016 November 4, 2016 December 2, 2016
January 6, 2017 February 10, 2017
March 3, 2017 April 7, 2017 May12,2017
2016-2017SRSMeetings
MeetingNotes:March3rd,2017(KathleenArends;photosbyBillStickney)
1
Businessandannouncementsincluded:
Members’Night!Thisyearit’sFriday,May12th.Ifyouand/oryourensemblewouldliketoplay,emailMollyWarner.Detailsarenicebutnotrequired;firstMollyneedstoknowhowmanyperformanceswillbeontheprogram.
Ifyou'dliketoauditMatthiasMaute’smasterclassonApril8th,VickiBoeckmanwouldappreciateanemailfromyou,justtobecertaintherewillbesufficientchairsforeveryone.
TheprintedflyerforthePortTownsendWorkshopisnowavailableandmaybedisplayedforpublicitypurposes.
* * * * * * * *
InstrumentalistsNancy
Gorbman,RuthPattison,NoreenJacky,andJoeBichseljoinedelevenvocalistsfromthe35-year-oldUniversityofWashingtonLibrariesSingerstodeliverouropeningprogramofmusicfromthetimeofShakespeare.ThesingerswereKariAnderson,ElizabethBedford,JohnBolcer,RoseFrazier,MargaretFulton,AnnGlusker,JudithHenchy,MarkKelly,LindaPitts,BeckPrigot,andMarc-AlbertVandermeerssche.
Theinstrumentalgroupoftworecordersandtwostringinstrumentsgaveus“PastimewithGoodCompany,”asongandajigfromPurcell’sFairyQueen,asongfromTheTempest,andabouree(withtambourineplayedbysingerMargaret)fromPraetorius’Terpsichore.
TheinstrumentsaccompaniedsoloistRoseFrazierassheperformedMorley’s“ItWasaLoverandHisLass,”andlater,ThomasArne’s“TheCuckoo,”fromLove'sLabour'sLost.Andtheinstru-mentsaddedalittlesparkleandrein-forcementastheUWLSingersdeliveredtheMorleymadrigals“AprilisinMyMistress’Face”and“SingWeandChantIt.”Theirvocalsoundwasfullandconfident.TheyclosedwithDowland’s“Now,OhNow,INeedsMustPart.”Forthesesoundswerethewords“charming”and“delightful”coined,andthegroupwasverywarmlyapplauded.Ourthankstothem!
(continuedbelow)
RoadScholarEarlyMusicWorkshopinCarmelValley,CAWorkshopDirector:TishBerlintishberlin@sbcglobal.netHiddenValleyMusicSeminarsDirector:[email protected]:Oct.29–Nov.4,2017Recorder-LetitiaBerlin,FrancesBlaker,LouiseCarslake,andMiyoAokiVioladagamba-JohnDornenburgWeek2:Nov.5-11,2017Recorder-LetitiaBerlin,FrancesBlaker,JanetBeazleyVioladagamba-LarryLipnikDulcianandshawm-JoanKimballStringsandEarlyRepertoire-ShiraKammenInformation/RegistrationTheRoadScholar(formerlyElderhostel)EarlyMusicWorkshopisopentoadultrecorderandviolplayersofallageswhoplayatintermediatetoadvancedlevels.Harpsi-chordistsalsowelcome.Weektwoincludesarenaissancereedstrack,openbypermissionofinstructor.PleasecontactworkshopdirectorTishBerlintoarrangeanauditionordiscussthereedprogram.Formoreinformation,contactPeterMeckelat(831)[email protected],callRoadScholarRegistrationat(800)454-5768andaskforprogramnumber#6254RJ.Toregisteronline,gotohttp://www.hiddenvalleymusic.org/event-road-scholar-early-music-workshop-week-1_134.htm
MeetingNotes:(continued)
2
Vickibegantheplayingsessionbycreatingsevengroupsofplayerstorenderthesevenvoicesof“LaudatepueriDominum,”byRenaissancemasterOrlandedeLassus.Thegroupsincludedrecordersofmorethanonesize,sothepartsgenerallywereplayedinoctaves,givinganunusuallyfullsound.Thisbeautifulpieceisfullofcontrastscreatedbyfeaturingvariousgroupstogetherandseparately.
Vickinoted“thelowerthenote,thewarmertheair”requiredforplayingit.Cross-fingerednotes(withholesskipped)alsorequirethewarmththatisaresultofsofterblowing/slowerair;pushingmakesthembuzz.Anothertip:themelismas(stringsofnotestobesungonasinglesyllable)shouldbeplayedassmoothlyaspossible.
Nextweplayedtwofive-partmadrigalscomposedbytheDanishcomposerMogensPedersønafterhestudiedwithGiovanniGabrieli.Firstwas“Eccolaprimavera,”heraldingthespring.Givingusthelyrics,Vickinoted,"TheDsinDanishareverysoft,andtheGsalmostimperceptible.”Thesunisrevivingtherosesandviolets,saysthesong,andthesmallbirdsaresingingfromtheirwoundedhearts,weepingwithsheerlove.Thelittlebirdsfeaturedprominently,theirvoicescomingcloserandcloserrhythmi-callytocreatestretto.Weworkedtomatchourarticulationtothestresses,andlackofstresses,inthelyrics.
Thesecondmadrigalwas“Ochesoavebaccio.”“Suchakissmyladyhasgivenme!OrdidIstealit?AndifIdidstealit,mayshestealitback,andletstealingflourish!”Delightfully,thevoicesthickentoindicatemoreandmorestealing!
Finally,weplayed“DersturmendeAeolus,”theseventhmovementofTelemann'sWaterMusicSuite.IoncereadanaptdescriptionofTelemann;itsaidthathehadthegiftofwritingmusicwhichmusiciansenjoyplaying.Westormedalonginlong,longstringsofsixteenthnotes,themajorityofwhichwererepeatedpitches.Vickisuggested“tu-tu-turutu-tu-turu”or“di-di-diddledi-di-diddle,”whichmadethenotesflowbetterwhileatthesametimegroupingthesixteenths(whichhelpedusstaytogether.)
Thankyou,Vicki,forallthemusic!
SRSBoardMembers(2016/2017)
MusicDirector:VickiBoeckman(206-985-9916)[email protected]:PeterSeibert(206-329-2774)[email protected]:President:MikeWoolf(206-300-6623)[email protected]:MollyWarner(206-523-5192)[email protected]:HananBell(206-695-2276)[email protected]:KathleenArends(425-649-9869)[email protected]:RichardGinnis(206-633-1969)[email protected]* * * *Membership:BettySwift(206-323-3879)[email protected]:KarenBerliner(206-550-3384)[email protected]:MollyWarner(206-523-5192)[email protected]:CharlesColdwell(206-328-8238)[email protected]:EllisHillinger(206-547-0718)[email protected](206-782-6898)[email protected]“RecorderNotes”ispublishedmonthly,SeptemberthroughMay,foritsmembersbytheSeattleRecorderSociety.4554-4thAveNE,Seattle,WA98105.$40AnnualMembershipDues.www.seattle-recorder.org
AttheMarchmeetingwewereasmallgroupoftwo,ledbyMiyoAoki.Startingwith“Goday,mylord,”ananonymousEnglishcarolintwoparts,Miyohelpeduswithintonationandbreathing.Aftershedemon-stratedafewkeytechniquesandwetriedthemasweplayed,wereallyfeltlikeweweremakingprogress!
Oursecondpiecewasthe“BallodelGranDuca”inasettingbySweelinck.Thegraciousmelody,repeatedinvariations,wasveryinteresting.Miyosuggestedwayswecouldimproveourphrasing,playingalongwithus.Averynicetimewashadbyall!
AndFromtheBackroomGangonMarch3rd(ChristyJohnson)
ConcertsandEventsCalendar
EMG(EarlyMusicGuild,206-325-7066)www.earlymusicguild.orgTPC(TrinityParishChurch,609–8thAvenue,Seattle)www.trinityseattle.org
TH(TownHall,1119–8thAvenue,Seattle)www.townhallseattle.orgAlleventsaresubjecttochange.
A
P
R
I
L
–
2
0
1
7
1
Sat.,Apr.1@7:30pmandSun.,Apr.2@2:30pm:TheBaltimoreConsortpresents:“TheFoodofLove.”The“rambunctioussextet”(TheWashingtonPost),knownfortheirlivelyrenditionsofRenaissancetunes,presentsabrandnewprogramfeaturingsongsandconsortmusicfromtheplaysofWilliamShakespeare.NordstromRecitalHall,BenaroyaHall,Seattle.EMGSun.,Apr.2@4pm:Mt.BakerPresbyterianChurchChoirpresents:Sing-A-LongStabatMater.”YouareinvitedtojoinwiththechoirastheypresentStabatMaterbyAntonioCaldara(1670-1736).CaldarawasbestknowninhistimeasanItalianoperaandoratoriocomposer.Hisbestknownworksarethearias,“Sebben,crudele”and“Almadelcore.”SingingwillbeinthelovelyMBPPCsanctuaryaccompaniedbytheorganandcello.AllanAndrews,MusicDirector.Rehearsals(heldpriortoApril2)andperformanceatMBPPC,3201HunterBlvd.S.Formoreinformation,[email protected].,Apr.4@7pm:EarlyMusicUndergroundpresents:“MozartintheRainforest.”MusicofMozartandcomposersofBrazil,Cuba,andBolivia.NakedCityBrewery&Taphouse,8564GreenwoodAveN,Seattle.www.emuseattle.comTues.,Apr.4@7:30pm:SeattleRecorderSoiree(every1stTuesdayofthemonth).CouthBuzzardBooks&CaféBuono,8310GreenwoodAveN,Seattle.(206)436-2960.www.buonobuzzard.comFREE!!!Donationsandpurchasesappreciated.Contact:[email protected](206)227-5619.Wed.,Apr.5@7:30pm:CappellaRomanapresents:“TheTallisScholars.”St.JamesCathedral,804NinthAve,Seattle.www.cappellaromana.orgFri.,Apr.7@7pm:IntimateBaroquepresents:“Buxtehude’sMembraJesuNostri.”SaintMark'sEpiscopalCathedral,10thAveE,Seattle.www.intimatebaroque.orgFri.,Apr.7@7:30pm:SeattleRecorderSocietyMeeting.MatthiasMaute,conducting.MapleLeafLutheranChurch,Seattle.Sat.,Apr.8@7:30pmandSun.,Apr.9@3pm:GalleryConcertspresents:“DuelingRecorders.”GuestArtistMatthiasMauteandVickiBoeckman,recorders;NathanHelgeson,bassoon;andJillonStoppelsDupree,harpsichord.MusicofTurini,Corelli,Merula,Vivaldi,andMaute.QueenAnneChristianChurch,13163rdAveW,Seattle.www.galleryconcerts.comThefirst20ticketsorderedbySRSmemberswillreceivea15%discountonSaturday,April8th.(NodiscountcanbegivenonSunday,April9th.)Pleasegotohttps://squareup.com/store/gallery-concertsandselectpromocode‘SRSMaute’toapplythediscount.Thepromocodeappliesonlytogeneraladmissionandseniortickets.Afterall20SRSmemberticketsaresoldthepromocodewillbecomeinactiveandregularticketpriceswillapply.Sun.,Apr.9@3pm:NewBaroqueOrchestraSpringConcert.ChristineWilkinsonBeckman,conducting.WorksofTelemann,Charpentier,andLully.TP.EMGSun.,Apr.9@3pm:EarlyMusicUndergroundpresents:“MozartintheRainforest.”NorthwestCellarsWinery,11909124thAveNE,Kirkland.www.emuseattle.com(continuedbelow)
A
P
R
I
L
-
2
0
1
7
ConcertsandEventsCalendar(continued)
EMG(EarlyMusicGuild,206-325-7066)www.earlymusicguild.orgTPC(TrinityParishChurch,609–8thAvenue,Seattle)www.trinityseattle.org
TH(TownHall,1119–8thAvenue,Seattle)www.townhallseattle.orgAlleventsaresubjecttochange.
2
Sun.,Apr.9@4:30pm:SineNomineRenaissanceChoirpresents:“UniquelyEnglish:GibbonsandTomkins.”AnneLyman,directing.TP.EMGSun.,Apr.9@7:30pm:SalishSeaEarlyMusicFestivalpresents:“TheArtofModulationII.”ChristEpiscopalChurch,4548BrooklynAveNE,Seattle.www.salishseafestival.orgTues.,Apr.18@7pm:EnsembleElektraplaysworksbytheGermanandItalianmasters.VickiBoeckman,recorder;TeklaCunningham,violin;andJillonStoppelsDupree,harpsichord.MeierHall.PeninsulaCollege.PortAngeles,WA.Fri.,Apr.28@7:30pm:CappellaRomanapresents:“VeniceintheNorth.”RussianOrthodoxchoralworksfromtheImperialCourtChapelinSaintPetersburg,bytheVenetianClassicalmastersemployedthereunderCatherinetheGreat.St.Mark’sCathedral,124510thAveE,Seattle.www.cappellaromana.orgSat.,Apr.29from10amto5pm:MossBayAnnualMeet.Conductors:LarryStark,MiyoAoki,andSallyMitchell.KirklandCongregationalChurch,1065thAve,Kirkland.www.mossbayrecorders.orgSat.,Apr.29@7:30pm:PacificMusicWorkspresents:“DidoandAeneas—HenryPurcell.”JoinedbyUniversityofWashingtonChamberSingers,PMWpresentsafulllengthversionoftheopera.NordstromRecitalHall,BenaroyaHall,Seattle.www.pacificmusicworks.orgSun.,Apr.30@2pm:PacificMusicWorkspresents:“DidoandAeneas—HenryPurcell.”Seeabovefordetails.MeanyHall,4140GeorgeWashingtonLaneNE,Seattle.www.pacificmusicworks.orgSun.,Apr.30@7pm:ByronSchenkmanandFriendspresent:“MozartandtheBachs.”BaroquemeetsClassicalaswejuxtaposegreatchambermusicbyCarlPhilipEmanuelBach,JohannChristianBach,andWolfgangAmadeusMozart,includingMozart’sFluteQuartetinDandtranscriptionsoffuguesbyJohannSebastianBach.NordstromRecital,BenaroyaHall,Seattle.www.byronschenkman.comTues.,May2@noon:VickiBoeckman,recorder,andHenryLebedinsky,harpsichord.BringyoursacklunchandenjoythiswonderfultraditionthatHenrystartedwithshort,noontimeconcerts.ChristEpiscopalChurch,4548BrooklynAveNE,Seattle.Tues.,May2@7:30pm:SeattleRecorderSoiree(every1stTuesdayofthemonth).CouthBuzzardBooks&CaféBuono,8310GreenwoodAveN,Seattle.(206)436-2960.www.buonobuzzard.comFREE!!!Donationsandpurchasesappreciated.Contact:[email protected](206)227-5619.Fri.,May5@8pmandSat.,May6@8pm:SeattleSymphonypresents:“ItalianMasters.”MusicofVivaldi,Telemann,Corelli,andGeminiani.BenaroyaHall,Seattle.www.seattlesymphony.orgFri.,May12@7:30pm:SeattleRecorderSocietyMeeting.Members’Night!MapleLeafLutheranChurch,Seattle.Fri.,May12@7:30pm:SeattleBaroqueOrchestrapresents:“OdetotheOrchestra.”WorksofCorelli,Biber,andLullyaswellasGeorgMuffat’sconcertigrossi“Deliriumamoris,”“DulceSomnium,”and“Saeculum.”NordstromRecitalHall,BenaroyaHall,Seattle.EMG(continuedbelow)
M
A
Y
-
2
0
1
7
UpcomingWorkshopsSat.,April8,2017from9:30amto1:45pm:SRShostsamasterclasswithMatthiasMaute.Performanceslotsarefilledup,butauditingspotsarestillavailable.CommunityRoomatMapleLeafLutheranChurch.May5-8,2017:WindsandWavesRecorderWorkshop.(FacultyconcertonMay5,classesMay6-8.)Otis,Oregon.AsofMarch24th,therearestillopenings!www.sitkacenter.orgJuly9-15,2017:PortTownsendEarlyMusicWorkshop.Tacoma,Washington.Registrationisopennow.http://www.seattle-recorder.org/Workshop/index.htmlOctoberandNovember,2017:RoadScholarEarlyMusicWorkshop.Fordetails,gotopage4ofthisnewsletter. * * * * * * * * * * * *
3
Sat.,May13@7:30pm:SalishSeaEarlyMusicFestivalpresents:“ACenturyofNewPerspective:1600-1700.”Chambermusicintransition:17th-centurytriosonbothlaterenaissanceandearlybaroqueinstruments.ChristEpiscopalChurch,4548BrooklynAveNE,Seattle.www.salishseafestival.orgSun.,May14@3pm:EarlyMusicUndergroundpresents:“The(Baroque)TrumpetShallSound.”EMU’sseasonfinalefeaturessomeofthePacificNorthwest'sfinestbaroqueplayersinajoyfulcelebrationofmusicfromEngland,Austria,andBohemiaperformedbyKrisKwapis(baroquetrumpet),CurtisFoster(baroqueoboe),LindaMelsted(baroqueviolin)andmore.BringmomandcelebrateMother'sDayinhighbaroquestyle!St.John'sEpiscopalChurch,105StateStS,Kirkland.www.emuseattle.comTues.,May16@7pm:EarlyMusicUndergroundpresents:“The(Baroque)TrumpetShallSound.”Seeabovefordescription.NakedCityBreweryandTaphouse,8564GreenwoodAveN,Seattle.www.emuseattle.com
* * * * * * * * * * *
ConcertsandEventsCalendar(continued)
M
A
Y
-
2
0
1
7
AquicknoteforARSmembers:BesuretocheckoutthearticleintheMarch2017ARSE-Magon“OnlineMusicSources.”RuthSeibhaswrittenadetailedexplanationonfindingavailablemusiconIMSLP(InternationalMusicScoreLibraryProject)andCPDL(ChoralPublicDomainLibrary),andshe’sincludedinformationonusingPartify(tomakeindividualpartsfromscores)aswell.Checkitout!
