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Radio formats with drama
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Remember…
• The world sounds…
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Spots• The smaller format (15 -30 sec)• Used in advertising• A single message– A hook or wake-up call– The body of the message– The proposed action– The signature
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And the drama?
• It can be an excellent hook: generate excitement, suspense, anger ...• It may be the body of message
.
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Micros, “clips”
• More than 3 minutes.• Can combine fiction with facts• We can make “series” or “chapters”• We can use them inside our programes.
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A character
• She can be our guest in our programs• She can conduct a whole section• She can appear without invitation
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Literary adaptations
• We can choose short stories written by women.
• We can adapt an important novel• We can adapt testimonies from real women
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Radio plays
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Soap operas or series• Several characters, primary and secondary
stories• They can discuss various topics• Require more resources• Slots are scheduled in• Can be accompanied by analysis programs
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Campaigning
• Advertise!! (expectations)• Making a public release• Accompanying the series with a
musical theme or song• Invite organizations working in
the area to listen and comment
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Remember
• Credible stories need expert research and support.
• Credible stories resemble real life• The best way to create stories is listening to
the stories of the people
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Basic radio script
EFECTO MURMULLOS CIUDAD
MANUELA (SOÑADORA) Quito soy yo, y Manuela Sáenz es Quito. Y en esta ciudad milenaria y luminosa me recreo. Contemplo a todos los míos desde sus múltiples esquinas, los atisbo desde sus lomas humedecidas, los amo desde ese gigantesco corazón colectivo…
CONTROL MÚSICA ECUATORIANA. EFECTO SONIDO DE TERREMOTO
VOCES ASUSTADAS ¡Temblor!... ¡Temblor!... ¡Jesús, María y José!... Padre Nuestro que estás en el cielo, santificado sea tu nombre… ¡Temblor!... Temblor!... ¡Cuidado, la torre de la Iglesia de san Agustín se vino abajo!
EFECTO LLANTO DE BEBE
MANUELA Nací en la oscura noche del 27 de diciembre de 1797, mientras Quito resurgía entre escalofríos del terremoto que la asoló….
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