Authenticity as AuthenticationAuthor(s): Allan MooreSource: Popular Music, Vol. 21, No. 2 (May, 2002), pp. 209-223Published by: Cambridge University PressStable URL: http://www.jstor.org/stable/853683Accessed: 25/01/2009 19:13

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Issue Table of ContentsPopular Music, Vol. 21, No. 2 (May, 2002), pp. i-iv+147-244Front Matter [pp.i-iii]A Singer-Songwriter's View of the French Record Industry: The Case of Lo Ferr [pp.147-157]The Racial Politics of Hybridity and 'Neo-Eclecticism' in Contemporary Popular Music [pp.159-172]Harmonic Palette in Early Joni Mitchell [pp.173-193]'Japanese Music' Can be Popular [pp.195-208]Authenticity as Authentication [pp.209-223]Local Scenes and Dangerous Crossroads: Punk and Theories of Cultural Hybridity [pp.225-236]Reviewsuntitled [pp.237-239]untitled [pp.239-240]untitled [pp.240-242]untitled [pp.242-244]

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