MastertheAccordionWorkshops PHBook3‐Session9
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
1
Palmer&HughesBook3–Session9
InstructionandCompanionMaterial
PresentersSheliaLee&MarkRopel
MastertheAccordionWorkshops
Sponsoredby
5013(c)NonProfit
MastertheAccordionWorkshops PHBook3‐Session9
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
2
Session9ReviewofBK3SKILLS:Duringyourpracticesessionseachweek–pleaseGRABatleastoneormoredrillsANDoneormoreScales.Thisway–youwon’thavetodoallthedrillseverypractice–butwillHITthematleastonceeachweek. ReviewofDrills
o Fullblockchords&Arpeggios(1+3+5+1) SayMajororSayMinorwhenyouhiteach
o Full“AllMAJOR”block&Arpeggios(Black&White)o C,G,F,D,A,Bb&EbScale–FullOctaveso LeftHandMajorScale&BassSoloExerciseso PracticeMovingbetweentheIIVV7chordinthekeyofCGF
Song#9PHBook3–EmperorWaltzCompanionSongs:
1. America2. AmericatheBeautiful3. CottonFields4. GodBlessAmerica5. Yours
MoreChordWorkBlock&RollMajorChordsChromaticallyRhythmExercises(writingassignment!)DuetWork
Let’sGetStarted: Step1.PlayFirst
Perform3favoritesongstowarmup PlayatperformancespeedwithNOSTOPSFORBOO‐BOOs
Step2.Theory–ALLMajorChordsChromatically• PracticeALLWhiteFirst–BlockthenRoll• Locatethe5BlackNoteCHORDS!
o C#orDb–Db‐F‐Ab‐Dbo D#orEb–Eb‐G‐Bb‐Ebo F#orGb–F#‐A#‐C#‐F#o G#orAb–Ab‐C‐Eb‐Abo BborA#‐Bb‐D‐F‐Bb
MastertheAccordionWorkshops PHBook3‐Session9
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
3
Step2.Theory–CountingExerciseo Introto16thnotes
Quarternotesaredividedinhalf=8thnotes Eighthnotesaredividedinhalf=16thnotes
o CountQuarternotes–1–2–3–4 Count8thnotes–1te2te3te4te Count16thnotes–1tateta2tatetaetc.
o Teisstillthe“half”ofthecount”o Taisthe“half”ofthe½count
o THINKinONECOUNTatatime 1tateta=4‐16thnotes 1(ta)teta=8thfollowedbytwo16thnotes 1ta(te)ta=16ththen8ththen16th 1tate(ta)=2‐16thnotesfollowedby8th
MastertheAccordionWorkshops PHBook3‐Session9
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
4
ã 43 œ œ ˙1 2 3
œ œ œ œ .œ œ .œ œ31 2
ã 44 Œ Œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
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Rhythm Exercises(PH 3 Lesson 9)
Write the count below the notes and rests.
Clap the rhythms while counting out loud.
__________________________________________________________________________________________
Example
te
A
B
(&)
Review
Review
ta te ta ta ta
Cotton Fields
Yours (Measure 10)
(&)
Measure 11 Measure 13
Yours (Left Hand)
Review C
MastertheAccordionWorkshops PHBook3‐Session9
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
5
Step2.Theory–ChordExercise(KeyofF)
o (IChord)PlayFScale2octaves–doArpeggio&Chord FingeringRule–12341224
o (IVChord)PlayBbMScale–2octaves–doArpeggio&Chord
o AllFlatScales–4thonBb
o (V7Chord)PlayCMajor2octaves–doArpeggio&Chord Locate7thtoneandflatitfor7thChord
o AdditionalChords–Gm,&Dm
o America–ChordPractice
PracticeFastChordChanges NOW–practiceAmerica BassSolosPracticeRuns–Accompaniment
o Fermata–“Birdseye”Pauseandholdlonger–usuallyatleasttwicethelengthofthewrittennote.
o America–2ndpart
Noticethatthenotesare–the“other”notesofthechord(plusmelodynote)
NOW–practiceAmerica–2ndpart DoubleVoicing–measures7‐10–holdthenoteonthebottomwhileyouplaythe8thnotes
o America–BothParts
Alotofpianomusiciswrittenthisway• Melodyisalwaysthetopnote• AnythingbelowwillADDharmony–butusuallyisoutofrangefor5fingers–sosubstitutethechordinstead
READtheTOPnoteonlyformelody READtheBOTTOMnotesforharmony READ–toseethechordnames
MastertheAccordionWorkshops PHBook3‐Session9
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
6
& b 44 www www www
& b 434 www www www
& b 437 ...˙ ...˙ ...˙ ...˙ ...˙˙
& b12 ...˙ ...˙ ...˙ ...˙ ...˙
& b17 ...˙ ...˙ ...˙˙ ...˙
& b21 œœœ œœœ œœœ ˙ œœœ œœœ œœœ œœœ
& b24 ˙ œœœ œœœ œœœ œœœ ...˙
Chords Key of F
© 2012 So Good Productions
arr. by Shelia LeeKey of F
I Chord (FM) IV Chord (BbM) V7 Chord (C7)
America Chord Sample
I Chord (FM)
I Chord (FM)
V7 Chord (C7)
vi Chord (Dm)
I Chord (FM)
vi Chord (Dm)
I Chord (FM)
vi Chord (Dm)
ii Chord (Gm)
ii Chord (Gm) V Chord (CM)
vi Chord (Dm)
V Chord (CM)
ii Chord (Gm) I Chord (FM)
ii Chord (Gm) V7 Chord (C7)
America - 1st 6 measure in chords
MastertheAccordionWorkshops PHBook3‐Session9
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
7
&
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b
b
43
43
œ
U
œ œMy coun try
œœœœ
œœFM D m G m
q=80
.œ jœ œ'tis of thee,
˙ œœCM C 7
œ œ œsweet land of
œœœœ
œœFM D m G m
&
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b
b
4
.œ jœ œlib er ty
˙ œœ
FM D m
œ œ œof thee I
œœ œœœœ
G m FM C 7
.˙sing.
œœ œ œ- œ- œFM
œ œ œLand where my
œœ œœ œœFM
&
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b
b
8 .œ Jœ œfa thers died!
.œ- jœ- œFM
œ œ œLand of the
œœ œœ œœC 7
.œ jœ œPil grim's pride!
.œ jœ œ
œ œ œ œ œFrom ev 'ry
œœœœ œœ
FM G m
&
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b
b
12
.œ Jœ œmoun tain side,
œœ œœ œœFM
œ œ œU
œU
let free dom
œœ œœœœ
B bM FM C 7
.˙Uring!
.
.˙FM
AmericaSamuel Francis Smith
© 2012 So Good Productions
arr. by Shelia Lee
fermata
Hold note twice as long
2 4 2 4
2 4 3
MastertheAccordionWorkshops PHBook3‐Session9
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
8
&
?
b
b
43
43
œœ
U
œœ œœ
œœœœ
œœFM D m G m
q=80
œœ œœ œœ˙ œœ
CM C 7
œœ œœ œœ
œœœœ
œœFM D m G m
&
?
b
b
4 œœ œœ œœ
˙ œœ
FM D m
œœ œœ œœœ
œœ œœœœ
G m FM C 7
...˙
œœ œ œ- œ- œFM
œ œ œ œ œ œ.˙œœ œœ œœ
FM
&
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b
b
8
œ œ œ œ œ.˙
.œ- jœ- œFM
œ œ œ œ œ œ.˙œœ œœ œœ
C 7
œ œ œ œ œ.˙
.œ jœ œ-
œœ œœ œœ
œœœœ œœ
FM G m
&
?
b
b
12 ..œœ jœ œœ
œœ œœ œœFM
œœ œœU
œœœU
œœ œœœœ
B bM FM C 7
...˙U
.
.˙FM
AmericaSamuel Francis Smith
© 2012 So Good Productions
arr. by Shelia Lee
fermata
Hold note twice as long
2 4 2 4
2 4 3
2nd Accordion
MastertheAccordionWorkshops PHBook3‐Session9
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
9
&
?
b
b
43
43
œœœ
U
œœœ œœœ
œœœœ
œœFM D m G m
q=80 .œ jœ œœœ œœ œœ˙ œœ
CM C 7
œœœœœœ
œœœ
œœœœ
œœFM D m G m
&
?
b
b
4 .œ jœ œœœ œœ œœ
˙ œœ
FM D m
œœœ œœœ œœœœ
œœ œœœœ
G m FM C 7
....˙
œœ œ œ- œ- œFM
œ œ œœ œ œ œ œ œ.˙œœ œœ œœ
FM
&
?
b
b
8.œ jœ œœ œ œ œ œ.˙
.œ- jœ- œFM
œ œ œœ œ œ œ œ œ.˙œœ œœ œœ
C 7
.œ jœ œœ œ œ œ œ.˙
.œ jœ œ-
œ œ œ œ œœœ œœ œœ
œœœœ œœ
FM G m
&
?
b
b
12 .œ jœ œ..œœ Jœ œœ
œœ œœ œœFM
œ œ œœœU
œœœœU
œœœœ œœ
œœB bM FM C 7
....˙U
.
.˙FM
AmericaSamuel Francis Smith
© 2012 So Good Productions
arr. by Shelia Lee
fermata
Hold note twice as long
2 4 2 4
2 4 3
2nd Accordion
MastertheAccordionWorkshops PHBook3‐Session9
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
10
Step4.SightReadingRules
o BothsongsinKeyofC RunScalesandChordsforKey ICM,IVFM,V7G7,II7D7,
o CottonFields ScanKey–Bass–Counting CountingIssues Playevenly&DON’TSTOP
o GodBlessAmerica–3rdPart
GreatChordPractice READthechord–andseethatitmatchesBass Playevenly&DON’TSTOP
o GodBlessAmerica–2ndPart GreatChordPractice READthechord–andseethatitmatchesBass Playevenly&DON’TSTOP
o GodBlessAmerica–2ndPart YouhavealreadySCANNEDthekeyandChords CheckOuttheBassesinthelasttwolines Whenmultiplesymbolsareused–thefirstistheCHORDandthenameafterthe“/”isthebass
Inmostofthesecases–itistheCounterbassorAlternatebass• Gm/D• C7/E• G7/B• E7/G#
Playevenly&DON’TSTOP
MastertheAccordionWorkshops PHBook3‐Session9
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
11
&
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b
44
44
..
..
Ó œ œWhen I
!
œ œ œ œ œ œwas a lit tle bit ty
œ œ œ œFM
œ œ œ œ œ œ œ œba by my ma ma would a
œ œ œ œF 7
œ œ œ œrock me in the
œ œœ
œB bM- - - - -
&
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b
b
5
œ œ œ œ œcra dle In them
œ œ œ œFM
wold
œ œ œ œ
œ œ œ œ œcot ton fields back
œ œ œ œ
œ œ .˙home.
œœ œ œC 7
˙ œ œIt was
œœ œ œ
- -- - - - - - - -- - - - - - - -- - - - - - - -
&
?
b
b
10 œ œ œ œ œ œdown in Lou i si an
œ œ œ œFM
˙ œ œ œ œa just a bout a
œ œ œ œF 7
œ œ œ œmile from Tex ar
œ œœ
œB bM
œ œ œ œ œka na in them
œ œ œ œFM- - - - - - - -- - - - - - - -- - - - - - - -
&
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b
b
14
wold
œ œ œ œ
œ œ œ œ œ œcot ton fields back home.
œœ œ œC 7
w
œ œ œ œFM
œ œ œ œOhIt
whenmay
themsound/a
œœ Œ Ó-
- - - - - -- - - - - -- - - - - -
Cotton Fields
Huddie Ledbetter
© 2012 So Good Productions
arr. by Shelia Lee
(Cuando era un Jovencito)
MastertheAccordionWorkshops PHBook3‐Session9
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
12
&
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18
œ œ œ œ œcotlit
tontle
bollsfun
getny
œ œœ
œB bM
œ œ œ œ œrotbut
tenyou
youdid'
can'tnt
œ œœ
œ
œ Œ œ œ# œpickmake
verver
yy
muchmuch
œ œ œ œFM
œ œ œ œ œmoncot
eyton in them
œ œ œ œ- - -
&
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b
22 wold
œ œ œ œFM
œ œ œ œ œcotton fields back
œ œ œ œ
whome.
œœ œ œC 7
˙ œ œit was
œœ œ œ
œ œ œ œ œ œdown in Lou i si an
œ œ œ œFM
&
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b
b
27
˙ œ œ œ œa just a bout a
œ œ œ œF 7
œ œ œ œmile from Tex ar
œ œœ
œB bM
œ œ œ œ œka na in them
œ œ œ œFM
wold
œ œ œ œ
&
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b
b
..
..
31
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œœ œ œC 7
1.
w
œ œ œ œFM
œ Œ œ œWhen I
œœ Œ Ó
2.
w
œ œ œ œFM
˙ Ó
œœ Œ Ó-
2Cotton Fields
MastertheAccordionWorkshops PHBook3‐Session9
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
13
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God Bless AmericaIrving Berlin
arr.by. Shelia Lee
C 2010 So Good Productions
Accordion 3
Play completely 2 Times
AccordionC G7
C C7 F
C D7 G7 C
G7C
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MastertheAccordionWorkshops PHBook3‐Session9
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
14
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1 2 3
_ __
_
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G7 C7 Gm7 C7 F
CM/E G7/B C E7 Am
_
Am Dm C G7
C7Gm7 C7/E C C
God Bless America
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MastertheAccordionWorkshops PHBook3‐Session9
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
15
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God Bless America
Irving Berlin
arr.by. Shelia Lee
C 2010 So Good Productions
1 2 Go from
Accordion 2
Play completely 2 times
C G7
C C7 FM
C D7 G7 C
G7 C
G7 C7Gm C7 F
C7/E G7/B C E7/G# Am Dm C G7
C7Gm/D C7 C
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MastertheAccordionWorkshops PHBook3‐Session9
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
16
&
?
44
44
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œC
q=120
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œ œœ
œC
.œ jœ ˙mer i ca,
œœ œ œG 7
w
œœ œ œG 7
wland
œœ œ œG 7
˙ ˙that I
œœ œ œG 7
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œ œœ
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œ œœ
œC 7
˙ ˙side her
œ œ œ œFM
˙ ˙and
œ œ œ œFM
˙ ˙guide her
œ œœ
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˙ œ œthru the
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˙ œ œnightwith a
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22
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œœœ œG 7
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God Bless America Irving Berlin
© 2010 So Good Productions
arr. by Shelia LeePlay completely 2 Times
MastertheAccordionWorkshops PHBook3‐Session9
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
17
Step3.NewSong(KeyofC)–EmperorWaltz
o (IChord)PlayCScale2octaves–doArpeggio&Chord FingeringRule–1231224
o (IVChord)PlayFMScale–2octaves–doArpeggio&Chord
o BOTHHANDS(4thfingeronBb)
o (V7Chord)PlayGMajor2octaves–doArpeggio&Chord Locate7thtoneandflatitfor7thChord
o OtherChords–Dm,E7
o Block Chords HandPositions–withlowerledgerlines
o Absorb StyleLegato&Phrases AccentsandStaccato PocoRitardando–“Alittleslowdown” ATempo–Returntooriginalspeed Crescendo&Diminuendo D.C.AlFine–repeattothebeginningandstopattheFINE
o Vertical Counts&Rests LARGEsilentattheendofeachphrase
o NOW–WorktheSongbackwards Last4measures Last8measures Last12measures Last3lines–etc.
MastertheAccordionWorkshops PHBook3‐Session9
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
18
MastertheAccordionWorkshops PHBook3‐Session9
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
19
Step3.NewSong(KeyofC)–Yourso (IChord)PlayCScale2octaves–doArpeggio&Chord
FingeringRule–1231224
o (IVChord)PlayFMScale–2octaves–doArpeggio&Chordo BOTHHANDS(4thfingeronBb)
o (V7Chord)PlayGMajor2octaves–doArpeggio&Chord
Locate7thtoneandflatitfor7thChord
o OtherChords– Cdim,Spelled‐C‐Eb‐Gb‐A, Dm7–Spelled–D‐F‐A‐C
o Block
Chords
o Absorb StyleBassStyle DoubleVoicing
o Vertical Counts&Rests LARGEsilentattheendofeachphrase
o NOW–WorktheSongbackwards Last4measures Last8measures Last12measures Last3lines–etc.
MastertheAccordionWorkshops PHBook3‐Session9
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
20
&?
44
44
..
..
˙ œœ œœjœ œ Jœ œ
œœ
œCM
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jœœ ‰ œœ œœ## œœnnjœ œ Jœ œ
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5
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œ Jœ œ œ œ œA7
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œ Jœ œ œ œ# œw ˙#
jœœ Jœ œ œ œ œD m
A 7
˙ ‰ œ œ œ
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© 2012 So Good Productions
arr. by Shelia LeeQuiereme Mucho
Latin Bolero
MastertheAccordionWorkshops PHBook3‐Session9
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
21
Step5.CoolDownSection
o Play3EasyTones–canbesame3youstartedwitho Endeachsongwithauniqueendingo AddabasssoloatphraseendingortheendwithaArpeggioo Startaddingchordsonlongernotes
Remembertofollowthesestepsforeachofyourpracticesessions:1. WarmUp‐Starteachpracticesessionwithyourfavorite3songs2. TechniqueBuilder–doadrillor23. WorkonNewSongs–practiceassignedsongs4. SightReadingreadanewsongor2(sight‐read)5. CoolDown–withyourfavorite3songs
MusicNotebookYouwillhaveover40SongsinyourEASYTUNEsectionofyourRingBinderandyoushouldbepracticingthemALLforyourFUTUREWARMUPorCOOLDOWNTUNES.PatrioticDixieAmericaAmericatheBeautifulGodBlessAmericaGermanFrauleinHappyWandererTheWaltzingCuckooInternationalAnnieLaurieCielitoLindoGalwayBayIt’saLongWaytoTipperaryYellowBirdZacatecasYoursSacredSwingLowSweetChariotWilltheCirclebeUnbroken
Pop/RockAllAloneAmIAllMyLovingDon’tBeCruelHappyDaysHeyJudeHoundDogM.A.S.H.ThemeRockin’RobinDreamonTeenAngelWalkLikeAManCountryBlueEyesCryingintheRainCottonFieldsRidingontheRangeSendMethePillowthatYou
Standard/FolkAlouetteHome,Sweet,HomeLittleBrownJugPolkaOhSusannaWaltzingMatildaWilliamTellOvertureVolgaBoatmanEmperorWaltzChristmasHereComesSantaClausGrandmaGotRunOverbyaReindeerIHeardtheBellsonChristmasDayJingleBellRockLetItSnow!OChristmasTreeRudolphtheRed‐NosedReindeerSilentNight