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MR. LINGMAN
LITERARY CONNECTIONS
CRITICAL VIEWING
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SCREENPLAY OR SCRIPT
A novel or play adapted to film or an original work written specifically for filming.
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TREATMENT
A detailed pre-production literary summary or presentation of a film’s story.
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PLOT
The plan or storyline of any narrative.
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SUBPLOT
A minor or secondary plot of a narrative, often running parallel to the development of the main plot or mirroring the main plot.
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SETTING
The where and when of a narrative.
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CONFLICT
The basic struggle within the plot of the narrative.
vs. Nature vs. Supernatural
vs. Himself vs. Society
vs.
Man
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PROTAGONIST
The main of leading character
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ANTAGONIST
The character who oppose the protagonist
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ANTI-HERO
The principal protagonist of the film who lacks the attributes of a typical hero.
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ATMOSPHERE
The effects in a narrative that produce a specific mood or impression.
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CHARACTERIZATION
The development of characters in a narrative; a dynamic character undergoes change whereas a static character stays the same.
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BOOKENDS
Scenes at the beginning and end of a film that complement each other and help tie a film together.
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CLIMAX
The turning point of a narrative, often determining the fate of the protagonist.
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ANTICLIMAX
A weak or disappointing narrative conclusion.
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DENOUMENT
The final resolution or outcome of the plot.
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DIEGETIC
Meaning “realistic” or “logically existing”. For example, the music that plays on a character’s radio in a scene.
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EXPOSITION
Important background information for the events of a story which set up what’s at stake for the characters.
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FORESHADOWING
A hint or indication of things yet to occur in the plot.
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FLASHBACK
The opposite of foreshadowing, a glimpse into the past at some previous event.
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IRONY
The twisting or foiling of narrative expectations.
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PATHOS
Qualities in a narrative that evoke feelings of pity and compassion.
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SURREALISM
A style of art developed principally in the twentieth century consisting of incongruous or jarring imagery.
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MACGUFFIN
Alfred Hitchcock’s term for an item, object, goal, event or piece of knowledge that drives the logic or action of the plot.