Download - Ian Mikyska - Romanzas Cortas
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Score
Ian Mikyska
Romanzas Cortas en una Lengua Privada
for viola and violoncello
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2
Performance notes
General Notes
The piece should be performed in a room with as little lighting as possible. Thevoices of the performers should be amplified; the amplification of the instrumentscould prove necessary in larger spaces, at the discretion of the performers.
The notation for each instrument is split into three parts: the voice, the instrument,and the body of the instrument.
The staff of the instrument functions as normal. The staff for voice consists of one. Allwords and syllables are to be spoken as if in Spanish. The staff for the body of theinstrument indicates in which way to play on it; details are given below.
All dynamics are written relative to the technique at hand; i.e. a mezzoforte bowingon the body of the instrument should be at about 50% of the possible maximumvolume of the given technique.
All text is to be spoken whispered; dynamics are, again, relative.
The third movement is written in time-space as opposed to metrical notation. Eachbar represents five seconds. Occasionally, vertical dotted lines are used assynchronisation points.
Body of the instrument
The notes on the lines can also be struck with the wooden part of the bow (col legnobattuto). The notes in the spaces are to be played either by stroking the instrumentwith the palm and fingers (arco) or by striking it with the fingers (fin.) or knuckles(knu.)
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3
Notation
quarter-tone sharp and quarter-tone flat
c.l.b. – col legno battuto, striking with the wooden part of the bow
c.l.t. – col legno tratto, bowing with the wooden part of the bow
s.p. – sul ponticello, close to the bridge
s.t. – sul tasto, further away from the bridge
scrape – harsh tone with a scraping sound; sometimes referred to as scratch tone
ord. – ordinario, play normally
on fingerboard – bow or pluck on the fingerboard, behind the fingers of the left hand
ric. – ricochet, bounce the bow on the strings, rhythm is either graphically orstandartly notated
jeté – thrown bow
card – (only cello) play with a medium hardness piece of card (a softer business card,for example). Hold it between thumb and forefinger, about a 5 to 10 millimetresaway from the corner, and pluck with said corner
square noteheads in instrument parts – play on the strings indicated by thenoteheads and place the palm of the hand over the strings so that no tone isproduced; the sound should be soft and balanced; if dynamics indicate highervolume (mezzoforte or forte) do not be afraid to make a harsher, scrapingsound.
triangular noteheads in instrument parts – play the highest ordinarily-fingerednote possible
Fourth harmonics are notated as usual, harmonics on open strings are indicated by adiamond notehead on the stopped note and an indication of which string (I, II, etc.)
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Voice
Viola
Body
Voice
Cello
Body
pizz.
= 60
s.p.
IV
IV
on fingerboard
pizz, s.p.
arco
III
IV
arco
Romanzas Cortas en Una Lengua PrivadaIan Mikyska
Score
para viola y violoncello
I. Whispers One
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Vla.
Bo.
crossfade crossfade
crossfade
5
c.l.t.
III
c.l.t.
( )
IV
arco
card
Vla.
Bo.
9
c.l.b.
( )
s.p. flaut.
IV
arco
(card)
IIIIV
3 3
c.l.b.s.p.
( ) ( )arco
IV IIIIV
arco
5
Bo.
Vc.
Bo.
Vc.
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Vla.
Vc.
13
c.l.b. arco
arco
III
IIIIV
arco
IIIIV
Vla.
Vc.
17
3
card
arco
IIIII
3
card
IIIIV
arco
IIIII
IIIIV
Vla.
Vc.
22
3
c.l.b.s.p.
IIIII
arco
IIIIV
IIIII
3
card
IIIIV
arco
IIIII
IIIIV
6
Bo.
Bo.
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Vla.
Vc.crossfade
crossfadecro
ssfad
e
crossfade
IIIIV
IIIII
Pa s [s]
sió [ó]
on fingerboard
IIIIV
(n)
III
ord.
IIIIV
(slide acrosstop strings)
- -
-
Bo.
Vc.
crossf
ade
IIIIV
Pa [a]
sio [n]
IIIII
IIIII
sió
(n)
IIIII
su su
IIIII
!!
- -
-
-
7
Vo.
Bo.
Vo.
Bo.
Vla.
Vo.
Vo.
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Vla.
su su
su
sul C
IIIIV
!
3 3
su su su
3 3
3 3 3
su su su su
3
33
c.l.b.
card
arco
IIIIV
IIIII !
-
-
Vo.
Vla.
Bo.
Vo.
Vc.
41 rro
rro
3
card
(fundamental tone should startsounding about halfway through)
arco
(no tone)
arco
III
8
Vo.
Vc.
Vo.
Bo.
Bo.
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Vla.
Vc.
45
= 180
arco
arco
Vla.
Vc.
49
IIIIIIIV
IVIII
s.p.
Vla.
Vc.
51
s.p.
Vla.
Bo.
54
arco knu.
9
Vc.
II. Gestures One
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Bo.
Vc.
57
knu.
IV
arco
II
c.l.b.arco
III
arco c.l.b.
Bo.
Vc.
c.l.t.
I
arcoric.
IVII III I
3
Vla.
Vc.
65
jeté
arco
3
c.l.b.
arco
3
knu.
10
Vla.
Bo.
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Bo.
arco
3
3
fin.
Bartók pizz.
3
do lor [r] [r]
arco
- -
Vla.
Vo.
crossfade
ri ri
( )
on fingerboard
rí o
3
[r] do lor
s.p.
s.p.
c.l.t.
- -
-
11
Vc.
Vla.
Vo.
Vo.
Vc.
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Vo.
Vla.
Vc.
77
[r] í o
3 3
arcoon fingerboard
!
[r] í o
3
3
3
do lor do lor
IV II III I
pizz.
!
[r] [r]
[r] í o r í o r í o
IIIIV
!! !
arcos.p.
!! !
arcos.t.
- -
-
- -
Vo.
Vla.
Vo.
Vc.
crossfade
crossfade
80 `[r]
[r] í o r í o r í o
simile
simile
simile
simile
[r] [r]
[r] í o r í o r í o
-- - -
12
Vo.
Bo.
Bo.
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Vla.
Vc.
crossfade
crossfade
83
| |IV| |
ord.
| || |
13
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Vo.
Bo.
Vo.
Vc.
86 Pas
su su rro
[s]
[s] ión
IIIIV
!
flaut.
su su rro
pa sión
c.l.b.
!
- -
- - - -
Bo.
Vc.
Bo.
c.l.t.
pa sió
pas
arco
-
14
Vla.
Bo.
Vla.
Vo.
Vo.[s]
III. Whisper Two
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Vo.
Bo.
Vo.
Vc.
92 pa sión
su su rro
[r] s s
flaut.
!
ric.
rí o rí o
[s] pasión
knu. fin.
Vo.
Vla.
Vo.
Vc.
95 su su rro
pa sió
arcos.p.
s su
III
arco
ric.
!
arco
s
rí o
- -
15
[ó]
Vla.
Bo.
Bo.
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Vo.
Vla.
98 s
arco
III
( )
s.p.
Vc.
crossf
ade
[s]
scrape
[r] [r]
arco
16
Vc.
Vo.
Vla.
Bo.
Vo.
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Vo.
Vla.
Vo.
Vc.
Bo.
104 su su su [s]
pa sión
s.p.
c.l.b.
rro
su su su su
( ) ( )
Vo.
Vo.
Bo.
107 s
s
fin.
[r]
17
Bo.
Bo.
Vc.
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Vo.
Vla.
Vo.
Vc.
Bo.
110 [s] [r]
pa sión
arco
arco
su su rro [r] [r]
c.l.t.
IV
rí o pa sión rí o pa sión
[s]
III
!
- - -
Vo.
Vo.
113 [r] [s]
[s]
[r]
18
Bo.
Bo.
Bo.
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Vc.
s.p.
[s]
fin.
Vo.
Vla.
Bo.
Vo.
Vc.
Bo.
119
knu.
19
Bo.
Bo.
Vo.
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Vo.
Vla.
Bo.
Vc.
122 [s]
s.p.
c.l.t.
= 32
[r]
rí o pa
do
IIIIV
c.l.t.arco
!
( )
arco
-
20
IV. Gesture Two
Vo.
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Vo.
Bo.
Vc.
125 sió (n)
IIIIV
sió (n)
pa
3
!
c.l.t.(arco)
c.l.b.arco
!
!
do lor
3 3
rí o rí o rí o
IIIII
!
on fingerboard
- -
21
Vla.
Vo.
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Vo.
Vla.
Vo.
Vc.
128 3
su su rro pa
pa
s.p.
s.t.
sió (n)
sió (n)
su su su su su rro pa sión
do lor [r] rí o
scraperic.
III
c.l.t.
!
ord.
-
22
Bo.
Bo.
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Vo.
Vla.
Bo.
Vo.
Vc.
Bo.
131 [r] [r] pa sión
do lor do lor
scrape
c.l.b.ric.
( )
arco
s.p.
arcoric.
rí os [s]
[r] [s]
ord.
s.t. s.p.
s.p.s.t.
su su su rro
3
rí o pa sión do lor
arco fin.
arcoord.
!
c.l.b.
23
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Vo.
Vla.
Bo.
Vo.
Vc.
Bo.
crossfade
crossfade
134 rí o [s] [s] su rro
do lor pa sión
arco
( )(gliss.)
arco s.p.
( )
rí o su su [s]
su do lor su rro pas
s.p.
( )
sul C
arcosul C
do
[r]
24
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Vo.
Vla.
Vo.
Vc.
Bo.
137 [s] [s]
rí o su su rro
IV III
c.l.t.
scrape
(c.l.t.)
do lor [r]
do lor [s]
arco arco
(c.l.t.)
[r]
[s] [r] [s]
s.p.
IIIIV
arco
25
Bo.
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Vo.
Vla.
Vo.
Vc.
Bo.
140 [s]
[s] do
ord.
I
c.l.b.
[r]
arco
arco
26
Bo.
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Vo.
Vo.
Vc.
crossfade
143 3
[r] [s]
[r] do lor
s.p.flaut.
sul C
[s]
3
ric.
3[r] rí os [r] [r]
3
do pas [s]
III
III
arco
ord.
[s]
27
Vla.
Bo.
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Vo.
Vla.
Vo.
Vc.
147 [r] [s]
3
3do [r]
c.l.t.
3 3
arco
3 3
[s]
5
s.p.(arco)
28
Bo.
Bo.
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Vo.
Vla.
Vo.
150 [d]
5
[p]
on fingerboard
[r]
[s]
3
flaut.
pa do rí o
29
Vc.
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Vo.
Vla.
Bo.
Vc.
Bo.
crossfade
crossfade
153 [s]
s.p.
[s]
[s]
c.l.t.
30
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Vo.
Vla.
Vc.
Bo.
156 [s]
(c.l.t.)
rit.
rit.
[s]
arco
31