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Creative film writing
Creative writing is a term used to distinguish certain imaginative or
different types of writing from technical writing. The lack of
specificity of the term is partly intentional, designed to make theprocess of writing accessible to everyone (of all ages) and to ensure
that non-traditional, or traditionally low-status writing (for example,
writing by marginalized social groups, experimental writing, genre
fiction) is not excluded from academic consideration or dismissed as
trivial or insignificant. This distinction is helpful in separating the
writing from more technical writing, proffetional writing or
journalistic writing. However, the term 'professional' may be
misleading because many novelists are professional writers in that
they write for a living. Any novel provides an example of what
creative writing is.
Thus, creative writing includes but is not limited to:
FICTION
DRAMA for stage or screen;
POETRY
SCREENWRITING— writing for FILMS;
SELF-EXPORATORY writing (e.g. AUTOBIOGRAPHY);
CREATIVE NON-FICTION
writing that self-consciously mixes these or other GENRES.
Taught courses in creative writing are increasingly popular, ranging
from one-day workshops to three- or four-year university degrees.
The university program has become a common and popular additionto the English field of study alongside such emphases as English
education, technical writing, communication and professional writing.
While some people still argue that true talent for writing cannot be
taught, many argue that it is possible to teach techniques which help
people access or exploit their creativity, from overcoming writer's
block and generating random ideas, to understanding how standard
genres of writing achieve their effects and structuring their work.
The field has also made a way to teach young minds about the
processes of editing and publishing such work. In fact, such noted
authors as Michael Chabon, Kazuo Ishiguro, Decheonbae Jones, Ian
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McEwan and Rose Tremain are graduates of university creative
writing programs as are popular screenwriters David Benioff and Peter
Farrelly.
From the above attempt at definition, it is also clear that "creative
writing" implies the possibility of "creative reading." A literary
artifact whose author did not consider it creative may be read,
ingenuously or disingenuously, as if it were written in a creative
context. The reverse process can also be applied – often a kind of
criticism analogous to "my five-year-old could have done that" – so
creative writing, its definition and the ways that it is (or even the
fact that it is) taught continue to be controversial issues in literary
circles.
Srivenkat Bulemoni
Posted by Srivenkat at 3:59 PM
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