Download - Bringing together part 2
Cave 1: Ceiling decoration depicting probably a foreigner, Mahayana phase. This is a rare visual depiction of a foreigner in a an AJANTA style from that period.
PLEASE SEE PART ONE BEFORE THIS PART TWO…
The original sculpture of Buddha and its modern
interpretation in applied art communication by an Applied
artist SUNIL MAHADIK for his client Shyam Ahuja.
This face has radiated serenity since the fifth century, when Buddhist monks inhabited a set of remarkable hand‐cut cave temples built for them at Ajanta in central India. The name of the beatific figure is Bodhisattva Padmapani, a Buddhist deity who represents infinite compassion. Appearing near the entrance of one of the shrines, Padmapani stands as guardian, offering a vision of peace to all who enter. “The painting is a mirror,” whispered my guide, Indian photographer and filmmaker Benoy Behl. “It shows us the divine part of ourselves.
Study both the slides i.e. top and above to understand comparativevisual impact of the original painting and sculpture of Buddha onand its modern interpretation in applied art communication.
This is the display of
Graphic Symbols
designed by two different
applied graphic designers
who are the pioneers of
modern Indian Graphic
Design : Roby D’Silva (on
the left) and Late
Yeshwant Chaudhary (on
the right) from India.
(Yes they were friends too)
It shows one is inspired
by the European Visual
Language and the other
is trying to figure out
Indian Visual Language
through western
methodologies. This one
is from my study which
I felt is relevant to this
topic in order to explore
new angle.
Study both the slides i.e. previous and this to understand
comparative visual impact of the graphic design of Indian
Buddha concept and its modern interpretation in applied art
communication for stamp design by an Applied artist
Roby D'Silva for Indian Postal Services.
This is from the famous writer Devdutta Pattanaik’s write up in Times of India. Dr. Devdutt Pattanaik (born 11 December 1970) is an Indian physician turned leadership consultant, mythologist, author and communicator whose works focus largely on the areas of myth, mythology,[1][2] and also management. He has written over 600 articles and 30 books on the relevance of sacred stories, symbols and rituals in modern times, includingMyth = Mithya: A Handbook of Hindu Mythology, Jaya: An Illustrated Retelling of the Mahabharata, Sita: An Illustrated Retelling of the Ramayana, Business Sutra: An Indian Approach to Management, Shikhandi: And Other Tales they Don't Tell You.[3]He is the former chief belief officer of Future Group, one of India's largest retailers,.[4][5] He writes a column for the newspaperMiD DAY.[6]
This book was
acquired from the
collection of my
father‐in‐law Late
V.R.SADEKER who
gifted it to my
wife Prof. Mrs.
V.R.Joshi and her
first attempt to
study these
drawings.
ENJOY THE pages from ORIGINAL’S digital version
of RUPADARSINI
Courtesy: P
HAD
NIS GAL
LERY
journe
y of his cartoon
s : JY
OTSNA PR
AKAS
HAN
‐Pun
e, first e
ditio
n 20
14. P
age 11
.
This is my research presentation
on PARALLELISM‐ FRENCH and
INDIAN cartoonist. This was an
attempt to understand cultural
connotations of two countries
expressed through art of cartoon
by respective artists. Here
Europe and India have some
universally parallels in terms of
human expressions. In this
treatise Artist M. R. ACHAREKAR
is decoding the common
scientific drawing methodologies
between EAST and WEST.
I value your feedback for the attempt made herewith…on this email [email protected] and kindly visit on Google slide share ranjan joshi or rivcomm.blogspot.com THANK YOU FOR VIEWING…
Is it …Revelation, Reconciliation, Renaissances, Research…all this in one…?