Download - Auteurism in 360 Degrees
auteurism in 360degrees
with michelle cortese
Georges MélièsA Trip to The Moon
1902
Rudolf Arnheim Film as Art, 1933
Film cannot be art, for it does nothing
but reproduce reality mechanically.
Fritz Lang Metropolis, 1927
Felix Lajeunesse & Paul Raphaël
Miyubi, 2017
overviewfilms in which
views of all 360 directions are recorded
simultaneously
Recorded 360 films do not allow viewers to freely explore a 3D space.
Roomscale VR allows you to explore a 3D space.
Oculus roomscale setup
watching
360 films may be consumed on a variety of surfaces
Stereoscopic films project two offset recordings.
Monoscopic films project a single, duplicated video.
watching
making
360 is captured via multi-lens camera rig
Or via placing a digital spherical
capture object in a 3D rendering
Kip Andersen & Keegan KuhnParallaxed, 2015
Scot Stafford & Kevin DartSonaria, 2017
Giroptic $300 Insta360 Pro $4,000 Nokia Ozo $60,000
Zoom H2N $200 Sennheiser AMBEO VR $2,000
Mantra VR &360VR ToolboxAdobe plugins$200-300
publishing
Interactive Roomscale Narrative VRoptimized for quality
Linear 360 Video, Mono or Stereo optimized for reach
bespoke one-on-one experience at an installation/event consume via pc-teathered headset
upload to game app store (oculus experiences store, steam store, etc.) consume via pc-teathered headset consume via standalone headset
upload to a distribution platform like facebook or youtube consume via pc-teathered headset consume via standalone headset consume via web/mobile
live-action videomono or stereomass distributionvia 360 camera
let’s focus on
Rudolf Arnheim Film as Art, 1933
Film is more than a variation on the immobile image,
obtained by multiplication; it is
new & different.
Bela BalazsTheory Of The Film, 1948 The basis and
possibility of an art of the film is that everyone and everything looks what it is.
Universal Orlando Rip Ride Rockit
2017
360’s unique charm is that no matter the surface
it can take you places.
Striving to design better, filmmaker- centric 360 creation tools.
direction
motion and human indicators have always been used to guide a viewer’s
focus around a space
character gaze
character guidance
Buster KeatonSherlock Jr, 1924
1 2
GoPro VRSand Dune Jumping, 2016
camera By reproducing space from an
unusual and striking angle, the artist
forces the spectator to take a keener
interest.
Rudolf Arnheim Film as Art, 1933
oblique camera technique
unreal presence Kip Andersen & Keegan Kuhn
Parallaxed, 2015
Alfred HitchcockThe Birds, 1963
Alfred HitchcockThe Birds, 1963
transition
cuts & lapdissolves
portals & teleportation
VR Transitions by Mettle, 2017
George StevensA Place in the Sun, 1951
montage
brought nonlinear imagery to film offering an artistic method counter to the
supposed objectivity of film
montage asnarrative
montage as surreal mobilityFelix Lajeunesse & Paul Raphaël Miyubi, 2017
Sergei Eisenstein & Grigori AleksandrovOctober, 1928
field of view
A change in FOV, was often used
to denote a change in
relationship with subject
matter.
the close-upCarl Theodor Dreyer The Passion of Joan of Arc, 1928
the intimate context change
General Electric You Can’t Fight Fire with Fire, 2017
sound
A synch point is a salient moment of an audio-visual sequence during which a sound event and a visual event meet in synchrony, resulting independently of any rational logic.
Michel Chion Audio-Vision, 1994
spatialsynchresis
General Electric You Can’t Fight Fire with Fire, 2017
TL;DR
Don’t be the naysayers from the dawn of cinema.
bebold.
thank you