alan held master class, dec 17
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yale opera
Doris Yarick Cross, Artistic DirectorDecember 17, 2014 • Morse Recital Hall
Douglas Dickson and Timothy Shaindlin, piano
Master Class with
Robert Blocker, Dean
bass-baritone
alan held
Brad Walkerbass-baritone
Katherine Reveillemezzo-soprano
Andy Berry bass
Emily Workmansoprano
Zhiguang Hongbass-baritone
Aprite un po’ quegli occhi from Le Nozze di FigaroWolfgang Amadeus Mozart (1756–1791) Vi ravviso from La SonnambulaVincenzo Bellini (1801–1835)
Weiche, Wotan, weiche! from Das Rheingold Richard Wagner (1813–1883)Amour! Viens aider from Samson et DelilahCamille Saint-Saëns (1835–1921)
Song of the Viking Guest from SadkoNikolai Rimsky-Korsakov (1844–1908)La Vendetta from Le Nozze di FigaroWolfgang Amadeus Mozart (1756–1791)
Czardas from Die FledermausJohann Strauss (1825–1899)Porgi, amor from Le Nozze di FigaroWolfgang Amadeus Mozart (1756–1791)
Aleko’s cavatina from AlekoSergei Rachmaninoff (1873–1943)Ah! per sempre from I PuritaniVincenzo Bellini (1801–1835)
As a courtesy to the performers and audience, silence all electronic devices. Please do not leave the hall during selections. Photography or recording of any kind is prohibited.
Master Class
Wednesday, December 17, 2014 • 7:00 pm Doris Yarick Cross, Artistic Director
alan held · bass-baritone
Yale Opera
Alan Held
Recognized internationally as one of the leading singing actors today, American bass- baritone Alan Held has appeared in major roles in the world’s finest opera houses, including the Metropolitan Opera, San Francisco Opera, Lyric Opera of Chicago, Washington National Opera, Los Angeles Opera, Canadian Opera Company, Royal Opera House Covent Garden, Teatro alla Scala, Wiener Staatsoper, Opéra National de Paris, Bayerische Staastoper, Hamburgische Staatsoper, Grand Théâtre de Genève, Gran Teatre del Liceu in Barcelona, Teatro Real in Madrid, De Nederlandse Opera, Théâtre Royal de la Monnaie, and Tokyo Opera Nomori. His many roles include Wotan in the Ring cycle, the title roles in Wozzeck and Der fliegende Holländer, Kurwenal in Tristan und Isolde, Hans Sachs in Die Meistersinger von Nürnburg, Scarpia in Tosca, Leporello in Don Giovanni, the Four Villains in Les Contes d’Hoffman, Jochanaan in Salome, Don Pizzaro in Fidelio, Orestes in Elektra, and Balstrode in Peter Grimes.
Equally at home on the concert stage, Mr. Held has performed with the Chicago Symphony Orchestra, Cleveland Orchestra, Philadelphia Orchestra, San Francisco Symphony Orchestra, Pittsburgh Symphony, St. Louis Symphony Orchestra, National Symphony Orchestra, Metropolitan Opera Orchestra, Los Angeles Philharmonic, Orchestre de Paris, Berlin Philharmonic, Kirov Opera Orchestra, and Montreal Symphony. He has also appeared at Carnegie Hall, the Salzburg, Tanglewood, Cincinnati May, and Saito Kinen festivals, and at the BBC Proms. He has worked with many distinguished conductors including Sir Andrew Davis, Sir Colin Davis, Charles
Dutoit, Christoph Eschenbach, Valery Gergiev, Bernard Haitink, Mariss Jansons, James Levine, Sir Charles Mackerras, Zubin Mehta, Franz Welser-Möst, Kent Nagano, Yannick Nézet-Séguin, Sir Simon Rattle, David Robertson, Donald Runnicles, Esa- Pekka Salonen, and Jeffrey Tate.
Mr. Held appears as the title role in Cardillac in the DVD of the Paris Opera production, and recorded the role of Don Pizzaro in Fidelio with Sir Simon Rattle and the Berlin Philharmonic for EMI Classics. He also appeared as the Four Villains in the Met’s HD broadcast and DVD of the Les Contes d’Hoffman and as Peter in the broadcast of Hansel und Gretel. This season, Mr. Held returns to the Wiener Staatsoper and the San Antonio Opera as Jochanaan, the Teatro Real and the San Francisco Symphony Or-chestra as Don Pizzaro, and the Washington National Opera in Der fliegende Holländer and Dialogues des Carmelites. A native of Washburn, Illinois, Mr. Held re- ceived vocal training at Millikin University and at Wichita State University where he was most recently named Associate Professor, The Ann and Dennis Ross Faculty of Distinction. He is a recipient of numerous honors and awards including the Birgit Nilsson Prize and the 2014 Dora Mavor Moore Award for Outstanding Male Performance in an Opera. Mr. Held has visited Yale University since 2002 to coach the singers of Yale Opera.
P.O. Box 208246, New Haven, CT · 203 432-4158 music.yale.edu
Robert Blocker, Dean
Peter Frankl, pianojanuary 14
Morse Recital Hall | Wednesday | 7:30 pmHorowitz Piano Series
Music of Beethoven and Schumann, including Beethoven’s “Les Adieux,” Schumann’s Waldszenen, and moreTickets start at $13 • Students $7
Yongyan Hu, guest conductorjanuary 23
Woolsey Hall | Friday | 7:30 pm Yale Philharmonia
Ravel: La Valse and Bolero; Debussy: La Mer; X. Montsalvatge: Cinco canciones negras,
with Woolsey Competition winner Aleksandra Romano, mezzo-soprano
Tickets start at $10 • Students $5
Yale Percussion Groupjanuary 24
Morse Recital Hall | Saturday | 7:30 pm YSM Student Ensembles
The award-winning ensemble performs Mauricio Kagel’s Dressur and more.
Robert van Sice, director Tickets start at $10 • Students $5
The Marriage of Figarofebruary 13–15
Shubert Theatre | Fri & Sat, 8 pm | Sun, 2 pmYale Opera announces a new production of
Mozart’s The Marriage of Figaro, conducted by Dominique Trottein and directed by Ted Huffman. With the Yale Philharmonia.
Tickets start at $19, on sale at www.shubert.com or 203-562-5666
Gianni Schicchi, Riders to the Sea, and Bon Appetit!
may 2 & 3Morse Recital Hall | Sat, 8 pm | Sun, 2 pm Yale Opera presents a triple bill of Puccini’s Gianni Schicchi, Vaughan William’s Riders to
the Sea, and Hoiby’s Bon Appetit! Stage direction by Louisa Proske; musical
direction by Douglas Dickson and Timothy Shaindlin
Tickets start at $10 • Students $5
Yale Opera Artistic Director: Doris Yarick CrossYale Opera Manager: Erika Niemi
Concert Programs & Box Office: Krista Johnson, Donna YooCommunications: Dana Astmann, Monica Ong Reed, Austin Kase
Operations: Tara Deming, Chris MelilloPiano Curators: Brian Daley, William Harold
Recording Studio: Eugene Kimball
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