diritto e letteratura - articoli

7/27/2019 Diritto e Letteratura - Articoli

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ISLL

Il Sy Lw L

Il vl l l b ll FC R Blg, www.b.


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diritto

e letteratura

prospettivediricerca

a cura di

Carla Faralli

Maria Paola Mittica


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Cygh MMXARACNE S..l.

www..@.

v Rl Gl, 133/AB00173 R

(06) 93781065

b 978885483666-2

I diritti di traduzione, di memorizzazione elettronica,di riproduzione e di adattamento anche parziale,

con qualsiasi mezzo, sono riservati per tutti i Paesi.

Non sono assolutamente consentite le otocopiesenza il permesso scritto dellEditore.

I : vb 2010


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5

I

7 Presentazione

9 Introduzione

15 The Reality o Fiction.Lectio maistralis J S. B

parte primaIL DIRITTO TRA REALT E RAPPRESENTAZIONE

29 V v l. Il Domenico Corradini H. Broussard

75 F gh l: bl ?Giovanni Tuzet

109 L v g g.Il l Flora Di Donato

123 Cl vAlberto Vespaziani

139 L Pl. Il gMaria Paola Mittica

177 Cv : l g Felice Casucci


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7

Diritto e Letteratura

isbn 97888548-32145DOI 10.4399/97888548321451pag. 7-8

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Nl gg 2008 v E P lISLL Il Sy Lw L (S l l SIDL). S l v -gg gl bl llb Law and Humanities, q l l , h , , .

L S h l CIRSFID C I-l R S l , Fl Slg l D-

I G, h l v ( l 1986) gl l l llUv Blg. L l - h lg l v l l g l gl - , h l Uv h ,v, ll g, ll v h l g l v l

l v l, l b l l v- l .F q v l CIRSFID v

vl l g,l v Il gl 80 l lg g .

Ngl l vl v ll v v lvll l vl v , qll


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9

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Il 27 l 28 gg l 2009, l Fl GllUv Blg, l vg lll Il Sy Lw L ISLL (S Il D L SIDL), l lDiritto e letteratura. Prospet-tive di ricerca.

Il vg h v l q , l , , b; -

, v, h l lg l v: l v ll v , h l .

N l -b h h bl l vg l ll gl h . M l b l , gl lll h h lv.

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l S b . Al vg l, , l v l (l, lg, l ), ll l (g -l), v q l l ll l- l ll g v -l ll , ll l lv.

Il gg bl h ll qll l-l l v v l lggg. Ll-


isbn 97888548-32145DOI 10.4399/97888548321452pag. 913


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Introduzione 11

Il vl gg J S. B, The Reality oFiction, gg ll l gl h l . B, - ll ISLL, h lv l

vg, l ql lg g.Nl g b ll l v l bb .

L , Il diritto tra realt e rappresentazione, - l l B gl gg gl hl l ll l l g ll l l bl (C-, Verit ontica e verit processuale.Il diritto come atto e come rappresen-

tazione), l l gh ql-l l (T,Finzioni iuridiche e letterarie: possibile una teoriaunifcata?), ll v g g llb l v , l ll l (D D,La costruzione narrativa dei sinifcati iuridici. Il atto nel processo), llvll ll g l (V,Costituzionalit e narrativit) q llb ll juridicit,lv h l -

g (M, Le nozze di Pelopia. Il mito come narrazioneiuridica). Ch q gg v ,v l l b v bl l g v l ll v (C, Creativit e diritto: iliurista inedito).

Sl l v ll l ll -g l g g, l - l ll ll ll, vl

qll h : , q . Dv l l llb ll l. Nll - , l Il diritto nella letteratura, l gl v g vl l-l l v l g, l l l ll l , l IlProcesso k k (Al, Il Processo di Ka ka tra diritto e metafsica);vv, l l ll l ll


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12 M Pl M

, h lh l l l (C,Riorme e satira del diritto penale nella lette-ratura), h vg l l lggg

l g bbl , l H (D,Dove la precisione del linuagio iuridico aiuta linterpretazione lettera-ria. Un esempio da Heinrich Heine). Sbb v l-ggg , ll l q llll lvv 24, l vl h vl qll lg ll gl, ll b vlg ll l , l g h l

/ l 11 b (I-,Limiti della lealit e limiti del visibile in 24).L l h l l -

g h gl lg h corpus leis, q l ll bl llll ll . I q - v l l D h l l l vl Prodromi D l. Q, lllv gl h ll l Commedia

f l l g ll vl (C, Ilconcetto del diritto nel pensiero letterario di Dante Alihieri), gl v ll ll l D l- ( h l l ) l - ll l. Alll ll g Cl- Sl, l l l l , l l l f vl ll ll l , l -

g (Al, Diritto e letteratura tra Medioevo e primoUmanesimo. Lopera di Coluccio Salutati), g l l g l ll ll ll . L gg ll v fh vg gl g, l- ll l, l h l l v - (Cv, Giuristi, letterati e dispute dei saperi in et moderna. Il


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Introduzione 13

caso della scienza dellonore). Ch l ll ll l h g gl l v -l l, ll l Nv, v l -

vl l vl ll llv h vv ll h q h vll ll l (Vl Dlb,La fnzione pi vera.Studi suli archetipi letterari della devianza nel pensiero penalpositivisticoitaliano).

Nl l q bv l -g v S C, ll Fl G- llUv Blg h h l vg,

l l h h l v lv, V F, l ll S Il Fl l .

Il vg bb bl l gl l- Cl Fll, E P, M Cv, l F F M D T h h g - gb l g gv.

Maria Paola Mittica

C ISLL


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15

Th Rly F1

Jerome S. Bruner

1. O v wh y hgh h b lg h h vy lg , vkgw, v . Hw hg kw b -kblv l: l, vl, picede thtre? Hw hb h ly h kblv ? A why, , w y g h v l h l l?

Ph w hl bg q wh qk lk whRly h, v h g, b k . W qkly -

v, , h Rly h h lwy b , l l wwh h h, v w wh h w k, b whh Rly b h wl , whh , by llvly ly lk h wh w lv.

A , h hv l b h ll lwh llw Pl vw h h wl l whh w hv b l hgh h hw h

h l wl h v wll hgh h v .Ty, , h l l hlhl

vw h Rl v l , lg, hll-k. W l gly Nw v l h M

1. Il gg , lgg v, q ll - l l MGll Jl E, 40, 1, W 2005.


isbn 97888548-32145DOI 10.4399/97888548321453pag. 1526


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16 J S. B

h g ly v h l h: Hypotheses non fno. W v k Al l l h Poetics gg h vg l l b-

ly, : hw w kw h ly hhg b g? I l w, Rl Il hv b w h hb hl .

Rly, w w y, l g-, h g by v lg, gg, g x g g . A ly w k b h hl vbl hyh v g h wl h vbl hyh-

lg h g whh w v. Bh bg! A w g v g, h hyh g v vl wly. Dv v gv wy Dw vl; h h-l hy gv wy h wl g.

I hv wh l b Iw k l h h whl h l bv-ly ly l , hy b ly bl h bh , h

wll b l ly.

2. S w w ly, l l, h gg-ly bl lk h l y h g Alb C The Straner, h llg Jh C Secret Sharer. Th bv hg bll h l l h hy lgg, j

h y lgg, b lgg l. F j lgg vlbl wl h bl Hl Kll, lgg kg h g, l wl wh w h llg . Rly lwy hg g llg .

B j lgg h ly g, b h- l w h lgg k bl h w v, h w h . Wh-


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The Reality o Fiction 17

h g v, wh vlly hg h wl, h ly . S l xlwh v , wh k y. Th wll

wy.A y q, , h x ll hg h wl bl whh, w, hb . S bg -. Ml P (1992, Combray,3) h h l l wh h llg g:

Ph h bly hg h h by v h hy hlv yhg l, by

h bly h.

Th h . Th vy x y , , bg h kg y hg q: lv , k, v h. Tk h yg C Secret Sha-rer(1982), hl h l h . H h wgh h ly xg gv h w

g gh l, h g gh wh. All wll, h ly h h k. H h bg l h b lly l hgg v h , ly h g ll . Th, h bl, h h w hgg h h l. Lgg, h b h, h h h l h - bg g g g .O lh!

P, h q wy, lk hlhl wy, h g, g Combray(1992, 8) bly g h h kg - bw h l h g:

F lg , I wl g b ly. S, h l bly ,y y l qkly h I hv ll yl I l-lg l. A hl h l h hgh h w lk l wl wk . I wl k wy h bk whh


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18 J S. B

I g w ll y h, blw h lgh; I h g hkg, whl I w ll l, b wh I h j b g, bh hgh h k h l ; h I wh bj y bk. [...] Th wl I wk; y , b ly lk -l y y v h gg h ( h hl w lg bg. Th wl bg llgbl, h hgh v x b .

L Al wl , peripateia h vl- h x y, h v. Th llly v l Gk.

Nx v, h action: h peripateia, h l hg. Nv , , by g, by , by l. Th v l - w , yhlgl vl , ll wh h l by hperipateia.

I w h l hg whwhh h y bg, l wh h, w k h y resolution g y k y h , -, bg. T C, h yg

bg Lgg b h h h w q. Thx g, h l , h bg h h g-ly l h hly lgh , h Lgg,h h, wh h h h vgh, ly v h , w, h yg y h. Th h v gg y, lg wy g h, hk Lgg fg h, h h bhw h by h yg yhy.

Th h l.A wll y, lly, h a coda, whh l: v , h l h y w ll .Exl , w wh A, b hgh w x A h v , w ll h y -v w, whh h h . Why h h yg x , xl? Why h h h? Why h h h?


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Il l ,peripateia, , l, : h h kl v. A Iv g lwh, g hv vlly b: yg hl g -

h wy hy hv h lgg llw v b h h ly. Y hv h h y! I wy gg v h l x x ly . Th v b qly hwy kg h wl wh x,v h b x. Ag h yg Hl Kll.Sh ll h, h h g h y -

h h h gv h wh w w hw v bl k b h vbl bl wlwhh h h ll.

N w g h v bw. I v gg g g gg bl v h wl ly -. A w wh h gg wh wh ly. I , v l l g l

x. F hperipateia h vl- y, y wh g h. I h w h l hgh .

Ih , h, l v x-l lv v h h , bl wl w. I h vhl xll xlg bl hbl wy g wh h. I h hperipateia h g v, Kh Bk ll . N

h w w x h wl h y y l, bl l lk.

3. L w h I hv gl. I h , , wh h blvbly l l, h w l h. I wh wy bl lly bl h l w


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20 J S. B

yy wh h wl? L bg wh hghl q bk, Mhl R Fic-tional Truth (1990).H h l l h

v.

R b l wh h ly h h x b blv . Th ly ly g whh hy h -v h lgg (R 1990, 8).

S, h h lg, , wy, b x- by bly. T h h P Contre SainteBeuve (1954, 120):

Il y v v lgl, l q v h l vll v. / No one

yet was to be seen in ront o the church except or the lady in black one sees leav-in hurriedly at any iven time in provincial towns.

Th l b v P b , h vlly hg b h h ly ww w( h ww), h lly y h bl wg hhl, hg vl h. Sh , y h h , R. F h, l h yg, hly bl,x, bl h h j h.

S wh , h? F R (1990, 10), - lll lgg h gv w vyyl. Cg g Hy J,

T g h h [ h l g], h x v g , ly lg : h [ ] hg b lg .

B h h soidianthg b yx h -l h lly bl. S v l -bl wl, l g h q w v.W wh l. Y, w v1 bk h


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wwy bw h w, bw l l.Thy, , v wh h kwg bl wlwh hvg x h j h lgg g-

Hl Kll l g h vbl h bl whbg bl h.A, , w b b bl h l

wl x by g h lgh l wl bly. I h h gv llg ly Th b h g G g l.B, by h k, w l bl y l x- w lv , A I gg h gh? I h h, b-

wy llg h y? Th wll x l, w, whh lie emulates art and emulates lie, which in turn emulatesart which emulates lie which emulates art, . Sll w-, h, h h ly lk l l !

A , w ly g vl h wwy bw l l. L kh ll x h llg I lg h bkh vl.

4. I k l h l w Yk Uvy, F-h H S h I h wh y llg, AhyA, lw w h vl gh lg,lg h bl h Bh vl h h . W ly , h w hw bl -vl lby y bl, ll w h w lvg hgh y

l gh , wh l ly kl hlh Wl T C.O g bh lgl ly x. Th w b-

b , wll bq h by, h US S C vlvg lbyy f, -lg ly g ( h h w, lk h G- Hamdi v. Rumseld). Th ly x l whlll h, lg w v Antione by Sh-


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22 J S. B

l, h h by J Alh (1951), w ll . A h h w w g lg. O wbw b h S C wh -

bl, j wh h h C wh hlh JA g Wl W II, llg h b jg. Th h gy lg wbw b h Ch h w Antiones fghw C h Ag h g h g -: wh h g wg? I gg ll y ly b h l, h k bg hl.

Rll h ly ggl bw Ag C, h

wh h l y by h l bh Ply, h, C, wh h kgly y y Thb by yg bl h l Ply, wh hb l vl g h y. Ply h bhEl, ll, h kll h h l b h g Thb, blg v hw hy hl k h h h y. Kg O, h ly h, h hh w hl h h h Thb. Th l, C, wKg, h l El b h Ply

b l l b, y g w. Ag, g, by Ply g h byC, wh C , H, bh Ag,b hl h h b. E, C w, h -k h w l g. I g l.

S wh k , h g l? L ll y h, gly, hy ly gly vllbwAntione l l. Thy w b h

wy. I h h, h whl w h wlg l Thb g y. Ag C g yhly, h gghy bh . C l Bh, h k, wh h w w. Th h w h -l bh l h .

I h h, h h w w lg y , whh Thb y A.


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Ivl lby y w vlly bl bl . Lk ! . Sy w gh- wh lby y ll.

I h h h, h vll w y yh hwkg h wy hgh l, h wh C Agh v. B w h vb g ,wh g h O h h J-, h h ll Ag h bh Ply- El. Wv g hg lk h : h l. Lk h wy Bh! O lk h ll Ky!

O h w g wh w ll , vllg l

l l, bk h. O v gg hAntione b blgy g y jg g vllb ! Y gh v y h w g jlhlg lk vl vl lk jl hlg. Rg g - ( lkg b ) g h lk h l wl bl g y h gh x, lk lwl bl l wh h l wl gh b.

5. S wh ll h hv wh ? G b hh vl y h hl hv l l , peripateia, , , . Y, kg ly wl wy hg ly b h bl y b b h bl hl k, lly b l l. Pv vl kwh lly, h .

Tk h gh Ml P . AgCombray (P 1992, 15), h yg g hh G gh v b:

S wh, kg , h h g, I lg ll h bk, y h K j , b I kw hh h wl lk l, h h h y wh g g gv h k - lwy y y h, wh hgh h l b, h


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l xl wy, hly bl h h jgl ly.)

S why ly wk hl h lgy, yh-

lgy, ggy, v ( lly) hy? Why w l w h wwy bw h bl h l?Why w, , g hkg h h ly lly h h ly?

I, I v hk h lw gh hv b ghb lg hw wh h b gg bk h bw Mlvll Billy Budd h h U- S S C. A b, l k h

w h y llg, j g hvy lgg l.L ll wh , g h F-

h H S, v wh -. W w wlkg w by Whg Sq - h l g Db h Whg Sq, , h Hy J vl.I k h h h hw y bjv vb h w J Alh Antione h Shl.

Sbjv? h l, Why h? S I l h h HyJ h l h w ly h l-v h bjv wy yg h b- h fnde sicle h. H , h, Hy, yhk l b bjv, ll gh b ? Th g. H g, h,Hy, why w lk b h l? Th wl hvb lly g.

A g q bbly h h bjvh v k y ly h yg . I y vw, wll ly bgg hw hg l k by h ly. F h ly hllg v-l ly l. I bkg ywy bly: ,, .


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26 J S. B

Reerences

Alh, J. 1951.Antione. L. Gl, T. L: Mh.

A, Ahy G. J B. 2000.Mindin the Law. HowCourts rely on storytellin,and how their stories chane the ways we under-

stand the law and ourselves. Cbg: Hv U.P.C, J. 1982. The Secret Sharer(1910). Nw Yk: B.P, M. 1992. In search o lost time (19131927): Swanns way; Combray.

Nw Yk: Th M Lby, R H.. 1954. Contre SainteBeuve. P: Gll.R, M. 1990.Fictional Truth. Bl: Jh Hk U.P.

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