dillman's art workshop retreat - 2015 creative workshop catalog

Dillman’s brings nationally-known professional art instructors to our all-in-one resort. As an art student at Dillman’s, you will be able to focus on your creativity and get to know other like-minded artists. The resort offers 24-hour access to state-of-the-art classrooms, large work tables, excellent lighting, and our facilities are handicap accessible.

In our 38th season, Dillman’s is proud to offer over 45 instructors in an exciting array of plein air and classroom subjects including: watercolor, oil, acrylic, pastel, mixed media, collage, photography, pocket sketching and more.

2015 CREATIVE WORKSHOP CATALOG

WWW.DILLMANS.COM • 715-588-3143

ESCAPE TO THE GREAT NORTHWOODS OF WISCONSIN FOR AN EXCEPTIONAL ARTISTIC RETREAT!

T A B L E O F C O N T E N T SLETTER FROM THE DIRECTOR . . . . . . . . . . . . . . . . . . . . . 1A TYPICAL WEEK AT DILLMAN’S. . . . . . . . . . . . . . . . . . . .2DAY STUDENTS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3STUDIOS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4ACCOMMODATIONS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5RESORT MAP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6RESORT AMENITIES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7FEES & CANCELLATION POLICY . . . . . . . . . . . . . . . . . . .8SCHOLARSHIPS & HONORARIUMS . . . . . . . . . . . . . . .9GIFT CERTIFICATES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .9GETTING HERE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10HOW YOU CAN MAKE A DIFFERENCE . . . . . . . . . . . .10MID WINTER FESTIVAL – APRIL 19 . . . . . . . . . . . . . . . . . 11YOUNG ARTIST RETREAT – MAY 16 . . . . . . . . . . . . . . . . 11BLUE CANVAS ORCHESTRA - JUNE 21 . . . . . . . . . . . . 12INTERNATIONAL ART WORKSHOPS . . . . . . . . . . . . . . 122015 CREATIVE WORKSHOP SCHEDULE . . . . . . . . . 13WORKSHOP DESCRIPTIONS . . . . . . . . . . . . . . . . . 14–25 WATERCOLOR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14 OIL and/or PASTEL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18 ACRYLIC and/or MIXED MEDIA. . . . . . . . . . . . . . . . . . . . . . . . . . . 21 PHOTOGRAPHY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23 POCKET SKETCHING / BOOKMAKING . . . . . . . . . . . . . . . . . .24 FIBER / WOODCARVING / MUSIC / PERSONAL GROWTH . . 25

REGISTRATION FORM . . . . . . . . . . . . . . . . . . . . . . . . . . . 26

2DILL M AN’ S ART WORKSHOP RE TRE AT W W W.DILL M ANS.COM • 715-588-3143

L E T T E R F R O M T H E D I R E C T O RWhile attending Michigan State University for Landscape Architecture I was required to take a watercolor class for rendering proposals to clients; I thoroughly enjoyed the medium and the painting challenge but found very little time to practice my personal love of the arts in the following years. However, in 1975, I was encouraged by my wife Sue to attend a watercolor class at The Clearing, in Door County. This reignited my passion for the arts.

Three years later we brought art instruction to the Dillman’s Bay Resort of Northern Wisconsin, starting with watercolorist Phil Austin. Eventually Dillman’s Creative Arts Foundation was established as a 501(c)(3) not-for-profit corporation offering as many as 100 classes annually at our three-season resort plus international ports of call. Our students and instructors have become dear friends over the years.

Ironically, in 1935 Marvin and Peg Dillman (pictured), Sue’s parents, intended to use their teaching and school administration skills to start a boy’s camp. I think they would be pleased to see the educational experiences which have evolved at Dillman’s Bay Resort.

I invite you; in our 81st resort season, to take advantage of the unique serene environment with your family while attending a creative art experience at the same time. Each year we are grateful to welcome new and returning instructors along with students who share bonds of camaraderie. The peaceful resort location, with 24-hour studio time, allows guests to spend concentrated time dedicated to developing their personal interests in the visual arts such as: watercolor, acrylic, oil, pastel, photography, wood carving, personal growth and nature study. There is time for your art without distraction; join us at Dillman’s in 2015.

Director Dillman’s Creative Arts Foundation Dillman’s Art Workshop Retreat

Post Office Box 98 Lac du Flambeau, Wisconsin 54538 715-588-3143 [email protected] www.dillmans.com/dcaf

ABOVE: DENNIS ROBERTSON. LEFT: PHIL AUSTIN.

RIGHT: MARVIN & PEG DILLMAN.BELOW: SUE & DENNIS

ROBERTSON, BOB BURRIDGE.

RIGHT: SCOTT ROBERTSON,

TODD & STEPHANIE SKOTTERUD.

DILL M AN’ S ART WORKSHOP RE TRE AT W W W.DILL M ANS.COM • 715-588-3143 1

A typical week at Dillman’s begins on Sunday afternoon when you are greeted by our friendly staff for check-in starting at 3pm. After registration and settling into your cabin, you are invited to select your workspace in the studio and set up your

art supplies. At 5pm, in the main lobby enjoy a welcome wine, cheese and appetizer reception with your fellow students and traveling friends. Dennis and Sue Robertson along with the instructors for the week will give you a full orientation and rundown of

the planned activities and what to expect from the workshop. After mingling in front of the lobby fireplace or overlooking White Sand Lake on the deck, a buffet dinner will be served at

6pm in the main lodge café. After dinner return to the studio to finish setting up or explore our 15-acre peninsula.

Coffee and tea are available at the Sand Bar, located in the Main Lodge as well as in the studios throughout the day. All breakfasts are on your own; all accommodations are equipped with full or efficiency kitchens. The front desk is prepared with directions and maps to local grocery stores. On Monday, you’ll awaken to the unique sound of loons calling for the morning to start. Watch the sun rise from

one of our secluded beaches or enjoy a morning walk or jog along our country roads. On Tuesday, take an hour before class and join a local yoga instructor on the tip of the point for some true relaxation and connection to yourself and nature.

Students learn by doing, each at their own pace. Classes start at 9am and most classes are limited to 25 students or fewer to allow instructors ample time to work with each individual. Pre-ordered lunches are available starting at Noon in the café. Classes resume at 1pm and generally run until 4pm, however, the studios are open 24-hours a day for you to continue your work. For your convenience there is an on-site art supply, gift shop and Tom Lynch Lending Library.

Each afternoon after class, students are given an opportunity to explore local art and culture.

Visits to the shops of area artisans are always a special treat. Traditionally on Wednesdays we visit Moondeer & Friends Gallery in Boulder Junction as a group. On Wednesday, you are also invited at Noon or 4pm to take a complimentary one-hour pontoon ride on White Sand Lake, the 12 miles of shore line are home to Bald

Eagles, loons, herons, beaver, Whitetail deer and more; we’ll bring the binoculars so you can get a close look. Each night of the week everyone is invited to visit area restaurants for dinner via organized dine-around carpooling by signing up at the front desk. And you can end your day by returning to a blazing campfire where we’ll have fixings for s’mores set up.

A T Y P I C A L W E E K A T D I L L M A N ’ S


Each workshop ends with will be a farewell Champagne toast at 1pm where you’ll receive a ‘License to Paint’ certificate to honor your time at Dillman’s. Consider extending your stay for an extra night (or even arrive a day early) for a greatly reduced rate of $40 per person per night, if in the same unit/double occupancy; call us to check unit availability. Check-out time is 10am.

If you have special dietary needs or physical issues, please let us know.

SHIPPING YOUR ART SUPPLIESYou are welcome to ship your art supplies ahead of the workshop. Please use the following address for UPS and FedEx. (Be sure to include your name on the package.)

Dillman’s Bay Resort attn: YOUR NAME 13277 Dillman’s Way Lac du Flambeau, WI 54538

715-588-3143

Day students are welcome to attend the Welcome Reception and Farewell Reception (included in your package). You are also invited to join the class for box lunches and dinners, for an additional fee. As a day student you will have full access to the studios and resort grounds for the days you are registered. Workshop fees are prorated for day students. The deposit for day students is $100. Call 715-588-3143 for more information and to register.

For those interested, there are camping and full hook-up RV options 3.5 miles away from the resort.

SUNDAY

3:00 PM – CHECK-IN

5:00 PM – WELCOME RECEPTION

6:00 PM – ON-SITE DINNER

D A Y S T U D E N T S

S A M P L E F O U R T E A C H I N G D A Y W E E K

* OPTIONAL . $ OPTIONAL & ADDITIONAL FEE . WEEK SCHEDULE SUBJECT TO CHANGE.

VISIT WWW.DILLMANS.COM/2015 FOR INDIVIDUAL WORKSHOP ITINERARIES.

CLASS TIME

LUNCH $

CLASS TIME

DINNER $

S’MORES *

YOGA $

CLASS TIME

LUNCH $

CLASS TIME

DINNER $

CLASS TIME

PONTOON RIDE * / LUNCH $

CLASS TIME

PONTOON RIDE *GALLERY TOUR * / DINNER $

CLASS TIME

LUNCH $ / FAREWELL

CLASS TIME

DINNER $

TIME

7:30 AM

9:00 AM–NOON

NOON

1:00–4:00 PM

4:00 PM

5 / 5:30 PM

7:00 PM

10:00 AM CHECK-OUT

MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY

STAY FOR TWO CONSECUTIVE WORKSHOPS AND YOUR ONE NIGHT ACCOMMODATIONS BETWEEN THE TWO CLASSES IS $40 (DOUBLE OCCUPANCY).


Dillman’s has three state-of-the-art studios you may use 24 hours of the day. Studio 1 and 2 are located on the lower level of the main lodge along with restrooms. The Round House Studio is located just a few feet from the Main Lodge.

S T U D I O S

ROOM SIZE . . . . SQUARE FEET

Studio 1 – Tom Lynch . . . . . . . . 29' x 43' . . . . . . . . . . . 1,247 Studio 2 – Phil Austin . . . . . . . .33' x 24' . . . . . . . . . . . . 792 Studio 3 – Round House . . . .22' x 22' . . . . . . . . . . . 484 Badger Lodge . . . . . . . . . . . . . . . . . . . . 21' x 21' . . . . . . . . . . . . . 441

STUDIO 1 – THE TOM LYNCH STUDIO

STUDIO 2 – THE PHIL AUSTIN STUDIO

STUDIO 3 – ROUND HOUSE

GIFTSHOP

SERVICEBAR

CAFÉ

RAMP

RAMP

ENTRANCE

LODGE PORCH

parking lot

parking lot

ELEVATOR

REST

ROO

M

BATH

DECK

STAI

RS

STAI

RS

LODGELOBBY

BAYVIEW LODGE

LOWER LEVEL

MAIN LEVEL

REST

ROO

M

REST

ROO

M

BADGERLODGE

ELEVATOR

STUDIO 2

STUDIO 1

IOFF CE

ICE

NORTHERNLODGE

LAU

ND

RYSO

DA

REFR

IGER

ATO

RS

STUDIO 3 ROUND HOUSE


Dillman’s combines rustic Wisconsin Northwoods atmosphere with relaxed, casual elegance and convenience being capable of housing over 220 people. Types of accommodations range from lakeside pine-paneled cabins to more contemporary efficiencies. Accommodations are assigned based on available space. You are welcome to request a first and second choice.

Accommodation fees listed on page 13 assume double occupancy and we are able to assign you a roommate. If you prefer a single room (with your own bedroom and bath) the cost is an additional $30 per night.

Consider arriving a day early or staying a day late, and you will receive a greatly reduced rate of $40 per person per night, if in the same unit and based on availability.

A C C O M M O D A T I O N S

NORTHSHORE CONTEMPORARY MOTEL

LODGE ANNEX GUEST HOUSELAKESIDE CABIN 4B – SECOND HONEYMOON

LAKESIDE CABIN 8 – LITTLE DENMARK CHALET – LAKESIDE TOWNHOUSE


D I L L M A N ’ S B A Y R E S O R T M A PVisit www .dillmans .com/lodging to view photos and floorplans of all units.

Round House

Tennis & Basketball Courts

Grand View WestGrand View East

Northshore Unit 1-8

Cabin 8 – Little DenmarkCabin 7A & 7B – Little Rascals

Cabin 6 – Owl Moon

Cabin 5 – Fisherman’s

Boat Launch

Cabin 2 – SunriseCabin 3 – Sunset

Canoes, K Paddleboats

Cabin 10B & 10C – Henzl’s

Cabin 9A & 9B – Golden Pond

Badminton

Pontoon Dock

Chalet Unit 1-4

Northern Lights Cabin

7A

1

1234

526

3748

9A

9B

10B

6

5

32

4A4B

11

8

10C

7B

Fire R Cookout Area

Playground

Vo

Shallow Sw

W

Cabin 4A & 4B – H

Cabin 11 – HD Sw

Swimming RaftsFirewood Shed

Covered Marina & Fish Cleaning

Front Desk, Lobby, Studios, Café, Bar, Soda, Ice, Wireless Hotspot, and Laundry

Bayview, Northern &B Units

Main Lodge

Dumpster / RecyclingBi

ayaks and

Lodge Annex

cycles

imming Beacheep illtop

oneymoon

ading Beach

imming Beach

lleyball / Gazebo

ing &

adger Lodge


R E S O R T A M E N I T I E SWHAT IS AVAILABLE ON-SITE FOR YOUR USE:

• Free WIFI in the Main Lodge Lobby

• Free Parking

• Public Phone *• Pets Allowed *• Picnic / Cookout Area

• Bagged Ice *• Guest Laundry Facility *• Full Service Bar *• Gift Shop / Art Supply Corner *• Yoga *

• Canoes

• Kayaks

• Paddleboats

• Four Swimming Beaches

• Swimming Raft

• Platform / Trampoline Raft

• Life Jackets and Boat Cushions

• Fishing Boats *• Access to area Fishing Guides *• Pontoon Boats *

• Waverunner *• Watercraft

Gasoline *• Paddle Board *•

• Bicycles

• Shuffle Board

• Horseshoes

• Kids Playground

* FEE ASSOCIATED

WHAT IS INCLUDED WITH YOUR UNIT:

• Sheets, Blankets, Pillows and Bath Towels

• All Units have either a Full Kitchen or Efficiency Kitchen. (Full Kitchens have: Large Refrigerator, Oven, Stove, Microwave, Toaster, Coffeemaker, Pots, Pans, Dishes, Flatware, Glasses, Coffee Mugs, Dish Soap and Dish Towels. Efficiency Kitchens have: Half Sized Refrigerator, Two Burner Stove, Microwave, Coffeemaker, Toaster, Pots, Pans, Dishes, Flatware, Glasses, Coffee Mugs, Dish Soap and Dish Towels.)

• Most Units have Semi-private Fire Rings

• All Units have a Weber Grill

• All Units have TV’s with VCRs, DVDs and/or Satellite

• Some Units have either Wood or Gas Fireplaces

• Complimentary Firewood for Fire Rings and Fireplaces

Nearby Dillman’s vacationers can find many quaint stores for shopping, numerous restaurants, fifteen golf courses, horseback riding and amusement parks. You can also enjoy live theatre, movie theatres, authentic Chippewa village, powwows, lumberjack shows, cultural museum and Lake of the Torches Casino.


F E E S & C A N C E L L A T I O N P O L I C YTo view individual workshop pricing, please turn to the 2015 Creative Workshop Schedule on page 13 .

T IER ED PR I CIN G To offer the lowest possible cost, most of our workshops are tier priced according to the number of full-paying students. We will work with you and your fellow students in advance to establish the final cost closer to the start of the class. We hope you appreciate this attempt to assure your class will be offered and give you the added benefit of a small teacher to student ratio in some classes. Also we encourage you to invite your friends to join you as the lower cost will reflect their joining in on the fun. Call 715-588-3143 with questions.

WO R K S H O P FEE S Workshop Fees include class instruction (based on the number of teaching days for the individual class) with 24-hour studio time and model fees, where applicable. For the 4 and 5-day workshops, there is a welcome reception on the day of arrival, plus a mid-day champagne toast on the last day of class. Shorter classes vary in this respect. Specific class information and a list of supplies will be emailed in the “Welcome Packet,” sent a month before the class starts. Your package also includes free use of extensive resort amenities and a complimentary pontoon ride. For your convenience there is an on-site art supply, gift shop and Tom Lynch Lending Library.

RO OM & ME A L FEE S Room and Meal Fees include accommodations for the night before the first day of class through the night of the last day of class, departing on the following day of the last day of class. The 4- and 5-day workshops have one dinner in the price. Shorter classes vary. Workshop itineraries are available at www .dillmans .com/2015.

ACCOM MO DAT I O N S Accommodations are assigned on available space. The size of the class’s registration plays a role in assignment of units. You are welcome to request a first and second choice. Rates listed assume double occupancy and we are able to assign you a roommate. If you prefer a single room (with your own bedroom and bath) the cost is an additional $30 per night.

EARLY ARRIVAL / LATE DEPARTURE: You are welcome to arrive a day early or stay a day later for a greatly reduced rate of $40 per person/per night, requires double occupancy. Special rate applies for same unit occupancy, for one night stay either before or after your workshop, but not both nights. Single supplement is $70 per night.

AIRPORT SHUTTLE: Available from the Rhinelander, WI airport (RHI), serviced by DELTA for $50 one-way fee.

PA L (PA R T I CIPA N T AT L A RG E ) We call your family and friends who join you on your workshop retreat, Participant At Large (PALs). You are welcome to bring your PALs along who will not attend the workshop, but stay in your unit and enjoy the resort amenities. PALs are subject to an additional accommodation fee of $45 per night+tax. (Children under 12 are half rate.) Your guest can choose to sign-up for the Welcome Dinner (salad, entrée, dessert, beverage, tip and tax for $25).

C A N CEL L AT I O N P O L I C Y For cancellations received six weeks prior to class, a full refund will be made minus a $50 service charge. Within six weeks prior to the scheduled workshop there is NO refund. Dillman’s and the instructors make the decision, based on enrollment, to hold workshops four to six weeks before the scheduled date. Please reserve your workshop space as early as possible to avoid disappointing class cancellations. With MasterCard, Visa or personal check it is easy to make your $300 advance deposit, $100 for a Day Student. The one $300 deposit will hold space for your PAL as well. We prefer that you pay your remaining balance upon arrival by check or cash. Reservations will be held only for two weeks without deposit.

Prices effective as of January 2015 and subject to change. MasterCard, VISA, and American Express are accepted but personal check or cash is preferred.


We are committed to offering art workshops because we know learning is a life-long process. We recognize that even though we try to keep the instruction, lodging and meal prices low, the price may be beyond the means of some. With that in mind, partial scholarships and honorariums are offered to help off-set the cost of the workshop.

Visit www.dillmans.com/scholarship for the application. They may be submitted on-line or printed and mailed. Applications must be received by April 1, 2015.

The scholarships are awarded to students based on financial needs. These scholarships are set up and given to those that would not be able to attend a workshop if they are not

given financial support. Honorariums do not require financial need.

Thank you to all the instructors who have offered these options and also the patrons of the arts who have made donations for this purpose. Annually over $4,000 worth of scholarships and honorariums are awarded.

Looking for the perfect gift? Dillman’s Gift Certificates make thoughtful gifts for any occasion: holidays, birthdays, weddings, anniversaries, retirement, and more!

Gift Certificates are available in any dollar amount and may be applied toward lodging in any of the rental units or at our gift shop. They may also be redeemed for the Dillman’s Art Workshop Retreat programs. Our Gift Certificates carry no expiration date and may be transferred to someone else.

You may purchase gift certificates by calling Dillman’s at 715-588-3143 or emailing us at [email protected] There is NO shipping and handling charge when sent by regular mail.

Compare plans from all major travel insurance companies and purchase online from Squaremouth: http://goo.gl/Xx5aJe

S C H O L A R S H I P S & H O N O R A R I U M S

G I F T C E R T I F I C A T E S A R E A V A I L A B L E

T R A V E L I N S U R A N C E

Gift Certifi catedillman’s creativearts foundation

dillman’s bayresort

Dillman’s Bay ResortPost Offi ce Box 98Lac du FlambeauWisconsin 54538

Phone [email protected] 715-588-3110

Spring and Fall special packages available for anglers, couples and motor coaches.


MINNEAPOLIS

ST . PAUL

LAC DU FLAMBEAUMINOCQUA

RHINELANDER

GREEN BAY

WAUSAUEAU CLAIRE

MADISON MILWAUKEE

CHICAGO

DULUTH

WISCONSINILLINOIS

MINNESOTAIOWA

MICHIGAIN

Your contributions are essential to the continued success of Dillman’s Creative Arts Foundation, its outstanding programming, and our unique community. We hope that you will join in the tradition of giving and make a donation that will strengthen the school that so many artists have come to know and love.

Dillman’s Creative Arts Foundation is a tax-exempt organization under Section 501(c)(3) of the Internal

Revenue Code, and all donations are fully tax-deductible to the extent allowable by law.

There are several ways you can support the Foundation, from outright gifts of cash and securities to bequests. To establish a multi-year pledge, complete a gift of stock, set up a bequest or planned gift, or to obtain additional giving information, please contact Todd Skotterud 715-588-3143 or by email at [email protected].

G E T T I N G H E R E

H O W Y O U C A N M A K E A D I F F E R E N C E

BY CAR: We are approximately 350 miles from Chicago, and approximately 270 miles from Minneapolis. GPS coordinates: 45° 0' 14.738" N; 89° 50' 37.109" W

BY AIRPLANE: Dillman’s is very excited to have Delta, www.delta.com, servicing our regional airport, Rhinelander (airport code RHI). Ask us about our private jet package. A Dillman’s airport shuttle is available upon request, $50 one-way and is approximately a 40 minute car ride through the scenic Northwoods - we often see deer, eagles, and occasionally a black bear on the drive.

RENTAL CAR: Rental desks available at the Rhinelander airport are AVIS, 715-365-3436; National / Alamo, 715-365-3430; Enterprise Rent-A-Car (off-airport), 715-369-8880. Ask about our discounted rate with AVIS.

D IL L M A N ’ S CR E AT I V E A R T S FO U NDAT I O N A NN UA L A PPE A L

T H A N K YO U FO R YO U R SU PP O R T!

My employer/former employer will match my gift.

Please contact me about stock transfer information.

Please contact me about estate planning information.

I have remembered the Foundation in my will or other estate plans.

Please mail this form to Dillman’s Creative Arts Foundation, PO Box 98,

Lac du Flambeau, WI 54538.

Contributions are tax deductible. Dillman’s Creative Arts Foundation is a not-for-profit 501(c)(3) organization.

Name Address City State Zip Home Phone Work Phone Email

$50

I have enclosed a check for $ payable to Dillman’s Creative Arts FoundationorCharge my: MasterCard Visa AMEX Card # Exp . Date

$100 $250 $500* $1000* $

Signature Security Code

DILL M AN’ S ART WORKSHOP RE TRE AT W W W.DILL M ANS.COM • 715-588-3143 1 0

On April 19, 2015 from 1pm to 4:30pm Dillman’s Art Workshop Retreat is partnering with the Hopkins Center for the Arts for the sixth year to bring the free festival to Hopkins. There will be: hour-long demonstrations by well-known artists in their chosen medium; original artwork, reproduction artwork, books, videos, and art supplies for sale; information on resources for artists, and a silent auction. The proceeds of the auction will be awarded as scholarships to northern Wisconsin creative art workshops.

This FREE & FUN event includes:

• Complimentary beverage and snack reception

• Door prizes announced at the top of each hour, including: various instructors books, DVDs, artwork and Resorts of Wisconsin coffee table book

• Information and tickets to Big Top Chatauqua’s “Blue Canvas Orchestra” concert – June 21, 2015

Hopkins Center for the Arts 1111 Mainstreet, Hopkins, MN 55343

Visit www.dillmans.com/mwf for itinerary and list of attending artists and full details.

M I D W I N T E R F E S T I V A L

In order to encourage young artists in the community we are pleased to offer a special invitation to Northwoods students. Join us for the FREE and FUN Young Artists Retreat on Saturday May 16, 2015 from 2pm to 5pm at Dillman’s Bay Resort, Lac du Flambeau,Wisconsin. Adults are also welcome to enjoy the demonstrations and activities. For more information: www.dillmans.com/young-artist-retreat

Dillman’s Art Workshop Retreat instructors will be offering art demonstrations. Dillman’s will be providing a Cheap Joe’s Arts Stuff a complimentary starter watercolor kit to the first 30 young people who reserve. For reservations, call 715-588-3143.

• Sale of donated art, art books, DVD, and art supplies

• Hourly door prizes and drawings for 2015 workshop honorariums

• Complimentary beverage and snack reception

• Door Prizes announced at the top of each hour, including: Resorts of Wisconsin coffee table book

• Optional 6pm dinner by RSVP at 715-588-3143

LOCAL ART LEAGUE MEMBERS AND ARTISTS ARE INVITED TO ATTEND

Y O U N G A R T I S T R E T R E A T


L A K E S U P E R I O R B I G T O P C H A U T A U Q U A ’ S B L U E C A N V A S O R C H E S T R A C O N C E R TThe Lake Superior Big Top Chautauqua’s Blue Canvas Orchestra make their fourth annual visit to Dillman’s Bay Resort on Sunday, June 21, 2015 at 7pm. The orchestra brings their special brand of musical arrangements covering music from the 60’s, 70’s and later, including songs by Johnny Cash, Marty Robbins and others. Come and join us for an enjoyable, hand-clapping, foot-stomping and sing-along event where the audience is carried along by the enthusiastic playing and singing of the orchestra! For tickets visit: www.dillmansBCO.org

Arrive at 5pm and enjoy delicious food and beverages from our food vendors and cash bar. Relax in the remarkable beauty of Dillman’s Bay Resort’s peninsula on White Sand Lake. Meet the musicians informally as they mingle with the crowd. View artwork for sale by Dillman’s Creative Arts Foundation. Proceeds from the art sales support the scholarship fund.

I N T E R N A T I O N A L A R T W O R K S H O P SDillman’s International Art Workshops is the arm of Dillman’s Art Workshop Retreat that focuses on painting workshops outside of the United States. We specialize in organizing and hosting art workshops around the world, including the USA, Europe, Central America, Cuba, Caribbean, South Pacific and more. We concentrate on providing workshop participants with the finest, widely known instructors, and also in arranging a variety of special travel destinations designed to enhance your experiences and overall enjoyment.

We have a well established reputation in the art community for creative planning, interesting itineraries, fantastic instructors and a high level of attention—all with the student’s needs and wants as the highest priority. Our international art workshops are thoughtfully planned by artists, for artists... but we also keep in mind the needs/desires of non-artists that are traveling with us. You will get the right mix of painting and free time, so that you can know the details and logistics are taken care of, but still have the opportunity to explore a little on your own.

The instructors we travel with on the international trips are also very experienced travelers themselves and are accessible to assist in making your experience a "once in a lifetime trip". We feel very fortunate to have many guests that are repeat travelers with us, knowing that each trip is a different and equally wonderful exploration.

We work with in-country specialists to offer painters and non-painters a unique cultural, historical trip and access to legendary sights while interacting with local residents. Our staff is on every trip we offer. Our stress-free workshops allow you to participate in life enhancing experiences while enjoying the stimulation of a different country and creating memories that will last a life time. And at the same time we focus on having a lot of fun and creative energy.

www.International Art Workshops.com

Tom Lynch - Seine River Cruise, France 4/23-5/4, 2015 Bob Burridge - Costa Rica 2/23-3/3, 2016


WORKSHOP CLASS FEESNUMBER OF TEACHING

DAYS 8–910–1112 +

BASED ON THE NUMBER OF STUDENTS

ROOM& MEAL

FEE NOTESINSTRUCTOR DATE MEDIUM PAGE

SPRI

NGFA

LLSU

MM

ER

2 0 1 5 C R E A T I V E W O R K S H O P S C H E D U L E Below is the calender of 2015 offerings. Workshops in this catalog are arranged chronologically WITHIN areas of interest, i.e. watercolor, oil/pastel, etc. Workshops begin at 9am and run until 4pm with an hour lunch break at Noon.

Visit www.dillmans.com/2015 to view full class descriptions, artist biographies, additional artwork and individual itineraries for each workshop. For information on fees view page 8.

Tom Lynch in FRANCE April 23–May 3 5 Watercolor Visit www.InternationalArtWorkshops.com for full details on this river painting cruise.Ellen Jean Diederich May 16–21 * 4 Watercolor 14 335 360 390 365 * Saturday ArrivalJoyce Hicks May 16–21 * 4 Watercolor 14 495 545 595 365 * Saturday ArrivalSterling Edwards May 16–22 * 5 Watercolor 14 560 625 745 433 * Saturday ArrivalLaura Lein-Svencner May 16–22 * 5 Mixed Media 21 590 610 630 433 * Sat Arrival / $25 Materials Fee Sharon DiGiulio May 24–29 4 Encaustic 21 450 500 595 365 Joe DiGiulio May 24–29 4 Acrylic 21 470 525 625 365 Tammy L. Deck May 24–29 4 Fiber Art 25 515 NO TIERED PRICING 365 Carol Schulz May 24–29 4 Watercolor 14 470 495 535 365 Tony Couch May 31–June 5 4 Watercolor 15 545 NO TIERED PRICING 365 Greg Disch May 31–June 5 4 Photography 23 640 for 5+, 845 for 4 365 Sharon Reilly May 31–June 5 4 Watercolor 15 235 255 300 365 Pam Luer May 31–June 5 4 Pocket Sketchbook 24 335 350 370 365David R. Becker June 7–12 4 Watercolor 15 365 380 395 365 Dan Mondloch June 7–12 4 Watermedia 15 365 375 445 365 Optional $40 Materials FeeKaren Calkins Ragus June 7–12 4 Acrylic / Mixed Media 21 300 325 385 365 Ron Rencher June 7–12 4 Oil 18 525 605 735 365 Bill Alexander June 14–17 2.5 Personal Growth 25 395 NO TIERED PRICING 229 Hank Erdmann June 14–19 4 Photography 23 320 335 370 365 Frank Webb June 14–19 4 Watercolor 16 450 500 600 365 Bob Burridge June 14–20 5 Acrylic 22 725 NO TIERED PRICING 433 Includes Model FeeDarren Thompson June 21–25 3 Flute 25 435 500 600 297 Includes Concert TicketDon Andrews June 21–26 4 Watercolor 16 470 520 620 365 Includes Concert TicketLarry Blovits June 21–26 4 Oil / Pastel 18 485 505 530 365 Includes Concert Ticket **Gloria Miller Allen June 21–26 4 Watercolor 16 405 465 550 365 Includes Concert TicketCarrie Burns Brown June 29–July 2 4 Watermedia 22 385 445 530 365 Tom Lynch July 5–11 4 Watercolor 16 555 645 N/A 365 Minimum of 10 StudentsLois Griffel Aug 23–28 4 Oil / Acrylic / Pastel 18 615 NO TIERED PRICING 365 Janet Rogers Aug 23–28 4 Watercolor 17 455 470 495 365 $20 Model FeeSteve Rogers Aug 23–28 4 Watercolor 17 455 470 495 365 Sondra Holtzman Aug 30–Sept 4 4 Watercolor 17 410 460 550 365 Caroline Jasper Aug 30–Sept 4 4 Oil / Acrylic 18 495 575 690 365 Carol Nelson Aug 30–Sept 4 4 Multi Media 22 460 530 640 365 $15 Materials FeeTom Gow Sept 6–11 4 Wood Carving 25 N/A 550 575 365 Max of 10 StudentsHannah Ineson Sept 6–11 4 Pocket Sketchbook 24 295 335 395 365 Optional $50 Art Kit Richard McDaniel Sept 6–11 4 Oil / Pastel 19 450 525 625 365 Arleta Pech Sept 6–11 4 Oil / Pastel 19 395 415 495 365 Jane Davies Sept 13–18 4 Multi Media 22 405 425 465 365 $5 Materials FeeRose Edin Sept 13–18 4 Watercolor 17 435 485 585 365 Douglas L. House Sept 13–18 4 Soft Pastel 19 295 335 395 365 Joan Fullerton Sept 20–25 4 Multi Media 23 435 495 595 365 Bonnie Paruch Sept 20–25 4 Oil / Pastel 20 435 450 500 365 Robert Masla Sept 20–25 4 Multi Media 19 385 400 425 365 Mary Bauschelt Sept 27–Oct 2 4 Your Choice 24 315 365 450 365 Kath Macaulay Sept 27–Oct 2 4 Pocket Sketchbook 24 440 450 495 365 $40 Materials FeeTim Tyler Sept 27–Oct 2 4 Oil 20 585 680 825 365 Frank LaLumia Sept 27–Oct 3 5 Oil 20 625 NO TIERED PRICING 433

** UPDATED PRICING AS OF 2/10/2015


FIRST PAGEW A T E R C O L O R

1 4DILL M AN’ S ART WORKSHOP RE TRE AT W W W.DILL M ANS.COM • 715-588-3143

ELLEN DIEDERICHMAY 16-21 — FOUR TEACHING DAYS

Progressive Painting in WatercolorReturning for the 2nd year – www .givinity .com

Full description, biography, artwork, itinerary: dillmans.com/diederichEllen’s workshop is designed for people who want to improve their painting skills and make stronger paintings. The skills will be presented in a usable manner, with lessons giving opportunities to practice and there will be many demos along with individual consultations. All lesson plans will focus on the basic elements of design: line, color, shape, value, texture and rhythm for any level painter. Ellen is known for her engaging personality and relaxed classroom atmosphere so you can have fun while taking away valuable skill development. Color and contrast are strongholds for this instructor, and you will practice effective ways to select colors and work with them. Use rhythm to improve compositions and move the viewer’s eye through the picture plane while being able to paint your favorite subjects. Ellen will provide multiple views of subject matter so that you end up with your own unique paintings.

STERLING EDWARDSMAY 16-22 — FIVE TEACHING DAYS

Creating Expressive & Dynamic WatercolorsNew to Dillman’s – www .sterlingedwards .com

Full description, biography, artwork, itinerary: dillmans.com/edwardsSpend five days with internationally renowned watercolor artist Sterling Edwards as he shows you how to create a painting that stands out from the crowd. You’ll learn how to create energy in your painting with a balance of positive and negative shapes, how to build rich values and save white paper, and how to use expressive color just to name a few. You’ll also learn numerous ways to create drama in your paintings with expressive brushwork and balancing hard and soft edges, while becoming more aware of the importance of painting in an interpretive style rather than simply copying what you see. Sterling will show you easy and effective ways to find suitable subject material, how to build a strong composition, and how to create a piece of art that is different and thought provoking.

JOYCE HICKSMAY 16-21 — FOUR TEACHING DAYS

Create a Visual Language for LandscapesReturning for the 3rd year – www .jhicksfineart .com

Full description, biography, artwork, itinerary: dillmans.com/hicksEmphasis is on techniques and strategies for transforming ordinary scenes into extraordinary ones with watercolor. Joyce teaches simple easy-to-learn methods that will appeal to beginners as well as seasoned artists looking for renewed inspiration. You learn from clear explanations with verbal insight into her reasoning behind artistic decisions and visually from daily step-by-step demonstrations. She will show you how easy it is to deconstruct complicated subjects making them easier to paint and her simple steps for turning boring landscape scenes into exciting works of art. Afternoons are devoted to one-on-one time with students. She brings her passion and love for teaching to inspire and motivate in a fun, fast-paced workshop.

CAROL SCHULZMAY 24-29 — FOUR TEACHING DAYS

Exciting Landscapes that Paint Themselves!New to Dillman’s – www .dillmans .com/schulz

Full description, biography, artwork, itinerary: dillmans.com/schulzWe will explore impressionistic watercolor techniques ideal for use in landscape painting, including many approaches developed by Nita Engle. Using Engle’s selected palette of ten colors, we will learn the use of multicolor washes to create skies and background tints, the strategic use of frisket and masking, the Engle method of throwing and spritzing of paint and water to create the randomness of believable foliage, a clever technique for creating realistic tree bark using a paint knife, the creation of luminous water surfaces, and the rubbing of paint to create grass and ground cover. In short, the techniques you will learn allow your painting “to paint itself.” You will learn a better method for stretching paper to support the wet techniques presented. We will likewise incorporate many compositional and finishing hints when we combine all of the above techniques into one, integrated, finished landscape painting.

http://dillmans.com/diederich

http://dillmans.com/edwards

http://dillmans.com/hicks

http://dillmans.com/schulz

W A T E R C O L O R

DAN MONDLOCHJUNE 7-12 — FOUR TEACHING DAYSBold Undercoatings that Glow

New to Dillman’s – www .danmondloch .com Full description, biography, artwork, itinerary: dillmans.com/mondloch

In this workshop you will learn how to use three water-media in one painting; watercolor, gouache, and acrylic. If you’ve ever felt trapped or limited with transparent watercolor, you will enjoy the freedom this process offers. The freedom comes in having that second and third chance at getting your subject right. After adding acrylics and gouache to your watercolors, you will feel like a weight had been lifted off your shoulders, the pressure is off! The challenge is in knowing how and when to mix the various media. The secret is that each medium has its own unique visual qualities and physical characteristics. Through demos and plenty of painting time, you will learn how to combine them in a natural and effective way. Undercoating and this mixed media process can re-light your fire for painting.


TONY COUCHMAY 31-JUNE 5 — FOUR TEACHING DAYS

Watercolor: You Can Do It!Returning for the 7th year – www .tonycouch .com

Full description, biography, artwork, itinerary: dillmans.com/couchThis is a thorough workshop, with Tony doing a full sheet demo each morning, plenty of time for you to paint in the afternoon, and a critique at the end of each day. He will unravel much of the “mystery” surrounding design while he shows you how to make your paintings fresh and crisp – and he’ll make color much simpler for you. The eight principles of design will be cut down to size for you and each day you will see how they are applied to a painting. You will learn something valuable and practice it on the spot, coming away with increased understanding and several paintings of your own. Many students have said they have learned more in one day at Tony’s workshop than in four years of art school!

DAVID R. BECKERJUNE 7-12 — FOUR TEACHING DAYS

The Most Important Watercolor WorkshopReturning for the 4th year – www .davidrbecker .com

Full description, biography, artwork, itinerary: dillmans.com/beckerDavid will be teaching you watercolor from beginning to end-starting with teaching you how to take total control of the watercolor medium, leading to using that control of the medium to create well composed watercolors. Subject matter will be changing every day with photo reference supplied in the morning and switching to students reference in the afternoon. Lessons will include: Loosen Up your Watercolor Technique, Adding Life/People into your paintings, Controlling your Wet-into-Wet Watercolor Washes, City Scenes simplified, and Reflections in H2O a Nautical Scene. David’s teaching method goes from group teaching in the morning switching to one on one in the afternoon. This workshop is designed to benefit all levels of painters. Teaching students to concur the medium of watercolor is David’s goal and he takes great pride in making sure every student leave with the ability to control.

SHARON REILLYMAY 31-JUNE 5 — FOUR TEACHING DAYS

Exploring Traditional Asian Watercolor TechniquesNew to Dillman’s – www .dillmans .com/reilly

Full description, biography, artwork, itinerary: dillmans.com/reillyLearn about the art of Asian watercolor painting and how it differs from Western style of painting. You will learn the basic techniques using only brush, ink, a few basic watercolor paints and Asian watercolor papers. We will also focus on painting as a meditative process. Learn how to clear the mind and with only a few strokes of the brush capture the “Essence of the Subject”. Class will include color blending, composition, brush techniques and composition. Subjects will be the traditional ones called the “Four Gentlemen”: Bamboo, Plum, Orchid and Chrysanthemum. You will also learn both a traditional technique, using home-made glue, and a dry technique to back their artistic creations. Even though Asian watercolor painting is an ancient tradition, it is new to many people. This introductory class is suitable for the beginning painter as well as the experienced.

http://dillmans.com/mondloch

http://dillmans.com/couch

http://dillmans.com/becker

http://dillmans.com/reilly

W A T E R C O L O R


DON ANDREWSJUNE 21-26 — FOUR TEACHING DAYS

Landscapes in WatercolorReturning for the 14th year – www .donandrews .net

Full description, biography, artwork, itinerary: dillmans.com/andrewsDon’s workshop is an exploration into color, design, organization, light and their utilization in the exciting world of landscape painting. This workshop will be packed with demos, discussions, individual help, personal and group critiques. Through the language of watercolor, we can explore the natural world around us in fresh, exciting and more personal ways. Regardless of the landscape we choose to explore or our personal approach to painting, we all have in common the search for a more vital color statement. Color offers us a wonderful opportunity to express our individual feeling about any subject.

TOM LYNCHJULY 5-10 — FOUR TEACHING DAYSWatercolor Secrets RevealedReturning for the 32nd year, his 74th

Dillman’s workshop – www .tomlynch .com Full description, biography, artwork, itinerary: dillmans.com/lynch

Tom’s objective is to show the vast range and flexibility of watercolor and to put emotion and conviction into painting by exploring, experimenting, and developing creativity. He likes to put fun into the process of painting, along with enthusiasm and new techniques and knowledge you can use for a lifetime. Many of his students have become successful professionals. A goal for each day is set, and Tom sees to it that each student has an example and understanding of that day’s lesson. There will be daily demo paintings, with detailed explanations of all the “how’s” and “why’s” followed by individual attention. Welcome to the art world of Tom… where his use of color, contrast, sunlight, and shadow makes his scenes come alive!

GLORIA MILLER ALLENJUNE 21-26 — FOUR TEACHING DAYS

Powerful Tools for Powerful PaintingReturning for the 3rd year – www .gloriamillerallen .com

Full description, biography, artwork, itinerary: dillmans.com/allenGloria’s workshop is designed for the serious student who desires a firm grasp of basic art principles at their fingertips. She believes academic practices are fundamental and will present down-to-earth studies to promote these skills. These studies aim at a deep and richer understanding of color, value, design, perspective drawing, awareness and acceptance of our own creative spirit. This is how you build confidence. When these fundamentals are consciously and fully grasped we are fully free to pursue our personal artistic journeys. We will also address awareness of personal strengths, weaknesses, personal preferences, emerging style and focus on personal artistic goals. Although Gloria’s medium is transparent watercolor, other mediums are welcome. More than a watercolor class, this is an art class.

FRANK WEBBJUNE 14-19 — FOUR TEACHING DAYSCreative Design in Watercolor

Returning for the 16th year – www .artshow .com/webb Full description, biography, artwork, itinerary: dillmans.com/webb

Frank will clarify the use of design principles; the aim of this study is to re-create a new reality, establish unity, and to produce unique works. You are encouraged to recognize and nurture your personal vision, sharpen your craft, and awaken a critical view of your own production. Demos will explore a wide variety of approaches. Group critiques will explore the glories and faults of each work. The objective of this class is for each participant to become your own best teacher, critic and audience. One of life’s chief blessings is the comfort and ease that comes to the artist who has developed a craft or art.

http://dillmans.com/andrews

http://dillmans.com/lynch

http://dillmans.com/allen

http://dillmans.com/webb

W A T E R C O L O R


STEVE ROGERSAUGUST 23-28 — FOUR TEACHING DAYS

Painting Color, Light & ReflectionsReturning for the 3rd year – watercolorsbyrogers .com

Full description, biography, artwork, itinerary: dillmans.com/s-rogersIn this workshop Steve will give you the tools to create painterly and believable watercolors; but more importantly, you will seek to go beyond merely “copying” the subject. An artist needs to also paint from his heart and seek to communicate the emotional and spiritual beauty of God’s creation. Steve paints and teaches in a very straightforward traditional manner because he believes he can most honestly say what he wants to with his brush and juicy watercolor paint. You will learn about light and color and the way watercolor behaves, dealing with dark values in watercolor, painting reflections and much, much more. The goal is to encourage each artist to advance their own vision and to improve the skills necessary to communicate that in watercolor. There will be mini demos and full paintings with plenty of student painting time and personal help available daily.

ROSE EDINSEPTEMBER 13-18 — FOUR TEACHING DAYS

Color Harmonies Sing with LightReturning for the 15th year – www .roseedin .com

Full description, biography, artwork, itinerary: dillmans.com/edinA wonderful world of color awaits you. Rose emphasizes the use of color harmonies to create brilliant paintings. Pure color is often used in layers to create special effects. She also utilizes and teaches the use of liquid mask, stencils and the actual tracing around shapes of flowers and leaves. Other techniques, such as painting wet into wet, and pouring and spattering paint directly on the paper, are designed to “loosen up” the painter and bring freedom and spontaneity to the painting. Subjects in the workshop will include florals, landscapes, buildings in a setting, or figures incorporated into the painting. You will be amazed at your progress and the fun you will have in the process.

SONDRA HOLTZMANAUGUST 30-SEPT 4 — FOUR TEACHING DAYS

Ordinary Extraordinary: An Uncommon Exploration of Watercolor

New to Dillman’s – www .sondraholtzman .com Full description, biography, artwork, itinerary: dillmans.com/holtzman

In this fast-paced and unique class, the focus is a loose and painterly approach to watercolor with an emphasis on development and enhancement of personal style. Through explorations that address the use of color, text, fragmentation, symbology, accidental drawings and painting on location and in the studio, students are encouraged to simplify design plans and look for abstract shapes, contrasts, emotions and moods while developing a heightened sense of place by opening their senses and ‘seeing’ more deeply.

JANET ROGERSAUGUST 23-28 — FOUR TEACHING DAYS

Watercolor Impressions – Faces & Figures – From Life & Photos

Returning for the 5th year – watercolorsbyrogers .com Full description, biography, artwork, itinerary: dillmans.com/j-rogers

This dynamic and energetic workshop is designed for students of all levels to build skills and confidence while learning this loose and spontaneous approach to painting people. Through a series of “fun” exercises, we will learn to “see” in order to understand and interpret faces and figures (including children). Beginning with photos, we will learn to enjoy the process of flowing on colors to produce unexpected color movement and discovering translucent and beautiful flesh tones. Then progressing to the live model, we will discover how to capture the gesture and “life” in our paintings in a process that can be applied to painting from photos. Some of the many areas to be covered will be discovering exciting flesh tones, and changing colors to enhance movement, avoiding mud, and keeping the whites!

http://dillmans.com/s-rogers

http://dillmans.com/edin

http://dillmans.com/holtzman

http://dillmans.com/j-rogers

O I L A N D / O R P A S T E L


RON RENCHERJUNE 7-12 — FOUR TEACHING DAYSPlein Air Landscape Painting

New to Dillman’s – dillmans .com/rencherFull description, biography, artwork, itinerary: dillmans.com/rencher

This class will be conducted outdoors as much as weather and conditions permit. The primary goals will be increased confidence in putting together a successful plein air painting; focusing on less detail and literalism, and more on interpretations of the student’s feelings and responses to the subject. Attention to design and composition, proper use of values and color will be addressed in the class. Working on location, referencing nature directly, is the best and fastest way to grow as an artist. There are both philosophical and logical justifications and reinforcements to the experience we gain from working outdoors. Logically, we can construct our paintings using the Principles to design nature to the concepts that we choose to best express our ideas that come out of the inspiration that motivates us to paint.

LOIS GRIFFELAUGUST 30-SEPT 4 — FOUR TEACHING DAYSPainting the Impressionist Landscape

New to Dillman’s – www .loisgriffel .com Full description, biography, artwork, itinerary: dillmans.com/griffel

Lois’ class will focus on developing color perception, using rich color for expressing atmosphere and light with a concentration on landscape painting. She will encourage better control of masses and values, while showing how color also enhances design in your painting compositions. Lois’ workshop is based on her book, and her system, that teaches how to interpret light in landscape and incorporating it into your painting with amazingly quick results. Lois believes in the importance of strong and colorful starts as the foundation for great color in painting. Each painting session starts with a demo to present specific lessons which explain exactly what to look for and how to proceed. Consecutive sessions are based on what has been previously covered; carefully building from each lesson to make the learning curve easier and concise.

LARRY BLOVITSJUNE 21-26 — FOUR TEACHING DAYS

Landscape Painting; Emphasis on Aerial PerspectiveReturning for the 14th year – www .larryblovits .com

Full description, biography, artwork, itinerary: dillmans.com/blovitsThe main emphasis in this oil and pastel workshop is to create the illusion of depth in the landscape painting by using the many different aerial perspective clues. Manipulating color, description, texture, and value contrasts helps the artist to create the illusion of depth and adds variety to the pictorial image. Understanding the concept, and exercising and using the many aerial perspective techniques empowers the artist to create the visual dynamics of depth, thereby controlling and adding to the excitement of the painting statement. Additional instruction handouts add to the understanding of the basic fundamentals that will be stressed in class as well.

CAROLINE JASPERAUGUST 30-SEPT 4 — FOUR TEACHING DAYS

The Joy of Painting and the Power of ColorReturning for the 4th year – www .carolinejasper .com

Full description, biography, artwork, itinerary: dillmans.com/jasperHow far can you go in days? This workshop will change the way you see/think/paint. Caroline’s one-on-one instruction fosters success for each artist regardless of experience or skill level. Have more fun, less frustration. Progress to more powerful paintings. Forget the “rules” and discover productive painless painting strategies. Learn to improve without overworking. Dare to try unfamiliar ways to think about and work with color, including Caroline’s way of painting on red canvas. Learn advanced color techniques. Get the truth about real color vs. wheel color and say goodbye to muddy color forever. Bring drama to your work with exciting color interactions. Manipulate perspective and light and shadow effects for dynamic depth. Each day brings another new focus and new paintings. Along with color theory master concepts, take home valuable studies and inspired fresh paintings of your own.

http://dillmans.com/rencher

http://dillmans.com/griffel

http://dillmans.com/blovits

http://dillmans.com/jasper



RICHARD MCDANIELSEPTEMBER 6-11 — FOUR TEACHING DAYS

Spice Up Your LandscapesNew to Dillman’s – www .richardmcdaniel .com

Full description, biography, artwork, itinerary: dillmans.com/mcdanielWhen paintings fail, it is usually due to a lack of drama. Objects may be rendered well enough, but there just ain’t nuttin’ going on! You will discover ways to extract the power and pizzazz from any scene and create paintings with strong composition and lively color. Learn to develop imaginative paintings from your impressions of the landscape rather than recording mere copies of the objects you see. Through demos and discussion we will consider various ways to plan a painting, apply color, and make adjustments to works in progress. We’ll examine the difference between working on location and in the studio, with time devoted to both approaches. You will learn about materials, technique, and composition, as well as gain a fresh understanding of color, value, and structure.

DOUGLAS L. HOUSESEPTEMBER 13-18 — FOUR TEACHING DAYS

Pastel Landscape PaintingNew to Dillman’s – www .douglashousefineart .com

Full description, biography, artwork, itinerary: dillmans.com/houseWith the use of photographs, students will study the landscape paintings of the American and French Impressionists and discover the techniques they used to make them master works. Instructor demonstrations and lectures will teach students how to create different levels of distance within the landscape using color, perspective, detail and thoughtfully developed compositions. Beginning students will learn impressionist painting techniques through replication the works of the Impressionist Masters. More advanced students will work from their own photographs or inspiration, practicing and exploring various techniques with individualized advice and focused direction from the instructor. Students will complete this workshop with a finished painting or paintings.

ARLETA PECHSEPTEMBER 6-11 — FOUR TEACHING DAYS

Realism in Oil – A Non-Toxic ProcessReturning for the 6th year – www .arletapech .com

Full description, biography, artwork, itinerary: dillmans.com/pechLearn how to paint oils in a non-toxic process. No solvents will be used for a smell free classroom. You will learn how to use transparent and opaque passages for an exciting still life set up, with a variety of surface texture and shine. Arleta will show you how to create a strong composition and then walk you through the class, painting step by step. You will transfer a drawing supplied by Arleta so it’s all about painting. Arleta’s goal is to engage the viewer on three levels: artistically, emotionally, and intellectually. This class is perfect for watercolor artists who want to try oils. Arleta is recognized as a leading painter of realism. She captures her favorite subjects with a careful blending of high technical skill and a deep aesthetic appreciation for their inherent beauty.

ROBERT MASLASEPTEMBER 20-25 — FOUR TEACHING DAYS

Seeing and Thinking Visually, Uncovering Your Creative Signature

New to Dillman’s – www .maslafineart .com Full description, biography, artwork, itinerary: dillmans.com/masla

Join Robert on a creative adventure in this supportive environment where exploration is encouraged and there are no mistakes, only opportunities for learning and change. Explore the depths of our individuality and vision with several processes to access creative expression and apply these to the various elements that go into the drawing and painting of a landscape, both literally and theoretically. In art there is no “right” or “wrong” way, there is your way. That said, there are many things to learn about materials and techniques and “seeing”, so that when the creative muse strikes, (or we rouse her), we have the needed colors on our palette so to speak, to achieve our goal of expression. You will use non-traditional and innovative approaches, experimentations and “art games” as well as some familiar approaches to traditional drawing, rendering and painting techniques.

http://dillmans.com/mcdaniel

http://dillmans.com/house

http://dillmans.com/pech

http://dillmans.com/masla



TIM TYLERSEPT 27-OCT 2 — FOUR TEACHING DAYSKnife and Brush Handling in Oils

New to Dillman’s – www .tctyler .com Full description, biography, artwork, itinerary: dillmans.com/tyler

Each morning will be dynamic! The class requires 8 canvases so we can jump into several explorations of techniques. The first two days will be devoted to the smaller canvases as we use knives and brushes and rags. We will learn to paint from the shoulder, not only the wrist. There will be wide ranging textural adventures from staining, glazing and impasto work. It will begin as a bootcamp then progress to refined aspects of working with paint later in the week. We will all work from life in the large climate controlled studio. Beginners and advanced painters will be immersed into wide ranging modes of creating pictures and witness surprising tricks of the trade. Included in the class will be conversations about design, composition and color. You will go home with powerful works of art!

FRANK LALUMIASEPT 27-OCT 3 — FIVE TEACHING DAYS

Plein Air Oil PaintingReturning for the 10th year – www .lalumia .com

Full description, biography, artwork, itinerary: dillmans.com/lalumiaOne of the great epiphanies on the artistic road is the realization that we are painting light, not things. We leave the comfort of our studios in an attempt to learn this lesson. If you can paint light, you can paint anything under the sun. This class will focus on the essential challenge of plein air painting: the ability to see light, to simplify and organize the subject matter, and to present it in a simple and straightforward manner. The class is open to artists of all levels. The goal for the class is to put the student on a path that is self-sustaining, where an ever-increasing visual understanding will begin to drive your painting technique, and not vice versa. The confidence to react spontaneously to nature is your birthright as an artist.

BONNIE PARUCHSEPTEMBER 20-25 — FOUR TEACHING DAYS

Make Your Mark! Plein Air LandscapesReturning for the 5th year – bonnieparuchart .com

Full description, biography, artwork, itinerary: dillmans.com/paruchThis pastel and/or oil workshop is about learning how to see and paint creative landscape paintings with punch! You’ll study how light affects color and value; how design and composition elements create solid paintings. Participants will learn to use big shapes and big painterly strokes to create artwork that conveys a big picture. Half of our workshop will focus on plein air painting at locations featuring the beautiful lakes, rivers and small towns of Northern Wisconsin. The remaining half of the workshop will be spent working in the studio from photographs and studies done from your on-site painting exploration. Daily demonstrations, chalk talks and group critiques will enliven a relaxed and informative workshop. You’ll leave the workshop with all of the tools necessary to help you express your vision in the studio or en plein air.

http://dillmans.com/tyler

http://dillmans.com/lalumia

http://dillmans.com/paruch

A C R Y L I C A N D / O R M I X E D M E D I A A C R Y L I C A N D / O R M I X E D M E D I A


LAURA LEIN-SVENCNERMAY 16-22 — FIVE TEACHING DAYS

Mastering the Creative Process with CollageReturning for the 5th year – www .LauraLein-Svencner .com

Full description, biography, artwork, itinerary: dillmans.com/lein-svencnerThe end result is just one small element that goes into creating a piece of art. What is often overlooked is being in the process of how to be creative, opening doors to your intuitive side, and encouraging self-expression. The first days of our workshop will be devoted to building a palette of collage papers, sanding, adding texture, printing, and altering found papers with acrylics, mediums and our own unique stamp and style. The most important part of the process is called “play,” which as adults we seem to have left by the wayside. Using a collage sketch book for meditations and for inspiring new compositions, each student will build upon their own life’s history for reference. This workshop offers so much information, so many ideas, and encourages a playful creative process that will feed your inner artist for a long time.

JOSEPH DIGIULIOMAY 24-29 — FOUR TEACHING DAYS

Freedom of Abstraction in AcrylicsNew to Dillman’s – www .DiGiulioStudios .com

Full description, biography, artwork, itinerary: dillmans.com/j-digiulioJoin Joe for this paint fest and learn how to develop exciting acrylic abstracts while exploring the use of the four basic elements of Abstraction: Line, Shape, Color and Texture. This is ideal for beginners as well as the intermediate emerging artist wanting to take the next step in developing their work. Learn techniques that will excite the eye and develop your artistic ability when dealing with modern contemporary abstracts. Create rich textures on canvas or paper to embellish the vivid colors and shapes that come together in a well-conceived composition. You will work to develop your artistic style and unlock the creative language you intuitively have had hidden inside yourself. Challenge yourself with Joe’s “Speed Painting Challenge”, that will jump-start your intuitively creative expression.

SHARON DIGIULIOMAY 24-29 — FOUR TEACHING DAYS

Experimental Encaustic TechniquesNew to Dillman’s – www .DiGiulioStudios .com

Full description, biography, artwork, itinerary: dillmans.com/s-digiulioHave you always wanted to find out more about encaustic painting, but were a little hesitant? If you like to experiment and love the smell of wax, then this could be your new medium! Sharon will show you the basics of encaustic painting, covering the supplies, equipment, an easy way to get started, as well as the inside scoop on how to incorporate your current art passion into encaustics! We will be working in an abstract fashion, so this class is great for beginners. Or if you are a seasoned artist, this may be a new and exciting medium to explore to further express your artistic voice. We will cover fusing, glazing, collage, image transfer, monoprints and much more! You will have plenty of time to experiment, incorporate and express your creativity using this fabulous and forgiving medium. Come have some fun!

KAREN CALKINS RAGUSJUNE 7-12 — FOUR TEACHING DAYS

Loosie-Goosie Abstract Acrylic PaintingNew to Dillman’s – www .ragus .com

Full description, biography, artwork, itinerary: dillmans.com/ragusLoosen up in this fun filled abstract painting workshop. If you want to be freer, more spontaneous and intuitive in your work, this class is for you. No teeny weeny brushes with lots of rules and regulations about what you can and can not do, just lots of freedom with line, color and shape with different mark making tools and big fat brushes. There will be several “Getting Loose” challenges that will get you to a new place in your work. Be prepared to finish several paintings to take home and hang and skills to continue your good work.

http://dillmans.com/lein-svencner

http://dillmans.com/j-digiulio

http://dillmans.com/s-digiulio

http://dillmans.com/ragus

A C R Y L I C A N D / O R M I X E D M E D I A


CARRIE BURNS BROWNJUNE 28-JULY 3 — FOUR TEACHING DAYS

Cut and Paste CollageReturning for the 9th year – dillmans .com/brown

Full description, biography, artwork, itinerary: dillmans.com/brown“Art is Everywhere” - Learn to look for the objects and materials that jar your senses for creative, vibrant treatments of your collages. Explore the dynamics of watermedia collage on canvas, paper and other substrates through a variety of techniques. There will be an emphasis and focus on the elements of design and color families to give your work unity and harmony. Demos, critiques and individual assignments will be given to each artist to guide them to find new and fresh approaches to extend their art boundaries.

BOB BURRIDGEJUNE 14-20 — FIVE TEACHING DAYS

Contemporary Abstract Figure Painting and CollageReturning for the 8th year – www .robertburridge .com

Full description, biography, artwork, itinerary: dillmans.com/burridgeThis painters’ retreat pushes you out of your safe zone and into a brand new looser, abstract direction with drawing, painting and collaging the contemporary nude. You will learn expressive painting techniques for the modern painter. If you ever wanted to learn how to paint the freestyle abstract figure, this workshop is for you. Color explained and explored. You will learn the 12 design compositions for a successful painting. Your “drawing the nude” skills are not a prerequisite. Variety of poses with undraped model. Lots of paint sketching, gestural drawing and finger painting techniques. Be prepared to paint looser, bolder, freer, lighter and more intuitively. Plenty of time for action-filled painting exercises, demos and personalized attention. All water soluble paints are welcomed.

CAROL NELSONAUGUST 30-SEPT 4 — FOUR TEACHING DAYS

Experimental Acrylics and Mixed MediaReturning for the 3rd year – carolnelsonfineart .com

Full description, biography, artwork, itinerary: dillmans.com/nelsonThis workshop will feature a series of projects in which we will explore different mixed media techniques Carol uses in her paintings. Students can expect to complete one or more paintings per day. Carol’s approach to mixed media works for both realism and abstraction. You will learn about a variety of materials and techniques, such as use and preparation of Tyvek, metals and metal foils, embossed foils, combusted origami foil, rusted iron paint, making your own unique collage papers, making unique focal medallions using air dry clay, inexpensive substitutes for pricey art materials, and much more. Carol will also discuss abstract composition and color theory, various kinds of supports, how to attach various collage elements, and presentation options for a finished piece.

JANE DAVIESSEPTEMBER 13-18 — FOUR TEACHING DAYS

Abstract Painting: Working in MultiplesNew to Dillman’s – www .janedaviesstudios .com

Full description, biography, artwork, itinerary: dillmans.com/daviesWhen we say “abstract painting”, we usually mean a painting that is not in the business of representing an object outside itself. It can evoke mood or suggest specific reference, but it can also be about visual language itself. We will use acrylic paints and drawing materials to explore color, shape, line, edge, scale, pattern, texture, and many more aspects of abstract visual language. Learn how to use harmonies and contrasts of elements to bring your pieces to a new level of expression. Make peace with your Inner Critic as you develop a healthy art practice, with an emphasis on process. Approach each project as a series, so you can let go of the preciousness of individual outcomes, try out different solutions to visual “problems”, and give your work the momentum and focus it takes to express your voice.

http://dillmans.com/brown

http://dillmans.com/burridge

http://dillmans.com/nelson

http://dillmans.com/davies

A C R Y L I C A N D / O R M I X E D M E D I A


JOAN FULLERTONSEPTEMBER 20-25 — FOUR TEACHING DAYS

Stretching Your Imagination with Mixed Media CollageNew to Dillman’s – www .joanfullerton .com

Full description, biography, artwork, itinerary: dillmans.com/fullertonJump into a dynamic “playground of innovation” with this unique opportunity to explore intuitive abstraction. Through encouraging, inspiring demonstrations, lectures and practice, Joan will excite you to a deeper meaning of the intricacies of shape, line and color. You will create compelling art not only by focusing on technique, but by discovering your unique “content”. Beginning students will find encouragement and confidence, while more advanced students will benefit from Joan’s insightful solutions to their artistic challenges. Be prepared for a light-hearted imaginative experience!

P H O T O G R A P H Y

GREG DISCHMAY 31-JUNE 5 — FOUR TEACHING DAYSLearn Digital Nature Photography

New to Dillman’s – www .gregdisch .comFull description, biography, artwork, itinerary: dillmans.com/disch

This workshop is designed for those who really want to learn to use their digital camera to its fullest potential. We will cover very basic info and some advanced techniques, as well as cover how to get out of automatic, and into creative photography. You will learn many creative photography techniques, correct exposure and good composition. Learn to transfer your images to the computer and basic digital workflow. There will be multiple location photo shoots, followed by image post processing techniques and digital workflow with image review and critique sessions.

HANK ERDMANNJUNE 14-19 — FOUR TEACHING DAYS

Art of Composing Photo ImagesNew to Dillman’s – www .hankphoto .com

Full description, biography, artwork, itinerary: dillmans.com/erdmannMy approach with this class is to spend four days discussing, and teaching composition and not worry about much else! Good composition makes any art work better, great composition makes great art! This class will benefit photographers at all levels, helping beginners, intermediates and enthusiasts to make clear images that reflect what they feel looking at a scene as much as what they see. For advanced photographers we’ll refine your vision and help bring feeling and emotion into your images. For painters who use photographs as reference material we’ll help you make images that are clearer more useful images for seeing contrast, color, texture and perspective.

http://dillmans.com/fullerton

http://dillmans.com/disch

http://dillmans.com/erdmann

P O C K E T S K E T C H I N G / B O O K M A K I N G


PAM LUERMAY 31-JUNE 5 — FOUR TEACHING DAYS

Nature SketchbookNew to Dillman’s – www .pamluer .com

Full description, biography, artwork, itinerary: dillmans.com/luerRemoving the pressure of creating a finished work of art, students will work with sketchbooks as a way to hunt and gather images that inspire them. They will be exposed to different drawing techniques and materials designed for every level of experience. One of the things my students have suggested from previous workshops is the new “habit” they have created for themselves of drawing daily as a result of the sketchbook workshop. This class is designed for artists who never lost their childhood lust to “go play outside.” I know I need to look up from my phone and electronic device once in a while in-order to reconnect with the natural world. On day one, you’ll venture from the studio to collect the images, objects and ideas that inspire you from the footpaths surrounding Dillman’s Bay Resort.

KATH MACAULAYSEPT 27-OCT 2 — FOUR TEACHING DAYS

Pocket Sketching, Plein Air for JournalingReturning for the 3rd year – www .pocketsketching .com

Full description, biography, artwork, itinerary: dillmans.com/macaulayThis quick-draw technique allows anyone to “ journal” wherever they are using only a 4 x 6 art pad, a water soluble pen, a small paint set, a brush and a film canister of water. Perfect for hiking, sitting in a café or standing in line — take it anywhere, whip it out in a minute, and preserve a memory in 25 minutes or less. With a pocket sketch it’s more about capturing the “feel” of a place rather than simply taking a camera image. This workshop is ideal for timid beginners who want to fearlessly paint in public, for experienced artists who want minimal equipment with no clean-up, and for anyone wanting a truly intimate record of what you think you see. Interactive critiques and demonstrations are both given constantly. Each person says what they want from the workshop at the beginning: individual needs are constantly addressed so people achieve their goals in a very positive atmosphere.

HANNAH INESONSEPTEMBER 6-11 — FOUR TEACHING DAYSIllustrated Watercolor Journaling

New to Dillman’s – www .hannahineson .com Full description, biography, artwork, itinerary: dillmans.com/ineson

What is an “illustrated journal?” It’s a small book of watercolor paper in which you record images - and some text - around any theme. Traditionally used to record memories while traveling, a journal might also record family memories, images of your hometown, favorite recipes, visits to restaurants or any subject in which you are particularly interested. In this workshop, we’ll start with a simple illustrated map of Dillman’s Bay Resort, and venture out to find and record the details that make a memory of your time at Dillman’s. A perfect workshop for beginners.

MARY BAUSCHELTSEPT 27-OCT 2 — FOUR TEACHING DAYS

Create & Illustrate an Artist’s Accordion BookNew to Dillman’s – www .marybauschelt .com

Full description, biography, artwork, itinerary: dillmans.com/bauscheltChoose from beautiful hand marbled papers for the covers of your artistic journal that you will design and illustrate. You will hand bind using the accordion fold binding technique, using only glue to assemble. After making the book, we will then look at examples, discuss your plans for the pages, and make preliminary drawings and sketches to gain confidence before executing your art to the book. If you are a seasoned artist and feel comfortable you may work on the pages as you wish. Compose your book as a working journal, memoirs for a scrapbook or solely as a piece of art or as a gift. Include your observations, poetry, illustrations etc... Bring your ideas, photos or choose to work from the nature that surrounds you in the great northwoods at Dillman’s Bay Resort. Paint or draw the landscapes, sunrises and sunsets or focus in on the botanical details. Pick a theme, bring a camera and put it all together.

http://dillmans.com/luer

http://dillmans.com/macaulay

http://dillmans.com/ineson

http://dillmans.com/bauschelt

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F I B E R / W O O D / M U S I C / P E R S O N A L G R O W T H


BILL ALEXANDERJUNE 14-17 — TWO AND A HALF TEACHING DAYS

The Gifts of AgingNew to Dillman’s – www .dillmans .com/alexander

Full description, biography, artwork, itinerary: dillmans.com/alexanderThis workshop will be experiential and inclusive. There will be group work, solo art work and deep inquiry into the following questions and more. The Question: Who am I when I am no longer doing, no longer productive, no longer indispensable to so many others? No longer wearing the masks? Where does my attention go, to whom, and why? The greatest gift is the gift of simplicity. We will explore the great potential of true simplicity. We have a far greater capacity for spiritual growth than we ever have had. How do we realize this remarkable gift? We have the gift of increased long term memory and storytelling. We have come to the point of having nothing left to prove. We will look at what old ideas are holding us and what new ideas are possible. Finally, elders are called to be generative. We no longer teach; we invoke.

DARREN THOMPSONJUNE 21-25 — THREE TEACHING DAYS

Native American Flute JourneysReturning for the 2nd year – www .darrenthompson .net

Full description, biography, artwork, itinerary: dillmans.com/thompsonFeaturing the remarkable talent from Ojibwe Country, Darren Thompson offer a “one-of-a-kind” opportunity to learn about the North American Indian flute. You will have the opportunity to see the flute made as well as learn how to play while immersed in American Indian culture. The workshop is open to anyone who is yearning to learn about one of the oldest and rarest instruments in the world. You will have a rare opportunity to work with some of the most dedicated artists of Native American flute music today. Darren brings his years of experience and artistic talents and dedication to help you learn about Native American music, how to make and construct Native American flutes, how to play and grow with the instrument, and learn more about American Indian culture.

TAMMY L. DECKMAY 24-29 — FOUR TEACHING DAYS

Collage, Layering & Laminating in FibersNew to Dillman’s – www .tlddesigns .com

Full description, biography, artwork, itinerary: dillmans.com/deckCollage artists, painters, textile and wearable artists are all encouraged to apply their hand in the creation of textural, artistic fiber works created through wet felting processes. Needle work skills are NOT needed to participate in this exciting area of fiber art. Students will combine silk-painting and felt making to create a multitude of richly textured pieces using techniques such as: nuno/laminated felt, free-hand lace, layering and collage (wall/decorative pieces and wearables such as wrap shawls or vests). Hand dyeing silk fabrics, wool yarns and merino fleece quickly progresses to project planning and personal exploration, be it wearable or wallable. Beginners are welcome. This active class does involve time on your feet and some upper body strength.

TOM GOWSEPT 6-11 — FOUR TEACHING DAYS

Whimsical Cottage in Cottonwood BarkNew to Dillman’s – www .tomgow .com

Full description, biography, artwork, itinerary: dillmans.com/gowWhen I’m set-up at art shows and art festivals, I like to watch people as they walk by. Invariably, when they see the whimsical cottages on my table, a smile will come across their faces. Come for a fun-filled class and I’ll teach you, step-by-step, how to create smiles on peoples’ faces. There’s not a right or wrong way to carve these cottages. No pattern needed, just bring your imagination and childhood fantasies to create a whimsical cottage from the bark of a cottonwood tree using gouges and carving knives. We will start by looking for shapes and features in the bark that will guide us as we create the cottage. A bowed wall here, a sagging roof there, a crooked chimney or stove pipe on the roof, all add to the whimsy of it. We will hollow-out the back to open up the windows.

http://dillmans.com/alexander

http://dillmans.com/thompson

http://dillmans.com/deck

http://dillmans.com/gow

Please print and fill out this form and send to the address below. Filling out this form does not guarantee your space in the workshop. Once Dillman’s receives the form we will be in touch with you to confirm your space.

D I L L M A N ’ S R E G I S T R A T I O N F O R M

First Name Last Name

Address

City

State Zip Country

Home Phone Cell Phone

Email

Person’s name joining me

Pets are welcome ($15/night/pet), check if you are interested in bringing your pet(s).

PLEASE WRITE YOUR FIRST AND SECOND CHOICE, IN CASE ONE IF ALREADY FULL.

First Choice of Class Wanted (Instructor and Date)

Second Choice of Class Wanted (Instructor and Date) - not required

You can stay ‘On-Site’ at Dillman’s or you can attend a workshop as a ‘Day Student’ where you would be responsible for your own accommodations.

On-Site at Dillman’s Day Student

Single Supplement - Check if you would like to have your own room, for an extra $30 per day.

Check if you are a smoker. (Dillman’s accommodations and indoor workshop studios are smoke free.)

Check if you need extra assistance due to a physical limitations.

Currently we do not offer on-line payment options. Reference our website, www .dillmans .com or page 13 for individual workshop prices. Please check which deposit amount you are mailing:

$300 On-Site Guest $100 Day Student

Comments / Special Requests:

CHECKS SHOULD BE MADE OUT AND MAILED TO:Dillman’s Creative Arts Foundation Post Office Box 98 Lac du Flambeau, WI 54538


13277 Dillman’s Way, Lac du Flambeau, WI 54538 715-588-3143 • www.dillmans.com

dillman's art workshop retreat - 2015 creative workshop catalog

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