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� & � 2010 Sony Music Entertainment UK Limited / “Epic” and E Reg. U.S. Pat. & Tm. Off. Marca Registrada. / WARNING: All Rights Reserved. Unauthorized duplication is a violation of applicable laws.

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YOU WON’T FEEL A THING> OH I’VE BEEN KICKED RIGHT DOWN I’VE BEEN SPAT IN THE FACE I’VE BEEN PULLED WAY DOWN TO THE LOWEST PLACE I’VE BEEN LIED TO SHAMED I HAVE BEEN DISGRACED BEEN EXCOMMUNICATED FROM EVERY HOLY PLACE I’VE BEEN BEAT UP ROBBED I’VE BEEN LEFT FOR DEAD FOR THE WAY I LOOK FOR THE THINGS I SAID WHEN TROUBLE THINKS IT’S FOUND US THE WORLD FALLS DOWN AROUND US I PROMISE BABY YOU WON’T EVER YOU WON’T EVER FEEL A THING COS I WILL TAKE IT ON THE CHIN EH FOR YOU SO LAY YOUR CUTS AND BRUISES OVER MY SKIN I PROMISE YOU WON’T FEEL A THING EH COS EVERYTHING THE WORLD COULD THROW I’LL STAND IN FRONT I’LL TAKE THE BLOW FOR YOU FOR YOU I’VE BEEN PUT ON THE STREET I’VE BEEN LEFT IN THE COLD HAD MY DREAMS HELD UP HAD THEM SHOT FULL OF HOLES I’VE BEEN LAUGHED AT HURT BEEN THE BUTT OF THE JOKE I’VE BEEN LIT UP IN FLAMES I HAVE GONE DOWN IN SMOKE I’VE BEEN STABBED IN THE BACK WHILE BEING PROMISED THE EARTH TRYING TO KEEP MY HEAD HIGH FOR ALL I’M WORTH OUTSIDE OUR DOUBLE GLAZING I KNOW A WAR IS RAGING I PROMISE BABY YOU WON’T EVER YOU WON’T EVER FEEL A THING COS I WILL TAKE IT ON THE CHIN EH FOR YOU SO LAY YOUR CUTS AND BRUISES OVER MY SKIN I PROMISE YOU WON’T FEEL A THING OH COS EVERYTHING THE WORLD COULD THROW I’LL STAND IN FRONT I’LL TAKE THE BLOW FOR YOU FOR YOU YEAH OH AND IF I FALL HERE AT LEAST YOU KNOW MY DEAR THAT I WOULD DIE FOR YOU PROMISE YOU WON’T EVER FEEL A THING AND IF I FALL HERE AT LEAST YOU KNOW MY DEAR THAT I WOULD DIE FOR YOU PROMISE YOU WON’T EVER FEEL A THING COS I WILL TAKE IT ON THE CHIN EH FOR YOU SO LAY YOUR CUTS AND BRUISES OVER MY SKIN I PROMISE YOU WON’T FEEL A THING OH COS EVERYTHING THE WORLD COULD THROW I’LL STAND IN FRONT I’LL TAKE THE BLOW FOR YOU FOR YOU YEAH EVERYTHING THE WORLD COULD THROW I’LL TAKE THE STICKS I’LL TAKE THE STONES FOR YOU FOR YOU EH EH FOR THE FIRST TIME> SHE’S ALL LAID UP IN BED WITH A BROKEN HEART WHILE I’M DRINKING JACK ALL ALONE IN MY LOCAL BAR AND WE DON’T KNOW HOW HOW WE GOT INTO THIS MAD SITUATION ONLY DOING THINGS OUT OF FRUSTRATION TRYING TO MAKE IT WORK BUT MAN THESE TIMES ARE HARD SHE NEEDS ME NOW BUT I CAN’T SEEM TO FIND THE TIME I GOT A NEW JOB NOW ON THE UNEMPLOYMENT LINE AND WE DON’T KNOW HOW HOW WE GOT INTO THIS MESS IS IT GODS TEST SOMEONE HELP US CAUSE WE’RE DOING OUR BEST TRYING TO MAKE IT WORK BUT MAN THESE TIMES ARE HARD BUT WE’RE GOING TO START BY DRINKING OLD CHEAP BOTTLES OF WINE SHIT TALKING UP ALL NIGHT SAYING THINGS WE HAVEN’T FOR A WHILE A WHILE YEAH WE’RE SMILING BUT WE’RE CLOSE TO TEARS EVEN AFTER ALL THESE YEARS WE JUST NOW GOT THE FEELING THAT WE’RE MEETING FOR THE FIRST TIME OOH OOH OOH OOH OOH OOH OOH SHE’S IN LINE AT THE DOLE WITH HER HEAD HELD HIGH WHILE I JUST LOST MY JOB I DIDN’T LOSE MY PRIDE AND WE BOTH KNOW HOW HOW WE’RE GOING TO MAKE IT WORK WHEN IT HURTS WHEN YOU PICK YOURSELF UP YOU GET KICKED TO THE DIRT TRYING TO MAKE IT WORK BUT MAN THESE TIMES ARE HARD BUT WE’RE GOING TO START BY DRINKING OLD CHEAP BOTTLES OF WINE SHIT TALKING UP ALL NIGHT DOING THINGS WE HAVEN’T FOR A WHILE A WHILE YEAH WE’RE SMILING BUT WE’RE CLOSE TO TEARS EVEN AFTER ALL THESE YEARS WE JUST NOW GOT THE FEELING THAT WE’RE MEETING FOR THE FIRST TIME OOH YEAH DRINKING OLD CHEAP BOTTLES OF WINE SHIT TALKING UP ALL NIGHT SAYING THINGS WE HAVEN’T FOR A WHILE WE’RE SMILING BUT WE’RE CLOSE TO TEARS EVEN AFTER ALL THESE YEARS WE JUST NOW GOT THE FEELING THAT WE’RE MEETING FOR THE FIRST TIME OOH OOH OOH OOH OOH OOH OOH THESE TIMES ARE HARD YEAH THEY’RE MAKING US CRAZY DON’T GIVE UP ON ME BABY OH THESE TIMES ARE HARD YEAH THEY’RE MAKING US CRAZY DON’T GIVE UP ON ME BABY OH THESE TIMES ARE HARD YEAH THEY’RE MAKING US CRAZY DON’T GIVE UP ON ME BABY OH THESE TIMES ARE HARD YEAH THEY’RE MAKING US CRAZY DON’T GIVE UP ON ME BABY NØTHING> AM I BETTER OFF DEAD AM I BETTER OFF A QUITTER THEY SAY I’M BETTER OFF NOW THEN I EVER WAS WITH HER AS THEY TAKE ME TO MY LOCAL DOWN THE STREET I’M SMILING BUT I’M DYING TRYING NOT TO DRAG MY FEET THEY SAY A FEW DRINKS WILL HELP ME TO FORGET HER BUT AFTER ONE TOO MANY I KNOW THAT I’LL NEVER ONLY THEY CAN SEE WHERE THIS IS GONNA END THEY ALL THINK I’M CRAZY BUT TO ME IT’S PERFECT SENSE AND MY MATES ARE ALL THERE TRYING TO CALM ME DOWN COS I’M SHOUTING YOUR NAME ALL OVER TOWN I’M SWEARING IF I GO THERE NOW I COULD CHANGE HER MIND TURN IT ALL AROUND I KNOW THAT I’M DRUNK BUT I’LL SAY THE WORDS AND SHE’LL LISTEN THIS TIME EVEN THOUGH THEY’RE SLURRED SO I DIALLED HER NUMBER AND CONFESSED TO HER I’M STILL IN LOVE BUT ALL I HEARD WAS NØTHING... SO I STUMBLE THERE ALONG THE RAILINGS AND THE FENCES I KNOW IF WE’RE FACE TO FACE THAT SHE’LL COME TO HER SENSES EVERY DRUNK STEP I TAKE LEADS ME TO HER DOOR IF SHE SEES HOW MUCH I’M HURTING SHE’LL TAKE ME BACK FOR SURE AND MY MATES ARE ALL THERE TRYING TO CALM ME DOWN COS I’M SHOUTING YOUR NAME ALL OVER TOWN I’M SWEARING IF I GO THERE NOW I COULD CHANGE HER MIND TURN IT ALL AROUND I KNOW THAT I’M DRUNK BUT I’LL SAY THE WORDS AND SHE’LL LISTEN THIS TIME EVEN THOUGH THEY’RE SLURRED SO I DIALLED HER NUMBER AND CONFESSED TO HER I’M STILL IN LOVE BUT ALL I HEARD WAS NØTHING NØTHING NØTHING SHE SAID NØTHING NØTHING NØTHING OH I WANTED WORDS BUT ALL I HEARD WAS NØTHING OH I GOT NØTHING NØTHING NØTHING I GOT NØTHING NØTHING NØTHING OH I WANTED WORDS BUT ALL I HEARD WAS NØTHING OH SOMETIMES LOVE’S INTOXICATING OH WHEN YOU’RE COMING DOWN YOUR HANDS ARE SHAKING WHEN YOU REALIZE THERE’S NO ONE WAITING AM I BETTER OFF DEAD AM I BETTER OFF A QUITTER THEY SAY I’M BETTER OFF NOW THEN I EVER WAS WITH HER AND MY MATES ARE ALL THERE TRYING TO CALM ME DOWN COS I’M SHOUTING YOUR

NAME ALL OVER TOWN I’M SWEARING IF I GO THERE NOW I COULD CHANGE HER MIND TURN IT ALL AROUND I KNOW THAT I’M DRUNK BUT I’LL SAY THE WORDS AND SHE’LL LISTEN THIS TIME EVEN THOUGH THERE SLURRED SO I DIALLED HER NUMBER AND CONFESSED TO HER I’M STILL IN LOVE BUT ALL I HEARD WAS NØTHING NØTHING NØTHING SHE SAID NØTHING NØTHING NØTHING OH I WANTED WORDS BUT ALL I HEARD WAS NØTHING OH I GOT NØTHING NØTHING NØTHING I GOT NØTHING NØTHING NØTHING OH I WANTED WORDS BUT ALL I HEARD WAS NØTHING OH I GOT NØTHING I GOT NØTHING I GOT NØTHING I GOT NØTHING SCIENCE + FAITH> TRIED TO BREAK LOVE TO A SCIENCE IN AN ACT OF PURE DEFIANCE I BROKE HER HEART AND AS I PULLED APART HER THEORY AS I WATCHED HER GROWING WEARY I PULLED HER APART HAVING HEAVY CONVERSATIONS BOUT THE FURTHEST CONSTELLATIONS OF OUR SOULS OOH AND WE’RE JUST TRYING TO FIND SOME MEANING IN THE THINGS THAT WE BELIEVE IN BUT WE GOT SOME WAYS TO GO OF ALL OF THE THINGS THAT SHE’S EVER SAID SHE GOES AND SAYS SOMETHING THAT JUST KNOCKS ME DEAD YOU WON’T FIND FAITH OR HOPE DOWN A TELESCOPE YOU WON’T FIND HEART AND SOUL IN THE STARS YOU CAN BREAK EVERYTHING DOWN TO CHEMICALS BUT YOU CAN’T EXPLAIN A LOVE LIKE OURS WOOH IT’S THE WAY WE FEEL YEAH THIS IS REAL WOOH IT’S THE WAY WE FEEL YEAH THIS IS REAL OH I TRIED PUSHING EVOLUTION AS THE OBVIOUS CONCLUSION OF THE START BUT IT WAS FOR MY OWN AMUSEMENT SAYING LOVE WAS AN ILLUSION OF A HOPELESS HEART OF ALL OF THE THINGS THAT SHE EVER SAID SHE GOES AND SAYS SOMETHING THAT KNOCKS ME DEAD YOU WON’T FIND FAITH OR HOPE DOWN A TELESCOPE YOU WON’T FIND HEART AND SOUL IN THE STARS YOU CAN BREAK EVERYTHING DOWN TO CHEMICALS BUT YOU CAN’T EXPLAIN A LOVE LIKE OURS WOOH IT’S THE WAY WE FEEL YEAH THIS IS REAL WOOH IT’S THE WAY WE FEEL YEAH THIS IS REAL OH OF ALL OF THE THINGS THAT SHE’S EVER SAID SHE GOES AND SAYS SOMETHING THAT JUST KNOCKS ME DEAD YOU WON’T FIND FAITH OR HOPE DOWN A TELESCOPE YOU WON’T FIND HEART AND SOUL IN THE STARS YOU CAN BREAK EVERYTHING DOWN TO CHEMICALS BUT YOU CAN’T EXPLAIN A LOVE LIKE OURS WOOH IT’S THE WAY WE FEEL YEAH THIS IS REAL WOOH IT’S THE WAY WE FEEL YEAH THIS IS REAL OH IF YOU EVER COME BACK> IF YOU’RE STANDING WITH YOUR SUITCASE BUT YOU CAN’T STEP ON THE TRAIN EVERYTHING IS THE WAY THAT YOU LEFT IT I STILL HAVEN’T SLEPT YET AND IF YOU’RE COVERING YOUR FACE NOW BUT YOU JUST CAN’T HIDE THE PAIN STILL SETTING TWO PLATES ON THE COUNTER BUT EATING WITHOUT YA IF THE TRUTH IS YOU’RE A LIAR WHEN YOU SAY THAT YOU’RE OK I’M SLEEPING ON YOUR SIDE OF THE BED GOING OUT OF MY HEAD NOW AND IF YOU’RE OUT THERE TRYING TO MOVE ON BUT SOMETHING PULLS YOU BACK AGAIN I’M SITTING HERE TRYING TO PERSUADE YOU LIKE YOU’RE IN THE SAME ROOM AND I WISH YOU COULD GIVE ME THE COLD SHOULDER AND I WISH YOU COULD STILL GIVE ME A HARD TIME AND I WISH I COULD STILL WISH IT WAS OVER BUT EVEN IF WISHING IS A WASTE OF TIME EVEN IF I NEVER CROSS YOUR MIND I’LL LEAVE THE DOOR ON THE LATCH IF YOU EVER COME BACK IF YOU EVER COME BACK THERE’LL BE A LIGHT IN THE HALL AND A KEY UNDER THE MAT IF YOU EVER COME BACK THERE’LL BE A SMILE ON MY FACE AND THE KETTLE ON AND IT WILL BE JUST LIKE YOU WERE NEVER GONE THERE’LL BE A LIGHT IN THE HALL AND A KEY UNDER THE MAT IF YOU EVER COME BACK IF YOU EVER COME BACK NOW OH IF YOU EVER COME BACK IF YOU EVER COME BACK NOW NOW THEY SAY I’M WASTING MY TIME COS YOU’RE NEVER COMING HOME BUT THEY USED TO SAY THE WORLD WAS FLAT BUT HOW WRONG WAS THAT NOW AND BY LEAVING MY DOOR OPEN I’M RISKING EVERYTHING I OWN THERE’S NOTHING I CAN LOSE IN THE BREAK IN THAT YOU HAVEN’T TAKEN AND I WISH YOU COULD GIVE ME THE COLD SHOULDER AND I WISH YOU COULD STILL GIVE ME A HARD TIME AND I WISH I COULD STILL WISH IT WAS OVER BUT EVEN IF WISHING IS A WASTE OF TIME EVEN IF I NEVER CROSS YOUR MIND I’LL LEAVE THE DOOR ON THE LATCH IF YOU EVER COME BACK IF YOU EVER COME BACK THERE’LL BE A LIGHT IN THE HALL AND A KEY UNDER THE MAT IF YOU EVER COME BACK THERE’LL BE A SMILE ON MY FACE AND THE KETTLE ON AND IT WILL BE JUST LIKE YOU WERE NEVER GONE THERE’LL BE A LIGHT IN THE HALL AND A KEY UNDER THE MAT IF YOU EVER COME BACK IF YOU EVER COME BACK NOW OH IF YOU EVER COME BACK IF YOU EVER COME BACK NOW IF IT’S THE FIGHTING YOU REMEMBER OR THE LITTLE THINGS YOU MISS I KNOW YOU’RE OUT THERE SOMEWHERE SO JUST REMEMBER THIS IF IT’S THE FIGHTING YOU REMEMBER OR THE LITTLE THINGS YOU MISS OH JUST REMEMBER THIS OH JUST REMEMBER THIS I’LL LEAVE THE DOOR ON THE LATCH IF YOU EVER COME BACK IF YOU EVER COME BACK THERE’LL BE A LIGHT IN THE HALL AND A KEY UNDER THE MAT IF YOU EVER COME BACK THERE’LL BE A SMILE ON MY FACE AND THE KETTLE ON AND IT WILL BE JUST LIKE YOU WERE NEVER GONE THERE’LL BE A LIGHT IN THE HALL AND A KEY UNDER THE MAT IF YOU EVER COME BACK IF YOU EVER COME BACK NOW OH IF YOU EVER COME BACK IF YOU EVER COME BACK NOW AND IT WILL BE JUST LIKE YOU WERE NEVER GONE AND IT WILL BE JUST LIKE YOU WERE NEVER GONE AND IT WILL BE JUST LIKE YOU WERE NEVER GONE IF YOU EVER COME BACK IF YOU EVER COME BACK NOW LONG GONE + MOVED ON> WHEN’S THE DAY YOU START AGAIN WHEN THE HELL DOES YOU’LL GET OVER IT BEGIN I’M LOOKING HARD IN THE MIRROR BUT I DON’T FIT MY SKIN IT’S TOO MUCH TO TAKE IT’S TOO HARD TO BREAK ME FROM THIS CELL I’M IN OH FROM THIS MOMENT ON I’M CHANGING THE WAY I FEEL FROM THIS MOMENT ON IT’S TIME TO GET REAL COS I STILL DON’T KNOW HOW TO ACT DON’T KNOW WHAT TO SAY STILL WEAR THE SCARS LIKE IT WAS YESTERDAY BUT YOU’RE LONG GONE + MOVED ON BUT YOU’RE LONG GONE AND I STILL DON’T KNOW WHERE TO START STILL FINDING MY WAY STILL TALK ABOUT YOU LIKE IT WAS YESTERDAY BUT YOU’RE LONG GONE + MOVED ON

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YOU’RE LONG GONE + MOVED ON SO HOW’D YOU PICK THE PIECES UP YE I’M BARELY USED TO SAYING ME INSTEAD OF US THE ELEPHANT IN THE ROOM KEEPS SCARING OFF THE GUESTS IT GETS UNDER MY SKIN TO SEE YOU WITH HIM AND ITS NOT ME THAT YOU’RE WITH OH FROM THIS MOMENT ON I’M CHANGING THE WAY I FEEL YE FROM THIS MOMENT ON IT’S TIME TO GET REAL COS I STILL DON’T KNOW HOW TO ACT DON’T KNOW WHAT TO SAY STILL WEAR THE SCARS LIKE IT WAS YESTERDAY BUT YOU’RE LONG GONE + MOVED ON BUT YOU’RE LONG GONE AND I STILL DON’T KNOW WHERE TO START STILL FINDING MY WAY STILL TALK ABOUT YOU LIKE IT WAS YESTERDAY BUT YOU’RE LONG GONE + MOVED ON YOU’RE LONG GONE + MOVED ON NO I CANT KEEP THINKING THAT YOU’RE COMING BACK NO COS I GOT NO BUSINESS KNOWING WHERE YOU’RE AT NO AND ITS GONNA BE HARD YE COS I HAVE TO WANT TO HEAL YE AND ITS GONNA BE HARD YE THE WAY I FEEL BUT I HAVE TO GET REAL I STILL DON’T KNOW HOW TO ACT DON’T KNOW WHAT TO SAY STILL WEAR THE SCARS LIKE IT WAS YESTERDAY BUT YOU’RE LONG GONE + MOVED ON BUT YOU’RE LONG GONE AND I STILL DON’T KNOW WHERE TO START STILL FINDING MY WAY STILL TALK ABOUT YOU LIKE IT WAS YESTERDAY BUT YOU’RE LONG GONE + MOVED ON YOU’RE LONG GONE + MOVED ON DEAD MAN WALKING> I HEAR THE ANGELS TALKING TALKING TALKING NOW I’M A DEAD MAN WALKING WALKING WALKING I HEAR THE ANGELS TALKING TALKING TALKING NOW I’M A DEAD MAN I SEE YOU STANDING THERE BUT YOU’RE ALREADY GONE I’M HOLDING YOUR HAND BUT YOU’RE BARELY HOLDING ON I’M KISSING YOUR LIPS BUT IT JUST DON’T FEEL THE SAME AM I A DEAD MAN NOW LEFT LIVING WITH THE BLAME OH I HEAR THE ANGELS TALKING TALKING TALKING NOW I’M A DEAD MAN WALKING WALKING WALKING ALREADY BROKEN ALREADY GONE ALREADY KNOW YOU’RE MOVING ON I’M A BREATHING TALKING DEAD MAN WALKING ALREADY SEE IT IN YOU’RE FACE ALREADY SOMEONE IN MY PLACE I’M A BREATHING TALKING DEAD MAN WALKING YEAH I HEAR THE ANGELS TALKING TALKING TALKING NOW I’M A DEAD MAN WALKING WALKING WALKING I HEAR THE ANGELS TALKING TALKING TALKING NOW I’M A DEAD MAN WE’RE IN THE SAME ROOM JUST ONE MILLION MILES AWAY WITH ALL THESE BOOKS AROUND BUT WE AIN’T GOT TWO WORDS TO SAY AM I A DEAD MAN NOW LEFT LIVING WITH THE BLAME I’M... ALREADY BROKEN ALREADY GONE ALREADY KNOW YOU’RE MOVING ON I’M A BREATHING TALKING DEAD MAN WALKING ALREADY SEE IT IN YOUR FACE ALREADY SOMEONE IN MY PLACE I’M A BREATHING TALKING DEAD MAN WALKING YEAH OHH I’M A BREATHING TALKING DEAD MAN WALKING YEAH OHH I HEAR THE ANGELS TALKING TALKING TALKING NOW I’M A DEAD MAN WALKING WALKING WALKING I HEAR THE ANGELS TALKING TALKING TALKING NOW I’M A DEAD MAN ALREADY BROKEN ALREADY GONE ALREADY KNOW YOU’RE MOVING ON I’M A BREATHING TALKING DEAD MAN WALKING ALREADY SEE IT IN YOUR FACE ALREADY SOMEONE IN MY PLACE I’M A BREATHING TALKING DEAD MAN WALKING YEAH OHH I’M A BREATHING TALKING DEAD MAN WALKING YEAH OHH I HEAR THE ANGELS TALKING TALKING TALKING NOW I’M A DEAD MAN WALKING WALKING WALKING I HEAR THE ANGELS TALKING TALKING TALKING NOW I’M A DEAD MAN THIS = LOVE> IT’S IN THE EYES OF OUR CHILDREN AS THEY LEAVE FOR THE VERY FIRST TIME AND IT’S IN THE HEART OF A SOLDIER AS HE TAKES A BULLET ON THE FRONT LINE IT’S IN THE FACE OF THE MOTHER AS SHE TAKES THE FORCE OF THE BLOW AND IT’S IN THE HANDS OF THE FATHER YEAH AS HE WORKS HIS FINGERS TO THE BONE I’M STANDING UNDER A WHITE FLAG OH CAN YOU SEE ME OH CAN YOU SEE ME OH I’M STANDING FOR EVERYTHING WE HAVE OH CAN YOU HEAR ME OH CAN YOU HEAR ME... THIS IS WHY WE DO IT THIS IS WORTH THE PAIN THIS IS WHY WE FALL DOWN AND GET BACK UP AGAIN THIS IS WHERE THE HEART LIES THIS IS FROM ABOVE LOVE = THIS THIS = LOVE LOVE IS WHY WE DO IT LOVE IS WORTH THE PAIN LOVE IS WHY WE FALL DOWN AND GET BACK UP AGAIN LOVE IS WHERE THE HEART LIES LOVE IS FROM ABOVE LOVE = THIS THIS = LOVE THIS IS LOVE THIS IS LOVE THIS IS LOVE IT’S IN THE SOUL OF THE CITY WHAT IT DOES AFTER IT CRUMBLES AND BURNS AND IT’S IN THE BLOOD OF A HERO TO KNOW WHERE HE GOES HE MAY NEVER RETURN YEAH I’M STANDING UNDER A WHITE FLAG OH CAN YOU SEE ME OH CAN YOU SEE ME OH I’M STANDING FOR EVERYTHING WE HAVE OH CAN YOU HEAR ME OH CAN YOU HEAR ME THIS IS WHY WE DO IT THIS IS WORTH THE PAIN THIS IS WHY WE FALL DOWN AND GET BACK UP AGAIN THIS IS WHERE THE HEART LIES THIS IS FROM ABOVE LOVE = THIS THIS = LOVE LOVE IS WHY WE DO IT LOVE IS WORTH THE PAIN LOVE IS WHY WE FALL DOWN AND GET BACK UP AGAIN LOVE IS WHERE THE HEART LIES LOVE IS FROM ABOVE LOVE = THIS THIS = LOVE IF YOU COULD BE ANYWHERE THAT YOU WANTED TO BE WITH ANYONE THAT YOU WANTED TO BE WITH DOING ANYTHING THAT YOU WANTED TO DO WHAT WOULD IT BE MAN AND WHO WOULD BE WITH YOU TIME FLIES BUT YOU’RE THE PILOT MOVES REAL FAST BUT YOU’RE THE DRIVER MAY CRASH AND BURN SOMETIMES BUT THIS IS WHY WE DO IT THIS IS WORTH THE PAIN THIS IS WHY WE FALL DOWN AND GET BACK UP AGAIN THIS IS WHERE THE HEART LIES THIS IS FROM ABOVE LOVE = THIS THIS = LOVE LOVE IS WHY WE DO IT LOVE IS WORTH THE PAIN LOVE IS WHY WE FALL DOWN AND GET BACK UP AGAIN LOVE IS WHERE THE HEART LIES LOVE IS FROM ABOVE LOVE = THIS THIS = LOVE WALK AWAY> I DON’T KNOW WHY SHE’S WITH ME I ONLY BROUGHT HER TROUBLE SINCE THE DAY SHE MET ME IF I WAS HER BY NOW I WOULD HAVE LEFT ME I WOULD HAVE WALKED AWAY BY NOW BROKEN AWAY SOMEHOW INSTEAD SHE FORGAVE ME SHE SAID A WOMAN’S GOTTA DO WHAT SHE GOT TO DO EVEN IF IT MEANS SHE’S DENYING HERSELF THE TRUTH COS WHEN YOU’RE IN TOO DEEP YOU WAKE UP WHEN IT’S TOO LATE YOU’VE FALLEN IN LOVE IN THE WORST WAY AND IF YOU DON’T GO NOW THEN YOU’LL STAY COS I’LL NEVER LET YOU LEAVE NEVER LET YOU BREATHE COS IF YOU’RE LOOKING FOR HEAVEN BABY IT SURE AS HELL AIN’T ME SO WALK AWAY WALK AWAY WALK AWAY OH SAVE YOURSELF FROM THE HEARTACHE GO NOW BEFORE IT’S TOO LATE TOO LATE 9

SO WALK AWAY WALK AWAY WALK AWAY OH SAVE YOURSELF FROM THE HEARTACHE GO NOW BEFORE IT’S TOO LATE BUT STILL SHE STAYS SHE’S STANDING IN THE HEART OF DARKNESS SAYING I KNOW YOU’VE GOT A SOUL EVEN THOUGH YOU’RE HEARTLESS HOW COULD ANY WOMAN IN HER RIGHT MIND BE SO BLIND TO FIND SOMETHING TO SAVE INSTEAD OF WALKING WITH ME SHE SHOULDA WALKED AWAY SHE FINDS COLOUR IN THE DARKEST PLACES OH SHE FINDS BEAUTY IN THE SADDEST OF FACES OH FOR SUCH A CLUED IN HEAD STRONG CITY GIRL COULD HAVE HAD THE WORLD BUT SHE’S FALLEN IN LOVE IN THE WORST WAY AND IF YOU DON’T GO NOW THEN YOU STAY COS I’LL NEVER LET YOU LEAVE NEVER LET YOU BREATHE COS IF YOU’RE LOOKING FOR HEAVEN BABY IT SURE AS HELL AIN’T ME SO WALK AWAY WALK AWAY WALK AWAY OH SAVE YOURSELF FROM THE HEARTACHE GO NOW BEFORE IT’S TOO LATE TOO LATE SO WALK AWAY WALK AWAY WALK AWAY OH SAVE YOURSELF FROM THE HEARTACHE GO NOW BEFORE IT’S TOO LATE TOO LATE BUT STILL SHE STAYS BUT STILL SHE STAYS I DON’T KNOW WHY SHE’S WITH ME I ONLY BROUGHT HER TROUBLE SINCE THE DAY SHE MET ME IF I WAS HER BY NOW I WOULD HAVE LEFT ME I WOULD HAVE WALKED AWAY BUT YOU’VE FALLEN IN LOVE IN THE WORST WAY AND IF YOU DON’T GO NOW THEN YOU STAY COS I’LL NEVER LET YOU LEAVE NEVER LET YOU BREATH COS IF YOU’RE LOOKING FOR HEAVEN BABY IT SURE AS HELL AIN’T ME SO WALK AWAY WALK AWAY WALK AWAY OH SAVE YOURSELF FROM THE HEARTACHE GO NOW BEFORE IT’S TOO LATE TOO LATE SO WALK AWAY WALK AWAY WALK AWAY OH SAVE YOURSELF FROM THE HEARTACHE GO NOW BEFORE IT’S TOO LATE BUT STILL SHE STAYS BUT STILL SHE STAYS I’M SAYING WALK AWAY YEAH I’M SAYING WALK AWAY SAVE YOURSELF FROM THE HEARTACHE GO NOW BEFORE IT’S TOO LATE BUT STILL SHE STAYS BUT STILL SHE STAYS YEAH SHE STAYS SHE STAYS EXIT WOUNDS> MY HANDS ARE COLD MY BODY’S NUMB I’M STILL IN SHOCK WHAT HAVE YOU DONE MY HEAD IS POUNDING MY VISION’S BLURRED YOUR MOUTH IS MOVING I DON’T HEAR A WORD AND IT HURTS SO BAD THAT I SEARCH MY SKIN FOR THE ENTRY POINT WHERE LOVE WENT IN IT RICOCHETED AND BOUNCED AROUND AND LEFT A HOLE WHEN YOU WALKED OUT YEAH I’M FALLING THROUGH THE DOORS OF THE EMERGENCY ROOM CAN ANYBODY HELP ME WITH THESE EXIT WOUNDS I DON’T KNOW HOW MUCH MORE LOVE THIS HEART CAN LOSE AND I’M DYING DYING FROM THESE EXIT WOUNDS WOUNDS WHEN THEY’RE LEAVING THE SCARS YOU’RE KEEPING EXIT WOUNDS WHEN THEY’RE LEAVING THE SCARS YOU’RE KEEPING THE MARKS OF BATTLE THEY STILL FEEL RAW A MILLION PIECES OF ME ON THE FLOOR I’M DAMAGED GOODS FOR ALL TO SEE NOW WHO WOULD EVER WANNA BE WITH ME I’VE GOT ALL THE BAGGAGE THE DRINK THE PILLS YEAH THIS IS LIVING BUT WITHOUT THE WILL I’M BLACKING OUT I’M SHUTTING DOWN YOU’VE LEFT A HOLE WHEN YOU WALKED OUT YEAH I’M FALLING THROUGH THE DOORS OF THE EMERGENCY ROOM CAN ANYBODY HELP ME WITH THESE EXIT WOUNDS I DON’T KNOW HOW MUCH MORE LOVE THIS HEART CAN LOSE AND I’M DYING DYING FROM THESE EXIT WOUNDS WOUNDS WHEN THEY’RE LEAVING THE SCARS YOU’RE KEEPING EXIT WOUNDS WHEN THEY’RE LEAVING THE SCARS YOU’RE KEEPING LOSE YOUR CLOTHES AND SHOW YOUR SCARS THAT’S WHO YOU ARE OH LOSE YOUR CLOTHES AND SHOW YOUR SCARS THAT’S WHO YOU ARE OH LOSE YOUR CLOTHES AND SHOW YOUR SCARS THAT’S WHO YOU ARE OH LOSE YOUR CLOTHES AND SHOW YOUR SCARS THE MARKS OF BATTLE THEY STILL FEEL RAW A MILLION PIECES OF ME ON THE FLOOR I’M FALLING THROUGH THE DOORS OF THE EMERGENCY ROOM CAN ANYBODY HELP ME WITH THESE EXIT WOUNDS I DON’T KNOW HOW MUCH MORE LOVE THIS HEART CAN LOSE AND I’M DYING DYING FROM THESE EXIT WOUNDS WOUNDS WHEN THERE LEAVING THE SCARS YOU’RE KEEPING EXIT WOUNDS WHEN THERE LEAVING THE SCARS YOU’RE KEEPING OH BULLET FROM A GUN> I’M IN THE BOOT OF A CAR, BREATHING AIR THROUGH A HOLE SHE’S DRIVING ME DOWN TO THE RIVER SHE’LL WATCH OVER ME AND THE TEARS IN HER EYES COULDN’T DIG MY OWN GRAVE ANY DEEPER SHE’S PUSHING ME BLINDFOLDED DOWN TO MY KNEES HER FINGER STILL SHAKES ON THE TRIGGER SHE’S UNTYING MY HANDS THOUGH I GAVE HER THE ROPE THIS IS SO MUCH HARDER AND DEEPER TO LEAVE HER I NEED HER WHEN YOU’VE FORGIVEN BUT YOU CAN’T FORGET IT FEELS LIKE YOU’RE DROWNING BUT YOU STILL GOT BREATH AND WE’VE BEEN TRYING TO LAY THIS GHOST TO REST BUT THERE AIN’T NO GETTING OUT OF THIS MESS NO THERE AIN’T NO GETTING OUT THERE AIN’T NO GETTING OUT THERE AIN’T NO GETTING OUT OF THIS MESS NOW SHE’S SHOWING ME MERCY AS MUCH AS SHE CAN SHE’S LETTING ME LIVE WITH MY DEMONS SEE HER WASHING HER HANDS AND SHE’S WALKING AWAY OH BUT STILL SHE LOOKS BACK SHE LOOKS BACK WHILE SHE’S LEAVING SHE’S LEAVING WHEN YOU’VE FORGIVEN BUT YOU CAN’T FORGET IT FEELS LIKE YOU’RE DROWNING BUT YOU STILL GOT BREATH AND WE’VE BEEN TRYING TO LAY THIS GHOST TO REST BUT THERE AIN’T NO GETTING OUT OF THIS MESS NO THERE AIN’T NO GETTING OUT THERE AIN’T NO GETTING OUT THERE AIN’T NO GETTING OUT OF THIS MESS NO THERE AIN’T NO GETTING OUT NO THERE AIN’T NO GETTING OUT OF THIS MESS WHAT’S DONE IS DONE CAN’T RESURRECT THE SETTING SUN WHAT’S DONE IS DONE OH YOU CAN’T REVERSE THE BULLET FROM THE GUN WHAT’S DONE IS DONE CAN’T RESURRECT THE SETTING SUN WHAT’S DONE IS DONE OH YOU CAN’T REVERSE THE BULLET FROM THE GUN WHEN YOU’VE FORGIVEN BUT YOU CAN’T FORGET IT FEELS LIKE YOU’RE DROWNING BUT YOU STILL GOT BREATH AND WE’VE BEEN TRYING TO LAY THIS GHOST TO REST OH BUT THERE AIN’T NO GETTING OUT OF THIS MESS WHEN YOU’VE FORGIVEN BUT YOU CAN’T FORGET IT FEELS LIKE YOU’RE DROWNING BUT YOU STILL GOT BREATH AND WE’VE BEEN TRYING TO LAY THIS GHOST TO REST OH THERE AIN’T NO GETTING OUT THERE AIN’T NO GETTING OUT OF THIS MESS OUT OF THIS MESS OUT OF THIS MESS OUT OF THIS MESS OUT OF THIS MESS OUT OF THIS MESS OUT OF THIS MESS >THE END

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Management: Martin Hall, Simon Moran, Liz Gould & Vicky Potts - you guys are true artist management, thanks for standing in our corner, allowing us to be us & for supporting our dream. We honestly wouldn’t be where we are without your love & guidance.

Band: Ben Sargeant (Bass), The Dark Destroyer. We get to play with one of the world’s best bass players every day, for that we are truly blessed! Thanks for being our band mate/friend/drinking-buddy/mediator & brotha from anotha motha. We love ye dude.

Touring: To Ian “Quinner” Quinn (TM) Still! We are Irish. Colin “Woggle” Rogers (PM). You’ve been our right arm since the start brotha, oh how it’s grown! Matthew “Mariah Hairy” Tiley (Backline) “Matt yor ‘airs on fya”. Paul “Mini” Moore (Monitors). Bryan Leitch & Jamie Thompson (Syian Ltd/lights), you somehow make us look better in the dark, what a talent. John Delf (FOH), you’re a work horse my friend with a huge future. Guys from the bottom of our hearts, thanks for your hard work & dedication every single day, you keep us solid, much love.

Big Love & thanks to all at SJM Concerts. Love to our main man at CAA Mike Greek. Dennis & Caroline Desmond, Damien Donoghue & all at MCD. You guys have been our flagship in Ireland. Thanks so much for believing in us from the start.

Travel: Thanks to all at Media Travel & SoundMoves for getting us there.

Studio: To Andrew Frampton & Steve Kipner - the musical angels watching over us. Thanks for believing in & expanding our vision. Dan Frampton, you get to see the warts & all, & you still have our back. Love ye bro. Sphere Studios: Frank, Simon, Ronan, Sarah & Greg. Thanks for letting us take over your studio, you made us feel like family, thanks a million. Jimbo Barry thanks for your attention to detail mate... Frisbee Love & moustaches.

Mark “Spike” Stent, we couldn’t think of anyone else to mix our music. Any chance of you mixing a live show?

Label: Phonogenic Records, to Paul Lisberg,Tops Henderson, Andrew Frampton & Steve Kipner. The most forward thinking record label out there. We love yis boys, thanks for everything.

Thanks to all at Sony Music Worldwide for working so hard to get this music out there. While we would love to name all of you personally there are too many of you to mention. Most of you have become friends of ours & work our music like it’s your own. Thanks so much for that passion, you inspire us to work harder.

Jennifer Blakeman at Universal Publishing & Tim Smith at Imagem Publishing.

Finances: Anthony, Andrew, Lorraine & all at Addis & Co. Thanks for having our back, now give us that fiver you owe us.

Legal: Andrew Myers & Nicky Stein at Clintons.

Thanks to Juliette at Gibson Guitars, Jackie at Sabian, Budda Amps, Sennheiser, Aguilar Amps, Taylor, Sadowsky Guitars, Roland & Gig Rig for your constant support.

Gary & Steve at AMP, our design heroes. We have never met people who can put images to our music like you, much love.

Sam thanks for being our wheels, you’re a good man. To every single person who has come to a show, waited in torrential rain to meet us, supported our music with such conviction & played our music as the soundtrack to your life. It has been our life dream to do this. Thank you for giving us this gift. We are eternally grateful.

If we left you out, just fill in this space ........................... Peace & Love Danny, Mark & Glen... The Script.

DANNYTo Irma & Nikka, my missing pieces. I stand taller when you are by my side. Aš tave myliu, you are in my heart forever. To Ailish O’Donoghue, I love you “More than Words” can say. Shay O’Donoghue, my Father, my teacher - you live on through my music. Like they always say “don’t get me wrong, you’re good, but your Dad was amazing”. You left us all with big shoes to fill, but we are trying step by step. To all the O’Donoghue’s, Ian, Mandy, Dara, Vicky, Andrea, their families & all my friends, you have been with me through my greatest moments my darkest times & yet somehow still manage to love me. I owe you all more than I could ever give you back These songs are your stories, I hope you enjoy.

MARKTo Rina, my wife, my best friend & moma of my children. I was put on this earth to find you & you alone. Look what you have given me. There are no words under this sun to thank you for the gift of honesty, support & unconditional love you show me every moment, but to only return it. I love you more than life baby. To my children Cameron, Avery & little unborn Flower. You are my lifeblood. To all my family, I love & miss you loads. Thanks for looking after me. Besties: Rog, Bev, Clio, thanks for your support & belief in me despite my quirks... love yis! Ma & Da thanks for always lighting the way RIP... Peace & Love Mark.

GLENFor Luke who is the shining light in my world. I’m proud & blessed to be your Dad. I love you Son. To Dena you are my grounding force in this life, I love you. To my Mam & Dad for all their encouragement to stay on the path & for those uplifting words during the tough times, where would I be without you? I love you both. Thanks to my Big Bro Karl, a friend who will stop everything to listen. I love you Nathan & Vanessa to bits & to my extended family & friends, thanks for your support & encouragement throughout the years. I know you’re always there for me.

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01. YOU WON’T FEEL A THING(Daniel O’Donoghue, Mark Sheehan, Steve Kipner, Andrew Frampton,Glen Power & Ben Sargeant) Produced: Mark Sheehan, Daniel O’Donoghue, Andrew Frampton & Steve Kipner. Imagem Music/Sonic Graffiti/Stage Three Music Publishing Ltd. Copyright Control.

02. FOR THE FIRST TIME(Daniel O’Donoghue & Mark Sheehan) Produced: Daniel O’Donoghue & Mark Sheehan. Additional Production: Andrew Frampton. Imagem Music.

03. NOTHING(Daniel O’Donoghue, Mark Sheehan, Steve Kipner & Andrew Frampton) Produced: Mark Sheehan, Daniel O’Donoghue, Andrew Frampton & Steve Kipner. Imagem Music/Sonic Graffiti-EMI/Stage Three Music Publishing Ltd.

04. SCIENCE & FAITH(Daniel O’Donoghue & Mark Sheehan) Produced: Mark Sheehan & Daniel O’Donoghue. Additional Production: Andrew Frampton. Imagem Music.

05. IF YOU EVER COME BACK(Daniel O’Donoghue, Mark Sheehan, Steve Kipner & Andrew Frampton) Produced: Mark Sheehan, Daniel O’Donoghue, Andrew Frampton& Steve Kipner. Imagem Music/Sonic Graffiti-EMI/Stage Three Music Publishing Ltd.

06. LONG GONE AND MOVED ON(Daniel O’Donoghue, Mark Sheehan & Glen Power) Produced: Daniel O’Donoghue & Mark Sheehan. Additional Production: Andrew Frampton. Imagem Music /Copyright Control.

07. DEAD MAN WALKING (Daniel O’Donoghue & Mark Sheehan) Produced: Daniel O’Donoghue& Mark Sheehan. Imagem Music.

08. THIS = LOVE(Daniel O’Donoghue, Mark Sheehan, Glen Power & Ben Sargeant) Produced: Daniel O’Donoghue & Mark Sheehan. Additional Production: Andrew Frampton. Imagem Music / Copyright Control.

09. WALK AWAY feat. B.o.B(Daniel O’Donoghue, Mark Sheehan, Glen Power & Ben Sargeant) Produced: Daniel O’Donoghue & Mark Sheehan. Imagem Music / Copyright Control.Additional writing credits: Bobby Ray Simmons. Additional publishing credits: Universal Music Publishing International Limited B.o.B appears courtesy of Rebel Rock Entertainment/Grand Hustle/Atlantic Recording Corporation. B.o.B.’s vocals were recorded at Heftel Studios, Utah.

10 EXIT WOUNDS(Daniel O’Donoghue, Mark Sheehan, Steve Kipner & Andrew Frampton) Produced: Mark Sheehan & Daniel O’Donoghue. Andrew Frampton & Steve Kipner. Imagem Music/Sonic Graffiti/Stage Three Music Publishing Ltd.

11 BULLET FROM A GUN(Daniel O’Donoghue, Mark Sheehan, Steve Kipner & Andrew Frampton) Produced: Mark Sheehan & Daniel O’Donoghue. Andrew Frampton& Steve Kipner. Imagem Music/Sonic Graffiti/Stage Three Music Publishing Ltd.

12. WALK AWAY(Daniel O’Donoghue, Mark Sheehan, Glen Power & Ben Sargeant) Produced: Daniel O’Donoghue & Mark Sheehan. Imagem Music / Copyright Control.

All tracks: Drums, Guitars, Keyboards, Vocals & programming: The Script. Extra Guitars, Keyboards & Programming: Andrew Frampton. Bass: Ben Sargeant.

Tracks 07, 12:Strings arranged: Daniel O’Donoghue.

Track 11:Guitars: Paul Inder

Tracks 02, 05, 07, 12:String arrangement: Nick Ingman. Part recorded at Windmill Lane Recording Studios Dublin, Assisted by Alan Kelly. String Fixer: Isobel Griffiths. Assistant String Fixer: Jo Buckley. Violin Leader: Everton Nelson. Leader of 2nds: Steve Morris. Violins: Louisa Fuller, Boguslaw Kostecki, Patrick Kiernan, Rick Koster, Tom Pigott-Smith, Julian Leaper, Ian Humphries & Simon Baggs. Violas: Clare Finnimore, Bill Hawkes, Bob Smissen. Celli: Ian Burdge, Sophie Harris, Paul Kegg. Bass: Mary Scully.

All Tracks: Mixed by Mark ‘Spike’ Stent. Assisted: Matt Green. Recorded & engineered at Sphere Studios, London by Dan Frampton. Assisted: Greg Marriot, Ronan Phelan, Frank Cameli & at Apogee’s Berkeley Street Studio, LA, Assisted by Brandon Duncan. Programming: Andrew Frampton & The Script. Mastered: Ted Jensen-Sterling Sound.

Hand photography: Conor Horgan.

Band photography: Kevin Westenberg.

Art Direction, Design, Visual Renders:Gary Kelly & Steve Averillwww.ampvisual.com

WWW.THESCRIPTMUSIC.COM

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