developing approaches to teaching change and continuity

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Developing approaches to teaching change and continuity Nick Dennis, Felsted School Faculty of Education, University of Cambridge

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A workshop presented at the Faculty of Education, University of Cambridge, May 2009.

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Page 1: Developing approaches to teaching Change and Continuity

Developing approaches to teaching change and

continuityNick Dennis, Felsted School

Faculty of Education, University of Cambridge

Page 2: Developing approaches to teaching Change and Continuity

What does change and continuity mean?

Page 3: Developing approaches to teaching Change and Continuity

What does change and continuity mean?

How things are different and how things have remained, both physically and psychologically. Students should look at the extent and pace of change. I would challenge the notion that change = progress, looking at what has changed leads to the why.

Tony Fox

Page 4: Developing approaches to teaching Change and Continuity

What does change and continuity mean?

This is an area I don’t consciously tackle enough in my own teaching. The more I think about it though the more it seems to be one of those areas that is woven through others.

Ed Podesta

Page 5: Developing approaches to teaching Change and Continuity

What does change and continuity mean?

I feel it is key element of history teaching and yet it is one of the most difficult to address when in some courses it is lots of chunks of different periods or just one relatively short period.

Richard Woffenden

Page 6: Developing approaches to teaching Change and Continuity
Page 7: Developing approaches to teaching Change and Continuity

Shemilt’s FrameworkPolythetic Narrative

Frameworks

Multidimensional Narratives

Coherent Historical Narratives

Chronologically Ordered Past

Page 8: Developing approaches to teaching Change and Continuity

Chronologically Ordered Past

• Timelines with landmark events.

Page 9: Developing approaches to teaching Change and Continuity

Coherent Historical Narrative

• A ‘story’ and not a ‘map’ of the past.

Teaching History 130 March 2008 The Historical Association 15

‘thematic stories’ for the simple reason that it conveys that what we are dealing with is a construct or interpretation and that this story could be told di!erently, depending on viewpoint or choice of content.6

A thematic story can be told in di!erent levels of detail and across varying numbers of lessons. However it is critical

that the whole story be tell-able in one lesson: a summary which enables pupils to see the whole story at once. Ideally, pupils will see this ‘big picture’ a number of times and use it to contextualize individual events.7 "is story can then be ‘exploded’, taught across a term in the style of an SHP Study in Development or in chronological chunks across the whole of Key Stage 3.

Figure 1: Key Stage 3 history from a pupil’s perspective

Figure 2: The thematic story of power and democracy

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Page 10: Developing approaches to teaching Change and Continuity

Multidimensional Narrative

• Includes political, economic and social factors to the previous version.

Page 11: Developing approaches to teaching Change and Continuity

Polythetic Narratives

• Where multiple narratives of the past are presented and students can discuss the validity of each account in comparison with the next.

Page 12: Developing approaches to teaching Change and Continuity

Shemilt’s FrameworkPolythetic Narrative

Frameworks

Multidimensional Narratives

Coherent Historical Narratives

Chronologically Ordered Past

Page 13: Developing approaches to teaching Change and Continuity

Shemilt’s FrameworkPolythetic Narrative

Frameworks

Multidimensional Narratives

Coherent Historical Narratives

Chronologically Ordered Past

Page 14: Developing approaches to teaching Change and Continuity

How?

• Limitation in terms of time - 2 lessons maximum

• Limitation in terms of subject - International History!

Page 15: Developing approaches to teaching Change and Continuity

The Twenty Years’ Crisis

Page 16: Developing approaches to teaching Change and Continuity

The main feature of the crisis of the twenty years between 1919 and 1939 was the move from hope in the first ten years to

grim despair in the second.

Page 17: Developing approaches to teaching Change and Continuity

Prior Knowledge

Empire

First World War

Versailles

Page 18: Developing approaches to teaching Change and Continuity

Is Carr right?

0

5

10

1919 1939

Carr’s view of International Relations

Carr’s view

Hope Despair

Crisis!

Calm

Ok, but...

Page 19: Developing approaches to teaching Change and Continuity

The rule of nation-states

You want your country to be as great and powerful as possible!

Page 20: Developing approaches to teaching Change and Continuity

What is a crisis?

• A time of intense difficulty, trouble and danger.

Page 21: Developing approaches to teaching Change and Continuity

Activity

• Arrange yourself into colours and then into chronological order.

• Then place events according to crisis rating.

Page 22: Developing approaches to teaching Change and Continuity

Questions

• What has changed?

• What has stayed the same?

• When was there a rapid change?

• When did change happen slowly?

• Is there an event that seems to change everything else after it? Is it a ‘turning point’?

Page 23: Developing approaches to teaching Change and Continuity

PoliticsEconomics Role of the individual

Page 24: Developing approaches to teaching Change and Continuity

Activity 2

• See if you can trace these themes on the graph. Do they change your opinion about the ‘Twenty Years’ Crisis’?

Page 25: Developing approaches to teaching Change and Continuity

Timeline using 3D Timeline from Beedocs.com.It shows events and themes.

Page 26: Developing approaches to teaching Change and Continuity
Page 28: Developing approaches to teaching Change and Continuity

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