design and its political nature: reframing design context

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Christopher Arnold - Associate Professor Auburn University (USA), Industrial and Graphic Design Industrial Designers Society of America Education Symposium - Boston 2012 Design and Its Political Nature Reframing Design Context Core77 Image

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Page 1: Design and Its Political Nature: Reframing Design Context

Christopher Arnold - Associate ProfessorAuburn University (USA), Industrial and Graphic Design

Industrial Designers Society of America Education Symposium - Boston 2012

Design and Its Political Nature Reframing Design Context

Core77 Image

Page 2: Design and Its Political Nature: Reframing Design Context

“My policy colleagues say they went into politics because they wanted to challenge the status quo and make things better for ordinary people. That's certainly why I went into design. So maybe design is more political than you think.” - Jennie Winhall (2006)

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design in transitionfrom craft to facilitation

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the changing face of designchanging relationships

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Richard Buchanan, “Branzi’s Dilemma: Design in Contemporary Culture”, Design Issues, Spring 1998

Page 9: Design and Its Political Nature: Reframing Design Context

NextD“Design 1.0, 2.0, 3.0, 4.0: The Rise of Visual SenseMaking”, March 2009

Page 10: Design and Its Political Nature: Reframing Design Context

Spiritual

Cultural

Systems

Political  &  Legal

Environmental

MaterialCraftsmanship

Function

Technique

Economy

Aesthetics

SocialLinguistic

Science

MP Ranjan, “Hand - Head - Heart: Ethics in Design”, 2009

1st OrderForm & Structure

2nd OrderFunction & Feeling

3rd OrderValue, Meaning, Purpose

Page 11: Design and Its Political Nature: Reframing Design Context

“The reason good design is hard to come by is that its creation demands a high degree of emotional and intellectual maturity in the designer, and such people are not found too often.”

George NelsonProblems of Design, 1957

Page 12: Design and Its Political Nature: Reframing Design Context

“Earlier generations solved this problem by using many hands and minds over periods of centuries, as in the case of the axe, or the teacup.”

George NelsonProblems of Design, 1957

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“The ‘designer’ then was not an individual, but an entire social process of trial, selection, and rejection.”

George NelsonProblems of Design, 1957

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“Expert” “User Centered” I know I found out

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“Participatory” “Co-Creation” we discovered we explored

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with forvs

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open to interpretationrecent discourse

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“We cannot afford to be passive anymore... As designers, we could use our particular talents and skills to encourage others to wake up and participate as well.” - Katherine McCoy (2003)

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“Design gives material form and directionality to the ideological embodiment of a particular politics.” - Tony Fry (2010)

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Langdon Winner (1986) Bernward Joerges (1999)

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“In the !rst decade of the 21st century, however, we are experiencing two important shifts: !rstly, in where design skills are being applied, and secondly, in who is actually doing the designing.” - Burns, et.al. (2006)

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“I am here to entreat you to use your money, your status and your education to travel in Latin America. Come to look, come to climb our mountains, to enjoy our "owers. Come to study. But do not come to help.” - Ivan Illich (1968) ‘To Hell with Good Intentions’

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Design PoliticsComplexityDisciplinesQuestionsLanguage

Change

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In Education

Question based on issuesBlur lines between disciplinesFacilitation and engagement

Live and breathe context

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“What is important is using one’s talent, intellect, and energy in order to gain an appreciation and affection for people and place.” - Sambo Mockbee

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Christopher Arnoldemail : [email protected] : @cjarnold

Associate Professor, Auburn University, USADepartment of Industrial and Graphic Design

thank you