DECEMBER. 1938

Above are shown the exterior and interior views of the home ofRobert Montgomery, Metro-Goldwyn-Mayer star, and his spe-cial cus+ombuilt Scott Philharmonic installation. The living roomcomprises the whole west wing (right). The top right view

shows one end, while the lower left view shows the other ~ndof this very beautiful room, with the specially designed earlyAmerican desk in which the Scott Philharmonic and RecordChanger are installed.

AN ACOUSTICALLY PERFECT MUSIC ROOMCan a room be really beautiful and atthe same time acoustically perfect?It can, as proved by the photographabove showing the studio and musicroom designed by Mr. Cyril Mock-ridge, one of Hollywood's leadingmusical directors and composers as-sociated with 20th Century Fox, whoarranged the music for "The LittleColonel," "Under the PampasMoo n," "T h e Lit tIe s tRebel," "The Poor LittleRich Girl," and many others.

This very lovely musicroom has a ceiling of specialacoustical material to breakup and absorb reflectedsound from the ceiling,while the rugs, upholsteredchairs and settees providejust sufficient absorption tobalance the hard walls andthe windows which comprisethe complet~ south wall ofthe studio. The result is

that reproduction in the room hasvividness and life, but without the"echo" effect sometimes very notice-able in rooms less perfectly balancedacoustically.

In the center is the Scott Philhar-monic receiver, with the High Fidel-ity Recorder in compartment below.

The record library is in a concealedcupbOard at the left with the Auto-

matic Record Changer built into arecess below it. Both Radio and Au-tomatic Record Changer can be con-trolled by the Remote Control Key-board which will be noted on the endtable at the end of the settee. Bysimply pressing a key, it switches onthe receiver and instantly selects anyone of 12 different stations. If thereis nothing on the air Mr. Mockridge

cares to listen to, he simplypresses the "Phono" keyand instantly the radio isswitched off and the Auto-matic Record Changerstarts playing any recordedmusic. If it is too soft, aslight pressure on the "Vol.UP" key and it becomeslouder; if it is too loud, apressure on the "Vol. Down'key makes it softer. Whenlistening is finished, thepressure of another keyswitches the receiver off.

View Showing Scott Philharmonic with Remote Keyboard at RightWhich Controls Both Radio and Phonograph Operation.

and Record Library Built Into Wall at Left

STUDIOSBEVERLY HILLS, CALIFORNIA

I have been playing over a few reoords, and have just been wondering what wouldhappen if any large number of those who enjoy reoord reproduction could listento my Philharmonic. I am certain that if they did, you could not build all ofthe sets you would reoeive orders for.

I suppose you can gather from the above that I think the Philharrnonic a wonder-ful instrument. The reason I am so enthusiastic about it is the fact that eachinstrument stands out so clearly and with its natural timbre. It is reproduoedperfectly with no overload or fuzziness - something I cannot say about the otherreproducers I have had (and they were high priced ones, too).

For example, in the "Rapsodie Espagnol" by Ravel with its terrific crescendosand diminuendos, one hears the entrances of the various instruments - the harpharmonics and glissandos, the superb tone quality of the strings, and the clearoeleste notes; the lovely English horn solo and the punch of the brass in the"Feria"; the tympanies in the Sibelius Symphony No.2 - an actual tone, not a.low rumble.

Probably one of the ha.rdest instruments to reproduce effectively is the piano.It is in the reproduction of the, tone of this instrument that the Philharmonicfar excels any other reproducer I have ever heard. On the average combination,the piano invariably has a harsh, unnatural tone; whereas"when reproduced onthe Philharrnonic, it has the natural quality - just as I hear from my o~m ~~sonand Hanuin. I know it would be a revelation to the average pianist to hearLiszt's "Todentanz" rec:orded by Kilenyi and Ravel's "Gaspard de la Nuit" re-corded by Jean Doyen.

A very valuable feature of the Philharmonic, to me, is the recorder I use withit. When I am working on a theme for a picture I set the microphone up besidethe piano and record different ideas. Then at my leisure I ca.n transcribe andwork it out to fit the situation as I did with the love theme in the 20th Cen-tury Fox picture "Suez". Incidentally, I reoord all of the Toscanini programsoff the air and play them back any time I want, and they sound just as I origin-ally heard them - but with much less needle scratch than the bought rec?rds.

I am sure you must find it a tremendous source of satisfaction to be the builderof an instrument with the very high degree of perfection you have attained inclear, natural, a.nd undistorted reproduction.

30iu1e SCOTT PHILHARMONICLike the name Stradivarius on a violin, theworld's synonym for FINEST in violins, thename "Scott" on a radio receiver has become,thru the years, synoymous with the FINEST inradio.

A masterpiece of advanced design and crafts-manship-the new SCOTT PHILHARMONICRECEIVER-is, we believe, the finest instru-ment that radio engineering science knows, andone that will 'give a standard of performance,and a degree of tonal perfection, utterly beyondthat of any other receiver in the world today.

IncorJ?orated in it are not only the latestproved developments known to radio engi-neering, but in addition many special andexclusive developments of our own ResearchLaboratory (generally conceded to be one ofthe most modern radio research laboratories inthe world), which are in large measure respon-sible for the finer tonal quality and the quieter,clearer reception of programs received fromforeign countries.

The 30 Tube SCOTT PHILHARMONIC isdesigned primarily for those who want thefinest de luxe receiving equipment that moneycan buy. The following are some of the ad-

The Philharmonic Indalled in ChippendaleConsole

vanced and highly developed features incor-porated in this amazing instrument.

• Six wavebands covering all wavelengthsfrom 3.75 to 2,000 meters. Overall Fidelitypractically flat from 30 to 16,000 cycles, ap-proximately four times the tonal range ofaverage production-type receiver • Built-inDistortionless Push-Pull Program Vol u meRange Expander, which restores the dramaticdepth lacking in orchestral music when heardover the average radio or electric phonograph• Cathode Ray Volume Range Expander Indi-cator • Six 1 oise Reducing systems, operativeon both electrical interference and atmosphericstatic • Two Tuned Band-Passed R.F. stageson five tuning bands ~ Four highly developedLitzendrath air tuned stages of LF. Amplifica-tion • Automatic Needle Scratch Suppressorwhich eliminates annoying needle scratch fromrecords when reproduced at low volume, with-out affecting the Fidelity at normal volumes.Perfected Inverse Feed-Back system whichsmooths out "dips" and "peaks" in loud speakerresponse, giving richer and more natural bass• New Automatic Noise Limiter reduces effectsof automobile ignition and similar intermittent

"peaked" electrical interference • UndistortedClass "A" Power Output 40 watts (60 wattspeak), approximately seven times that of mostproduction type radios • Reproduces any de-gree of volume from the slightest whisper tofull auditorium volume without distortion orfuzziness • Continuously Variable Selectivityfrom 2 to 16 Kc., approximately five times theSelectivity range of most production-typeradios • Continuously Variable Sensitivityfrom .5 microvolts to 20 microvolts (approxi-mately six times more sensitive than the aver-age production-type radio). Se!1sitivity can beinstantly adjusted to exact degree required fordifficult locations and reception conditions •Separate Continuously Variable Bass andTreble Controls for (l) improving Fidelity ofpoorly transmitted broadcasts and low-fidelityrecords, (2) for adjusting the tonal response ofthe Philharmonic to your individual ear-sensi-tivity, and (3) for matching the receiver to theacoustical properties of the room in which it islocated. Special heavy duty 15" High FidelityLoud Speaker. Two Separate Automatic GainControl systems acting on both R.F. and I.F.Amplifiers (instead of single Automatic Vol-ume Control on I.F. Amplifier ordinarily usedfor control of fading signals) • Scott Super-shield Antenna Coupling system • Tone Bal-anced Volume Control automatically strength-ens and emphasizes bass or treble overtonesthat usually drop out of hearing when theaverage radio is played at low volume •Stabilized Oscillator • New Laboratory-typeTuning Dial incorporating all the precision,legibility, and dependability found in expensivescientific meters • Dial Calibration accurateto within .2 of 1% • Two separate TuningSpeeds • Silent tuning between stations •Improved Cathode Ray Tuning Indicator •Terminals for instantly attaching record player(automatic or manual) • All exterior partsheavily chromium plated. All coils and trans-formers impregnated and sealed against cli-matic and atmospheric extremes • 30 latesttype tubes used on all wavebands • Connec-tions provided for extension speakers. 30 DayHome Trial to prove absolute superiority overany other radio receiver available today •Guaranteed Five Years against defects (excepttubes) instead of the 90 day guarantee givenwith production-type radio receivers.

I. F. Transformer With Four Pi. Litzen-drath Coils. and Air Tuned Condensers

19-tube SCOTT PhantomThe exact laboratory performance curves of theScott Phantom reproduced on the next pageare published so that they may be comparedwith the laboratory curves cf any other makeof radio receiver. To many it may seem thatthe performance and high efficiency shown bythese curves is impossible of accomplishment byany radio receiver that has been designed up tothis time, with the possib:e exception of a fewspecial costly laboratory instruments which arenot available to the general public. However,your order for the Scott Phantom will be ac-cepted with the distinct understanding you areat liberty to have the receiver purchased by youmeasured by any nationally recognized, compe-tent engineering laboratory, and if the perform-ance curves of the receiver delivered to you donot equal or exceed in efficiency those shown onthis page, not only will every dollar of themoney you have paid be refunded, but also thecomplete cost entailed by you in making suchlaboratory test.

The New SCOTT PHANTOM is a super-efficient Custom Built 19 tube receiver, with theS:lme quality of parts used in the finest labora-tory precision equipment. We believe there isno other receiver in the world today (exceptingonly the 30 tube SCOTT PHILHARMONIC)which will even approach its distance getting

THE ACOUST/CRAFT. in Fiddle Back AmericanWalnut Veneers. Base of Ebonized Birch an"Catilin Door Handles. Designed for either Scoft

Phantom or Super XII.

properties, its ability to separate stations, its re-markable freedom from electrical interferenceor static, and its tonal perfection.

• Four wavebands covering all wavelengthsfrom 13.6 to 540 meters • Overall Fidelitypractically flat from 30 to 8,500 cycles, approxi-mately twice the overall fidelity range of mostproduction-type radios. Five Static and Elec-trical Interference Reducing systems • SpecialR.F. Amplifier on all wavebands giving effi-ciency of two stage R.F. Amplifier used onordinary radio receivers • Three Litzendrathair tuned stages of LF. Amplification • Auto-matic Needle Scratch Suppressor elminatesneedle scratch from records without affectingFidelity at normal volume • Inverse Feed-Back system improves loudspeaker -response,resulting in finer Bass reproduction • NewAutomatic Noise Limiter reduces effects ofautomobile ignition and similar intermittentelectrical interference. Undistorted Class "A"Power Output 13 watts (16 watts peak), ap-proximately three times the undistorted out-put of average radio • Three degrees ofSelectivity provide razor-sharp selectivity forreception of distant forei6n stations (3.5 Kc.),with normal Selectivity for medium distancereception (8 Kc.), and 12.5 Kc. for HighFidelity reproduction from local or nearby

stations • Two degrees of Sensitivity, 6 micro-volts for reception of extremely distant stationsand La microvolts for nearby or local receptionco Separate Continuously Variable Bass Controlincorporating new full range high "Q" BassEi-Resonator system • Separate ContinuouslyVariable Treble Control by means of whichlow-Fidelity broadcasts and records may bereproduced with higher Fidelity. Special 12"High Fidelity speaker with exponential highfrequency cone to secure perfect distributionof the higher frequencies to all parts of theroom • Two separate Automatic Gain Controlsystems (operating on both R.F. and I.F.)holds volume. from "fading" stations at evenlevel • Scott Supershield Antenna Couplingsystem reduces electrical interference pickedup on antenna lead-in and increases efficiencyof receiver-antenna combination by a factor ofapproximately 100 to 1 • Tone Balanced Vol-ume Control automatically strengthens and em-phasizes the extremely low and high overtonesthat drop out of hearing when the averageradio is played at low volume. Stabilized Os-cillator • European type slide-rule edge-lighteddial with large easily read figures. Dial Cali-bration accurate within .2 of 1% • Two tuningspeeds • Silent tuning between stations • Im-proved Cathode Ray Tuning Indicator •Terminals for instantly attaching record player(automatic or manual) • Economical Operat-ing cost-uses less than ?4 the electricity con-sumed by your electric iron • Non-critical toantennas-may be used with any type, butmaximum efficiency secured with new ScottSuper Double-Doublet Antenna system • Allexterior parts heavily chromium plated • Allcoils and transformers impregnated and sealedagainst climatic or atmospheric extremes • 19latest type tubes used on all wavebands. Con-nections provided for extension speaker • 30Day Home Trial to prove absolute superiorityof new SCOTT PHANTOM. If it does notoutperform any receiver you test against it, sideby side-and you are to be the sole judge-you have the privilege of returning it at anytime within 30 days after delivery and purchaseprice will be refunded • All parts (excepttubes) guaranteed Five Years against defects.

Sectional View Showing Antenna Stagewith Scott Supershield Coupling System

Sectional View of Double Tuned R.F.Transformer

Scott High Fidelity Speaker with SpecialHigh Frequency Diffuser

The New SCOTT Super XIINo matter how beautiful the outside case of awatch may be, it will not keep accurate timefor long if it does not have a high quality pre-cision movement inside, and no matter howbeautiful a radio console may be outside, itwill not bring into your home the programsfrom the stations of the world with good vol-ume or the finest possible tone, unless the 1'e-

ceiving instmment inside is of the highestquality. When buying a watch you ask thejeweler to show you the movement inside thecase; when you are choosing a radio why notask to look at the instrument inside the console?

The Scott Super XII is built with the preci-sion of a fine watch, as shown by the view onthe opposite page with the bottom plate re-moved to show the precision construction. It isan extremely efficient, compact, custom-built12-tube receiver, designed for those who do notdesire many of the special features incorporatedin the larger 30-tube Philharmonic and the19-tube Phantom.

Nothing has been sacrificed in efficiency, forit is hand-made by the same skilled techni-cians who build the PHILHARMONIC and

The Scott Super XII Installed in BraemarConsole

PHANTOM models-and from the same highquality parts, proved by the fact that it is soldwith the same Five Year Guarantee.

The SCOTT SUPER XII, although modestin price and compact in size, will give you thesame remarkable DX performance and HighFidelity reproduction that has made a SCOTTgenerally 'recognized all over the globe as the"World's Finest Radio." Below are a few ofthe features incorporated in this hand-madereceiver, many of which will not be found inany other radio receiver being sold today.

• Four wavebands covering all wavelengthsfrom 13.6 to 540 meters • Overall Fidelity30 to 8,500 cycles, approximately twice thefidelity range of most production-type radios• Two Noise Reducing systems operating onboth electrical interference and atmosphericstatic • Special R.F. Amplifier used on allwavebands. Two stage Litzendrath I.F. Am-plifier • U ndistorted Class "A" Power Out-put of 9 watts with a peak output of 12 watts(approximately twice the undistorted volumeobtained from the average radio) • New Ex-pander and Contractor Selectivity system pro-

View 0' Oscillator Used in Scott Super XII.Showing Large Low Loss Shielding and

Laboratory Type Air Tuned Condenser

iI' /,Tidestwo degrees of Selecti,vity, 5 Kc. for DXreception and 12.5 Kc. for High Fidelity repro-duction _ Sensitivity under 1 microvolt, ap-proximately four times the Sensitivity of mostproduction-type receivers. Separate Continu-

ously Variable Bass Control enables you to am-plify bass tones up to 15 db. (approximatelyfive times) without affecting the original natu-ral bass quality - Variable Treble control com-bined with Selectivity control provides higherFidelity reproduction on both radio broadcastsand record reproduction • Special 12" HighFidelity loudspeaker • Highly developed Au-tomatic Gain control on both R.F. and I.F.amplifiers to keep programs from distant sta-tions at even volume level _ Scott SupershieldAntenna Coupling system which reduces elec-trical interference picked up on antenna lead-in,and increases efficiency of receiver-antennacombination 'by factor of approximately 100to 1 _ Tone Balanced Volume Control which,when you are listening at low volumes, auto-matically strengthens or emphasizes the ex-tremely low or high overtones that usuallydrop out of hearing on ordinary radio receiv-ers _ Stabilized Oscillator to eliminate thedistortion or "twisting" OJ weak distant short-wave broadcasts - Precision calibrated, ex-tremely legible, edge-lighted dial • ImprovedCathode Ray Tuning Indicator • Terminalsfor instantly attaching record player (auto-ma~:' )r manual) • Economical operatingcost--{. ·'s less than 1/5 the electricity con-sumed by your electric iron _ Non-critical toantenna, may be used with any type, but ex-tremely efficient when used with new ScottSuper Double-Doublet Antenna • Chromiumplated • All coils and transformers impreg-nated and sealed against climatic or atmos-pheric extremes _ 12 latest type tubes usedon all wavebands • Connections provided forextension speaker • 30 Day Home Trial toprove superiority over any other make of radioreceiver available today • All parts (except(tubes) guaranteed Five Years against defects.

~View Under Chassis with Bottom Plate Removed to Show Pre~ision

Construction 0' Scott Super XII

New Scott Super Double-DoubletAntenna System

The new SCOTT SUPER DOUBLE-DOUBLET ANTENNA SYSTEM has incor-porated in it a special self-selecting filter unitwhich automatically tunes the antenna to theprincipal shortwave and broadcast frequencies,effectively boosting the broadcast band signalsent down the antenna lead-in from 8 to 10times over the conventional doublet. This an-tenna system, in combination with the Scott

IIIIIIIII

I Il. __ . J

seD TT SU?ER DOUBLE DOUBLETANTENNA WITH SCOTT SUFER-SHIELD ANTENNA eOUPLINOSYSTeM.

Supershield Antenna Coupling System builtinto the SCOTT PHILHARMONIC, PHAN-TOM, and SUPER XII receivers, represents,I believe, the finest DX and most efficientnoise-reducing system available today. It notonly assures maximum signal strength on allstations, both shortwave and broadcast band,but also quieter reception, especially in noisylocations. Although the SCOTT PHILHAR-MONIC, PHANTOM, and SUPER XII willprovide satisfactory reception with any of theconventional antenna systems, it is stronglyrecommended that the new antenna system beused with these models.

LOVERS OF ·GREAT MUSICSEVEN MODERN RADIO.PHONO COMBINATIONS FOR THOSEWHO DESIRE THE WORLD'S FINEST MUSIC IN THEIR HOME

Symphonies, operas, concertos, andchamber music performed by the greatestartists of the world can now be heard inyour home with a faithfulness that willthrill every fibre of your being. Vou canhear Toscanini's superb rendition ofHaydn's Symphony in D Minor, LauritzMelchior as' "Siegmund" in Wagner's"Die Walkure," John.Barbirolli conduct-ing the London Philharmonic Orchestrain a masterful recording of Beethoven's.Concerto No.2 in B Flat Major (Opus19), the brilliant coloratura of MilizaKorjus in Olympia's Aria from Offen-bach's "Tales of Hoffmann," EugeneGoosens and the London Symphony Or-chestra giving a beautiful interpretationof Bach's Suite in G.

If your inclination is more towardmodern music and"swing," you can hearGuy Lombardo and hisRoyal Canadians play-ing "I'll See Vou in MyDreams," Hal Kempand his orchestra play-ing "I Still Love toKiss Vou Goodnight,"Eleanor Powell in "YouAre My Lucky Star,"Nelson Eddy and Jean-ette McDonald in thatmemorable duet "AhSweet Mystery of Life"and other selectionsfrom "Naughty Mari-etta," "Rose Marie,"and "l\1aytime."

A great galaxy ofper form e I' s, a vas ttreasure house of theworld's finest music, isnow available on highfidelity records, andwhen reproducedthrough a Scott, thismarvelous entertain-

ment will afford you as much or morepleasure than radio broadcasts. Withbut one exception, every interpretiveartist mentioned above is a Scott owner-and we sincerely believe that ONLY aScott will faithfully reproduce all the fineshadings of tone and the subtle nuancesthat are in t.hese new records.

The Scott Automatic: Rec@,-dCi:langer

To fully enjoy the great operas, sym-phonies, and other extended works whichare usually recorded on several succes-sive records, one should be relieved ofgetting up and changing them by hand.The Scott Automatic Record Changerwas designed for this purpose and re-quires only 8 se.conds to automatically

change from one record to another.Merely load the magazine with any num-ber of records up to 8, either lO-inch or12-inch, throw a switch, then the com-plete set will be played through on oneside without further attention, and theinstrument automatically stopped whenthe last record has been played. Theparts used are so rugged that we guaran-tee the entire instrument for a full FiveYears .

The Scott Automatic Record Changeris equipped with a professional-typepickup built to our own laboratory speci-fications, so scientifically designed thatthere is almost negligible wear on yourrecords. It is remarkable how this speciapickup seems to put new life into evenold recordings, and brings forth musical

tones you never real-ized were in your rec-ords.

The ADAM-A Deluxe Radio-Phono Combination of exquisite design either inmahoga.ny or selected American veneers. Can be equipped with either ScoH

Phantom or Super XII and Scott Automatic Record Changer.

Scott Single-RecordPlayer

For those who prefer asingle-record player, wecan furnish one that isidentical to the ScottRecord Changer, ex-cept that it does nothave the automaticf eat u I' e. It p Ia y sthrough a single recordand then automaticallystops. It uses exactlythe same turntable, mo-tor, and pickup.

The seven cabinetsillustrated on the oppo-site page have acous-tically sealed compartments in which eitherthe Scott AutomaticRecord Changer orSingle-Record Playermay be installed.

THE STRATFORDSelecled American Walnut veneers with hand·tooledbook covers. Can be equipped with Scott Phantom orScott Super XII, and Scott Automatic or Single Record

Player.

THE WARWICK PHONO CONSOLESelected American Walnut veneers. Specially designedfor Scott Automatic or Single Record Player to beinstalled in top of the cabinet, with storage space for

100 records in lower section.

THE CUMBERLANDBurl Walnut front and striped Walnut sides. Can b.equipped with SCott Phantom or Scott Super XII and

Scolt Automatic or Single Record Player.

THE RAVINIABeautifully figured Laurel wood, butt Walnut overlay.Can be equipped with Scot! Philharmonic, Phantom orSuper XII and Scott Automaji~ or Single -Record Player.

SCO'TTRADIO - PRONOCOMBINATIONSAll the exclusive consoles shown(except the Warwick) can beequipped with the Scott Re-ceiver and either the ScottAutomatic Record Player or theScott Single Record Player.

WAVERLY GRANDESelected American Walnut veneers. Can be equippedwith Scolt Philharmonic. Scott Phantom Of Scott Super

XII and Scott Automatic or Single Record Player.

GOTHIC GRANDESelected Walnut veneers with linen-fold panels. Canbe equipped with Scott Philharmonic, Scott Phantomor Scolt Super XII, and Scott Automatic or Single

. Record Player.

The Scott Precision Auto-matic Record Changer

The Scott Automatic Record Player issimple, compact and silent in operation.It automatically changes eight either 10-inch or 12-inch records. The scientificshape of the tone arm holds the needletrue to tangent thruout the entire playingsurface of the record with a maximumtracking error never exceeding 3%.

THE LINDENBeautifully figured American Walnut veneer with baseof ebonized Birch. Can be equipped with Scott Phan·tom or Scott Super XII and Scott Automatic or Single

Record Player.

ScotfALWAYS ~,f TO FOUR YEARS AHEAD IN ADVANCED

DE~GN AND PRECISION ENGINEERING\l

The FIRST real High Fidelity re-ceiver capable of reproducing the entireaudible range of the human ear from 30to 16,000 cycles was a Scott, and it isstill, I believe, the only instrument ca-pable of this high degree of Fidelity.

What You May Expect From ThisCustom Built Receiver

(1) Clear, loud speaker reception fromstations located thousands of milesaway in practically every part of theworld.

(2) Tonal reproduction of an entirelynew degree of perfection. When asymphony orchestra plays you willseem to be present in the Audi-torium with every instrument stand-ing out clear and distinct, and allof the rich overtones that give lifeand vividness (which are usuallymissing entirely on the ordinaryradio) reproduced with a startlingdegree of realism. When you heara voice-male or female-so natu-ral is the reproduction it defies de-tection from the original voice.

(3) Easy, almost automatic operationon both broadcast and short waves.

(4) Trouble-free operation for manyyears-every Scott receiver is guar-anteed against defects (excepttubes which are guaranteed by themanufacJurer) for Five Years.

"Scott Custom Built Receivers AreNot Expensive

The modest price for which a Scott willbe custom built for you is as surprisingas the performance of the receiver itself,for by selling direct from the Laboratoryto you (they are not sold through deal-ers) you sflve the dealer's profit, and payno more than is asked for many ordi-nary radio receivers produced by highspeed mass production methods.

A Laborator. Built Instrument.~-SCOTT receiver are custom built to

order by hignly skilled laboratorytechnicians-in what is generally recog-nized as one of the most completelyequipped radio la~i'atories in the world.A Scott custom b~t radio receiver is thePRECISION instrument of radio. It isthe hand made pro.duct of the microme-ter and oscillograph, calibrated andtested by the most infinitely accuratemea~urinl? device~fl?-wn. to science, andan mfiexlble deretmmatlOn that everyScott receiver, before it leaves the Labo-ratory shall alway;,- be as perfect an in-strument as skille •.·human hands canmake it, that will ~rtre pleasure and sat-isfaction and be a proud possession formany years to its owner.

Years Ahead Design Easily. Proved

Those technically familiar with radioreceiver design will find not only everyworth while present day developmentalready incorporated in a Scott, butwill also find features not at present in-corporated in any" "rller receiver, butwhich will undoubtedly be found in thereceivers of the future.

For example, the FIRST receiver tosuccessfully incOrpii)Fate more than onetuned stage in a superheterodyne ampli-fier was a Scott,.. which poin(ed the wayto the super-selective superheterodyne aswe know it today.

The FIRST receiv,er to successfullyincorporate the Screen Grid tube was aScott-which created new standards forSensitivity in a radio receiver, makingit possible to bring in distant foreignstations clearly with good loud speakervolume.

The FIRST Scott Allwave receiverwas introduced in 1928, four years beforethe ALLWAVE receiver was introducedby the production type radio manufac-turers.

E. H. SCOTT RADIO LABORATORIES, INC.4450 RAVENSWOOD AVENU':~ CHICAGO. ILLINOIS

630 Fifth Ave., New York • 41 Leonard St .. Buffalo • 825 Webb Ave., Detroit • 115 No, Robertson Boulevard, Los Angeles