data2.archives.cadata2.archives.ca/pdf/pdf002/p000003016.pdf · choral sheet music (annotated print...

Vol. no.

File no.

Title Scope and content Extent Other physical details

Dimensions General note Physical condition note

Dates of creation note

Signatures and inscriptions

Dates

SERIES: Varia1 1 Personal and professional

correspondenceFile containing incoming personal and professional correspondence. Some letters enclose published piano-vocal and choral sheet music (annotated print publications; 20 p.) for Douglas Stanberry's consideration, among which are two examples of Cowboy's Requiem, composed by Henry S. Gregor and inscribed with dedications by the composer. Included are photographic postcards from George Stanbury to his brother R.B.J. Stanbury and to his nephew Douglas Stanbury; one postcard is an unidentified group portrait, the other depicts a house in Bayfield, Ontario, possibly the Stanbury family home.

1 cm of textual records (2 folders).

1906, 1910-1936

14 1 See above.16 1 See above. 2 photographs : b&w, postcards

; 8.5 x 14 cm.

1 2 Personal and professional correspondence

File containing incoming personal and professional correspondence. Correspondents include the composers John W. Bratton, Geoffrey O'Hara.

1 cm of textual records.

1939-1942


File containing personal and professional correspondence, predominantly incoming and a small quantity of outgoing. Correspondents include John Fearnley, representing the composer Richard Rodgers.


1943-1977

DOUGLAS STANBURY FONDS (R13944): Listing of textual records, photographs, and graphic art

Vol. no.

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Dates


File containing incoming and draft outgoing personal and professional correspondence. Correspondents include the composer John W. Bratton. Greeting card from Cliff and Betty Sifton includes a mounted photograph titled Thanksgiving Day at Ravenshoe with Toronto and North York Hunt, depicting Clifford Sifton, Ann Sifton, and Betty Sifton with horses and dressed for fox hunting.

0.5 cm of textual records.

[ca. 192- to 195-?]

16 2 See above. 1 photograph : b&w ; 9 x 11.5 cm, mounted on card 25.5 x 15.5 folding to 13 x 15.5 cm.

1 5 Concert programmes File containing programmes for performances featuring, among others, Douglas Stanbury.

1.5 cm of textual records (2 folders).

Programme for the joint recital of Marie Tiffany and Douglas Stanbury is dated [1922].

1918-1951

5 1 See above.1 6 Promotional material File containing promotional material for

Douglas Stanbury: leaflets, résumés, unused examples of his personalised stationery.


[ca. 1909]-[195-?]

1 7 Promotional leaflet : design and artwork

File containing documents concerning the development of a promotional leaflet for Douglas Stanbury: draft text, marked up copy of earlier leaflet, notes, sketch, mock up, draft version, calligraphic drawing, engraver's proofs.

3 textual records.

The final version of this leaflet is available in the file "Promotional material".

[193-?]

19 1 See above. 1 sketch : col. pencil on translucent paper ;

30.5 x 23 cm.

19 1 See above. 1 mock up : col. ink and col. pencil on card, with laid on blue paper ;

24.5 x 17 cm.

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Dates

19 1 See above. 1 reproduction : photomechanical print, with laid on text and annotations in ink and pencil ;

24.5 x 16.5 cm.

19 1 See above. 1 drawing : brush and black ink on paper ;

17 x 28 cm.

19 1 See above. 2 engraver's proofs :

32 x 22.5 and 20.5 x 32 cm.

3--4 Orchestra folders File containing a set of 16 folders intended for holding orchestral scores or parts on stage. Most are embossed with gold lettering, and each folder bears the name Douglas Stanbury. One folder is for the conductor, and the others for orchestral instrumentalists.


[ca. 192- to 194-]

1 8 Press clippings File containing press clippings with references to Douglas Stanbury or having some relevance to his life and career.


[ca. 1910-1952]

14 2 See above.15 See above.1 9 Periodicals File containing foreign periodicals with

references to Douglas Stanbury.1 cm of textual records (2 folders).

1924-1961

14 3 See above.1 10 A Treatise on Harmony

(With Exercises), Part 1 / J. Humphrey Anger

Annotated music theory book (copy of Douglas Stanbury, Canadian Academy of Music).


[191-?]

1 11 Stanbury family File containing documents on the Stanbury family: genealogy, compiled [197-], with a transcribed account of a 1938 visit to the ancestral home of the family in Devonshire, England; last will and testament of Louise G.F. Stanbury; excerpt from the periodical Canadian Pharmaceutical Journal (editor and business manager, R.B.J. Stanbury, M.D.).

3 textual records.

1927-[197-]

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Dates

1 12 Robert (Bob) Stanbury File containing documents on the Liberal politician Robert (Bob) Stanbury: press clippings; biography; promotional material.

5 textual records.

1965-1967

1 13 Pestalozzi Foundation of America, Inc.

File containing documents concerning a charity event: invitation, correspondence, script, speaker's notes, drafts of a poem.


1953

1 14 Other print matter File containing: promotional leaflet for the coloratura soprano Caroline Andrews; theatrical programmes; leaflet for wartime activities of the American Red Cross.

4 textual records.

Andrews sang with Douglas Stanbury as a member of Roxy's Gang.

[192-?]-1955

1 15 Notes 8 textual records.

[ca. 193- to 195-?]

SERIES: Scripts1 16 A Woman of America

(radio drama)File containing scripts for episodes 23, 24, 27, 28, and 37 of the radio drama series A Woman of America, sponsored by The Proctor & Gamble Co. for product Ivory Snow.


Radio station WEAF is noted on the title pages of the scripts.

1943

1 17 The Beloved Vagabond File containing scripts for a series apparently titled The Beloved Vagabond.

2 textual records.

Apparently a radio series. The National Broadcasting Company, Inc. is noted on one script.

[1935?]

1 18 [Bible society broadcasts] File containing scripts for broadcasts, apparently from radio station WNEW and concerning the American Bible Society.

2 textual records.

[ca. 1945-1946]

1 19 British War Relief Society File containing scripts for radio broadcasts, related correspondence and promotional material.


1941

14 4 See above.1 20 Cavender's House (radio

drama)Copy of continuity script. 0.5 cm of textual

records.Pre-printed script paper stock is for radio station WQXR.

[1936 or later]

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Dates

1 21 Mobiloil radio concerts File containing scripts for broadcasts from 7 October 1931 to 2 March 1932. Douglas Stanbury was featured as baritone soloist and as master of ceremonies.


1931-1932

1 22 Roxy's Gang (revival) File containing: scripts for the revival of the radio series Roxy's Gang, broadcast on 19 September 1943 on radio station WNEW; promotional material.

6 textual records.

1943

1 23 Miscellaneous scripts File containing scripts, script fragments, and outlines for: America in Music, a radio programme hosted by Douglas Stanbury; a performance of excerpts from the Broadway musical Dearest Enemy, with Stanbury included in the cast; Song Rendez-vous and The Living Hall of Songs, both featuring singers Gladys Rice, Willie (William) Robyn, and Stanbury; Christmas Greetings; and unidentified programmes, including one sponsored by the winemaker Gambarelli & Davitto and featuring Stanbury.


America in Music is dated either [1939] or [1944]. Dearest Enemy is dated [1925 or later].

[ca. 1925-1944]

SERIES: Musical works

1 24 Lists of repertoire File containing lists of solo and duet repertoire for Douglas Stanbury and his frequent collaborator, the soprano Gladys Rice.

3 textual records.

[ca. 192- to 194-?]

5 2 Songs by Winnifred Ahrens

File containing: piano-vocal scores for A Bit of Paradise, I Think the World of You "Dear" (manuscripts, 8 p.); postal envelope that enclosed the scores.

3 textual records.

1929

1 25 Aïda / composed by Giuseppe Verdi

Score for voices and piano (annotated print publication, 322 p.).


[1925 or later]

5 3 L'amour, toujours, l'amour File containing parts for an orchestral arrangement (manuscripts, 13 p.).

11 textual records.

[192-?]

5 4 And the Angels Sing / [composed by Ziggy Elman and Johnny Mercer], arranged by Douglas Stanbury

Score for soprano, tenor, and baritone voices (manuscript, 3 p.).

1 textual record. [1939 or later]

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Dates

5 5 Miscellaneous compositions - A

File containing sheet music (for voice, piano, violin, cello, choir; manuscripts, 12 p.; copies, some annotated, 10 p.; annotated print publications, 29 p.) for: A Roving I'll Go; Absent (composed by John W. Metcalfe, words by Catherine Young Glen); Ain on My Way to Heaven (William Walker); All Alone; [All the Things You Are (Jerome Kern)]; America Marches On (Leo Edwards, lyric by Harry D. Kerr); Anchored! (Michael Watson, words by Samuel K. Cowan); Angels Guard Thee - Berceuse de Jocelyn (Benjamin Godard); April Blossoms; Aren't We All; At Evening's End (A. Walter Kramer), with signed dedication from the composer to Lawrence Tibbett; The Awakening (A.S. Kornspan).


No title on manuscript for Kern's All the Things You Are.

[ca. 1920-1950?]

1 26 Bedouin Love-Song / composed by Ciro Pinsuti

File containing: piano-vocal score; parts for an arrangement for orchestra (annotated print publications, 37 p.).


Parts also contain an arrangement of Valse-Bluette, air de ballet (composed by R. Drigo), apparently unused.

[192- or 193- ?]

5 6 The Bells of St Mary's / composed by A. Emmett Adams, orchestration by S. Deshon

File containing parts for an arrangement for orchestra (manuscripts, 2 p.; annotated print publications, 46 p.).


[192- or 193- ?]

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1 27 Beneath the Moon of Mexico / composed by Harry Revel, words by Harold Adamson and Mack Gordon

File containing: piano-vocal score, with English and Spanish versions of the lyrics; parts for an arrangement for orchestra (annotated print publications, 26 p.).

17 textual records.

Front cover of score includes the promotional statement "Successfully Introduced by Douglas Stanbury" beneath his picture.

[1930 or later]

1 28 Bömische Volkslieder = Ceske Narodni Pisne / Vaclav Stepan

File containing: collection of songs for voice and piano, with German and Czech versions of the lyrics (annotated print publication, 25 p.); English translations of two songs (typescripts, 2 p.).


[1917 or later]

5 7 Miscellaneous compositions - B

File containing sheet music (for voice and piano, choir; manuscript, 4 p.; annotated copies, 8 p.; typescript, 1 p.; annotated print publications, 19 p.) for: Bambalina; Barcarolle (arranged by Leo Russotto); The Beat o' My Heart (composed by Harold Spina, words by Johnny Burke); A Benediction (Clara Edwards), with a signed dedication to Douglas Stanbury from the composer; Bone Come A-Knittin' (arranged by Jacques Wolfe, from the collection of Sally Hill Scaife), with a signed dedication to Gladys Rice from the arranger; Burn a Little Candle (Reed Bateman, words by Claire Carvalho), with separate lyrics sheet.

7 textual records.

[192-?, 193-?]

5 8 Captain Mac File containing orchestral parts (copies, some annotated, 18 p.).

17 textual records.

[192-?, 193-?]

1 29 Cavalleria Rusticana / composed by Pietro Mascagni

Score for voices and piano (annotated print publication), signed by Douglas Stanbury of the Chicago Opera.


Poor condition. [192-?]

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Dates

5 9 Cinderella; Goldilocks and the Three Bears (musical dramas) / written and composed by Arthur A. Norris

File containing: Douglas Stanbury's and Gladys Rice's marked up copies of the script by Arthur A. Norris for Goldilocks and the Three Bears (an adaptation for television with music); script for Cinderella, also by Norris; sheet music, comprising score for a vocal trio song from Goldilocks and themes and lyrics for songs from Cinderella (manuscripts, 6 p.).


One Goldilocks script is fragile, with major tears and two pages stuck together because of adhesive tape.

1950, [ca. 1950?]

5 10 Miscellaneous compositions - C

File containing sheet music (for voice and piano, vocal group and/or choir; manuscripts, 3 p.; copies, some annotated, 21 p.; annotated print publications, 57 p.) for: Calm as the Night; The Captive Warrior (composed by Edward Morris, words by George Gibson Davis), 2 examples, each with a signed dedication to Douglas Stanbury from the composer); Casey the Fiddler (Haydn Woods, words by Fred. G. Bowles); Cheek to Cheek (Irving Berlin); Christmas Opening (M. Baron, words by Lew Pollack); Collection of Christmas Carols; Cinderella (incomplete); Ciribiribin (A. Pestalozza and M. Baron); Come Where My Love Lies Dreaming (Stephen C. Foster); Cryin' for the Carolines (Harry Warren, words by Lewis and Young); Cuban Love Song (Herbert Stothart, Jimmy McHugh, Dorothy Fields).


[192-?, 193-?]

6 1 Dreaming Alone in the Twilight / composed by Hartley Moore

File containing orchestral parts (manuscripts, 12 p.; print publications, 4 p.).


[1919 or later]

6 2 Eri Tu / [instrumentation by?] L. Zeitlin

File containing parts for violins 1 and 2, viola, cello, bass (manuscripts, 16 p.).

8 textual records.

L. Zeitlin may be Leo Zeitlin (1884-1930), a composer active in New York in the 1920s.

[1930 or earlier?]

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Dates

6 3 Miscellaneous compositions - D and E

File containing: Dona Nobio Pacem!, score for baritone and male chorus (composed by M. Baron); The Donkey, piano-vocal score (G.K. Chesterton, Leo Smith); Dream Valley, piano-vocal score (Frederick L. Plant); Ev'rybody Ev'ry Payday, piano-vocal score (Dick Uhl, words by Tom Adair); Early in the Morning, draft piano score (print publication, 4 p., with accompanying manuscript, 1 p.; other manuscripts, 9 p.; annotated copy, 5 p.).

6 textual records.

[ca. 1926-1942]

6 4 Fuzzy-Wuzzy (Soudan Expeditionary Force) / text by Rudyard Kipling, set to music by Arthur Whiting

File containing: piano-vocal scores (annotated print publications, 16 p.); parts for two orchestral arrangements (manuscripts, 28 p.).


[192- or 193- ?]

6 5 Miscellaneous compositions - F and G

File containing: Far Off I Hear a Lovers Flute, theme and lyrics (composed by C.W. Cadman); Finale, score for voices and piano; Georgia Moon, theme and lyrics (Ted S. Barron); Goin' Home, from the Largo of New World Symphony (Anton Dvorak, words and adaptation by William Arms Fisher); Good Night Ladies, part for bass voice; Great Day, theme and lyrics with recitation; Guns, piano-vocal score (Harry D. Kerr, Geoffrey O'Hara), inscribed with a note from Geoff [O'Hara] to Douglas Stanbury at the Fox Theatre, Detroit (manuscripts, 6 p.; copy, 3 p.; annotated print publications, 14 p.).

7 textual records.

Finale is apparently part of a larger dramatic work that includes a princess and a prince.

[192- or 193- ?]

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Dates

20 Hamlet - Ô vin, dissipe la tristesse / composed by Ambroise Thomas

File containing orchestral parts (manuscripts).


Documents are rolled up and somewhat brittle. They require conservation treatment prior to consultation.

[192- or 193- ?]

6 6 Hey, Johnnie Cope File containing parts for piccolo, trumpet, trombone, piano, drums, violin 2, viola, cello (manuscripts, 8 p.).

8 textual records.

[192- or 193- ?]

6 7 Hikin' Down the Highway / composed by Irving Kahal, Lee David

File containing: piano-vocal score with accompanying lyrics sheet (print publication, 4 p., typescript, 1 p.); parts for voice soloist and orchestra, comprising manuscripts (3 p.) and printed parts from a published arrangement by William C. Schoenfeld, the latter mounted on manuscript paper with annotations and manuscript additions (68 p.).


[1931 or later]

6 8 How Am I to Know? / composed by Jack King, words by Dorothy Parker, arranged by Harry Ferguson

File containing: orchestral parts (manuscript, 1 p.; print publications, some annotated, mounted on manuscript paper, 13 p.); related correspondence.


1929

7 1 Hymns and spirituals File containing hymns and spirituals (piano-vocal and choral scores, lyrics, themes with lyrics; manuscripts, 21 p.; print publications, annotated or with accompanying manuscript, 5 p.) and related notes. Included is Hymn of the United Nations (composed by John Edmond Hewitt and Russell Alan Walker, words by Hewitt), inscribed with a dedication to Douglas Stanbury by Hewitt.


[ca. 193- to 195-?]

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7 2 Miscellaneous compositions - H

File containing: Hallelujah, score for chorus; He Lifted Me, score for chorus; The Heart Bowed Down Bohemian Girl, part for baritone voice; Here Comes the Sun, piano-vocal score with accompanying patter (composed by Harry Woods, words by Arthur Freed); Home to My Joy and Thee (A Sea Song), piano-vocal score with accompanying piano-theme score transposed to a new key (Frederick W. Vanderpool, words by Susan Hartly); Hot Time in the Old Town, part for tenor voice; The Hunt, score for chorus and baritone solo ([Maurice?] Baron, words by J.P Coombs) (print publications, 6 p., with accompanying manuscript and typescript, 5 p.; other manuscripts, 3 p.; copies, some annotated, 11 p.).


[192- or 193- ?]

7 3 I Love a Parade / composed by Harold Arlen, words by Ted Koehler

File containing: parts for orchestra, in the form of printed parts from a published arrangement by William C. Schoenfeld, mounted on manuscript paper with annotations and manuscript additions (42 p.).


[1931 or later]

7 4 If I Forget You / [composed by Irving Caesar]

File containing parts for orchestra (manuscripts, 9 p.).

9 textual records.

Attribution and date information taken from a fragment of a published piano-vocal score which was not retained in the fonds.

[1933 or later]

7 5 I'm Marching Home to You / [composed by Porcelain and Jades?]

File containing: parts for oboe, violin 1, trumpet 2, piano, and an unidentified instrument (manuscripts, 4 p.; annotated copy, 3 p.); a set of folders for orchestral parts, each labelled "Gamby and Stanbury".


Gamby is no doubt the dancer Maria Gambarelli.

[192- or 193- ?]

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Dates

7 6 Miscellaneous compositions - I

File containing: I Have Eyes, piano-vocal score and theme with lyrics (composed by Leo Robin and Ralph Rainger); I Left My Heart at the Stage Door Canteen, piano-vocal score and theme with lyrics (Irving Berlin); I Love Thee, theme with lyrics (E. Grieg); I'm A Rockin' in the Saddle (The Bragging Cowboy Song), piano-vocal score (Nathaniel Shilkret, words by Frank Luther); I Must Be Going to the Dogs, theme and lyrics; I Talked to God Last Night (A Vision), piano-vocal score (David W. Guion, words by John W. Bratton), inscribed with a dedication to Douglas Stanbury by the lyricist; If You Believed in Me, piano-vocal score and accompanying text for patter chorus (Abel Baer, words by L. Wolfe Gilbert); I'll Share My Love with You, piano-vocal score (Rena G. Hofheimer), with covering letter; (I'm a Dreamer) Aren't We All?, piano-vocal score (B.G. De Sylva, Lew Brown, Ray Henderson); In Allah's Garden, piano-vocal score (Muriel Pollock, words by Marie Wardall), inscribed with dedication to Stanbury from the composer; In Donegal, piano-vocal score (Frank Wall), inscribed with dedication to Stanbury from the composer; In Dreams, piano-vocal score (Max M. Herzberg), inscribed with dedication to Stanbury from the composer; In the Hush of the Night, piano-vocal score


[192- to 194- ?]

8 1 A Japanese Sunset / composed by Jessie L. Deppen, words by Douglas Stanbury

File containing: score for piano, gong, violin, oboe, flute, horn (arranged by J.S. Zamecnik; annotated print publication, 2 p.); score for soprano and baritone voices (manuscript, 3 p.).

2 textual records.

[1916 or later]-1927

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Dates

8 2 The Jesters Daughter / composed by M. Baron

File containing piano-vocal scores for sections of this work: Kings Recitative; Jesters Recitative, Kings Rec. and Aria; Jesters Rec. Aria and Lullaby (copies, some annotated, 12 p.).

3 textual records.

[192- or 193- ?]

8 3 Kiss Me Goodnight / composed by Horatio Nicholls, words by Archie Gottler

File containing: piano-vocal score; parts for an orchestral arrangement by Arthur H. Gutman (annotated print publications, 18 p.).

14 textual records.

[1932 or later]

1 30 Let's Fall in Love / composed by Harold Arlen, words by Ted Koehler, arranged by Helmy Kresa

File containing orchestral parts (annotated print publications, 22 p.).

19 textual records.

[1933 or later]

1 31 Linger a Little Longer in the Twilight / composed by Harry Woods, Jimmy Campbell, Reg. Connnelly

File containing: piano-vocal score; instrumental parts for an orchestration by D. Savino (annotated print publications, 19 p.).

13 textual records.

[1932 or later]

8 4 Little Mother of Mine / composed by H. T. Burleigh, words by Walter H. Brown

File containing: incomplete piano-vocal score; parts for two arrangements for orchestra (manuscripts, 18 p.; annotated print publication, 4 p.).

16 textual records.

[1917 or later]

8 5 The Little White House (At the End of Honeymoon Lane) / composed by Eddie Dowling and James F. Hanley

File containing piano-vocal score, parts for strings and harp (manuscripts, 4 p.; annotated copies, 4 p.; annotated print publication, 6 p.).

8 textual records.

[1926 or later]

8 6 Lonesome Parade / composed by David Halprin, Harry Jompulsky, Matty Levine

File containing: piano score with lyrics; sheet with alternative lyrics by Gene Ford; orchestral parts (manuscript, 2 p.; annotated typescript, 1 p.; copies, 26 p.).


[192- or 193- ?]

1 32 Love Is the Sweetest Thing / composed by Ray Noble, orchestration by F. Henri Klickmann

File containing orchestral parts (annotated print publication, 19 p.).

15 textual records.

[1932 or later]

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Dates

1 33 Lover, Come Back to Me! / composed by Sigmund Romberg, orchestration by Al Dalby

File containing piano-vocal score, orchestral parts (annotated print publications, 27 p.).

17 textual records.

[1928 or later]

2 1 Lucia di Lammermoor / composed by G. Donizetti



1928

8 7 Miscellaneous compositions - J, L

File containing: Jeanie with the Light Brown Hair, piano-vocal score (composed by Stephen Foster); Just a Corner of Heaven to Me, piano-vocal score (Karl Stark and James F. Hanley, words by Ballard Macdonald); Just a Little One Step, score for SATB vocal quartet or choir; Just Like a Doll, piano-vocal score (Sigmund Romberg, words by Cyrus Wood); Left-Left (My Sweetie Got Mad and She Left), piano-vocal score (Howard Johnson, Jack Waite, Sidney Holden); Let's Get Together, piano-vocal score (Geoffrey O'Hara, words by John W. Bratton); Like a Silver Star Ascending, piano-vocal score (Granville English, words by Fred. G. Bowles); The Little Hills are Calling, piano-vocal score (Edward Morris, words by Nancy Buckley); Little Lady Make Believe, vocal part; Little Mother, piano-vocal score with accompanying recitation (Erno Rapee, Lew Pollack); Lonely Hours, piano-vocal score (Granville English, words by Elizabeth Reynolds); Lonesome - A Song of Longing, piano-vocal score (Clara Edwards, words by Nelle Richmond Eberhart); Lord, I Want to Be, piano-vocal score (arranged by Stewart Wille); Lost Soul, piano-vocal score with accompanying recitation (Benée Russell); ; The Love Waltz, part for baritone voice (H. Maurice Jacquet); Love's Declaration, piano-vocal score (H.P.


[192- to 194- ?]

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Dates

8 8 Mean to Me / composed by Roy Turk, Fred. E. Ahlert

File containing: piano-vocal score, parts for a published orchestral arrangement by Joseph M. Weiss (annotated print publications, 19 p.); another set of parts for Weiss' arrangement, mounted on manuscript paper with annotations and manuscript additions (26 p.).


[1929 or later]

8 9 The Miser's Death / composed by Maurice Baron

File containing piano score (two examples), piano-vocal score for The Song of the Miser's (copies, some annotated, 27 p.).

3 textual records.

[193-?]

8 10 My Dreams / composed by Paolo Tosti, words by Frederic E. Weatherly

File containing piano-vocal score, parts for a published orchestration by William Moore (annotated print publications, 34 p.). Parts also include the composition Because (Guy d'Hardelot).

11 textual records.

[192- or later?]

9 1 Miscellaneous compositions - M

File containing: Marguerite, theme and lyrics (composed by C.A. White); Marianna, piano-vocal score (Luigi Mattiello); The Marines Hymn, theme and lyrics; The Moon Is a Golden Coin, piano-vocal score (Charles Francis [Kenny?]); Mother, piano-vocal score (Sigmund Romberg, words by Rida Johnson Young); My Dreams of You, piano-vocal score (Richard Bateman); My Sin, piano-vocal score with accompanying recitation (B.G. De Sylva, Lew Brown, Ray Henderson); My Sister and I, piano-vocal score, theme and lyrics, accompanying text [spoken introduction?] (Hy Zaret, Joan Whitney, Alex Kramer) (manuscripts, 11 p.; typescript, 1 p.; annotated print publications, 23 p.).


[191- to 194- ?]

2 2 The New Educational Music Course: Book IV / Alex. T. Cringan

Douglas Stanbury's copy of this Ontario school textbook (annotated print publication, 65 p.).

1 textual record. [1907 or later]

2 3 New Songs of the Gospel No. 2: For Use in Religious Meetings

Douglas Stanbury's copy of this published collection of religious songs, with annotations and additions.


1909

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Dates

2 4 The Night When Love Was Born / composed by Abel Baer, words by Joe Young and David Oppenheim, arranged by Frank E. Barry


17 textual records.

[1932 or later]

9 2 Nora / composed by R.S. Pigott

File containing orchestral parts (manuscripts, 14 p.).

14 textual records.

[192-?]

9 3 One Alone File containing orchestral parts (manuscripts, 16 p.).

15 textual records.

[192-?]

9 4 Miscellaneous compositions - N, O

File containing: Night Clouds, piano-vocal score (composed by Horace Johnson); A Night of Love, piano-vocal score (Larry Spier, words by B.G. De Sylva), with a note to Douglas Stanbury from the composer on the front cover; Oh! Susanna, piano-vocal score and part for baritone voice (Stephen C. Foster); The Old Family Clock, score for SATB chorus and piano (Mabel Chase Rundlett, G.A. Grant-Schaefer); On Sunday, piano-vocal score (Frank Waller), with a dedication to Stanbury from the composer; One in a Million, piano-vocal score (Lew Pollack, words by Sidney D. Mitchell); One Night in Napoli (Old Italian Folk Song), piano-vocal score (Allan Ingram, Franz Vienna, Horatio Nicholls); One Year 1914-1915, piano-vocal score (H.T. Burleigh, words by Margaret M. Harlan); The Open Road (A Song for Men), piano-vocal scores (William Stickles, words by Gretchen Dick); Other Days, Other Ways, piano-vocal score (Maurice Baron); Our Delaware, theme and lyrics; Out West Where the North Begins (Song of the North West), lead sheet (Nathaniel Shilkret, words by Wolfe Gilbert) (manuscripts, 12 p.; annotated copy, 4 p.; annotated print publications, 57 p.).


[191- to 193- ?]

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Dates

9 5 Pagliacci / composed by R. Leoncavallo

Score for voices and piano (annotated print publication).


[192-?]

2 5 Un peu d'amour / composed by Lao Silèsu

File containing incomplete piano-vocal score, orchestral parts (annotated print publications, 26 p.).

13 textual records.

[192-?]

2 6 The Piper of Dundee File containing parts for oboe, saxophones, trumpets, piano, timpani (manuscripts, 8 p.).

7 textual records.

[192-?]

10 1 The Ragged Vagabond / composed by Eric Randolph, words by Percy Edgar

File containing piano-vocal score, orchestral parts (manuscripts, 12 p.; copies, some annotated, 7 p.; annotated print publication, 4 p.).


[1919 or later]

10 2 Ro-Ro-Rollin' Along / composed by Murray Mencher, words by Billy Moll and Harry Richman

File containing piano-vocal scores (annotated print publications, 12 p.), orchestral parts (printed parts mounted on manuscript paper, with annotations and manuscript additions, 17 p.).


[1930 or later]

2 7 Roamin' in the Gloamin' / composed by Harry Lauder


10 textual records.

[192- or 193- ?]

10 3 The Rogue Song / composed by Herbert Stothart, words by Clifford Grey

File containing piano-vocal scores, including a corrected first proof of the published version (manuscript, 6 p.; annotated copy, 5 p.).

2 textual records.

[ca. 1930]

10 4 Roses of Picardy / composed by Haydn Wood

File containing orchestral parts (manuscripts, 3 p.; annotated print publication, 33 p.).


[1918 or later]

10 5 Roses of Yesterday / composed by Irving Berlin

File containing: lyrics; parts for piano, tenor, baritone, and bass voices (manuscript, 1 p.; copies, some annotated, 3 p.; typescript, 1 p.).

4 textual records.

[1928 or later]

Vol. no.

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Dates

10 6 Miscellaneous compositions - P,R

File containing: Palace Scene (The Sleeping Beauty), scores for piano and voices; Penny Serenade, piano-vocal score (composed by Melle Weersma, words by Hal Hallifax); Pirate Treasure, piano-vocal score (Maurice Baron, words by Abbie Farwell Brown), with a dedication to Douglas Stanbury from the composer; Pomp and Circumstance, score for chorus of girls and boys; A Poor Finish, piano-vocal score (Frank Waller), with a note from the composer on the front cover; Prayer, piano-vocal score (Louis Untermeyer and Maurice Baron), with a dedication to Stanbury from Baron; Rags & [and] Tatters, theme and lyrics; The Road to Home, proof of piano-vocal score (Lily Strickland); Roll Out! Heave Dat Cotton, part for first tenor; Rose of Remembrance, piano-vocal score (Maurice Baron, words by Louis Rouillion), with a note from the composer on the front cover (manuscripts, 5 p.; copies, some annotated, 28 p.; annotated print publications, 26 p.). Also included is Recollections (Erno Rapée, words by Lew Pollack), piano-vocal score with covering letter from Vacuum Oil Company; the back cover of the score includes captioned pictures of the The Mobiloil Radio Artists, among them Stanbury (print publication, 6 p.).


[192- to 193- ?]

10 7 Schlupfwinkel / composed by [Frank] La Forge, [words by Prinzessin Gabriele Wrede]

File containing parts for trumpet, trombone, tuba, piano, chimes, violins, viola, cello (manuscripts, 9 p.).

9 textual records.

Some attribution information taken from published piano-vocal score, not retained in the fonds.

[192- or 193- ?]

Vol. no.

File no.





Dates

2 8 The Seven Words of Christ / composed by Th. Dubois



[192- or 193- ?]

2 9 Snuggled on Your Shoulder (Cuddled in Your Arms) / composed by Carmen Lombardo, words by Joe Young, arranged by Frank E. Barry


17 textual records.

[1932 or later]

2 10 The Song I Love / composed by G.B. De Sylva, Lew Brown, Ray Henderson, Con Conrad, arranged by Joseph M. Weiss

File containing orchestral parts (annotated print publication, 28 p.; manuscript, 1 p.).

24 textual records.

[1928 or later]

10 8 Sonny Boy / composed by Al Jolson, B.G. De Sylva, Lew Brown, Ray Henderson

File containing: piano-vocal scores (one incomplete) for an arrangement by Joseph M. Weiss (annotated print publications, 20 p.); parts for male voices (tenors 1 and 2, baritone, bass), text for recitation (manuscripts, 4 p.; typescript, 1 p.).

9 textual records.

[1928 or later]

10 9 Spanish Dance / composed by Enrique Granados

File containing: score for violin and piano (annotated print publication, 8 p.); theme and lyrics (manuscript, 3 p.; words by J.P Coombs).

2 textual records.

The violin-piano score is attributed to Kreisler-Granados, and is apparently Fritz Kreisler's transcription of the work.

[192- or 193- ?]

2 11 Speak to Me of Love (Parlez-moi d'amour) / composed by Jean Lenoir, orchestration by Hans Spialek, American version by Bruce Siever


15 textual records.

[1932 or later]

2 12 Sunrise and You / composed by Arthur A. Penn

File containing parts for strings (annotated print publication, 5 p.).

5 textual records.

[192- or 193- ?]

Vol. no.

File no.





Dates

10 10 Sylvia (A Song) / composed by Oley Speaks

File containing: orchestral parts for an arrangement by Otto Langey (annotated print publication, 28 p.); sets of parts for woodwinds and strings for other versions of the work (manuscripts, 22 p.). Some of the published parts also include Morning (composed by Speaks, arranged by Langey).


[192- or 193- ?]

11 1 Miscellaneous compositions - S

File containing: Sailing Down the Chesapeake Bay, part for baritone voice; See the Pale Moon, score for piano, tenor and baritone voices (composed by F. Campana); Serenade, score for SATB vocal quartet ([Riccardo] Drigo, arranged by Leo Russotto); Serenade, piano-vocal score ([composed by Maurice Baron?], words by J.P. Coombs); Serenade of Love, piano-vocal score (Sigmund Romberg, words by Irving Caesar); The Shade of the Palm, theme and lyrics; Siver Shoon, piano-vocal score (Horace Johnson, words by Isabel Walker), with a dedication to Douglas [Stanbury] from Horace [Johnson]; Snow Song, theme and lyrics; Soldiers of the Sea, from the operetta Riding Down the Sky, piano-vocal score (Geoffrey O'Hara, libretto by Geoffrey F. Morgan); Sometimes at the Close of Day (A Pensive Song), piano-vocal score (Clara Edwards), with a dedication to Stanbury from the composer; A Son of the Desert Am I, piano-vocal score (Walter A. Phillips, words by John P. Wilson); Song of the Afghans, piano-vocal score (Lily Strickland); The Song That Reached My Heart (Home Sweet Home), piano-vocal score (Julian Jordan); The Star of My Soul, part for baritone or bass voice; The Stranger (Sacred Song), piano-vocal score (Geoffrey O'Hara, words by Daniel S.


[192- to 194- ?]

Vol. no.

File no.





Dates

11 2 Then - Now - Forever (Respectfully Dedicated to the United States Army) / composed by Leo Edwards, words by John W. Bratton

File containing: piano-vocal scores, orchestral parts (manuscripts, 47 p.; annotated print publications, 12 p.); United States Army recruiting poster.


1939, [1940 or later]

11 3 There's a Sunny Smile Waiting for Me / composed by Leo Edwards, words by Harry D. Kerr

File containing lead sheet, piano-vocal scores, parts for an orchestration by Geo. J. Trinkhaus, recitation (manuscripts, 6 p.; typescript, 1 p.; annotated print publications, 28 p.).


[1930 or later]

11 4 Three Men in a Turret Score for narration and accompaniment (manuscript, 10 p.).

1 textual record. [ca. 1939-1945?]

11 5 [The Three Musketeers] File containing scores for piano and voices (copies, some annotated, 137 p.) for a work of musical drama based on the story of the Three Musketeers, written by Alexandre Dumas, père. While no overall title for the work is provided, the 13 sections were originally titled: Opening Chorus; 3 Musketeers No 2; Heart of Mine #3; No 4 Waltz Song (The Three Musketieres); No 4 1/2; No 5 Finale (Act One); Scene II #6; The Three Musketiers. Opening - Chorus. Act III. #7; Marcia Maestoso #8 The Musketeers; No 9A Introduction & Menuet; Gavotte 9B; 9C Rigaudon; No 10 Finale. Some words in these original titles were crossed out in later changes.


[192- or 193- ?]

11 6 The Thrill Is Gone / composed by Lew Brown and Ray Henderson

File containing: piano-vocal score (annotated print publication, 5 p.); orchestral parts, comprising printed parts mounted on manuscript paper, with annotations and manuscript additions (23 p.).


[1931 or later]

12 1 Tommy, Lad! / composed by E.J. Margetson



[191- or 192-?]

Vol. no.

File no.





Dates

12 2 The Trumpeter / composed by J. Airlie Dix, words by J. Francis Barron

File containing piano-vocal score, orchestral parts (annotated print publications, 26 p.).


[ca. 1927-1928?]

12 3 Miscellaneous compositions - T

File containing: The Tartar Song, piano-vocal score (composed by Richard Rodgers, words by Lorenz Hart); [There'll Always Be an England!], untitled lyrics sheet; There's Something Spanish in Your Eyes, piano-vocal score (Cliff Friend, words by Irving Caesar); There Were Three Crows upon a Tree - When Johnny Comes Marching Home, theme and lyrics; Thy Dark Hair (A Serenade), piano-vocal scores (Horace Johnson, words by James Mahoney), one with a dedication to Douglas Stanbury from the composer, the other with a note from the composer; Trav'lin All Alone, lyrics sheet and piano score with lyrics (J.C. Johnson); The Trial of Joan of Arc, score for piano and voices (Franke Harling); Troopin', piano-vocal score (Bertha Curtis Johnson, words by Rudyard Kipling); Tumble Town (A Song for Mother), piano-vocal score (Frederick L. Plant) (manuscripts, 20 p.; annotated copy, 15 p.; typescript, 2 p.; annotated print publications, 14 p.).


[192- to 194- ?]

12 4 Was It a Dream? / composed by Sam Coslow, Larry Spier, Addy Britt, arranged by Charles Maxwell-Smith


13 textual records.

Published piano-vocal score, copyright 1928, was not retained in the fonds.

[1928 or later]

12 5 Who Knows? / composed by Ernest R. Ball, words by Paul Lawrence Dunbar

File containing piano-vocal score, orchestral parts (annotated print publication, 4 p.; manuscripts, 26 p.).


[192- or 193- ?]

Vol. no.

File no.





Dates

12 6 Your Heart Is Calling Mine / composed by Bernard Hamblen

File containing orchestral parts, some from a published arrangement by Arthur Lange (annotated print publication, 15 p.; manuscripts, 4 p.; annotated copies, 2 p.).


[1919 or later]

12 7 Miscellaneous compositions - U, V, W, Y

File containing: Until We Meet Again, piano-vocal score (composed by Maurice Baron, words by Albert Stillman); Up Among the Chimney Pots, piano-vocal scores (Kay Swift, words by Paul James); Upidee, score for vocal group; Venetian Moon, piano-vocal score (Phil Goldberg and Frank Magini, words by Gus Kahn); A Waltz Dream [from the opera A Waltz Dream = Ein Walzertraum, composed by Oscar Strauss?], score for voices; Wanita, piano-vocal score (W. Franke Harling), with a dedication to Harold from the composer; The Wasted Crust, piano-vocal score (Bertha Louise Tamblyn, words by Edith Lelean Groves), with a dedication to Douglas Stanbury from the composer; We'll Work Along Together Side by Side, piano-vocal score (Hector MacCarthy); What from Vengeance Yet Restrains Me?, score for voice soloists, chorus, and piano (Gaetano Donizetti); When Skies Are Clear, piano-vocal score (Martin Browne and Richard Bateman); When the Empire Gets Together, piano-vocal score (Geoffrey O'Hara, words by Katharine Bainbridge); Where Would I Be Not Knowing You, piano-vocal score; Will You Remember (Sweetheart), theme; The World Is Waiting for the Sunrise, parts for oboe, violin 1 (Ernest Seitz); Yaller Gal That Winked at Me, part for second tenor;


[192- to 194- ?]

Vol. no.

File no.





Dates

13 1 Multiple works File containing sheet music (e.g., vocal parts, piano and vocal scores, theme with lyrics) with two or more works on each item. The compositions include: After the Ball; Ahora Seremos Felices; And the Angels Sing; Angelina Baker (S.C. Foster); The Bells of Sweet Athlone; Beyond the Sunset (Virgil P. Brook [sic: Brock?], Blanche Kerr Brock); The Bowery; Broadway Mammy; Buffalo Gals; Dear Little Stranger (Charles H. Gabriel); Face to Face (Mrs Frank A. Breck, Grant Colfax Tullar); Georgia Rose; Hear No Evil; Hinky-Dinky; I Must Be Going to the Dogs; In the Morning by the Bright Light (J. Bland); Just a Little Homemade Brew; Little Brown Jug; Pansy Means Thoughts of You; Ring Out, Sweet Bells of Peace; Road Signs; Shortnin' Bread; Susan Jane (Will S. Hays); Vereda Tropical (manuscripts, 23 p.; annotated copy, 4 p.).


[192- to 194- ?]

2 13 Lyrics Booklet containing lyrics of songs. The lyrics are predominantly manuscript, with some clipped from publications and mounted on pages of the booklet. Signed by Douglas Stanbury, Toronto.


[191- or 192-?]

2 14 Lyrics: hymns Booklet containing lyrics, most or all of hymns and other songs of a religious nature. The lyrics are predominantly manuscript, with some clipped from publications and mounted on pages of the booklet. Signed by Douglas Stanbury, Toronto.


Binding broken, pages loose.

[191- or 192-?]

2 15 Lyrics, recitation, poetry File containing manuscripts and typescripts for song lyrics and/or poems, and a recitation.

17 textual records.

[192- to 194- ?]

Vol. no.

File no.





Dates

2 16 Words of songs File containing lyrics for songs, mostly in manuscript or typescript format. Included is a promotional leaflet with lyrics for the first public presentation of the United States Army Air Corps song Wings Over America, sung by Douglas Stanbury. Also included is a text concerning The Barretts of Wimpole Street, Elizabeth Barrett, and Robert Browning.


[192- to 194- ?]

2 17 [Unidentified song collection]

Douglas Stanbury's copy of an unidentified published collection of piano-vocal scores (annotated print publication; incomplete, title page and other pages missing).


[191- or 192-?]

13 2 Unidentified and untitled works

File containing sheet music (e.g., piano, vocal, and piano-vocal scores; theme with lyrics; draft) for unidentified or untitled works (manuscripts, 12 p.; annotated copy, 1 p.; annotated print publications, 3 p.; some incomplete).


[192- to 194- ?]

SERIES: Photographs and drawings

19 2 Douglas Stanbury / drawn by Murray Korman

Head-and-shoulders portrait. 1 drawing : pencil and black chalk with pen, brush and black ink on paper ;

35.5 x 28 cm. [193-?]

19 3 Torontonians on the N.Y. [New York] Stage [Douglas Stanbury] / drawn by Reg Smith

Head-and-shoulders portrait. 1 drawing : pencil, brush and black ink with scratching out on paper ;

26.5 x 19.5 cm. "To My Friend Doug With Many Good Wishes / Reg Smith / Broadway".

[192- or 193-?]

16 3 Douglas Stanbury / photographed by National, New York

File containing portraits of Douglas Stanbury.

5 photographs : b&w ; 25.5 x 20.5 cm. [192-?]

Vol. no.

File no.





Dates

16 4 Douglas Stanbury / photographed by Murray Korman, New York

File containing portraits of Douglas Stanbury. The reverse of one portrait includes biographical information on Stanbury, while the reverse of another includes cropping instructions.

7 photographs : b&w ; 25.5 x 20.5 cm. Two examples of three images have been retained because of differences in printing and physical condition.

[193-?]

16 5 Douglas Stanbury / photographed by Progress, New York

File containing portraits of Douglas Stanbury. The reverse of two portraits includes biographical information on Stanbury.

5 photographs : b&w ; 25.5 x 20.5 cm. Two examples of one image have been retained because of differences in printing.

[193-?]

16 6 Douglas Stanbury File containing portraits of Douglas Stanbury: promotional portraits, including one in postcard format with promotional text on the reverse; images of Stanbury in costume, including one identified as "in suite from Omar Khyam [Khayyam]"; Stanbury with a dog.

9 photographs : b&w ; 25.5 x 20.5 cm or smaller.

[ca. 192-, 193-]

16 7 Douglas Stanbury File containing snapshots of Douglas Stanbury in various outdoor settings.

7 photographs : b&w ; 13 x 8 cm. [ca. 192-, 193-]

Vol. no.

File no.





Dates

16 8 Douglas Stanbury and soprano, roof of Capitol Theatre, New York

File containing group portraits of Douglas Stanbury and a woman, both in costume.

2 photographs : b&w ; 15 x 9.5 cm. Accompanying note indicates that the photographs are from "a production at the grand Capitol Theatre in New York". They show Stanbury on the roof of the theatre with one of the leading sopranos from the production. The note is initialled "M.G.", no doubt by Maria Gambarelli who assisted in the transfer of the Stanbury fonds to the National Library of Canada in 1981.

[192-?]

16 9 Group portraits with Douglas Stanbury

File containing group portraits of: stars of the Mobiloil radio concerts, musical director Nathaniel Schildkraut [= Shilkret], soprano Gladys Rice, baritone Douglas Stanbury; Stanbury singing into a microphone bearing the call letters of radio station WNEW, with a female accompanist; group at a banquet table, among them Stanbury, [Lawrence Tibbett?], [Eola Galli?], [Arthur Norris?].

3 photographs : b&w ; 20.5 x 26 and 21 x 25.5 cm.

[193- to 194-?]

Vol. no.

File no.





Dates

16 10 [Huntington Hospital Building Fund Campaign opening rally?]

File containing group and individual portraits of Douglas Stanbury and other men and women, some in costume and others in formal attire, participating in an on-stage event.

6 photographs : b&w ; 25.5 x 20.5 cm. Although these photographs are unidentified, they likely depict the opening rally for the Huntingdon Hospital Building Fund Campaign at Robert K. Toaz Junior High School, Huntington Station, New York, 22 October 1946. In addition to Stanbury, the others depicted include the soprano Eola Galli, possibly Arthur Norris (her husband and accompanist), and possibly the ballerina Maria Gambarelli. This identification is based on other documents in the fonds (press clippings, concert programme).

[22 October 1946?]

Vol. no.

File no.





Dates

16 11 Capitol Theatre marquee Photograph of the marquee and entrance to the Capitol Theatre. Marquee reads: "The Circle Eleanor Boardman William Robyn Douglas Stanbury ... Caroline Andrews Gambarelli".

1 photograph : b&w ; 24.5 x 20 cm. The inclusion on the marquee of the film The Circle, starring Eleanor Boardman, dates this image to 1925 or later.

[1925 or later]

16 12 [R.B. John Stanbury?] Portrait of a boy. 1 photograph : b&w ; 9 x 6 cm, mounted on card 10.5 x 6.5 cm.

Possibly a portrait of Douglas Stanbury's father, R.B. John Stanbury (1869-1937) of Bayfield, Ontario, and later secretary of the Canadian Pharmaceutical Association and editor of the Canadian Pharmaceutical Journal.

Inscribed on reverse: "John / Dad".

[187-?]

Vol. no.

File no.





Dates

16 13 [Dr R.B. John Stanbury?] / photographed by Rosevear Studio, Toronto

File containing photographs of a man dressed in a suit. In one image, he is also wearing a medal and a masonic sash and apron.

2 photographs : b&w ; 27 x 17 and 24.5 x 16 cm.

A note found with the photograph with masonic apparel suggests that the subject is Douglas Stanbury's father, Dr R.B. John Stanbury (who was secretary of the Canadian Pharmaceutical Association and editor of the Canadian Pharmaceutical Journal). Dr Stanbury's obituary, published 13 October 1937 in The Globe and Mail, indicates that he was a member of the St Andrew's Chapter of the A.F and A.M. [Ancient Free and Accepted Masons].

[19--?]

16 14 Douglas Stanbury and family

File containing snapshots of Douglas Stanbury with other family members, including his father (R.B. John Stanbury), his mother (Louise M.F. Stanbury), his sister (Freda Stanbury). Also included are an unidentified girl, a dog, and an infant identified as Xopher [Christopher].

7 photographs : b&w ; 15 x 9 and 9 x 9 cm.

[ca. 1930-1937?]

Vol. no.

File no.





Dates

16 15 Portraits of other musicians

File containing individual portraits of: the singers Caroline Andrews, Gladys Rice (both with biographical information on the reverse); the singer Madame Elsa Stralia, in costume as Aida at Drury Lane, London (in postcard format, with a signed dedication to Douglas Stanbury); the composer Amy M. Beach (with a signed dedication to Stanbury); [Stewart Wille?].

5 photographs : b&w ; 25.5 x 20.5 cm or smaller.

Beach photograph torn, missing bottom left corner.

[192-?]

16 16 Palazzo Reale, Caserta File containing group portraits of men and women [including possibly the ballerina Maria Gambarelli], apparently in costume, either at the Palazzo Reale, Caserta, Italy, or in a drama set there.

3 photographs : b&w ; 6.5 x 9 cm. The images possibly depict a work of drama, with characters named Lucy, Sir Hasting, Dr Antonio, and Re Ferdinando.

21-25 August 1937

16 17 Snapshots File containing snapshots of children, women, and men (possibly including Douglas Stanbury) in various informal outdoor settings.

9 photographs : b&w ; 14 x 9 cm or smaller.

[ca. 190- to 192-?]

16 18 Snapshots File containing snapshots, predominantly of children, women, and men (among them Douglas Stanbury) in various informal outdoor settings. Included are images of: Viola, in costume; a woman on a boat on the St Lawrence River.

28 photographs : b&w ; 9 x 6.5 cm or smaller.

1927, [ca. 190- to 192-?]

16 19 Snapshots and other portraits

File containing snapshots and other portraits. Included are images of: Douglas Stanbury, in bathing attire and engaged in outdoor activities; Stanbury (age 6) and a girl, Jean Simpson (age 9), playing with blocks; other unidentified men, women, and a dog.

12 photographs : b&w ; 9.5 x 15 cm or smaller, one item mounted on card 20.5 x 15.5 cm.

[ca. 1905]-[192-?]

Vol. no.

File no.





Dates


File containing snapshots and other portraits. Included are: images of children, women, and men (including Douglas Stanbury) in various informal outdoor settings; two studio portraits of a boy, possibly Stanbury; portrait of a girl, Helen, in a Russian costume; postcard of young adults at a masquerade party.

18 photographs : b&w, 1 postcard ;

14.5 x 9 cm or smaller.

1919, [ca. 190- to 192-?]

16 21 Snapshots File containing snapshots, predominantly of children, women, men (among them Douglas Stanbury), and a dog in various informal outdoor settings. Also shown are cars (one a ca. 1913 Reo, another with a 1928 New York license plate).

27 photographs : b&w ; 14 x 9 cm or smaller.

1919, [ca. 190- to 192-?]


File containing snapshots of various scenes, including: a girl, women, and Douglas Stanbury in various informal outdoor settings; a formal garden with pool; people in costume, including one image identified as "Colledge [sic] graduate number / Roxy [Theatre] Roof / July 1. 1928".

20 photographs : b&w ; 14.5 x 9.5 cm or smaller, one item mounted on card 13 x 10.5 cm.

1928, [ca. 191- to 192-?]

16 23 Portraits File containing: individual portraits of unidentified people and of a dog; fragment of a portrait of an unidentified group.

5 photographs : b&w, 1 hand-tinted ;

25.5 x 20.5 cm or smaller.

1921, [ca. 190- to 193-?]

17 1 Douglas Stanbury File containing studio portraits of Douglas Stanbury.

5 photographs : b&w ; 35.5 x 28 cm. Two examples of one image have been retained because of differences in printing.

The reverse of one portrait bears the inscription: 'Douglas Stanbury Who Sings "On the Road to Mandalay" at the Fox Theatre This Week'.

[ca. 192- to 193-]

Vol. no.

File no.





Dates

18 Young girl (photo button) Portrait of a young girl, printed on a button with a pin.

1 photograph : b&w, printed on metal ;

22 mm in diam. Excellent condition.

Reverse, "Pin-Lock But. Co / Pat. Pend."

[189- or 190-?]