danny audition packet - royal caribbean …...1 | p a g e grease danny / sandy / patty – pre...
TRANSCRIPT
DANNY AUDITION PACKET
(HARMONY & INDEPENDENCE)
1 | P a g e
GREASE DANNY / SANDY – ‘DRIVE IN SCENE’
SCENE FIVE: Exterior – Starlight Drive-In Movie Theatre
(Movie track is playing)
(Silence – Danny stretches, puts arm across Sandy’s shoulder. Danny tries to get his arm around her. She moves away.)
DANNY: Why don’t cha move a little closer?
SANDY: This is all right.
DANNY: Well, can’t ya at least smile or somethin’? Look, Sandy I practically had to bust Kenickie’s arm to get his car for tonight. The guys are really PO’ed at me. I mean, I thought we were gonna forget all about that stuff with Sonny and Rizzo and everything. I told ya on the phone I was sorry.
SANDY: I know you did.
DANNY: Well, you believe me, don’t ya?
SANDY: I guess so, it’s just that everything was so much easier when it was just the two of us.
DANNY: Hey, you ain’t goin’ with another guy, are ya?
SANDY: No. Why?
DANNY: (Taking off school ring) Err… oh… no reason… (Has trouble removing ring…runs thru his hair and it comes off ) I was gonna ask ya to take my ring. (He holds out the ring)
SANDY: Oh, Danny… I don’t know what to say.
(Danny puts ring on her finger)
DANNY: Well, you want it, don’t cha?
SANDY: Uh, huh.
DANNY: I shoulda given it to ya’ a long time ago. (They kiss. Danny does actions to “restrain” himself). I really like you Sandy.
DANNY SANDY
2 | P a g e
SANDY: Danny, take it easy! What are you trying to do?
DANNY: What’s the matter?
SANDY: Well, I mean… I thought we were just gonna – you know – be steadies.
DANNY: Well, whattaya think goin’ steady is, anyway? C’mon, Sandy!
SANDY: Stop it! I’ve never seen you like this.
DANNY: Relax, will ya, nobody’s watchin’ us!
SANDY: Danny, please, you’re hurting me. (Sandy breaks away)
DANNY: Whattaya gettin’ so shook up about? I thought I meant something to ya.
SANDY: You do. But I’m still the same girl I was last summer. Just because you give me your ring doesn’t mean we’re gonna go all the way.
(Sandy opens the car door, and gets out)
DANNY: Hey, Sandy, wait a minute.
SANDY: I’m sorry, Danny… maybe we better just forget about it.
(Sandy slams car door on Danny’s hand)
DANNY: (Yelling) Hey, Sandy, where you goin’? You can’t just walk out of a drive-in!
HERO: Look, Sheila! The full moon is sinking over “Dead Man’s Curve”.
SHEILA: Yes, Lance… and with it… all our dreams.
SONG (16): “SANDY”
DANNY STRANDED AT THE DRIVE-IN BRANDED A FOOL WHAT WILL THEY SAY MONDAY AT SCHOOL?
SANDY, CAN’T YOU SEE I’M IN MISERY? WE MADE A START, NOW WE’RE APART THERE’S NOTHIN’ LEFT FOR ME.
1 | P a g e
GREASE
DANNY / SANDY / PATTY – PRE “RYDELL FIGHT SONG”
SCENE SIX: Rydell High School exterior; Sandy runs on with Pom Poms
SANDY: Do a split, give a yell Throw a fit for old Rydell Way to go, red and white Win the game Fight, fight, fight
(Sandy does an awkward split, falls. Danny enters)
DANNY: Hiya, Sandy.
SANDY: Oh, Hi.
DANNY: Hey, what happened to your ear?
SANDY: Oh, nothing.
DANNY: Hey, uh, look, I hope you’re not still mad about that first day at school. I mean, couldn’t ya tell I was glad to see ya?
SANDY: I’m not sure. It looked to me like maybe you had a new girlfriend or something.
DANNY: Are you kiddin’? If it was up to me I wouldn’t even look at another chick, but you.
SANDY: Really?
DANNY: Uh-hu… Hey, tell ya what. We’re throwin’ a party tomorrow night for Frenchy. She’s gonna quit school before she flunks again and go to Beauty School. How’dja like to make it on down there with me?
SANDY: All right, Danny, as long as you’re with me, but let’s not let anyone come between us again, okay?
PATTY: (Rushing onstage with two batons and wearing cheerleader outfit) Hiiiiiiii, Danny! Oh… don’t let me interrupt. (Gives Sandy baton) Here, why don’t you twirl that for a while. (Taking Danny aside) I’ve been dying to tell you something. You know what I found out after you left my house the other night? My mother thinks you’re cute. (To Sandy) He’s such a lady-killer.
SANDY: Isn’t he though!… What were you doing at her house?
DANNY: Ah, I was just copying down some homework.
DANNY SANDY PATTY
2 | P a g e
PATTY: Come on Sandy, let’s practice.
SANDY: Yeah, let’s! I’m just dying to make a good impression on all those cute lettermen.
DANNY: So, that’s why you’re wearing that thing – getting’ ready to show off your skivvies to a bunch of horny jocks?
SANDY: Don’t tell me you’re jealous, Danny.
DANNY: What? Of that bunch of meatheads! Don’t make me laugh. Har-dee-har-har.
SANDY: But you’d rather spend your time copying other people’s homework.
DANNY: Patty, will you stop twirling that thing. Listen, the next time they have tryouts for any of those teams, I’ll show you what I can do.
PATTY: Oh, what a lucky coincidence! The track team’s having tryouts tomorrow.
DANNY: (Panic) Huh?.. Okay, I’ll be there.
SANDY: Big Talk.
DANNY: You think so, huh. Hey, Patty! (He hits Patty with Pom Pom) Sorry, Patty! (He touches her chest – she screams) When ’dja say those tryouts were?
PATTY: Tomorrow, tenth period on the football field.
DANNY: Cool, I’ll be there. You’re gonna come watch me, aren’t you?
PATTY: Oh, I can’t wait.
DANNY: Solid. I’ll see ya there, sexy. Do a split, give a yell. Throw a fit for old Rydell. (Danny exits)
PATTY: Toodles. Oooooohh, I’m so excited, aren’t you?
SANDY: Come on, let’s practice.
PATTY: Yes, let’s! Come on girls.
SANDY: Girls?!
SONG (7): “RYDELL FIGHT SONG”
HIT ’EM AGAIN RYDELL RINGTAILS TEAR ’EM APART, RED AND WHITE BASH THEIR BRAINS OUT STOMP ’EM ON THE FLOOR FOR THE GLORY OF RYDELL EVER MORE
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Page 1 of 69/28/16 - RC16 www.chriseganmusic.com
~16~SANDY
Rehearsal Score GREASEROYAL CARIBBEAN
Arranged by Chris Egan
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Page 2 of 69/28/16 - RC16 www.chriseganmusic.com
16 SANDY / Rehearsal Score
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Page 3 of 69/28/16 - RC16 www.chriseganmusic.com
16 SANDY / Rehearsal Score
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Page 4 of 69/28/16 - RC16 www.chriseganmusic.com
16 SANDY / Rehearsal Score
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Page 5 of 69/28/16 - RC16 www.chriseganmusic.com
16 SANDY / Rehearsal Score
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- - - - - - - - -
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16 SANDY / Rehearsal Score
(flip to falsetto)
CHRISTOPHER COLUMBUS/PIRATE KING/
LEAD SHARK AUDITION PACKET (DANNY, KENICKIE & SONNY)
(HARMONY ONLY)
1
CHRISTOPHER COLUMBUS - PROLOGUE
LUTE PLAYER: THIS is a serious play!
CHRISTOPHER: (off-handedly) No, no, it isn’t…
LUTE PLAYER: WE are serious actors!
CHRISTOPHER: (same of-handed manner – looking at his nails)…No we’re not.
LUTE PLAYER: (A flash of offense – Regaining composure)…YOU are a serious audience….
CHRISTOPHER: …give me a break...
LUTE PLAYER: (Topping him)…And WE have a serious rule.
CHRISTOPHER: …oh, really?
LUTE PLAYER: (Barking it at him)…Yes, Christopher, REALLY! (CHRIS responds ‘clutching his pearls’ in feigned shock and mouths a silent “Oh my God!”. LUTE PLAYER
addresses the audience) No Flash photography of any kind. It is INCREDIBLY dangerous to our performers onstage and also distracting to the audience members around you.
CHRISTOPHER: …Oh yeah….he’s right there. (To the audience in a loud, deadpanned drone.) NO FLASH PHTOTOGRAPHY….It’s Dangerous…and…rude (Winks at an audience member).
LUTE PLAYER: …See, Christopher? I knew we’d agree on something.
CHRISTOPHER: Go away
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CHRISTOPHER COLUMBUS – FINALE
MARVIN: Christopher??
CHRIS: Hey guys!
MARVIN: You’re alive?
CHRIS: Yes, of course!...Despite one almost unfortunate fishing expedition.
MARVIN: What are you doing here?
CHRIS: Oh, just on the lookout for new lands to conquer…
MARVIN: Go home, Chris!
CHRIS: Oh come now. Let’s do let bygones be gone, my very distant relative.
SHIRLEY: It’s Marvin!
CHRIS: Whatever! Time for me to go…more lands to pillage and plunder.
MARVIN: Bye Chris!
CHRIS: Goodbye, distant relative, Marcus.
MARVIN: No…
CHRIS: Michael?
MARVIN: No!
CHRIS: Miguel?
MARVIN: It’s Marvin!
CHRIS: Whatever.
4
PIRATE KING – SIDES
P KING: You’re defeated!
MARVIN: We’ll never give up! (Pirate King lunges towards him)
SHIRLEY: Stay away from him!
P KING: Oh, be a good boy and do fetch me a real man?
SHIRLEY: Oh, I’m so not a good boy!
P KING: This ship is mine!!! Stay back, you pig! (PKING pushes a crewman away)
Take that! (Hits another crewman)
MARVIN: We’ll never give up! (PKing jumps down to face off with MARVIN.)
P KING: (Wielding his sword) It’s too late, Margarita!
MARVIN: It’s Marvin
P KING: Whatever! Prepare to die!
MARVIN/CREW: Christopher??!!!
CHRISTOPHER: Get back!
SHIRLEY: Stop!
P KING: Wait! What?! How did you…Why, you’re not a nice boy!
SHIRLEY: That’s the first thing you’ve gotten right! (She pulls off her hat.)
P KING: …You’re a girl???!!
SHIRLEY: And, you’re finished!
3
AL THE SHARK – SIDES
MARVIN: AAAAAAHHHH!!!
AL: AAAAAHHHHHH!!
MARVIN: AAAAHHHH!!!
AL: AAAAAHHH!!!
MARVIN: AAAAHHHH
AL: AAAAAAHHHH!!! Wait! Wait! No reason to get all dramatic! Come on, bud, can’t we be… friends? (Music go)
MARVIN: But you’re a shark…that talks!...and by the sound of it, soon might sing!
AL: Call me Al. And I’ll call you Betty!
MARVIN: It’s Marvin!
AL: Whatever, go with it, Betty. It’s a musical!...On a cruise ship.
CREW: HUZZAH!
AL: (As Christopher) Dream on!
MARVIN: Christopher?
AL: Stay with me, Betty!
MARVIN: It’s Marvin!
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Aman walks down the street he says, why am I soft in the mid dle now,
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why am I soft in the mid dle the rest of my life is so hard
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AL: ...and I'll call you....Betty!
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don't wan na end up a car toon- in a car toon- grave yard-
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V.S.
Al
Sharks
Piano
bone dig- ger bone dig- ger dogs in the moon light far a way- my
Mmm, mmm Mmm, mmm
17 18 19
&‹
b 3 3 3 3
&b
?b. .
&‹
b33
3
3
&b
?b. .
&‹
b
&‹
b ∑
?b. . .
‰ œj œ œ œ œ œ œ œ œ œ ‰ œj œ œ œ œ œ œ ≈ œ ™j
‰œœ ™™ œœ ™
™
œœ ™™ œœ œœ œœ‰
œœ ™™
œœ ™™ œœ ™™ œœ œœ œœ
œ œ œ œ Œ ‰ œj œ œ œ œ Œ ‰ œj
‰ œ œ œ œ œ œj œ œ œ ™ œ œ œ œ œ œ ™ œ œj ‰
‰œœ ™™ œœ ™
™
œœ ™™ œœ œœ œœ‰
œœ ™™
œœ ™™ œœ ™™ œœ œœ œœ
œ œ œ œ Œ ‰ œj œ œ œ œ Œ ‰ œj
œ œ œ œ œ œ ‰ œ œ œ œ ™ œ œ œ ‰ Œ œ œ œ œ œ
œœœùùù
Œ œœœùùù
Œ Œ œœœJùùù
‰ œœœùùù
Œ
œ œ œ œ Œ ‰ œj œ œ œ œ Œ ‰ œj œ œ œ œ Œ ‰ œj
3
{
°
¢
{
°
¢
{
°
¢
Al
Sharks
Piano
well lit door Mis ter beer bel- ly beer bel ly get these mutts a way from me you know,
Mmm, mmm
20 21 22
Al
Sharks
Piano
I don't find this stuff a mus- ing- an y- more-
Mmm, mmm
23 24
Al
Piano25 26 27
&‹
b
&‹
b ∑ ∑
?b . . .
&‹
b
MARVIN: "Dogs in the moonlight?!"
&‹
b ∑
?b. .
&‹
bMARVIN: And you're a SINGING shark?!What the Heck is going on!!!????
∑ ∑
AL: Go with it Betty... MARVIN: Marvin.
∑
?b. . .
œ œ œ œ Œ œ œ œ œ œ œ œ œ œ œ œ≈œ œ ≈œ œ ≈œ œ
œœœùùù
Œ œœœùùù
Œ
œ œ œ œ Œ ‰ œj œ œ œ œ Œ ‰ œj œ œ œ œ Œ ‰ œj
‰ œJ œ œ ™ œ œ œ œ œ œ œ œj ‰ Ó
Œ œœœJùùù
‰ œœœùùù
Œ
œ œ œ œ Œ ‰ œj œ œ œ œ Œ ‰ œj
œ œ œ œ Œ ‰ œj œ œ œ œ Œ ‰ œj œ œ œ œ Œ ‰ œj
4
{
°
¢
{
°
¢
{
°
¢
Al
Sharks
Piano
Huz zah!-
28 29
Al
Piano30 31
V.S.
Al
Sharks
Moon Shark
Piano
If you'll be my bo dy- guard,- I can be your long lost
Shoot doot doot doot shoot doot doot doot
If you'll be my bo dy- guard,-
32 33
&‹
bAL:...It's a musical!...
∑...on a Cruise ship!
∑
&‹
b ∑
?b .∑
&‹
bAL: (As Christopher) Dream on!MARVIN: (Recognizing him) Christopher!!??
∑AL: (Covering emphatically) Stay with me Betty!MARVIN: It's Maaaaaarviiiiiiinnnnn!
∑
&b
&‹
b(Begins singing as MARVIN yells his name)
&‹
b. .
?b ∑
&b
?b. .
Ó ‰ ≈ ¿R ¿
œ œ œ œ Œ ‰œœj
Œœœœ œœœ ™™
™
œœœ œœœ œœœŒ
œœœ œœœ ™™™
œœœ œœœ œœœ œœœ
œ œ œ œ œ œ œ œ œ œ œ œ œ ™ œ œ œ
ŒœœœJ ‰ œœœJ ≈ œœœR ‰ œœœJ Œ
œœœJ ‰ œœœJ ≈ œœœR ‰œœœJ
œ œ œ œ œ œ œ œ
Œœœœ œœœ ™™
™
œœœ œœœ œœœŒ
œœœ œœœ ™™™
œœœ œœœ œœœ œœœ
œ œ œ œ Œ ‰ œj œ œ œ œ Œ ‰ œj
5
{
°
¢
{
°
¢
Al
Sharks
Moon Shark
Piano
pal I can call you Bet ty,
Shoot doot doot doot shoot doot doot doot Shoot doot doot doot
I can call you Bet ty,
34 35 36
Al
Sharks
Piano
Bet ty when you call me you can call me Al,
shoot doot doot doot Shoot doot doot doot
37 38
&‹
b ∑
&‹
b. . .
?b ∑ ∑
&b
?b. . .
&‹
b3
3
&‹
b. .
&b
?b . .
œ œ œœ‰ Ó œ œ œ œ œ œ‰ Œ
ŒœœœJ ‰ œœœJ ≈
œœœR ‰ œœœJ ŒœœœJ ‰
œœœJ ≈œœœR ‰
œœœJ ŒœœœJ ‰ œœœJ ≈œœœR ‰ œœœJ
œ œ œ œ œ œ‰ Œ
Œœœœ œœœ ™™
™
œœœ œœœ œœœŒ
œœœ œœœ ™™™
œœœ œœœ œœœ œœœ Œ
œœœ œœœ ™™™
œœœ œœœ œœœ
œ œ œ œ Œ ‰ œj œ œ œ œ Œ ‰ œj œ œ œ œ Œ ‰ œj
œ œ œ œ œ œ œ œ œ œ ˙ œ ™ œJ
ŒœœœJ ‰ œœœJ ≈ œœœR ‰
œœœJ ŒœœœJ ‰ œœœJ ≈ œœœR ‰ œœœJ
Œœœœ œœœ ™™
™
œœœ œœœ œœœ œœœŒ
œœœ œœœ ™™™
œœœ œœœ œœœ
œ œ œ œ Œ ‰ œj œ œ œ œ Œ ‰ œj
6
{
°
¢
{
°
¢
Al
Sharks
Moon Shark
Piano
If you'll be my bo dy- guard,-
shoot doot doot doot Shoot doot doot doot
If you'll be my bo dy- guard,-
39 40
V.S.
Al
Sharks
Piano
I can be your long lost pal
shoot doot doot doot Shoot doot doot doot shoot doot doot doot
41 42 43
&‹
bMARVIN: I'm Marvin.
bbbbbb
&‹
b.
bbbbbb.
?b ∑ bbbbbb
&b bbbbbb
?b . bbbbbb .
&‹
bbbbbb ∑
&‹
bbbbbb. . .
&bbbbbb
?bbbbbb . . .
œ ™ ‰ Ó œ œ œ œ œ œ œ œ
ŒœœœJ ‰ œœœJ ≈ œœœR ‰
œœœJ ŒœœœJ ‰
œœœJ ≈œœœR ‰ œœœJ
œ œ œ œ œ œ œ œ
Œœœœ œœœ ™™
™
œœœ œœœ œœœ œœœŒ
œœœ œœœ ™™™ œœœ œœœ œœœ
œ œ œ œ Œ ‰ œj œ œ œ œ Œ ‰ œJ
œ œ œ œ œ ™ œ œ œ œœ œœ‰ Ó
ŒœœœJ ‰
œœœJ ≈œœœR ‰
œœœJ ŒœœœJ ‰
œœœJ ≈œœœR ‰ œœœJ Œ
œœœJ ‰œœœJ ≈
œœœR ‰œœœJ
Œœœœ œœœ ™™™ œœœ œœœ œœœ œœ
œ Œœœœ œœœ ™™™ œœœ œœœ œœœ
Œœœœ œœœ ™™™ œœœ œœœ œœœ œœ
œ
œ œ œ œ Œ ‰ œJ œœ œ œ Œ ‰ œJ œœœ œ Œ ‰ œJ
7
{
°
¢
{
°
¢
Al
Sharks
Moon Shark
Piano
I can call you Bet ty,- Betty when you call me you can
Shoot doot doot doot shoot doot doot doot
I can call you Bet ty,-
44 45
Al
Sharks
Piano
call me Al, you can call me
Shoot doot doot doot shoot doot doot doot
46 47
&‹
bbbbbb3 3
&‹
bbbbbb. .
?bbbbbb ∑
&bbbbbb
?bbbbbb . .
&‹
bbbbbb
&‹
bbbbbb. .
&bbbbbb
?bbbbbb . .
œ œ œ œ œ œ ‰ Œ œ œ œ œ œ œ œ œ œ œ
ŒœœœJ ‰
œœœJ ≈œœœR ‰ œœœJ Œ
œœœJ ‰œœœJ ≈
œœœR ‰œœœJ
œ œ œ œ œ œ ‰ Œ
Œœœœ œœœ ™™™ œœœ œœœ œœœ
Œœœœ œœœ ™™™ œœœ œœœ œœœ œœœ
œ œ œ œ Œ ‰ œJ œ œ œ œ Œ ‰ œJ
˙ œ ™ œJ œ ™ ‰ ≈ œ œ œ œ œ
ŒœœœJ ‰
œœœJ ≈œœœR ‰ œœœJ Œ
œœœJ ‰œœœJ ≈
œœœR ‰œœœJ
Œœœœ œœœ ™™™ œœœ œœœ œœœ
Œœœœ œœœ ™™™ œœœ œœœ œœœ œœœ
œ œ œ œ Œ ‰ œJ œ œ œ œ Œ ‰ œJ
8
{
°
¢
{
°
¢
Al
Sharks
Moon Shark
Piano
Al
ooh
If you'll be my bo dy- guard,-
48 49 50
V.S.
Al
Sharks
Moon Shark
Piano
I can call you Bet ty,-
51 52
&‹
bbbbbb(AL ad libs lite fills - 4 bars)
∑ ∑
&‹
bbbbbb ∑
?bbbbbb ∑ ∑
&bbbbbb
?bbbbbb . . .
&‹
bbbbbb(Fill....)
∑ ∑
&‹
bbbbbb ∑
?bbbbbb ∑
&bbbbbb
?bbbbbb . .
œ œœŒ Ó
œ œ œ œ œ œ œ œ
œ œ œ œ œ œ œ œ
Œœœœ œœœ ™™™ œœœ œœœ œœœ
Œœœœ œœœ ™™™ œœœ œœœ œœœ œœ
œ Œœœœ œœœ ™™™ œœœ œœœ œœœ
œ œ œ œ Œ ‰ œJ œ œ œ œ Œ ‰ œJ œ œ œ œ Œ ‰ œJ
œ ˙ ™
œ œ œ œ œ œ ‰ Œ
Œœœœ œœœ ™™™ œœœ œœœ œœœ œœœ
Œœœœ œœœ ™™™ œœœ œœœ œœœ
œ œ œ œ Œ ‰ œJ œ œ œ œ Œ ‰ œJ
9
{
°
¢
Al
Sharks
Piano
Call me, Call me Call me Al
ooh
53 54 55
&‹
bbbbbb
&‹
bbbbbb
(All sharks snarl/growlon final note and throughapplause break)
∑
&bbbbbb
?bbbbbb . . .
Œ ™ œJ œ œ ‰ œJ œ œ ‰ œJ œJœ œJ œ œ œ ˙
œ œ œ œ œ œ w
Œœœœ œœœ ™™™ œœœ œœœ œœœ œœ
œ Œœœœ œœœ ™™™ œœœ œœœ œœœ
Œœœœ œœœ œœœ œœœ œœœ œœ
œ
œ œ œ œ Œ ‰ œJ œ œ œ œ Œ ‰ œJ œ œ œ œ œ œ œ œ œ
10
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{
°
¢
{
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Piano
G7 D‹/G G7 F/G D‹/G G7
10
Al
Piano
Triedtoa mend
q = 48
°11
V.S.
Al
Piano
my car ni- vor- ous- ha bits,- made it near ly- se ven- ty- days,
q = 85 q = 79 q = 85
F G7 C F G
12 13 14
&
?
&‹
&
7
77
?7
7
&‹
& ∏∏∏∏
∏∏∏∏
∏∏∏∏
∏∏∏∏
∏∏∏∏
?
œœœœœœœœ
œœœœœœ
œœœœ œœœœ œœœœ œœœœ
ww
Ó Œ œ œœœ
œj‰
œœœœœœ
œœœœœœœ
œœœœ
œœœœ
fiœ# j
œ
Rfiœjœœ œœ# œœ œœ œœ
œœjœœœ
œœœœœœœœœœ
œŒ
fiœ# jfiœjœ œ œ# œ œ
œJ œ œj œ œ œ œ œ œ Œ Œ ‰ œj œ œ œ œ œ œ œ œ
fiœ#j ˙̇̇ fiœ# j ˙̇̇
˙n œœœ
fiœj œœb œœ œœ œœœ ™™
fiœ#j ˙̇̇ fiœ# j ˙̇̇
˙n
˙̇ ˙̇ww ˙̇ ˙̇
=
=
3
Cheeseburger In Paradise COLUMBUS - The Musical
Piano Vocal
Arrangement and Vocals: L Van BrenkOrchestrations: A Duncan/J Hinchey/T Anderson/L Van Brenk
*START HERE
{
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{
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Al
Piano
los ing- weight with out- speed, eat ing- sunC F G
15 16
Chs Girls
Al
Piano
He was
q = 133
flow- er- seeds, drink in'- lots of car rot- juice and soak in'- up rays,A‹ D E‹7 Fº D/F© G A‹7 A©º G/B
17 18 19
&‹
& ∏∏∏∏
∏∏∏∏
∏∏∏∏
?
& ∑ ∑
&‹
&
?
œ Œ ‰ œj œ œ œ œ œ œ œ œ œ œ
œœœ fiœb jœœ œ œ œœ œœ œb œ œ œ œœ œœ fiœ#
j ˙̇̇ fiœ# j ˙̇̇nww ˙̇ ˙̇
Ó Œ œ œ
œ œ œ œ œj ‰ ‰ ≈ œr œ œ œ œ œ œ œ œ œ œ œ œ Ó
˙̇̇ ™™™™™™™™™ œœ#r
œœ œœ œœ# œœ œœ œœ œœ# œœ
˙̇˙ ™™™™™™™™™
œr œ œ œ œ# œ œ œ# œ
=
4
{
°
¢
{
°
¢
{
°
¢
Chs Girls
Al
Piano
drink in'- lots of car rot- juice and soak in'- up rays,
q = 140
but at nightE F©‹7 Gº E/G© A B‹7 Cº A/C© G
20 21
Al
Piano
I'd have these won der- ful- dreams some kind of sen su- ous- treatA D G A
22 23 24
V.S.
Al
Piano
not zu cchi- ni,- fet tu- cci- ne- or Bul -B‹ G D
25 26
&##
&‹
∑ ##
&##
? ##
&‹
##.
&##
?##
&‹
## . . .
&##
?##
œ œ œ œ œ# œ œ œ œ œ œ œ Ó
Ó ‰ œj œ œ
œœ# œœ œœ# œœ œœ# œœ œœ# œœ œœœn
œ œ# œ œ# œ œ œ œ# œœ
œj œ œJ œ œ ‰ œJ œ œ œ œ œ Œ œ œ œ œ œ œ œ
œœœ ™™™
œœœœj
˙̇̇˙ wwww ˙̇̇ œœœ
œ™™™™
œœœœj
œ ™ œj œ ™ œj œ ™ œJ œ ™ œj œ ™ œj œ ™ œj
œJ ‰ Œ ‰ œ œJ œ œ œ œ œ œ œ œ
œœœ ™™™ œœœj
œœœj
œœœ œœj
˙̇̇ ˙̇̇
œ ™ œj œ ™ œj œ ™ œj œ œ œ
=
=
5
{
°
¢
{
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Al
Piano
ger- wheat but a big, warm bun and a huge hunk o' meatG D G D A D
27 28 29
Chs Girls
Al
Piano
Pa ra- dise-
Cheese bur- ger- in Pa ra- dise- Heav en- on Earth with an on-G A D G A
30 31 32
&‹
##
&##
?## .
&## ∑
.
&‹
##.
&##
?##
œJ œ œj ‰ œJ œ œ ‰ œ œj œ œ œ œ œ œ œ œ Ó
˙̇̇ œœœ ™™™ œœœj
˙̇̇ ˙̇̇ œœœœ
œœœœ
œœœœ
œœœœ
œ ™ œj œ ™ œj œ œ œ œ œ œ œ œ ‰ œ œ
Ó ‰ œj œ œ w
Œ œ œ œ œj ‰ œ œ œ œj ‰ Œ œ œ œ œ œ œ œ
Œœœœ ˙̇̇
˙œœœœ™™™™
œœœœj˙̇̇˙
˙̇̇ ˙̇̇˙
Œ œ œ œ œ œ ™ œJ œ œ œ œ œ ™ œJœ ™ œJ
=
6
{
°
¢
{
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Chs Girls
Al
Piano
Pa ra- dise-
ion slice Not too par ti- cu- lar,- notD G A
33 34
V.S.
Chs Girls
Al
Piano
Pa ra- dise-
too pre cise- I'm just a Cheese bur- ger- in Pa ra- dise-D G D A D
35 36 37
&## . .
&‹
##. . . .
&##
?##
&## . .
&‹
## . . . .
&##
?##
˙ ‰ œj œ œ w
‰ œ œj œj ‰ Œ œj ‰ œ œ œ œ œ œ
œœœœ™™™™
œœœœj
œœœœ
œ œ œ ˙̇̇ ˙̇̇˙
œ ™ œJ œ œ œ œ œ ™ œJœ œ œ
˙ ‰ œj œ œ w w
‰ œj œ œ œ œ œ œ Œ œ œ œ œj ‰ œ œ œ Ó
œœœœ™™™™
œœœœj
œœœœœ œ œ œœœ œœœ œœœ
œœœœœ œœœ ™™™ œœœ
jœœœ œœœœœœ
œ ™ œJ œ œ œ œ œ œ œ œ œ œ œœ
œ œœ œ œ œ œ
=
7
{
°
¢
{
°
¢
Chs Girls
Al
Piano
Hoo an ti- ci- pa- ting- that bite!
38 39 40 41
Chs Girls
Al
Piano
Oh Yes, yes Cheese and Ko sher- Dill
42 43 44
&## ∑
&‹
## ∑AL: I like to start slow...
∑ ∑...SWEET! anticipation....
∑
&## ∑
?## ∑
&##
&‹
##
Ketchup...
∑
Lettuce.........PICKLES!
∑ ∑
&##
?##
Œ ™ œœœnj˙̇̇ûûû ‰ œb j œ œn œ œ œn œ ˙
û
Ó
œœnn œ
œ Œ Ó Œ ™ œœœnjœœœ ™™™
œœj œ
œnn œ
œ ‰ œœnnJ
˙˙
œœnn œ
œ Œ Ó Ó Œ ‰œœj œ
œnn œ
œ ‰ œœnnj˙˙
Œ˙̇̇n ™™™
ûûû
Œ œœœn Œ œœœ ‰ œœJ œ
œnn œœœ
œnn œœœ
œjœœœœ## œœœ
œ#j
œn œ ˙̇̇n ™™™
ûûû
Œ œœœn Œ œœœ ‰ œœJ œ
œnn œœœ
œnn œœœ
œjœœœœ## œœœ
œ#j
œœnn œ
œ Œ Œ ‰ œœbbJ œ
œœœœœnn œ
œœœœœœœnn œ
œbb
‰œœj
œœnn œ
œnn œ
œj
œœ## œ
œj
=
8
{
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Chs Girls
Al
Piano
Yum, yum, yum Some
I like mine withlet tuce- and to ma- to,- Heinz fif ty- se ven- and French
45 46 47
V.S.
Chs Girls
Al
Piano
big ol' French fries well good
Fried po ta- tos,- Big Ko sher- pick le- and a big draft beer, well good
48 49 50
&## ∑
&‹
## . . . .
&## ∑
?## ∑
&##
&‹
##. . .
&## ∑ ∑
?## ∑
Œ ™ œœœnJœœœJœœœn œœœn
jœœœûûû Œ Œ ‰
œj
œn œ ‰ œJ œ œ œ œ œ œ œ œ œn ‰ œJ œ œ œ œ œ œ œ
Ó Œ ‰œœj œ
œnn œ
œ ‰ œœnnJ
˙˙
Ó Œ ‰œœj œ
œnn œ
œ ‰ œœnnj˙˙
œj œ œn j œ ™ œj ˙ Ó Ó ‰ œj ‰œœœn#J
‰ œ œJ œ œ Œ œn œ œ œ œ œ œ œJ œ œnJ œ œ ‰ œ#J
œn œ Œ Ó
œœnn œ
œ Œ Ó Ó Œ ‰ œœbbJ
=
9
{
°
¢
Chs Girls
Al
Piano
God Al might- y-
God Al might- y- which way do I steer
51 52
&## bbb
&‹
##.
bbb
&## bbb
?## bbb3
‰ œœœn œœœjœœœ œœœ œœœ ˙̇̇
˙̇̇bbb
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*END
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q = 128
Piano Vocal Are You Gonna Go My Way/RoarCOLUMBUS - The Musical
Vocals: L Van BrenkMusic Arrangement: A Duncan and L Van Brenk
2 3
P King
Piano
4 5
P King
Piano
6 7 8 V.S.
P King
P Chicks
Piano
44
44
44
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Are You Gonna Go My Way
∑Yeah
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Yeah P KING: (Non descript accent) Alright, my Pirate chicks!
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∑ ∑
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yeah ah- ah- ah- ah-
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œj ‰
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œj ‰
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j œ ™ œ œ œ œ œ œ œ œœ
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9 10 11
P King
Piano
12 13 14
P King
Piano
15 16 17
P King
Piano
&‹
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I was born long a go- I am the cho sen- I'm the
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one I have come, to save the day,
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and I won't leave un til I'm done So that's why
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E‹
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Œ œ œ ˙ Œ œ œ œ Œ ‰ œJ œ œ œ œ œ œ
œ œ œ œ œ œj œ ™ œ œ œ œ œ œ œ œœ œ œ œ œ œ œj œ ™
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18 19 20
P King
Piano
21 22 23
P King
Piano
24 25 26 V.S.
P King
Piano
&‹
####
you've got to try, you've got to breathe and have some fu un.-
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though I'm not paid, I play this game and I won't stop un til I'm
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done And what I real ly,- real ly- wan na- know is...
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27 28 29
P King
Piano
30 31 32 33
P King
Piano
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Are you gon na- go my way 'cause I got to, got
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P KING: And now, my diamonds....ATTAAAAACK!
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4
MALE SINGER AUDITION PACKET
(DANNY, KENICKIE, ROGER, SONNY & DOODY)
(INDEPENDENCE ONLY)
© 2015 RCCL Productions
PIANO/VOCAL
WE ARE THE CHAMPIONS
MaleVocal
Piano
I paid my dues time af ter
q. = 63
A‹A‹A‹A‹ E‹7/AE‹7/AE‹7/AE‹7/A
1 2
MaleVocal
Piano
time I've done my sen tence but com mited no crime And bad mis
A‹A‹A‹A‹ E‹7/AE‹7/AE‹7/AE‹7/A A‹A‹A‹A‹ E‹7/AE‹7/AE‹7/AE‹7/A A‹A‹A‹A‹ E‹7/AE‹7/AE‹7/AE‹7/A
3 4 5
V.S.
MaleVocal
Piano
takes I've made a few. I've had myshare of sand kicked in my face but I have come
CCCC F/CF/CF/CF/C CCCC F/CF/CF/CF/C CCCC G/BG/BG/BG/B A‹7A‹7A‹7A‹7 DDDD
6 7 8
128
128
128
68
68
68
MALE AUDITION
Words & Music byFREDDIE MERCURYVocal Arrangements by
ANNE DITTAMOWe Are The Champions
I'm Feeling Good
MaleVocal
BGV
Piano
through We are the champ ions, my
And I need to go on, and on, and on, and on.
GGGG F/GF/GF/GF/G FæFæFæFæ G7G7G7G7 A7A7A7A7 DDDD F©‹F©‹F©‹F©‹
9 10 11
MaleVocal
Piano
friend And we'll keep on fight ing 'til the end.
B‹B‹B‹B‹ GGGG AAAA DDDD F©‹F©‹F©‹F©‹ GGGG D©D©D©D©
12 13 14
MaleVocal
BGV
Piano
We are the champ ions, We are the champ ions, no time for los ers'cause we are the champ ions.
We are the champ ions, We are the champ ions,ooh, ooh, we are the champ ions.
E‹E‹E‹E‹ G‹6G‹6G‹6G‹6 G‡…‹/CG‡…‹/CG‡…‹/CG‡…‹/C DDDD C6/EC6/EC6/EC6/E D‹7/FD‹7/FD‹7/FD‹7/F G(„ˆˆ2)G(„ˆˆ2)G(„ˆˆ2)G(„ˆˆ2)
15 16 17 18
68
128
68
128
68
128
68
128
MALE AUDITION
Once Upon A Time
I'm Feeling Good
2
© 2015 RCCL Productions
PIANO/VOCAL
I'M FEELING GOOD
FemaleVocal
Piano
I'm
q. = 79
C©‹C©‹C©‹C©‹ C©‹7/BC©‹7/BC©‹7/BC©‹7/B AŒ„Š7AŒ„Š7AŒ„Š7AŒ„Š7 C©‹/G©C©‹/G©C©‹/G©C©‹/G© G©‹7G©‹7G©‹7G©‹7
1 2
FemaleVocal
Piano
feel in' good Starswhen youshine
C©‹C©‹C©‹C©‹ C©‹7/BC©‹7/BC©‹7/BC©‹7/B AŒ„Š7AŒ„Š7AŒ„Š7AŒ„Š7 B¨7B¨7B¨7B¨7 E¨‹E¨‹E¨‹E¨‹ E¨‹7/D¨E¨‹7/D¨E¨‹7/D¨E¨‹7/D¨
3 4 5
V.S.
FemaleVocal
Piano
you knowhow I feel. Scent of the pine, you know how I feel. Oh,
C¨Œ„Š7C¨Œ„Š7C¨Œ„Š7C¨Œ„Š7 B¨‹11B¨‹11B¨‹11B¨‹11 E¨‹E¨‹E¨‹E¨‹ E¨‹7/D¨E¨‹7/D¨E¨‹7/D¨E¨‹7/D¨ C¨Œ„Š7C¨Œ„Š7C¨Œ„Š7C¨Œ„Š7 B¨‹7B¨‹7B¨‹7B¨‹7
6 7 8
128
128
128
68
128
68
128
68
128
MALE AUDITION
VOCAL ARRANGEMENTS:TAYLOR ROBERTS
Feeling Good
I'm Feeling Good
FemaleVocal
Piano
free dom is mine, and I knowhow I feel. It's a new dawn, it's a new day, it's a
E¨‹E¨‹E¨‹E¨‹ E¨‹7/D¨E¨‹7/D¨E¨‹7/D¨E¨‹7/D¨ C‹7(b5)C‹7(b5)C‹7(b5)C‹7(b5) C¨Œ„Š7C¨Œ„Š7C¨Œ„Š7C¨Œ„Š7 E¨‹E¨‹E¨‹E¨‹ E¨‹7/D¨E¨‹7/D¨E¨‹7/D¨E¨‹7/D¨
9 10 11
FemaleVocal
Piano
new life. It's a new dawn, it's anew day, it's a new life, it's a new life for
C‹7(b5)C‹7(b5)C‹7(b5)C‹7(b5) C¨Œ„Š7C¨Œ„Š7C¨Œ„Š7C¨Œ„Š7 B¨‹7B¨‹7B¨‹7B¨‹7 E¨‹E¨‹E¨‹E¨‹ E¨‹7/D¨E¨‹7/D¨E¨‹7/D¨E¨‹7/D¨ C‹7(b5)C‹7(b5)C‹7(b5)C‹7(b5) C¨Œ„Š7C¨Œ„Š7C¨Œ„Š7C¨Œ„Š7 E¨‹/B¨E¨‹/B¨E¨‹/B¨E¨‹/B¨
12 13 14
FemaleVocal
Piano
me... And I'm feel in' good. I feel
q. = 69 A tempo
A¨‹7A¨‹7A¨‹7A¨‹7 B¨(#5)B¨(#5)B¨(#5)B¨(#5) E¨‹E¨‹E¨‹E¨‹ E¨‹7/D¨E¨‹7/D¨E¨‹7/D¨E¨‹7/D¨ C¨Œ„Š7C¨Œ„Š7C¨Œ„Š7C¨Œ„Š7 B¨‹11B¨‹11B¨‹11B¨‹11
15 16 17 18
Slower... (this is only a suggestion)(Ms 18-20 is yours to "fill up", this is a suggestion)
(wah-wah gtr)
MALE AUDITION
Once Upon A Time
I'm Feeling Good
2
FemaleVocal
Piano
so good I feel so good
E¨‹E¨‹E¨‹E¨‹ E¨‹7/D¨E¨‹7/D¨E¨‹7/D¨E¨‹7/D¨ C¨Œ„Š7C¨Œ„Š7C¨Œ„Š7C¨Œ„Š7 B¨‹7B¨‹7B¨‹7B¨‹7 E¨‹E¨‹E¨‹E¨‹ E¨‹7/D¨E¨‹7/D¨E¨‹7/D¨E¨‹7/D¨
19 20 21
FemaleVocal
Piano
And I'm feel in' Good!
C¨Œ„Š7C¨Œ„Š7C¨Œ„Š7C¨Œ„Š7 B¨‹7B¨‹7B¨‹7B¨‹7 E¨‹E¨‹E¨‹E¨‹
22 23 24 25 26
(Return 'to the page' here)
MALE AUDITION
Once Upon A Time
I'm Feeling Good
3