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Curriculum Vitae

Philippe PasquierLast updated on June, 2018.

Personal Data

Note: this document is divided into two main parts.The first one covers the scientific and academicdimension of my scholarly work while the second one(starting page 25) addresses the artistic dimension ofmy research practice. This divide, introduced tofacilitate reading, is somewhat artificial as these areoften in synergy.

Work addressSchool of Interactive Arts and Technology (SIAT), Faculty of Communication, Art and Technology, Simon Fraser University, 250-13450, 102 Avenue, SurreyV3T 0A3, BC, Canada

Email: pasquier@sfu.cahttp://www.sfu.ca/pasquier+1 778 989 1240 (mobile)

CitizenshipCanadian, French

Current Position Associate Professor (School of Interactive Art and Technology, Simon Fraser University)

LanguagesEnglish, French

Academic Qualifications

2001-2005 Ph.D. DAMAS [Dialogue, Agent and Multi-Agents Systems] Laboratory, Department of Computer Science and Software Engineering, Laval University, Québec, Canada.Fields: Artificial Intelligence and Cognitive Sciences Thesis: Modelling the Cognitive Dimension of Agent Communication Supervisor: Prof. Brahim Chaib-draa Date: defended on the 30th of June 2005.Keywords: multi-agent systems, agent architecture, communication, social commitments, pragmatics, cognitive coherence, dialogue modelling.Graduate Courses: Machine Learning, Multi-agent Systems, Readings in Social Psychology

2000-2001 DEA (M.Sc.) SUPAERO [Aerospace Institute], UPS [Paul Sabatier University], ENSEEIHT [National Superior School of Electrotechnics, Electronics, Data processing, Hydraulics and Telecommunications], Toulouse, France. Field: Artificial Intelligence: Knowledge Representation and Formalization of Reasoning Thesis : Conflict and Uncertainty in Artificial IntelligenceSupervisor: Prof. Catherine TessierGraduate Courses: Intensive program in Classical and Non-Monotonic Logics (6 half-year courses), Agent Technology, Computational Linguistics, Decision Theory, Complexity.With distinction.

1999-2000 Maitrise (French Master’s Degree, Nantes Science University, France.Computer science with a specialization in Computational Linguistics.

1998-1999 Licence (Honors) Bachelor’s Degree, UCL (Louvain-la-Neuve Catholic University), Belgium.Computer science (B.Sc. Erasmus), with a specialization in Computer Graphics.With distinction (major).

1995-1997 DEUG MIAS (B.Sc.), Nantes Science Faculty, FranceApplied Mathematics and Computer Science.

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Employment

Academic and Research Experience

2013-present Associate Professor. School of Interactive Art and Technology, Faculty of Communication, Art and Technology, Simon Fraser University, Vancouver, Canada.

2011-present Associate Member. Cognitive Science Program, Simon Fraser University, Vancouver,Canada.

2008-2013 Assistant Professor. School of Interactive Art and Technology, Simon Fraser University, Vancouver, Canada.

2005-2007 Research Fellow. (Grade 2). Intelligent Agent Laboratory, Department of Information Systems,University of Melbourne, Australia.Supervisor: Prof. Liz SonenbergProject: Interest-Based Negotiation, with Dr. Frank Dignum and Dr. Iyad Rahwan.Interest-based negotiation improves classical models of automated negotiation by allowing the agents to exchange information about their underlying interests.

2001-2005 Research Assistant. DAMAS Laboratory, Laval University, Québec, Canada.Supervisor: Prof. Brahim Chaib-draaProject: Dialogue between artificial agentsThesis modelling the theoretical and practical aspects of the syntax, the semantics and thepragmatics of agent communication.

1999-2000 Research Assistant. ONERA [French National Aero-space Agency], Toulouse, France.Supervisor: Prof. Catherine TessierProject: Theoretical study of the relationship between conflict and uncertainty in the context of their respective formalizations in the fields of artificial intelligence and multi-agent systems.

1998-1999 Research Assistant. IRIN [Nantes Computer Science Institute], Nantes, France.Supervisors: Prof. Philippe Lamare & Prof. Sylvie CazalensProject: Bonom, an Internet-based multi-agent system implemented in the Java programming language. Bonom was intended to be a multi-agent search engine for on-line and off-line search. A hierarchy of thematic software agents store and answer user queries ina personalized way. Bonom was commissioned by the European Community.

Industrial Experience

2014-present C.E.O Metacreative Technology Inc. Metacreative aims to: (1) transfer the knowledgedeveloped in the Metacreation Lab into real world applications, (2) help students workingon generative systems to transition to the market while these practices are still nascent.Metacreative is supported by SFU VentureLabs.

1997-1998 Software Designer & Programmer. ETPO (French Public Works Company), Nantes, France.Designer and developer of civil engineering software systems. The project involved theprogramming of a large object-oriented system and database processing in C++.

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Teaching Experience at Simon Fraser University (SIAT)

As Instructor

Fall 2017 IAT 320 Body Interfaces 4h lecture + workshop 24 studentsSpring 2017 IAT 380 Generative Art and Computational Creativity (online) 3596 studentsSpring 2017 IAT 340 Sound Design 2h lecture + 1.5h lab 96 studentsSpring 2017 IAT 805 Research Colloquium 2h colloquium 21 studentsFall 2016 IAT 805 Research Colloquium 2h colloquium 23 studentsSpring 2015 IAT 833 Performance and Technology 3h lecture + 3h rehearsal 7 studentsFall 2014 IAT 340 Sound Design 2h lecture + 1.5h lab 96 studentsSpring 2014 IAT 340 Sound Design 2h lecture + 1.5h lab 49 studentsFall 2013 IAT 800 Computational Art and Design 3h lecture + 1.5h lab 15 studentsSpring 2013 IAT 847 Metacreation 3h lecture 8 studentsFall 2012 IAT 800 Computational Art and Design 3h lecture + 1.5h lab 13 studentsSpring 2012 IAT 380 Sound Design 2h lecture + 1.5h lab 53 studentsSpring 2012 IAT 405 Capstone: Performance & Tech 1.5h lecture + 1.5h lab 24 studentsFall 2011 IAT 403 Capstone: Performance & Tech 1.5h lecture + 1.5h lab 25 studentsFall 2011 IAT 833 Performance and Technology 3h lecture + 3h rehearsal 9 studentsFall 2011 IAT 800 Computational Art and Design 3h lecture + 1.5h lab 11 studentsSpring 2011 COGS 300 Select Top. In Cognitive Sciences 3h lecture 7 studentsSpring 2011 IAT 847 Metacreation 3h lecture 7 studentsFall 2010 IAT 380 Sound Design 2h lecture + 1.5h lab 67 studentsFall 2010 IAT 800 Computational Art and Design 3h lecture + 1.5h lab 14 studentsSpring 2010 IAT 455 Computational Media 2h lecture + 1.5h lab 20 students Spring 2010 IAT 881: Special top: Perf and Tech 3h lecture + 3h rehearsal 10 students Fall 2009 IAT 380 Sound Design 2h lecture + 1.5h lab 72 studentsFall 2009 IAT 881: Special top: Metacreation 3h lecture 5 studentsSpring 2008 IAT 811: Computational Poetics 3h lecture 3 students

Other teaching activities

Spring 2015 IAT 488: Directed Reading (Generative Music) 1 studentFall 2014 IAT 488: Directed Reading (Sound Synthesis) 3 studentsFall 2014 IAT 873: Directed Reading (BCI-based Interactive Art) 1 studentSpring 2012 IAT 405: Research Capstone (Audio Game) 1 studentFall 2011 IAT 405: Research Capstone (Generative Comics) 1 studentFall 2010 IAT 873: Directed Reading (Emergence in Interactive Arts) 1 studentSummer 2010 IAT 486: Directed Reading (Sound Mixing) 1 student Spring 2008 IAT 873: Directed Reading (Generative Arts) 1 student

Teaching Experience at Laval University, Dep. of Comp. Sc. and Soft. Eng. (Quebec, Canada)

Instructor

Fall 2003 IFT-20403A Visual Basic & Applications 3h lecture 120 students Teaching Assistant

Spring 2003 IFT-15787 Artificial Intelligence II 1.5h labs 24 studentsFall 2002 IFT-15751 Theoretical Computer Science 1.5h labs 42 students

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Spring 2002 IFT-22248 Databases 1.5h labs 48 studentsFall 2001 IFT-20327 Web Design 1.5h labs 46 students

Teaching Experience at INSA, National Institute of Applied Sciences (Toulouse, France)

Teaching Assistant

Spring 2000 CPSC-533 Project Management 1.5h labs 32 students

Teaching Assistant Supervision

Fall 2017 IAT 320 Body Interfaces Henry Li Msc (SIAT)Spring 2017 IAT 340 Sound Design Kivanc Tatar, PhD (SIAT)Spring 2017 IAT 340 Sound Design Yasamin H. Dehkordi PhD (SIAT)Spring 2017 IAT 805 Research Colloquium William Lee Msc (SIAT)Fall 2006 IAT 805 Research Colloquium Mahsoo Salimi PhD (SIAT)Spring 2015 IAT 833 Performance and Technology Carey Dodge Independent artistFall 2014 IAT 340 Sound Design Leo Stefanson MFA (ECUAD)Fall 2014 IAT 340 Sound Design Paul Parockzai MFA (SCA, SFU)Spring 2014 IAT 340 Sound Design Chris Anderson PhD (SIAT)Fall 2013 IAT 800 Computational Art and Design Miles Thorogood PhD (SIAT)Fall 2012 IAT 800 Computational Art and Design Omid Alemi PhD (SIAT)Spring 2012 IAT 380 Sound Design Carlos Castellanos PhD (SIAT)Spring 2012 IAT 405 Capstone: Performance & Tech Jimmy Kokol Undergr. (SCA)Fall 2011 IAT 403 Capstone: Performance & Tech Jamie Griffith Independent ArtistFall 2011 IAT 403 Capstone: Performance & Tech Brady Marks Independent ArtistFall 2011 IAT 833 Performance and Technology Kristin Carlson Msc (SIAT)Fall 2011 IAT 800 Computational Art and Design Salvar Siguroarson MSc (SIAT)Fall 2010 IAT 380 Spec. Top. Sound Design Andrew Hawrishkewich Msc (SIAT)Fall 2010 IAT 800 Computational Art and Design Mina Soltangheis Msc (SIAT)Spring 2010 IAT 455 Computational Media Pooya Amini Msc (SIAT)Spring 2010 IAT 881: Special top: Perf and Tech Greg Corness PhD (SIAT)Fall 2009 IAT 380 Spe top. Sound Design Andrew Hawrishkewich Msc (SIAT)Fall 2003 IFT-20403A Visual Basic & Applications N/A Undergr. (ULaval)

Professional Development

− Instructional Skills Workshop, 3 days intensive workshop at SFU Teaching and LearningCentre, 2010.

− Clear Speech: an exploration of vocal techniques to enhance your teaching communication,March 7, 14, 21, & 28 at SFU Teaching and Learning Centre, 2011.

− Media Training Workshop, SFU, 19 th and 26th January 2012.− Symposium on Teaching and Learning: Leading Change @ SFU, 2 days of panel

presentations regarding key teaching and learning initiatives to enhance student's learningexperiences, May 16-17, SFU Burnaby, 2012.

− GRAND's Digital Wave, Technology for Digital Media SMES & Start-ups, August 15 th, 11am-5pm, Harbour Centre, Vancouver, 2013.

− Copyright in the Classroom, workshop organized by SFU Copyright Office, February 20th,10-11am, SFU Surrey, 2014.

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− Rethinking Teaching Workshop, 4 days intensive workshop, SFU Teaching and LearningCentre, 28-29 April and 2-3rd May 2016.

Supervisory Experience

Main / Senior Supervisor

Undergraduate Research Assistants (in the Metacreation Labs):− David Bourget (co-supervised with Brahim Chaib-draa, Laval University, Fall 2003): Agent

communication, development of the DGS (Dialogue Game Simulator). − Benjamin Rivallant (co-supervised with Brahim Chaib-draa, Laval University, Summer

2003): Agent communication, development of a cognitive coherence simulator (continuous version)− Nicolas Andrillon (ENSEIHT engineering student, co-supervised with Brahim Chaib-draa,

Laval University, Winter 2004): Agent communication, integration of a cognitive coherencesimulator (discrete version) in the DGS system.

− Noemie Perona (ENSPS engineering student, SIAT/SFU, 2009): Genetic programming of PureData patches.

− Ivan Kwiatkowski (ISIMA engineering student, SIAT/SFU, 2009): Social Coherence inMultiagent Systems: implementation of a prototype simulator.

− Adam Burnett (Fall 2011, Spring-Summer 2012, CogSci/SFU): Empirical Evaluation ofComputational Musical Creativity.

− Ramy Gorgis, (Fall 2012, SIAT/SFU): Generative Comics and Web Design.Now student at Concordia University.

− Konstantinos Poulakidas (Summer - 2014, Summer 2016, CS/SFU): Web Development.Professional occupation: Web developer at SFU.

− Tristan Bayfield (co-supervised with Arne Eigenfeldt, Fall 2013 – withdrawn), CS/SFU):Corpus Database Development

− Lee Cannon-Brown (co-supervised with Arne Eigenfeldt. Summer 2015 – summer 2016),SCA/SFU: Transcription and curation of corpus for the Style Machine. Now in Master at the University of Chicago.

− Nathan Marsh (Fall 2015 – ongoing), SCA/SFU: Soundscape Composition and Corpus Analysis.− Andrew Feltham (co-supervised with Miles Thorogood), Fall 2015 – ongoing, CS/UBC:

Interactive Web Interface for the World Soundscape Engine − Lucía Sepúlveda Walls (MITACS intern from Tecnológico de Monterrey (ITESM)), Summer

2016: Camera movement automation for MaVi. − Dhruv Bhatia (BBA, SFU), Summer 2016: MatLab data preparation.

Post-Graduate Research Assistants (in the Metacreation Lab):− Denis Lebel (McGill) Spring – Summer 2010: Genetic programming of Pure Data patches− Nicolas Gonzales (external consultant at the time), Fall 2010: Genetic programming of Pure

Data patches. − Chris Anderson (MFA, SCA, SFU), Fall 2011 – Spring 2013: Generative Electronica Research

Project (GERP). Now developer at DASZ Instruments Inc (Vancouver).− Matthew Gingold (external consultant), Summer 2012 – ongoing: Longing and Forgetting,

Surrey Urban Screen Project.− Robert Arnt (Graphic Designer), Summer 2014 – Spring 2015: Lab re-branding. − Alexandra Spence (MFA, SCA, SFU), Fall 2015-Summer 2016: Soundscape Composition and

Corpus Analysis.

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− Cale Plut (MFA, SCA, SFU), Summer 2016 – Summer 2017: Unity developer for generativesystems

− Philippe Bertrand (Composer and Sound Designer), Summer 2015 - ongoing: MetacreationLab Studio Engineer and Producer.

Master Internship (in the Metacreation Lab): − M.A. Uday Shankar (National Design Institute of India, SIAT/SFU, 2009): Virtual Agents for

Virtual Soccer. Now CEO at Nucreus Inc.

− M.A., Madhavi Kulkarni (National Design Institute of India, SIAT/SFU, 2009): Virtual Agentsfor Virtual Cricket. Now Creative Director at Nucreus Inc.

− M.Sc. Laurent Droget (IRCAM, France, Spring 2012 – Summer 2012): Genetic Algorithms forAutomatic Synthesizers Parameters Setting.

− M.Sc., Sunny Zhang (SIAT/SFU, co-supervised with Thecla Schiphorst), Fall 2015 – Fall 2017:Aesthetic Movement Visualization.

Master Students (in the Metacreation Lab): − M.Sc., Marc-André Labrie (co-supervised with Brahim Chaib-draa, Laval University), Fall

2002 – Spring 2004, DIAGAL: Dialogue Game Agent Language − M.Sc., Mathieu Bergeron (co-supervised with Brahim Chaib-draa, Laval University), Fall

2003 – Spring 2005. DIAGAL: Dialogue Games Simulator− M.Sc., Ramon Hollands (co-supervised with Frank Dignum, University of Melbourne/

Utrecht University), Fall 2005 – Summer 2007. Interest-based Negotiation Simulator− M.A., Alexander Matesco (SIAT/SFU), Spring 2008, withdrawn (Fall 2009, family relocation):

Empirical qualitative evaluation of electro-acoustic music composition tools. − M.A., Matthew Rosen (SFU/SIAT), Fall 2009, withdrawn (Spring 2010, family relocation). − M.Sc., Andrew Hawryshkewich (SIAT/SFU), Fall 2008 – Fall 2011: BeatBack: Augmented and

Generative Drumming − M.Sc., Alireza Davoodi (SIAT/SFU), Fall 2008 – Spring 2011: Multi-Agent Area Coverage − M.A., Laura Lee Coles (SIAT/SFU), Fall 2009 – Summer 2012: New Media Production in

Natural Settings. Now artistic director at LoCoMoCoArt.− M.Sc., Matthieu Macret (SIAT/SFU), Fall 2010 – Summer 2013: Genetic Algorithms for

Automatic Calibration of the OP-1 synthesizer. Now senior developper at − M.Sc., Uros Kradinac (SIAT/SFU), Fall 2010 – withdrawn Spring 2011, medical reasons.− M.Sc., Nicolas Gonzales (SIAT/SFU), Fall 2011 – Spring 2017: Quantitative Evaluation of Style

Imitation Systems.− M.Sc., Sohail Md (SIAT/SFU), Fall 2013 – withdrawn Fall 2013: Novelty Search for Music

Composition.− M.Sc, Alejandro Van Zandt-Escobar (SIAT/SFU), Fall 2014 – withdrawn Spring 2015:

Movement signal Processing.− M.Sc, William Li (SIAT/SFU), Fall 2014 – Spring 2018: Machine Learning for Movement Affect

Recognition.

Ph.D. Students: − Karim Muhammad Ridwanul a.k.a. Samin (co-supervised with Liz Sonenberg, The

University of Melbourne), Fall 2005 – Spring 2009: Plans as an Outcome of Learning in HybridAgent Architecture.

− James Maxwell (SCA/SFU, co-supervised with Arne Eigenfeldt), Fall 2008 – Fall 2014:Generative Computer-Assisted Composition Tools based on Cognitive Models.

− Benjamin Bogart (SIAT/SFU), Fall 2009 – Fall 2014: A Machine that Dreams

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− Erick Martinez (SIAT/SFU), Fall 2009 – Summer 2012 (withdrawn for medical reasons): ACoherentist Approach to Social Control and Social Organisation in MAS.

− Pattarawut Subyen (SIAT/SFU, co-supervised with Thecla Schiphorts), Fall 2009 – Fall 2014:Aesthetic Generative Visualisation of Movement Qualities. Now Chair of the Department ofCommunication Design at Bangkok University (Thailand).

− Graeme McCaig (SIAT/SFU, now supervised by Steve DiPaola), Fall 2011 – Fall2012: Deep-Learning for Visual Creativity.

− Miles Thorogood (SIAT/SFU), Fall 2011 – Spring 2018: Automatic Soundscape Generation.− Omid Alemi (SIAT/SFU), Fall 2012 – ongoing: Deep Learning for Expressive Movement

Generation.− Kıvanç Tatar (SIAT/SFU), Fall 2014 – ongoing: Musical Agent Architecture.− Jianyu Fan (SIAT/SFU), Fall 2014 – ongoing: Soundscape Emotion Recognition− Arron Ferguson (SIAT/SFU), Fall 2016 – ongoing: Narrative Generation and Procedural Content

Generation.− Cale Plut (MFA, SCA, SFU), Fall 2017 – ongoing: Generative Music for Video Games.− Mirjana Prpa (SIAT/SFU), Fall 2017 – ongoing: Virtual Reality for Breath Regulation.− Jeff Ens (SIAT/SFU), Fall 2016 – ongoing: Deep Learning for Multi-corpus Style Imitation− Renaud Bougueng Tchemeube (SIAT/SFU), Spring 2018 – ongoing: Deep Learning for

Computer-assisted Creativity− Ronald Boersen (SIAT/SFU), Spring 2018 – ongoing: Creative Multi-agent Systems

Postdoctoral Fellows

− Dr. Corey Kereliuk (SIAT/SFU), Fall 2012 – Summer 2013: Sparse Audio Encoding− Dr. James Maxwell (SCA/SFU), Fall 2014 – Fall 2016: Bias against computational creativity

Supervising and Examination Committees

Master Students:− M.A., Jack Stockholm (SIAT/SFU), Spring 2008 – Fall 2010: Eavesdropping, Mood-based

Networked Audio Performance Tool with Reinforcement Learning. − M.Sc., Ben Bogard (SIAT/SFU), M.Sc. Spring 2008 – Fall 2010: Visual art with Self-Organised

Map (Kohonen Network)− M.Sc., Nathan Sorenson (SIAT/SFU), Fall 2008 – Fall 2010: Automated Video Games Level

Generation − M.Sc., Lorn McIntosh (SIAT/SFU), Fall 2009 – Fall 2011: Virtual Agent Animation − M.A., Kristin Carlson , (SIAT/SFU), Fall 2009 – Summer 2011: Computational Creativity and

Dance Choreography− M.Sc., Justin Love (University of Victoria), Fall 2009 – Fall 2012: Agent-based Non-

Photorealistic Rendering− M.Sc Jordon Phillips (SIAT/SFU), Fall 2013 – Fall 2015: iDanceForm: Digital Movement

Processing.

Ph.D. Students: − Greg Corness (SIAT/SFU, senior: Pr. Thecla Schiphorst), Spring 2008 – Summer 2013:

Modelling Performers' Intuition in Human-Computer Interaction during Live Performance.− Carlos Castellanos (SIAT/SFU, senior: Pr. Diana Gromala), Spring 2008 – Spring 2014:

Symbiogenesis in Interactive Installations − Parjad Sharifi (SIAT/SFU: senior: Pr. Thecla Schiphorst), Fall 2008 – Fall 2016: TBD

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− Kristin Carlson, (SIAT/SFU, senior: Pr. Thecla Schiphorst), Fall 2011 – Fall 2016:Computational Creativity in Dance and Choreography

− Nouf Abukhodair, (SIAT/SFU, senior: Pr. Steve DiPaola), Fall 2011 – Fall 2017: AIProgramming for Creative Applications.

− Matt Lockyer (SIAT/SFU, senior: Pr. Lyn Bartram), Fall 2012 – ongoing: Affective MotionTextures

Jury Member and External Examiner

Ph.D. Students:− Robin Oppenheimer (SIAT/SFU), External examiner for comprehensive examination, Fall

2008.− Christian Guttmann (Monash University, Melbourne, Australia), External examiner for PhD

thesis defence, Fall 2008.− Jason Heard (University of Calgary), External examiner for PhD thesis defence, Summer

2013.− Naghmi Shireen (SFU/SFU), Internal examiner for comprehensive examination, Summer

2013: Computer Assisted Design.− Phil Lopez (University of Malta), external examiner for PhD defence, Fall 2017 .− Marco Scirea (ITU Copenhagen), external examiner for PhD defence, Fall 2017 .

Masters Students:− Rafael Puyana (ECUAD, Vancouver), External examiner for MFA thesis defence, Summer

2013.

Academic Publications (* for graduate students, and post-doctoral fellows) Note about co-authorship: As a rule, the member of the team in charge of preparing the manuscript (often aspart of their research training) is listed as first author. For co-authors, the ordering of names does not reflecttheir level of contribution in the work presented.

Refereed Journals

1. Kivanc Tatar*, Philippe Pasquier. Musical Agents: a Typology and State of the Art. Accepted tothe Journal of New Music Research, to appear, 2018.

2. Jianyu Fan*, Miles Thorogood*, Bernhard Riecke, Philippe Pasquier. Automatic Soundscape AffectRecognition using a dimentional approach. Journal of the Audio Engineering Society - Special Issue onIntelligent Audio Processing, vol. 64, no. 9, pp. 646-653, Oct 2016.

3. Miles Thorogood*, Jianyu Fan*, Philippe Pasquier. Soundscape Audio Signal Classification andSegmentation Using Listeners Perception of Background and Foreground Sound. Journal of the AudioEngineering Society - Special Issue on Intelligent Audio Processing, vol. 64, no. 7/8, pp. 484-492, July 2016.

4. Philippe Pasquier, Oliver Bown, Arne Eigenfeldt, Schlomo Dubnov, An Introduction to MusicalMetacreation, ACM Computers in Entertainment (CiE), special issue on Musical Metacreation, vol. 14, no. 2, 14pages, 2016.

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5. Kıvanç Tatar*, Matthieu Macret, Philippe Pasquier, Automatic Synthetizer Preset Generation withPresetGen, Journal of New Music Research (JNMR), vol. 45, no. 2, pp. 124-144, May 2016 .

6. Uros Krcadinac*, Jelena Jovanovic, Vladan Devedzic, Philippe Pasquier, Textual Affect Communicationand Evocation Using Abstract Generative Visuals, IEEE Transactions on Human-Machine Systems, IEEEPress, 2016, vol. 46, no. 3, pp. 370-379, IEEE Press, 2016.

7. Laura Lee Coles*, Philippe Pasquier, Digital Eco-Art: Transformative Possibilities, Digital Creativity, Vol26, Num. 1, p. 3-15, April 2015. (appeared on the list of the most read papers of Taylor and Francis for2015).

8. Jeremy Turner*, Michael Nixon*, Philippe Pasquier, Qiezli – A “Self-Absorbed” Creative Virtual Agent inSecond Life, Journal of Metaverse Creativity, 2015.

9. Arne Eigenfeldt*, Miles Thorogood*, Jim Bizzocchi, Philippe Pasquier, MediaScape: Towards a Video,Music, and Sound Metacreation, Journal of Science and Technology of the Arts, CITARJ, vol. 6, no. 1, pp. 61-73, 2014.

10. Uros Krcadinac*, Philippe Pasquier, Jelena Jovanovic, Vladan Devedzic, Synesketch: An Open SourceLibrary for Sentence-based Emotion Recognition, IEEE Transactions on Affective Computing, vol. 4, no. 3,pp. 312-325, 2013.

11. Sohan D’souza*, Ya’akov Gal, Philippe Pasquier, Sherief Abdallah, Iyad Rahwan. Reasoning about GoalRevelation in Human Negotiation, IEEE Intelligent Systems, vol. 28, num. 2, pp. 74-80, 2013.

12. Ben Bogart*, Philippe Pasquier, Context Machines: A Series of Situated and Self-Organising Artworks , Leonardo, MIT Press, vol. 46, num. 2, pp. 114-122, 2013 (with covert artwork).

13. Philippe Pasquier, Ramon Hollands*, Iyad Rahwan, Frank Dignum, Liz Sonenberg. An Empirical Studyof Interest-Based Negotiation, Journal of Autonomous Agents and Multi-Agent Systems, vol. 22, num. 2, pp.249-288, Springer, 2011.

14. Noor Shaker, Julian Togelius, Georgios Yannakakis, Ben Weber, Tomoyuki Shimizu, TomonoriHashiyama, Nathan Sorenson*, Philippe Pasquier, Peter Mawhorter, Glen Takahashi, Gillian Smith,Robin Baumgarten, The 2010 Mario AI Championship: Level Generation Track, IEEE Transactions onComputational Intelligence and AI in Games, vol. 3, num. 4, pp. 332-347, August 2011.

15. Nathan Sorenson*, Philippe Pasquier, Steve Dipaola, A Generic Approach to Challenge Modeling for theProcedural Creation of Video Game Levels, IEEE Transactions on Computational Intelligence and AI in Games,vol. 3, num. 3, pp. 229-244, 2011.

16. Philippe-Aubert Gauthier, Philippe Pasquier. Auditory Tactics, Leonardo, MIT Press, vol. 43, num. 5, pp.426-433, October 2010.

17. Arne Eigenfeldt, Philippe Pasquier. Real-Time Timbral Organisation: Selecting Samples Based UponSimilarity, Organized Sound, vol. 15, num. 2, pp. 159-166, Cambridge University Press, 2010.

18. Iyad Rahwan, Philippe Pasquier, Liz Sonenberg, Frank Dignum. Formal Analysis of Interest-basedNegotiation, Annals of Mathematics and Artificial Intelligence, vol. 55, num. 3-4, pp. 253-276, Springer , 2009.

19. Roberto Flores, Philippe Pasquier, Brahim Chaib-draa. Conversational Semantics with Social Commit-ments, Journal of Autonomous Agents and Multi-Agent Systems, vol. 14, num. 2, pp. 165-186, 2007.

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20. Brahim Chaib-draa, Nicolas Maudet, Marc-André Labrie, Mathieu Bergeron, Philippe Pasquier.DIAGAL: An Agent Communication Language Based on Dialogue Games and Sustained by SocialCommitments, Journal of Autonomous Agents and Multi-Agent Systems, vol. 13, num. 1, pp. 61-93, 2006.

21. Philippe Pasquier, Brahim Chaib-draa. Agent Communication Pragmatics: The Cognitive CoherenceApproach, Cognitive Systems, Eds. Ron Sun, Elsevier, vol. 6, num. 4, pp. 364-395, December 2005 .

22. Philippe Pasquier. Modèles des dialogues entre agents cognitifs : un état de l’art, In Cognito — CahiersRomans de Sciences Cognitives, International Journal in Roman Languages, ISSN 1267-8015, pp. 77-135, vol.1, num. 4, France, 2004.

Refereed International Conferences & Workshops (full papers)

23. Jeff Ens*, Philippe Pasquier, A Cross-Domain Analytic Evaluation Methodology fo Style Imitation , InProceedings of the 9th International Conference on Computational Creativity (ICCC), Salamanca, Spain, 2018.BEST PAPER AWARD.

24. William Li*, Omid Alemi, Jianyu Fan, and Philippe Pasquier. Ranking-Based Affect Estimation of MotionCapture Data in the Valence-Arousal Space. In Proceedings of the 5th International Conference on Movementand Computing (MOCO). Genoa, Italy. 2018.

25. Weina Jin*, Jianyu Fan*, Diane Gromala, Philippe Pasquier Automatic Prediction of Cybersickness forVirtual Reality Games, IEEE Games Entertainment and Media Conference (IEEE GEM), Ireland, August 2018(to appear).

26. Jianyu Fan*, Miles Thorogood, Kivanc Tatar, Philippe Pasquier, Quantitative Analysis of the Impact of Mixing on Perceived Emotion of Soundscape Recordings ., Sound and Music Computing(SMC), Limassol, Cyprus, 2018.

27. Jianyu Fan*, Fred Tung, William Li, and Philippe Pasquier, Soundscape Emotion Recognition via DeepLearning. Sound and Music Computing (SMC), Limassol, Cyprus, 2018.

28. Mirjana Prpa*, Kivanc Tatar*, Jules Francoise, Bernhard Riecke, Thecla Schiphorts, and Philippe Pasquier.Attending to Breath: Exploring how the cues in virtual environment guide the attention to breath andshape the quality of experience to support mindfulness . Designing Interactive Systems (DIS), Honk Kong,2018. (400+submissions, 23% acceptance rate, to appear)

29. Mirjana Prpa*, Kivanc Tatar*, Thecla Schiphorts, and Philippe Pasquier. Respire: A Breath Away from theExperience in Virtual Environment. In Extended Abstracts of the Conference on Human Factors inComputing Systems (CHI’18), 2018, Montreal, QC, Canada, 2018.

30. Kivanc Tatar*, Remy Siu, and Philippe Pasquier. REVIVE: An audio-visual performance with musical andvisual artificial intelligence agents. In Extended Abstracts of the Conference on Human Factors inComputing Systems (CHI’18), 2018, Montreal, QC, Canada, 2018.

31. Mirjana Prpa*, Philippe Pasquier. BCI-Art: A typology and state of the Art, BCI Art workshop atConference on Human Factors in Computing Systems (CHI 18) , 2018, Montreal, QC, Canada, 2018.

32. Min Fan, Jianyu Fan, Sheng Jin, Alissa N. Antle, and Philippe Pasquier, EmoStory: A Game-based SystemSupporting Children's Emotional Development. In Extended Abstracts of the Conference on HumanFactors in Computing Systems (CHI 18), ACM Press, Montreal, Canada, 2018.

33. Jeff Ens, Bernhard Riecke, and Philippe Pasquier, The Significance of the Low Complexity Dimension in Music Similarity Judgements, In Proceedings of the 18th International Society for Music Information Retrieval Conference (ISMIR), Suzhou, China, 2017.

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34. Omid Alemi* and Philippe Pasquier. WalkNet: A Neural-Network-Based Interactive Walking Controller.In the Proceedings of the 7th International Conference on Intelligent Virtual Agents (IVA) . Stockholm, Sweden.2017.

35. Omid Alemi*, Jules Françoise, and Philippe Pasquier. GrooveNet: Real-Time Music-Driven DanceMovement Generation using Artificial Neural Networks. Workshop on Machine Learning for Creativity, 23rdACM SIGKDD Conference on Knowledge Discovery and Data Mining. Halifax, Nova Scotia - Canada. 2017.

36. Jim Bizzocchi, Arne Eigenfeldt, Philippe Pasquier, Jianyu Fan* and Le Fang*. Berlin Remix, In Proceedingsof the International Conference on Electronic Visualisation and the Arts (EVA) , London, 2017.

37. Jianyu Fan*, Miles Thorogood, and Philippe Pasquier, Emo-Soundscape: A Database for Soundscape Emotion Recognition. In Proceedings of the Affective Computing and Intelligent Interaction (ACII), Texas, USA, 2017.

38. Jianyu Fan*, Kivanc Tatar, Miles Thorogood, and Philippe Pasquier, Ranking-Based Experimental MusicEmotion Recognition. In Proceedings of the 18th International Society for Music Information Retrieval Conference (ISMIR), Suzhou, China, 2017.

39. Jianyu Fan*, Philippe Pasquier, Louisa Fadel, and Jim Bizzocchi, ViVid - A Video Feature Visualization Engine. In Proceedings of the 19th International Conference on Human-Computer Interaction (HCII) , Vancouver, Canada, 2017.

40. Mirjana Prpa*, Kıvanç Tatar*, Bernhard Riecke, and Philippe Pasquier, The Pulse Breath Water System:Exploring Breathing as an Embodied Interaction for Enhancing the Affective Potential of Virtual Reality .In Proceedings of International Conference on Human Computer Interaction (HCII) , Vancouver, BC, Canada.

41. Kıvanç Tatar*, and Philippe Pasquier, MASOM: A Musical Agent Architecture based on Self-Organizing Maps, Affective Computing, and Variable Markov Models. In Proceedings of the 5th International Workshop on Musical Metacreation (MuMe 2017).

42. Jianyu Fan*, William Li, Jim Bizzocchi, Justine Bizzocchi, Philippe Pasquier. DJ-MVP: an automatic MusicVideo Producer, In Proceedings of the 12th ACM Advances in Computer Entertainment (ACE 2016), Osaka,Japan, 2016. BRONZ PAPER AWARD.

43. Philippe Pasquier, Adam Burnett*, Nicolas Gonzales, James Maxwell, Arne Eigenfeldt, Tom Loughin.Investigating Listener Bias Against Musical Metacreativity . In Proceedings of the 7th International Conferenceon Computational Creativity (ICCC 2016), Paris, France, 2016.

44. Kristin Carlson*, Philippe Pasquier, Herbert H. Tsang, Jordon Philips, Thecla Schiphorst, Tom Calvert. CoChoreo: A Generative Feature in iDanceForms for Creating Novel Keyframe Animation for Choreography. In Proceedings of the 7th International Conference on Computational Creativity (ICCC 2016), Paris, France, 2016.

45. Carl Malmstrom*, Yaying Zhang*, Philippe Pasquier, Thecla Schiphorst, Lyn Bartram. MoComp: A Tool for Comparative Visualization between Takes of Motion Capture Data . In Proceedings of the 3rd InternationalSymposium on Movement and Computing (MOCO 2016), Thessaloniki, Greece, 2016.

46. Ulysses Bernadet*, Dhruv Adhia, Norman Jaffe, Johnty Wang, Michael Nixon, Omid Alemi, Jordon Philips*, Steve DiPaola, Philippe Pasquier, Thecla Schiphorst. m+m: A novel Middleware for Distributed, Movement based Interactive Multimedia Systems. In Proceedings of the 3rd International Symposium on Movement and Computing (MOCO 2016), Thessaloniki, Greece, 2016.

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47. William Li*, Lyn Bartram, Philippe Pasquier. Techniques and Approaches in Static Visualization of Motion Capture Data. In Proceedings of the 3rd International Symposium on Movement and Computing (MOCO 2016), Thessaloniki, Greece, 2016.

48. William Li*, Philippe Pasquier. Automatic Affect Classification of Human Motion Capture Sequences in the Valence-Arousal Model. In Proceedings of the 3rd International Symposium on Movement and Computing (MOCO 2016), Thessaloniki, Greece, 2016.

49. Jim Bizzocchi, Arne Eigenfeldt, Philippe Pasquier, Miles Thorogood*. Seasons II: a case study in Ambient Video, Generative Art, and Audiovisual Experience. Electronic Literature Organization Conference. Victoria, Canada, 2016

50. Miles Thorogood,* Jianyu Fan,* Philippe Pasquier. BF-Classifier: Background/Foreground Classification and Segmentation of Soundscape Recordings. In Proceedings of the Audio Mostly 2015 on Interaction With Sound (AM'15). Thessaloniki, Greece, ACM, Article 32, 6 pages, 2015.

51. Jianyu Fan*, Miles Thorogood*, Philippe Pasquier, Automatic Recognition of Eventfulness and Pleasantness of Soundscape Recordings. In Proceedings of the Audio Mostly 2015 on Interaction With Sound (AM'15). Thessaloniki, Greece, ACM, Article 33, 6 pages, 2015.

52. Omid Alimi*, William Li*, Philippe Pasquier, Affect-Expressive Movement Generation with FactoredConditional Restricted Boltzmann Machines, International Conference on Affective Computing and IntelligentInteraction ACII, pp. 442-448, Xian, China, 2015.

53. Daniel Hawkins,* Devin Cook*, Philippe Pasquier, Comedy53: An Approach for Creating ComputerGenerated Humorous Comics, I n Proceedings of the 21st International Symposium on Electronic Art(ISEA2015). Vancouver, British Columbia, Canada, 2015.

54. Shannon Cuykendall*, Michael Junokas*, Mohammad Amanzadeh*, David Kim Tcheng*, Yawen Wang,Thecla Schiphorst, Guy Garnett, and Philippe Pasquier. Hearing movement: how taiko can informautomatic recognition of expressive movement qualities . In Proceedings of the 2nd International Workshop onMovement and Computing (MOCO), pp. 140-147. ACM Press, 2015.

55. Shannon Cuykendall*, Michael Junokas*, Kyungho Lee*, Mohammad Amanzadeh*, David Kim Tcheng*,Yawen Wang, Thecla Schiphorst, Guy Garnett, and Philippe Pasquier. Translating Expression in TaikoPerformance. In Proceedings of the 21st International Symposium on Electronic Art (ISEA2015). Vancouver,British Columbia, Canada, 2015.

56. Arne Eigenfeldt, Miles Thorogood*, Jim Bizzocchi, Philippe Pasquier, Tom Calvert, (2014) Video, Music,and Sound Metacreation, xCoAx, Porto, Portugal, 2014.

57. Matthieu Macret*, Philippe Pasquier, Automatic design of sound synthesizers as Pure Data patches usingCoevolutionary Mixed-typed Cartesian Genetic Programming, Conference in Genetic and EvolutionaryComputation (GECCO-2014), Vancouver, Canada, pp 309-316, ACM Press, 2014.

58. Omid Alemi*, Philippe Pasquier, Chris Shaw, Mova: Interactive Movement Analytics Platform,Proceedings of the first International Workshop on Movement and Computation (MOCO'14) , Ircam, CentrePompidou, Paris, France, June 16-17 2014, pp. 37-45, ACM Press, 2014 (44% acceptance rate).

59. Diego Silang Maranan*, Sarah Fdili Alaoui*, Thecla Schiphorst, Philippe Pasquier, Pattarawut Subyen*,Lyn Bartram, Designing For Movement: Evaluating Computational Models using LMA Effort Qualities ,Proceedings of the 2014 CHI Conference on Human Factors in Computing Systems Proceedings (CHI 2014),Toronto, Canada, 2014.

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60. Nicolas T. Gonzales*, Philippe Pasquier, Arne Eigenfledt, James Maxwell*, A Methodology for theComparison of Melodic Generation Models using META-MELO , Proceedings of the XXth InternationalSymposium on Music Information Retrieval (ISMIR 2013), pp. 561-566, Curitiba, Brazil, 2013.

61. Arne Eigenfeldt, Oliver Bown, Philippe Pasquier, Aengus Martin, The First Musical MetacreationWeekend: Towards a Taxonomy of Musical Metacreation, Proceedings of the Second International Workshopon Musical Metacreation (MUME-2013), in conjunction with the Ninth Annual AAAI Conference on ArtificialIntelligence and Interactive Digital Entertainment (AIIDE-13), Boston, AAAI Technical Report WS-13-32,AAAI Press, 2013.

62. Christopher Anderson*, Arne Eigenfeldt, Philippe Pasquier, The Generative Electronic Dance MusicAlgorithmic System (GEDMAS), Proceedings of the Second International Workshop on Musical Metacreation(MUME-2013), in conjunction with the Ninth Annual AAAI Conference on Artificial Intelligence and InteractiveDigital Entertainment (AIIDE-13), Boston, AAAI Technical Report WS-13-32, AAAI Press, 2013.

63. Oliver Bown, Arne Eigenfeldt, Philippe Pasquier, Ben Carey, Aengus Martin, The Musical MetacreationWeekend: Challenges arising from the live presentation of musically metacreative systems, Proceedings ofthe Second International Workshop on Musical Metacreation (MUME-2013), in conjunction with the NinthAnnual AAAI Conference on Artificial Intelligence and Interactive Digital Entertainment (AIIDE-13), Boston,AAAI Technical Report WS-13-32, AAAI Press, 2013.

64. Matthieu Macret*, Philippe Pasquier, Automatic Tuning of the OP-1 synthesizer Using a Multi-ObjectiveGenetic Algorithm, In Proceedings of the 10th Sound and Music Computing Conference (SMC-2013), Stockholm,Sweden, pp. 614-621, Logos Verlag, Berlin, 2013.

65. Corey Kereliuk*, Philippe Depalle, Philippe Pasquier, Audio Interpolation and Morphing via Structured-Sparse Linear Regression, In Proceedings of the 10th Sound and Music Computing Conference (SMC-2013),Stockholm, Sweden, pp. 546-552, Logos Verlag, Berlin, 2013.

66. Pat Subyen*, Thecla Schiphorst, Philippe Pasquier, EMVIZ(flow): An Artistic Tool for VisualizingMovement Quality, Proceedings of Electronic Visualisation and the Arts (EVA 2013), BCS, London, England,2013.

67. Miles Thorogood, Philippe Pasquier, Computationally Generated Soundscapes with Audio Metaphor,Proceedings of the 4th International Conference on Computational Creativity (ICCC 2013), Sydney, Australia,2013.

68. Arne Eigenfeldt, Philippe Pasquier, Considering Vertical and Horizontal Context in Corpus-basedGenerative Electronic Dance Music, Proceedings of the third International Conference on ComputationalCreativity (ICCC 2013), Sydney, Australia, 2013.

69. Ben Bogart*, Philippe Pasquier, Steven Barnes, An integrative theory of visual mentation andspontaneous creativity. In Proceedings of the 9th ACM conference on Creativity and Cognition (C&C ’13),Sydney, Australia, ACM Press, pp. 264–274, 2013.

70. Arne Eigenfeldt, Philippe Pasquier, Evolving structures for electronic dance music, In Proceedings ofGenetic and Evolutionary Computation Conference (GECCO '13), Amsterdam, The Netherlands, pp. 319-326,Acceptance rate (28%, 6 out of 19 in the DETA track).

71. Miles Thorogood*, Philippe Pasquier, Impress: A Machine Learning Approach to Soundscape AffectClassification, Proceedings of the 13th International Conference on New Interfaces for Musical Expression (NIME2013), KAIST, Korea, pp. 256-260, 2013.

72. Matthieu Macret*, Alissa N. Antle, Philippe Pasquier, Can a paper-based sketching interface improve thegamer experience in strategy computer games?, In proceedings of the Fourth International Conference onIntelligent Human Computer Interfaces (IHCI 2012), IEEE Press, Kharagpur, India, pp. 258-290, 2012.

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73. James B. Maxwell*, Arne Eigenfeldt, Philippe Pasquier, ManuScore: Music Notation-Based ComputerAssisted Composition, Proceedings of the International Computer Music Conference (ICMC-2012), Lubjana, pp.357-364, September 2012.

74. James B. Maxwell*, Nicolas Gonzalez Thomas*, Arne Eigenfeldt, Philippe Pasquier, MusiCog: ACognitive Architecture for Music Learning and Generation, Proceedings of the 9th Sound and MusicComputing conference (SMC 2012), Copenhagen, Denmark, pp. 521-528, July 2012.

75. Arne Eigenfeldt, Philippe Pasquier, Creative Agents, Curatorial Agents, and Human-Agent Interaction inComing Together, Proceedings of the 9th Sound and Music Computing conference (SMC 2012), Copenhagen,Denmark, pp. 181-186, July 2012.

76. Matthieu Macret*, Philippe Pasquier, Tamara Smyth, Automatic Calibration of Modified FM Synthesis toHarmonic Sounds using Genetic Algorithms, Proceedings of the 9th Sound and Music Computing conference(SMC 2012), Copenhagen, Denmark, pp. 387-394, July 2012. Nominated for Best Paper Award.

77. Miles Thorogood*, Philippe Pasquier, Arne Eigenfeldt, Audio Metaphor: Audio Information Retrieval forSoundscape Composition, Proceedings of the 9th Sound and Music Computing conference (SMC 2012),Copenhagen, Denmark, pp.372-378, July 2012.

78. Adam Burnett*, Evon Khor*, Philippe Pasquier, Arne Eigenfeldt, Validation of Harmonic ProgressionGenerator Using Classical Music, Third International Conference on Computational Creativity (ICCC 2012),Dublin, Ireland, pp. 126-133, 2012.

79. Arne Eigenfeldt, Adam Burnett*, Philippe Pasquier, Evaluating Metacreation in a Live PerformanceSetting, Third International Conference on Computational Creativity (ICCC 2012), Dublin, Ireland, positionpaper, pp. 140-144, 2012.

80. Arne Eigenfeldt, Philippe Pasquier. Populations of Populations: Composing with Multiple EvolutionaryAlgorithms, 1st International Conference and 10th European Event on Evolutionary and Biologically InspiredMusic, Sound, Art and Design (EvoMusart 2012), Malaga, Spain, Lecture Notes in Computer Science, vol.7247, pp. 72-83, Springer Verlag, 2012. (acceptance rate: 34%)

81. Justin Love*, Philippe Pasquier, Aesthetic Agents: a Multiagent System for Non-photorealistic Renderingwith Multiple Images, Proceedings of the International Symposium on Electronic Arts (ISEA), Istanbul, 2011.

82. Laure Lee Coles*, Diane Gromala, Philippe Pasquier, LocoMotoArt: Interacting With Natural SettingThrough Performance Using Pico Projection, Proceedings of the International Symposium on Electronic Arts(ISEA), Istanbul, 2011.

83. Ben Bogart*, Philippe Pasquier, Self-Organised Memories: a Series of Autonomous Contextual VisualMachines. Proceedings of the International Symposium on Electronic Arts (ISEA), Istanbul, 2011.

84. Justin Love*, Philippe Pasquier, Steve Gibson, Brian Wyvil, George Tzanetakis, Aesthetics Agents:Swarm-based Non-photorealistic Rendering using Multiple Images, Proceedings of The seventh annualsymposium on Computational Aesthetics in Graphics, Visualization, and Imaging (CAe'11), Vancouver, Canada,pp. 47-54, ACM and Eurographics Association, 2011.

85. Pattarawut Subyen*, Diego Maranan*, Thecla Schiphorst, Philippe Pasquier, Lyn Bartram, EMVIZ: ThePoetics of Movement Quality Visualization , Proceedings of The seventh annual symposium on ComputationalAesthetics in Graphics, Visualization, and Imaging (CAe'11), Vancouver, Canada, pp. 121-128, ACM andEurographics Association, 2011.

86. Arne Eigenfeldt, Philippe Pasquier. Towards a Generative Electronica: Human-Informed MachineTranscription and Analysis in MAX, Proceedings of the 8th Sound and Music Computing Conference(SMC2011), Padova, Italy, SMC Network, 2011.

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87. James Maxwell*, Philippe Pasquier, Arne Eigenfeldt. The Closure-based Cueing Model: Cognitively-Inspired Learning and Generation of Musical Sequences , Proceedings of the 8th Sound and Music ComputingConference (SMC2011), Padova, Italy, SMC Network, 2011.

88. Stephen Makonin*, Philippe Pasquier, Lyn Bartram. Elements of Consumption: an abstract visualizationof household consumption. In: The 11th International Symposium on Smart Graphics (SG’11). Short Paper,Lecture Notes in Computer Science (LNCS), vol 6815, pp 194-198, Springer, 2011.

89. Arne Eigenfeldt, Philippe Pasquier, Generative Soundscape Composition by Autonomous MusicalAgents in Coming Together: Freesound, Proceedings of the Second International Conference on ComputationalCreativity, Mexico, pp. 27-32, 2011.

90. Kristin Carlson*, Thecla Schiphorst, Philippe Pasquier, Scuddle: Generating Movement Catalysts forComputer-Aided Choreography, Proceedings of the Second International Conference on ComputationalCreativity, Mexico, pp. 123-128, 2011. BEST PAPER AWARD.

91. Arne Eigenfield, Philippe Pasquier, A Sonic Ecosystem of Self-Organising Musical Agents , 9th EuropeanEvent on Evolutionary and Biologically Inspired Music, Sound, Art and Design (EvoMusArt 2011), Torino, Italy,Lecture Notes in Computer Science, vol. 6625, pp. 283-292, Springer Verlag, 2011.

92. Michael Nixon*, Philippe Pasquier, Magy Seif El-Nasr. DelsArtMap: Applying Delsarte's AestheticSystem to Virtual Agents. In Proceedings of the 10th International Conference on Intelligent Virtual Agents , IVA2010, Philadelphia, PA, USA, September 20-22, Lecture Notes in Computer Science , vol. 6356, Shortpaper, 139-145, Springer, 2010.

93. Pooyan Fazli*, Alireza Davoodi*, Philippe Pasquier, Alan K. Mackworth. Fault-tolerant Multi-robot AreaCoverage with Limited Visibility. In Proceedings of the International Workshop on Search and Pursuit/Evasionin the Physical World: Efficiency, Scalability, and Guarantees, Internationale Conference on Robotics andAutomation (ICRA 2010), 2010.

94. Andrew Hawryshkewich*, Arne Eigenfeldt, Philippe Pasquier. Beatback: A Real-time InteractivePercussion System for Rhythmic Practice and Exploration . Proceedings of the tenth International Conferenceon New Interfaces for Musical Expression (NIME 2010), Australia, pp. 100-105, June 2010.

95. Sungkuk Chun*, Andrew Hawryshkewich*, Keechul Jung, Philippe Pasquier. Freepad: A Custom Paper-based MIDI Interface. Proceedings of the tenth International Conference on New Interfaces for MusicalExpression (NIME 2010), Australia, pp. 31-36, June 2010.

96. Carlos Castellanos*, Diane Gromala, Philippe Pasquier. Heterogenesis: Collectively Emergent Autonomy.Presented at the IEEE International Conference on Multimedia and Exhibition, Workshop on InteractiveMultimedia Installations and Digital Art (ICME 2010), Singapore, pp. 1606-1611, IEEE Press, 2010.

97. Erick Martinez*, Ivan Kwiatkowski*, Philippe Pasquier, Towards a Model of Social Coherence in Multi-Agent Organizations, In proceedings of the 9th International Workshop on Coordination, Organization,Institutions and Norms in Multi-Agent systems (COIN-10), in conjunction with AAMAS 2010 , Toronto,Canada, Lecture Notes in Computer Science, vol. 6541, pp.114-131, Springer Verlag, 2011.

98. Pooyan Fazli*, Alireza Davoodi*, Philippe Pasquier, Alan K. Mackworth. Complete and Robust Multi-Robot Area Coverage with Limited Range. In Proceedings of the IEEE/RSJ International Conference onIntelligent Robots and Systems (IROS 2010), Taipei, Taiwan, pp. 5577-5582, IEEE Press, 2010.

99. James Maxwell*, Philippe Pasquier, Arne Eigenfeldt. The Hierarchical Sequential Memory For Music: ACognitively-Inspired Model for Music Learning and Composition , Proceedings of the eleventh InternationalConference on Music Perception and Cognition (ICMPC), Seattle, 2010.

100. Alireza Davoodi*, Pooyan Fazli*, Philippe Pasquier, Alan K. Mackworth. Fault-Tolerant Multi-RobotArea Coverage with Limited Visibility, The Ninth International Conference on Autonomous Agents and Multi-Agent systems (AAMAS'10), Toronto, Canada, Short paper, pp. 1501-1502, ACM Press, 2010.

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101. Nathan Sorenson*, Philippe Pasquier, Towards a Generic Framework for Automated Video Game LevelCreation, International Conference on Evolutionary Computation in Games, EvoGame, Istanbul, Lecture Notesin Computer Science (LNCS), vol. 6024, Springer, 131-140, 2010, BEST PAPER AWARD.

102. Arne Eigenfeldt, Philippe Pasquier. Realtime Generation of Harmonic Progressions Using ControlledMarkov Selection, Proceedings of the First International Conference on Computational Creativity (ICCCX), ACMPress, Lisbon, Portugal, 16-25, 2010

103. Nathan Sorenson*, Philippe Pasquier. The Evolution of Fun: Automatic Level Design through ChallengeModeling, Proceedings of the First International Conference on Computational Creativity (ICCCX), ACM Press,Lisbon, Portugal, 258–267, 2010.

104. Arne Eigenfeldt, Philippe Pasquier. A Realtime Generative Music System Using Autonomous Melody,Harmony, and Rhythm Agents, XIII Internationale Conference on Generative Arts (GA2009), Milan, 2009.

105. Alireza Davoodi*, Pooyan Fazli*, Philippe Pasquier, Alan K. Mackworth. On multi-robot area coverage.In Proceedings of The 7th Japan Conference on Computational Geometry and Graphs, JCCGG09 , November 2009.

106. Alireza Davoodi*, Nasri Nazif*, Philippe Pasquier. BDI Agents in Environment Coverage Using a SingleQuery Roadmap: A Swarm Intelligence Approach, International Workshop on Agent-based Collaboration,Coordination, and Decision Support (ACCDS 2009) in conjunction with 12th International Conference onPrinciples of Practice in Multi-Agent Systems (PRIMA 2009). Springer, 2009. BEST PAPER AWARD.

107. James Maxwell*, Philippe Pasquier, Arne Eigenfeldt. Hierarchical Sequential Memory for Music: ACognitive Model, Proceedings of the tenth International Society for Music Information Retrieval Conference(ISMIR 2009), pp. 429-434, ISMIR, 2009.

108. Jack Stockholm*, Philippe Pasquier. Reinforcement Learning of Listener Response for MoodClassification of Audio, Proceedings of the First International Workshop on Social Behavior in Music (inconjunction with the first IEEE conference on Social Computing), Vancouver, Canada, pp. 849-853, IEEE Press,2009.

109. Arne Eigenfeldt, Philippe Pasquier. Realtime Selection of Percussion Samples Through Timbral Similarityin MAX/MSP, International Computer Music Conference (ICMC 2009), short paper, Montréal, Canada, 2009.

110. Ya'akov Gal, Sohan D'souza, Philippe Pasquier, Iyad Rahwan and Sherrief Abdallah. The Effects of GoalRevelation on Computer-Mediated Negotiation. In: Proceedings of the Annual meeting of the Cognitive ScienceSociety (CogSci), Amsterdam, The Netherlands, pp. 2614-2619, 2009.

111. Aaron Levisohn*, Philippe Pasquier. BeatBender: Subsumption Architecture for Rhythm Generation,ACM International Conference on Advances in Computer Entertainment Technologies (ACE 2008) , Yokohama,Japan, pp. 51-58, ACM Press, 2008. (acceptance rate 14%)

112. Philippe Pasquier, Eunjung Han, Kirak Kim, Keechul Jung. The Video Shadow: an Embodied Agent,ACM International Conference on Advances in Computer Entertainment Technologies (ACE 2008) , Yokohama,Japan, Short paper, pp. 71-75, ACM Press, 2008. (acceptance rate 24%)

113. Jack Stockholm*, Philippe Pasquier. Eavesdropping: Audience Interaction in Networked AudioPerformance, Proceedings of the ACM International Conference on Multimedia (ACM MM) , pp. 559-568, ACMPress, 2008. (acceptance rate 17%)

114. Carlos Castellanos*, Philippe Pasquier, Luther Thie, Kyu Che. Biometric Tendency Recognition andClassification System: An Artistic Approach, 3rd ACM International Conference on Digital Interactive Mediain Entertainment and Arts (DIMEA 2008), pp. 166-173, ACM Press, 2008.

115. Daghan Lemi Acay*, Alexandro Ricci, Philippe Pasquier, Liz Sonenberg. How situated is your agent? Acognitive approach. Proceedings of the AAMAS International Workshop on Programming Multi-Agent Systems(ProMAS), 2008, in Programming Multi-agent Systems, Lecture Notes in Computer Science, volume 5442,pages 136-151, Springer, 2009.

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116. Philippe Pasquier, Ramon Hollands*, Frank Dignum, Iyad Rahwan, Liz Sonenberg. An Empirical Studyof Interest-based Negotiation. Proceedings of the Ninth International Conference on Electronic Commerce(ICEC), Minneapolis, USA, August 2007, pages 339-348, ACM Press, 2007. BEST PAPER AWARD.

117. Iyad Rahwan, Philippe Pasquier, Liz Sonenberg, Frank Dignum. On the Benefits of ExploitingUnderlying Goals in Argument-based Negotiation. Proceedings of the Twenty-Second Conference on ArtificialIntelligence (AAAI), Vancouver, Canada, July 2007, pages 116-121, AAAI Press, 2007.

118. Philippe Pasquier, Ramon Hollands*, Frank Dignum, Iyad Rahwan and Liz Sonenberg. ExploitingHierarchical Goals in Bilateral Automated Negotiation: Empirical Study. Proceedings of the AAMASInternational Workshop on Agent-Mediated Electronic Commerce (AMEC), Honolulu, Hawaii, USA, May 2007.Published amongst the selected and revised papers (along with the AAAI TADA 2007 workshop) asAgent-mediated Electronic Commerce and Trading Agent Design and Analysis, Lecture Notes in BusinessInformation Processing, Vol. 13, pp. 46-62, Springer-Verlag, 2008.

119. Iyad Rahwan, Philippe Pasquier, Liz Sonenberg and Frank Dignum. On The Benefits of ExploitingHierarchical Goals in Bilateral Automated Negotiation. Proceedings of the AAMAS International Workshop onArgumentation in Multi-Agent Systems (ArgMAS), Honolulu, Hawaii, USA, May 2007, in Argumentation inMulti-agent Systems, Lecture Notes in Computer Sciences, volume 4946, pages 18-30, Springer 2008.

120. Daghan Lemi Acay*, Philippe Pasquier and Liz Sonenberg. Extrospection: Agents Reasoning About theEnvironment, 3rd IET International Conference on Intelligent Environments (IE 07), University of Ulm,Germany, September 2007.

121. Philippe Pasquier, Iyad Rahwan, Frank Dignum, Liz Sonenberg. Argumentation and Persuasion in theCognitive Coherence Theory, First International Conference on Computational Models of Argumentation(COMMA), Liverpool, UK, Paul. E. Dunne, Trevor J.M. Bench-Capon (Eds.), Frontier in ArtificialIntelligence and Applications, IOS Press, Amsterdam, The Netherlands, pages 223-234, 2006.

122. Philippe Pasquier, Iyad Rahwan, Frank Dignum, Liz Sonenberg. Argumentation and Persuasion in theCognitive Coherence Theory: a Preliminary Report, Proceedings of the International Workshop onArgumentation in MultiAgent systems (ArgMas'06), Maudet, N., Parsons, S. and Rahwan, I. (Eds.),Hakodate, Japan, 2006, in Argumentation in Multi-agent Systems, Lecture Notes in Computer Science,volume 4766, pages 193-210, Springer, 2007.

123. Philippe Pasquier, Brahim Chaib-draa. Integrating Social Commitment-Based Communication inCognitive Agent Modeling, International Workshop on Agent Communication (ACL'06), Hakodate, Japan, inAgent Communication II, Lecture Notes in Computer Science, Volume 3859, pages 76-92, Springer-Verlag,2006.

124. Philippe Pasquier, Frank Dignum, Iyad Rahwan, Liz Sonenberg. Interest Based Negotiation as anExtension of Monotonic Bargaining in 3APL, Ninth Pacific Rim International Workshop on Multi-Agents(PRIMA 2006), Guilin, China, Lecture Notes in Computer Science, Volume 4088, Springer-Verlag, pages569-580, 2006. (Acceptance rate: 19.7%.)

125. Philippe Pasquier, Roberto Flores, Brahim, Chaib-draa. An Ontology of Social Control Tools , InternationalJoint Conference on Autonomous Agents and MultiAgent Systems (AAMAS'06), Hakodate, Japan, ACM Press,short paper, pages 1369-1372, 2006.

126. Philippe Pasquier, Brahim Chaib-draa. Modelling the Links Between Social Commitments and IndividualIntentions, International Joint Conference on Autonomous Agents and MultiAgent Systems (AAMAS'06),Hakodate, Japan, ACM Press, short paper, pages 1372-1375, 2006.

127. Roberto Flores, Philippe Pasquier, Brahim Chaib-draa. A Layered Model for Message Semantics usingSocial Commitments, The Fourth International Joint Conference on Autonomous Agents and Multi AgentSystems (AAMAS'05), ACM Press, short paper, pages 1323-1324, 2005.

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128. Philippe Pasquier, Mathieu Bergeron, Brahim Chaib-draa. DIAGAL: an ACL Ready for Open System,Proceedings of the Fifth International Workshop - Engineering Societies in the Agents World (ESAW), M.-P.Gleizes, A. Omicini, F. Zambonelli (Eds.), Springer-Verlag, Lecture Notes in Artificial Intelligence (LNAI),volume 3451, pages 139-152, 2004.

129. Philippe Pasquier, Roberto Flores, Brahim Chaib-draa. The Enforcement of Flexible Social Commitments ,Proceedings of the Fifth International Workshop - Engineering Societies in the Agents World (ESAW), M.-P.Gleizes, A. Omicini, F. Zambonelli (Eds.), Springer-Verlag, Lecture Notes in Artificial Intelligence (LNAI),volume 3451, pages 153-165, 2004.

130. Roberto Flores, Philippe Pasquier, Brahim Chaib-draa. Conversational Semantics with SocialCommitments, Proceedings of the International Workshop on Agent Communication, Autonomous Agent andMulti-agents Systems (AAMAS'04), R. van Eijk, M-P. Huget and F. Dignum (Eds.), pages 19-33, New York,2004. Also in: Agent Communication: International Workshop on Agent Communication, AC 2004, New York,Revised Selected and Invited Papers,van Eijk, R.M. and Huget, M-P. and Dignum, F. (Eds.), Lecture Notes inComputer Science (LNCS), volume 3396, Springer-Verlag, pages 18-33, 2005.

131. Philippe Pasquier, Brahim Chaib-draa. The Cognitive Coherence Approach for Agent CommunicationPragmatics, International Conference on Autonomous Agent and Multi-Agents Systems (AAMAS'03), pages544-551,ACM Press, Melbourne, Australia, July 2003.

132. Philippe Pasquier, Nicolas Andrillon*, Brahim Chaib-draa. An Exploration in Using The CognitiveCoherence Theory to Automate Agents' Communicational Behaviour, International Workshop on AgentCommunication Language and Dialogue (AAMAS'03) , Melbourne, Australia, pages 44-54, 2003.Also in:Advances in Agent Communication : International Workshop on Agent Communication Languages , ACL 2003,Frank Dignum (Ed.), Lecture Notes in Artificial Intelligence (LNAI), volume 2922, pages 37-58, Springer:Berlin. 2004.

Refereed National Conferences & Workshops

133. Philippe Pasquier, Brahim Chaib-draa. Engagements, intentions et jeux de dialogue , Proceedings of theSecond Days of the Formal Interaction Methods (MFI'03), pages 289-294, short paper, December 2002.

134. Philippe Pasquier, Brahim Chaib-draa. Cohérence et conversation entre agents: vers un modèle basé surla consonance cognitive, Proceedings of the Tenth Francophone Days of Artificial Distributed Intelligence andMulti-agent Systems (JFIADSMA’02), Hermès Science, pages 188-203, June 2002, BEST PAPER AWARD.

135. Frédéric Dehais, Philippe Pasquier. Approche générique du conflit, Proceedings of the Conference onErgonomics and Advanced Computer Science for the Man – Machine Interface (ERGO-IHM'00) , edited by ESTIA& CRT ILS, pages 56-63, Biarritz, France, 2000.

136. Frédéric Dehais, Philippe Pasquier. Vers une formalisation générique du conflit , Poster, States-General ofPRESCOT [Toulouse Research Center in Cognitive Sciences], IRIT, Toulouse, France, October 2000.

Edited Books, Chapters and Proceedings

137. Philippe Pasquier, Arne Eigenfeldt, Oliver Bown (Eds.) Proceedings of the Fifth International Workshopon Musical Metacreation (MUME 2017), in conjunction with The International Conference on ComputationalCreativity, ISBN, 98 pages, June 2017.

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138. Philippe Pasquier, Arne Eigenfeldt, Oliver Bown, Shlomo Dubnov (Eds.) Special Issue on MusicalMetacreation, Part I, ACM Computers in Entertainment , vol 14., num. 2, ACM Press, December 2016.

139. Philippe Pasquier, Arne Eigenfeldt, Oliver Bown, Shlomo Dubnov (Eds.) Special Issue on MusicalMetacreation, Part II, ACM Computers in Entertainment , vol 14., num.3, ACM Press, December 2016.

140. Philippe Pasquier, Arne Eigenfeldt, Oliver Bown (Eds.) Proceedings of the Fourth InternationalWorkshop on Musical Metacreation (MUME 2016), in conjunction with The International Conference onComputational Creativity, ISBN, 98 pages, June 2016.

141. Philippe Pasquier, Thecla Schiphorst, Proceedings of the 21st International Symposium on electronic Arts,ISEA2015, 1118 pages.

142. Sarah Fdili Alaoui, Frédéric Bevilacqua, Jules Francoise, Philippe Pasquier, Thecla Schiphorst,Proceedings of the second International Workshop on Movement and Computing (MOCO'15) , co-locatedwith ISEA2015, SFU, Vancouver, Canada, August 14-15 2015, 192 pages, ACM Press.

143. Frédéric Bevilacqua, Sarah Fdili Alaoui, Jules Francoise, Philippe Pasquier, Thecla Schiphorst,Proceedings of the first International Workshop on Movement and Computing (MOCO'14) , IRCAM,Centre Pompidou, Paris, France, June 16-17 2014, 184 pages, ACM Press.

144. Philippe Pasquier, Arne Eigenfeldt, Oliver Bown (Eds.) Proceedings of the Third International Workshopon Musical Metacreation (MUME 2014), in conjunction with The Ninth Annual AAAI Conference on ArtificialIntelligence and Interactive Digital Entertainment, AAAI Technical Report WS-14-28, AAAI Press, 86 pages,October 2014.

145. Philippe Pasquier, Arne Eigenfeldt, Oliver Bown (Eds.) Proceedings of the Second InternationalWorkshop on Musical Metacreation (MUME 2013), in conjunction with The Ninth Annual AAAI Conferenceon Artificial Intelligence and Interactive Digital Entertainment, AAAI Technical Report WS-13-32, AAAI Press,98 pages, October 2013.

146. Philippe Pasquier, Arne Eigenfeldt, Oliver Bown (Eds.) Proceedings of the First International Workshopon Musical Metacreation (MUME 2012), in conjunction with The Eighth Annual AAAI Conference onArtificial Intelligence and Interactive Digital Entertainment, AAAI Technical Report WS-12-16, AAAI Press, 88pages, October 2012.

Other Publications

147. Thecla Schiphorst, Philippe Pasquier. Movingstories: Simon Fraser University. ACM Interactions, 22(1),pp. 16-19, January 2015.

148. Benjamin D. R. Bogart*, Philippe Pasquier. Dreaming machine #3 (prototype 2). In Proceedings of the 9thACM conference on creativity and cognition (C&C ’13), pages 408–410. ACM, 2013. (Refereed Artwork withshort paper in Proceedings)

149. Oliver Bown, Arne Eigenfeldt, Rania A. HodHod, Philippe Pasquier, Reid Swanson, Stephen G. Ware,Jichen Zhu: Reports on the 2012 AIIDE Workshops. AI Magazine 34(1): 90-92, 2013.

150. Laura Lee Coles*, Philippe Pasquier, User As Explorer: Interaction With the Natural Environment UsingMobile Projection Technology, “User In Flux” workshop, in conjunction with the international conference onComputer Human Interaction (CHI), Vancouver, British Columbia, May 2011.

151. Laura Lee Coles*, Philippe Pasquier, Utilizing the Natural Environment for the Exhibition of New Media:Widening the Perception of Technology and Human Computer Interaction in Nature Through Art-BasedResearch, Staging Sustainability: Arts Community Culture and Environment, York University, April 2011.

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152. Pattarawut Subyen*, Diego Maranan*, Thecla Schiphorst, Philippe Pasquier. Mapping, Meaning andMotion: Designing Abstract Visualization of Movement Qualities . Presented at the Digital Resources for theHumanities & Arts 2010: Sensual Technologies – Collaborative Practices of Interdisciplinarity, Brunel University,London, UK, September 2010.

153. Pattarawut Subyen*, Diego Maranan*, Thecla Schiphorst, Philippe Pasquier, Lynne Bartram. The Poeticsof Movement Quality Visualization. 6th Annual IRMACS Day, Poster Presentation, Simon FraserUniversity, Burnaby, Canada, April 2011.

154. David Milam*, Philippe Pasquier. Boidz: An ALife Augmented Reality Ambient Visualization ,Proceedings of the Young Investigator's Forum on Culture Technology (YCT), pages 60-65, KAIST University,Daejeon, Korea, 6 pages, August 2008.

155. Philippe Pasquier. A reflection on artificial intelligence and contemporary creation: the question oftechnique, Parachute, contemporary art, number 119, artificial intelligence, pages 152-167, 2005.

156. Philippe Pasquier, Marie-France Thérien. The CD-Audio-MP3 format should be revolutionizing musicdistribution. Why isn’t it? , Musicworks, number 93, pages 7-9, Fall 2005.

157. Roberto Flores, Philippe Pasquier. Defining the Scope of an Introductory MAS Course: A balancing act,Proceedings of the Workshop on Teaching Multi-Agent Systems, Third International Joint Conference onAutonomous Agents and Multiagent Systems (AAMAS'04), J. Denzinger and G.A. Kaminka and Y. Kitamuraand R. Unland (Eds.), position statement, pages 4, New York, 2004.

Theses and Academic Reports

158. Philippe Pasquier. Modélisation des aspects cognitifs des dialogues entre agents : l’approche par lacohérence cognitive, Ph.D Thesis, Department of Computer Science and Software Engineering, LavalUniversity, Québec, Canada, 302 pages, 2005.

159. Philippe Pasquier. Le changement d'attitude en psychologie sociale et dans les systèmes multi-agents,guided reading report, written under the supervision of Guy Paquette (Professor in social psychology,Department of Communications, Laval University), 46 pages, December 2003.

160. Philippe Pasquier. La cohérence cognitive comme fondement de la pragmatique des communicationsagents, Ph.D proposal, DAMAS Laboratory, Department of Computer Science and Software Engineering,Laval University, Québec, Canada, 103 pages, December 2002.

161. Philippe Pasquier. Communication entre agents, pre-doctoral report, DAMAS Laboratory, Department ofComputer Science and Software Engineering, Laval University, Québec, Canada, 30 pages, August 200

162. Philippe Pasquier. Application de théories du langage naturel aux systèmes artificiels , Doctoral Synthesis,DAMAS Laboratory, Department of Computer Science and Software Engineering, Laval University,Québec,Canada, 45 pages, December 2001.

163. Philippe Pasquier. Conflits et incertitude en intelligence artificielle , Master’s Thesis report, IRIT [ToulouseInstitute of Research in Computer Science], July 2000.

Talks, Colloquia and SeminarsBeside talks given in conferences or during teaching activities, here is a list of colloquia and seminars I wasinvited to give:

1. Communication entre agents, Department of Computer Science and Software Engineering, Laval University,Québec, Canada, 2001.

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2. Communication entre agents artificiels et langage naturel , Department of Computer Science and SoftwareEngineering, Laval University, 2002.

3. L'ironie comme viol d'une maxime de Grice, Festival of Black Humour, Ilot Fleuri, Québec, Canada, 14 June2002.

4. Le modèle BOID [Belief, Obligation, Intention, Desire] , seminar, DAMAS, Laval University 2002.

5. Le modèle BDI [Belief, Desire, Intention] et les engagements sociaux , seminar, DAMAS, Laval University,2002.

6. Pragmatique des communications agents, l'approche par la cohérence cognitive , Dialogue Work Group,directed by Daniel Vandervecken, University of Trois-Rivières, Trois-Rivières, Canada, 2003.

7. Le changement d'attitude dans les systèmes multi-agents , seminar, DAMAS, Laval University, 2003.

8. Survol de l'intelligence artificielle pour les pratiques en art électronique , Avatar, Québec, Canada, 2002.

9. Pure Data : un environnement de traitement du signal en temps réel , two-days workshop given at Avatar,2003.

10. Intelligence artificielle et art contemporain, two-day workshop given at GMEA [Electro-acoustic Music Groupof Albi], February 2003, France.

11. Technophilie vs. technophobie : approches philosophiques et réflexions , conference cycle for the inaugurationof LANTISS [Laboratory for the New technologies for Images, Sounds and Stage Design] , Laval University,Québec, Canada, April 2004.

12. La place de l'implicite dans la théorie de la cohérence cognitive , Symposium "The situation of psychoanalysisin 2004", organized by the Lacanienne School of Montréal, Station Craig, Montréal, 22 May 2004.

13. La question de la technique dans la création contemporaine , Symposium international danses et nouvelles technologies, Centre des arts d'Enghiens les Bains, Paris, Octobre 2005.

14. Syntax, Semantics and Pragmatics of Social Commitment Based Agent Communication :− Agentlab, University of Melbourne, Australia, 13 December 2005. − Instituí d'Investigació en Intelligència Artificial (IIIA), UAB - Universitat Autonòma de Barcelona ,

Spain, 23 June 2006. 15. Interest Based Negotiation in Multiagent Systems, Argumentation and Negotiation Day, University of

Melbourne, 18 January 2006. 16. Panel on argumentation strategies, ArgMAS, International Workshop on Argumentation in Multi-agent

Systems, Hakodate, Japan, 8 May 2006. 17. Modern technoscience and contemporary creation

− Vooruit art center, Gant, Belgium, 20 April 2006. − New media panel, St Kilda's Writers’ Festival, Melbourne, 30 April 2006.− IDEA lab, University of Melbourne, Australia, 26 May 2006.

18. SWARM day (Strategic Workshop on Agent Research in Melbourne) , The University of Melbourne, 18 July 2006.

19. Introduction to speech act theory and Gricean pragmatics , Guest lecture, Communication Theory course at RMIT, Melbourne, Australia, 24 August 2006.

20. Modern technoscience and contemporary creation: technophobia vs. technophilia − SIAT (School of Interactive Art and Technology), Simon Fraser University, Vancouver, Canada, 15

November 2006.− SIAL (Spatial Information Architecture Laboratory), RMIT University, Melbourne, Australia, 27

November 2006. − Metamedia Symposium, What happens to art at the advent of software art?, Québec, Canada, 23

February 2007.− Graduate seminar, School for the Contemporary Arts, Simon Fraser University, Harbour Centre, 1

October 2009.21. Trends in New Media: a bi-dimensional analysis

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− Key Center for Design Computing, University of Sydney, Sydney, Australia, 17 January 2007.− British University in Dubai, UAE, 12 June 2007.− SAE (School of Audio Engineering), Dubai, 25 June 2007.− Firstdraft Gallery, Sydney, Australia, 23 September 2007.− CEMA (Center for Electronic and Media Art), Computer Science Department, Monash University,

Melbourne, 8 October 2007.− Dorkbot, Melbourne, 27 July 2008.

22. Interest -Based Negotiation, Department of Information and Computing Sciences , Utrecht University, The Netherlands, 28 March 2007.

23. Agents, Multiagent Systems and Metacreation, Research Colloquium, School of Interactive Arts and Technology, Simon Fraser University, Vancouver, Canada, 30 January 2008.

24. Sound Thinking Symposium, Guest panellist, Surrey Art Gallery, Surrey, Canada, 1 March 2008.25. From Artificial Intelligence to Interactive Art (AI to IA) ,

‒ Research Colloquium, School of Interactive Arts and Technology, Simon Fraser University, Vancouver, Canada, 2 April 2008.

‒ Research Seminar, Artificial Intelligence Group, Harvard University, Cambridge, USA, 13 August 2008.

‒ Soongsil University, Seoul, Korea, 9 December 2008.‒ Graduate School of Culture Technology, KAIST, Korea, 11 December 2008.‒ Computer Science Department, Dongseo University, Busan, Korea, 14 December 2008.

26. Agents, Multiagent Systems and Metacreation: the MAMAS laboratory Defining Cognitive science, IRMACS applied Science building, SFU, 17 th March 2010. Research Colloquium, School of Interactive Arts and Technology, Simon Fraser University,

Vancouver, Canada, 27th October 2010. Guest Lecture for the course “Language Music and Cognition” (COGS 300), Pr. Nancy Hedberg,

Simon Fraser University, Vancouver, Canada, Friday 23 rd March 2012. Research Seminar, Department of Computer Sciences, University of Calgary, Monday August 13th

2012. Research Colloquium, Department of Computer Sciences, University of Victoria, Friday 14th

September 2012.27. Computational Creativity (at the MAMAS Laboratory)

Braintalk (UBC), Vancouver General Hospital, November 2012. Research Seminar, Department of Computer Science, Indian Institute of Technology at Kharagpur,

West Bengal, India, 26 th December 2012. Invited keynote Speaker at the 4th International Conference on Intelligent Human Computer

Interaction (IHCI 2012), Kolkata, India, 28 th December 2012.28. Metacreation (at the MAMAS Laboratory)

− Guest Speaker, Department of Computing, Goldsmith, London, 26th July 2013.− Research Colloquium, SIAT, 15 th of January 2014. − Vancouver Electro-acoustic Festival, Pro Musica, Western Front, Vancouver, Canada, December

2014.− Vancouver Sound Designer Meet Up, 30 th of January 2015.

29. Soundscapes and Musical Metacreation (at the Metacreation Laboratory)− Guest Speaker, Department of Art, Universidad De Andes, Bogota, Columbia, 10 th February 2016

30. Computational Creativity (at the Metacreation Laboratory)− Research Colloquium, SIAT, 15 th of November 2015. − Guest Speaker, Computer Science Department, Game Innovation Centre, New York University (NYU),

New York, 21st March 2016.− Research Colloquium, SIAT, 8 th of January 2017. − Leonardo LASER talk, Dallas University, USA, 30 th of March 2017.

31. Generative Art and Computational Creativity− Invited Keynote Speaker, Beyond Symposium, ZKM, Karlsruhe, Germany, 30th September 2016.

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− Invited Speaker, California Institute of the Arts, CalArts, Los Angeles, USA. 3rd November 2016. − Invited Speaker, Laser Talk (Leonardo Art and Science Evening Rendez-vous), University of

Kansas, Marianna Kistler Beach Museum, Kansas City, USA, 31st March 2017.− Invited Speaker, ITU Copenhagen, 12 th of October 2017.

32. Creative AI for the film industry − Invited Speaker, World Congress of Factual and Science Producers, San Francisco, November 2017.

33. Augmented Creativity − Invited Panelist, NewImages Festival, Forum des Images, Paris, March 2018.

Major Software Systems (see the artistic C.V. section for non-scientific systems)

− DGS [Dialogue Game Simulator] (implemented as a collective effort of the DAMAS laboratory,2003-2005): developed in JAVA in the JACK Agent-Oriented programming framework, the DGSenables designing and testing dialogue games written in the DIAGAL language.

− JAVA FIPA-ACL for JACK compliant class (2003): a JAVA class specifically devoted to the use ofFIPA-ACL compliant messages with JACK cognitive agents.

− Cognitive Coherence Framework (implemented with Nicolas Andrillon, ENSEIHT intern, 2004):Implantation in JAVA of our coherence theory applied to communications pragmatics between BDIJack agents within our DGS dialogue simulator using our DIAGAL agent communication language.

− Interest-Based Negotiation Simulation Tool (developed with Ramon Hollands, Utrecht University,2007): Based on an extension of the 3APL agent programming environment, this tool enables thesimulation of complex bilateral negotiation between cognitive agents. The simulations were made onAlfred (a taskfarm made of a cluster of 50 dual-Xeon processor nodes: this system was ranked 484 inJune 2003) at the Center for High Performance Computing at the University of Melbourne.

− Colored-Trail IBN protocol (implanted with the Harvard University AI group, 2008): genericframework for empirical studies in task-oriented domain, supporting agent-agent, human-agent andhuman-human interactions.

− Social Coherence Simulator (developed with Ivan Kwiatkowski and Erick Martinez, 2009).− Genetic Programming of Pure Data patches (2009-present). This development uses the Glacier

cluster (840 nodes, connected via gigE network) of the Western Canada Research Grid (Westgrid). − FreePad (2011). Paper-based MIDI and shortcut tactile interface.− Chord Progression Generator (2012). Generate Harmonic progression in the style of a given corpus.− MODA, MOVA (2014) Movement database, Movement Visualisation− M+M, idanceform, coChoreo (2015), movement data middleware, movement prototyping tools, and

posture generation system − WalkNet (2016). Generates 3D movement data.− GrooveNet (2017). Generative 3D dance moves.

Industrial Partnerships (through software development projects)− Roband (2013-2014). Generative rhythm software, developed in collaboration with the Hyderabad--

based company Nucreus (India).− PresetGen (2013-2014). Preset generation software for the OP-1 synthesizer of the Stockholm-based

company Teenage Engineering (Sweden).− Aesthetic agents (2015-2016). Development of novel agent-based non-photorealisitc rendering filters

for the iOS version of Generate. Collaboration with the Vancouver-based company Generate(Canada).

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− StyleMachine lite (2014-2017). EDM generation software. MaxforLive Plugin for Ableton Live.Commercialized by Vancouver-based company Metacreative Technologies (Canada).

− Deep Learning for Style Transfer (2016-ongoing) Development of novel agent-based non-photorealistic rendering filters for the iOS version of Generate. Collaboration with the Vancouver-based company Generate (Canada).

− Predictive models for building's environmental impact (2017-ongoing): Consulting anddevelopment of machine learning models for the engineering firm Morrison Hershfield, and theGreen Building Society.

− SoundFlock and SoundScape (2017-ongoing): Consultation and development of computer-assistedcomposition for the Canadian composer Linda Bouchard.

Grants and Awards (see the artistic C.V. below for non-scientific grants and awards)

− Best Contribution Award, 2002, given by the Multiagent Systems chapter of the French Artificial Intelligence Association (AFIA).

− Best Paper Award, Ninth International Conference on Electronic Commerce (ICEC), 2007− Pasquier, P., President's Grant, Simon Fraser University, 2008 – 2012, CAD$110,000.− Pasquier, P., Discovery Grant, Natural Sciences and Engineering Research Council of Canada

(NSERC), 2008 – 2012, CAD$75,000.− Best Paper Award, Workshop on Agent-based Collaboration, Coordination and Decision Support in

conjunction with the 12 th Conference on Principle and Practice of MultiAgent Systems, 2009.− Pasquier, P. (PI), Eigenfeldt, A. (CI), Musical metacreation: creative software and software creativity, New

Media Initiative, Strategic Grant, NSERC/CCA, 2009 – 2012, CAD$488,000.− Schiphorst, T., Pasquier, P., Daniel, H. Teaching Innovation Award, FCAT, SFU, received in 2010

(used in 2011), CAD$10,000.− Best Paper Award, International Conference on Evolutionary Computation in Games (EvoGame),

2010. − Best Paper Award, International Conference on Computational Creativity (ICCCX), 2011.− Schiphorst, T. (PI), Pasquier, P. (CI), Mobile Presence: Mediating Cooperative Interaction for Public Urban

Screens, Insight Development Grant, Social Sciences & Humanities Research Council of Canada (SSHRC), 2012 – 2013, CAD$37,500.

− Schiphorst, T. (PI), Pasquier, P. (CI), Studd, K. (CI), Bradley, K. (CI), Garnett, G. (CI). Moving Stories: Digital Tools for Movement, Meaning and Interaction, Partnership Grant, Social Sciences & Humanities Research Council of Canada (SSHRC), 2012 – 2016, CAD$2,200,000.

− Visiting Scholar, University of Sydney, Design Laboratory, Faculty of Design, Architecture and Planning, June 2013 – July 2013, AUD$4,000

− Pasquier, P. (PI), VPR 4A Bridging Grant, August 2013 – August 2014, CAD$9,240.− Schiphorst, T. (PI), Pasquier, P. (CI), DiPaola, S. (CI), Calvert, T. (CI), M+M: Movement and meaning.

Canarie, November 2013 – November 2015, CAD$540,000. − Bizzocchi, J. (PI), Pasquier, P. (CI), Eigenfeldt,A. (CI), Calvert, T. (CI), The poetics of image, sound,

computation and flow in the creation of generative time-based art”, SSHRC – Insight, 2013 – 2016, CAD$285,155.

− Eigenfeldt, A. (PI), Pasquier, P. (CI), Intelligent Timbre Selection for Electronic Dance Music, SSHRC Small Grant Program, February 2014 – February 2015, CAD$9,999.

− Pasquier, P. (PI), Musical Metacreation, Discovery Grant, Natural Sciences and Engineering Research Council of Canada (NSERC), March 2014 – March 2019, CAD$130,000.

− Pasquier, P. (PI), Eigenfeldt, A (CI), Truax, B. (CI), The World Soundscape Engine, Insight Grant, SSHRCInsight, March 2014 – March 2018, CAD$265,800.

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− Eigenfeldt, A. (PI), Pasquier, P. (CI), Brown, A. (CI), Gitford, T. (CI), Extending Musical Performance through Computational Creativity, Griffith University – Simon Fraser University Collaborative Travel Grant, Scheme 2014, awarded in January 2015, used in December 2015, CAD$9976.

− Pasquier, P., SFU Digitalization fund, EDM transcriptions, June 2016 – September 2016, CAD$5,000.− Pasquier, P., MITACS, with Generate, CAD$15,000 (as part of the CDM 2017 MITACS cluster,),

January 2017 – April 2017.− Pasquier, P., SFU Small SSHRC, Breath, Pulse, Pulsate, CAD$7,000, March 2017 - March 2018.

Service to the Academic Community

SFU Administrative and Academic Committees

− Chair of SIAT Infrastructure committee, Fall 2016 – ongoing.− SIAT Graduate Admission Committee, Fall 2016 – Summer 2017. − SAR Steering Committee, Fall 2013 – Summer 2014.− SIAT Tenure and Promotion Committee, Fall 2014 – Summer 2015.− Associate Dean of Graduate Studies for FCAT, Fall 2013 – Summer 2014− FCAT, Graduate Study Committee, Fall 2012 – Summer 2014− Chair of SIAT Graduate Program Committee, Fall 2012 – Summer 2014.− Chair of SIAT Graduate Admission Committee, Fall 2010 – Fall 2012.− SIAT Hiring Committee, Fall 2012 – Spring 2013.− SIAT Director Committee, Fall 2010 – Summer 2014.− SIAT Infrastructure Committee, Fall 2008 – Summer 2010. − SIAT Graduate Program Committee, Fall 2010 – Summer 2012.− SIAT Graduate Admission Committee, Spring 2008 – Summer 2010.− SFU EBCO-EPPICH adjudication committee, 2011.− SFU NSERC adjudication committee, 2010, 2011.− SFU SSHRC adjudication committee, 2010, 2011.

Journals, Conferences & Workshops Program Committee Member or External Reviewer

− MFI, Méthodes formelles d'interaction: MFI01, Toulouse, 2001, MFI03 Lille, 2003.− ISPS02, Fourth International Symposium on Programming and Systems, Algers, 2002.− JFIADSMA 2002, Journées Francophones d'Intelligence Artificielle Distribuée et de Systèmes Multi-

Agents, Lille, 2002.− ABS'03, International workshop on Agent-Based Simulation, Montpelier, France, 2003. − AAMAS-ACL, Autonomous Agents and Multi-agent Systems, International Workshop on Agent

Communication: Melbourne, 2003, New York 2004, Utrecht 2005, Hakodate 2006.− ICCM, International Conference on Cognitive Modeling, 2004.− CogSys'05, 27th annual meeting of the Cognitive Science Society, Stresa, Italy, 2005. − ArgMAS, International Workshop on Argumentation in Multi-Agent Systems: Hakodate, Japan, 2006,

Honolulu, Hawaii, 2007, Portugal, 2008.− Journal of Cognitive Systems Research, 2006.− IEEE Transactions on Men, Systems and Cybernetics, 2007, 2009. − CODS'2007, International Conference on Complex Open Distributed Systems ( Dynamic Multi-Agent

Systems track), Chengdu, China, 2007. − KR-06, International Conference on Knowledge Representation, 2006. − PRIMA, Pacific Rim International Workshop on Multi-Agent, 2007.

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− AAMAS, International Conference on Autonomous Agents and Multi-Agent Systems: Estoril, 2008, Budapest, 2009, Toronto, 2010.

− ACM MM, ACM International Conference on Multimedia: Vancouver, Canada, 2008, Beijing, China, 2009, Firenze, Italy, 2010.

− MICAI, Mexican International Conference on Artificial Intelligence, Mexico, 2008.− TARC, Transactions on Arguments and Computation, 2009.− CHI, ACM Conference on Human Factors in Computing Systems , Atlanta, 2010.− ICAART, International Conference on Agent and Artificial Intelligence, Valencia, 2010. − CARE, International Workshop on Collaborative Agent Research and Development, Melbourne,

2010, Tapei, Taiwan, 2011.− ArgComp, Journal on Argumentation and Computation, 2009, 2010.− AIJ, International Journal of Artificial Intelligence, 2008, 2010.− IEEE Multimedia, 2010. − NIME, New Interfaces for Musical Expression: Oslo, Norway, 2011, Ann Arbor, USA, 2012, Seoul,

Korea, 2013.− IJPOP, International Journal for People-Oriented Computing, 2011.− International Symposium on Computational Aesthetics, 2011.− Applied Soft Computing Journal, 2011, 2012, 2013, 2014.− Meta-reviewer for the International Conference on Music Computing (ICMC, 2012).− Journal of Computational Intelligence, 2011, 2012.− ICCC, International Conference on Computational Creativity, 2012, 2013, 2014, 2015, 2016, 2017, 2018.− EvoMusArt, International Conference on Evolutionary Art and Music, 2012, 2013, 2014, 2015, 2016,

2017.− IEEE Transactions on Evolutionary Computing, 2012, 2013.− Artificial Intelligence for Engineering Design, Analysis and Manufacturing (AIEDAM), 2013.− Genetic and Evolutionary Computation Conference (GECCO), 2013, 2014.− International Workshop on Musical Metacreation: MUME 2012, MUME 2013, MUME-WE 2013,

MUME 2014, MUME-WE 2014, MUME 2016, MUME 2017, MUME 2018.− AAAI Conference on AI in Interactive Digital entertainment (AIIDE), 2013, 2014.− Computational Intelligence (International journal), 2013.− JAAMAS, Journal of Autonomous Agents and Multi-Agent Systems, Springer: 2007, 2008, 2011, 2014.− Live Algorithm (LAM), London, 2014.− International Symposium on Electronic Arts, ISEA2014, Dubai, 2014, Honk Kong 2016, Manizales

2017, Johannesburg 2018.− IJCAI, International Joint Conference on Artificial Intelligence, Senior Program Committee, 2017.

Academic Leadership, Service and Community Engagement:− Organizer of the Argumentation and Negotiation Day (Melbourne, January 2006).− Organizer of the SWARM Strategic Workshop in Agent Research in Melbourne (August 2006).− Program Chair of the Creative Showcase for the ACM International Conference on Advances in

Computer Entertainment (ACE 2009, Athens, Greece, October 2009).− Organizer of the monthly Vancouver Computer Music Meetings, VCMM (2009-ongoing).− External Reviewer, MITACS, Accelerate program, 2010, 2012.− External Reviewer, NSERC, Natural Sciences and Engineering Research Council of Canada,

Collaborative Research and Development program, January 2011.− Jury member for the Fonds de Recherche Société et Culture (FRQSC, Quebec counterpart to CFI),

Quebec, Canada, June 2012− Chair and instigator of the 1st International Workshop on Musical Metacreation (MUME, 2012), in

conjunction with The 8 th Annual AAAI Conference on Artificial Intelligence and Interactive Digital Entertainment, Stanford, Palo Alto, USA, 9 th of October 2012.

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− Chair of the Musical Metacreation Week End (MUME-WE, 2013), in conjunction with ISEA 2013, Sydney, Australia, 2013.

− Chair of the 2nd International Workshop on Musical Metacreation (MUME, 2013), in conjunction with The 9th Annual AAAI Conference on Artificial Intelligence and Interactive Digital Entertainment, NorthEastern, Boston, USA, 14 th and 15th of October 2013.

− Chair of the 3rd International Workshop on Musical Metacreation (MUME, 2014), in conjunction with The 10th Annual AAAI Conference on Artificial Intelligence and Interactive Digital Entertainm ent, North Carolina State University, October 3-4, 2014, Raleigh, North Carolina, USA.

− Chair and investigator of the 1st International Workshop on Movement and Computation (MOCO14), ACM Proceedings, 16-17 June 2014, IRCAM, Paris, France.

− Chair of the 2nd International Workshop on Movement and Computation (MOCO15), ACM Proceedings, 14-15 June 2015, SFU, Vancouver, Canada.

− Director of the 21st International Symposium on Electronic Arts, ISEA 2015, 10-14 August 2015, Vancouver, Canada (957 registrants, largest gathering of digital artist in the history of western Canada).

− External reviewer for the SSHRC Partnership Grant Competition, 2015-2016. − Steering Committee member of the International Conference on Movement and Computation,

MOCO, Thessaloniki 2016, London 2017.− Chair of the 4th International Workshop on Musical Metacreation (MUME, 2016), in conjunction with

The International Conference on Computational Creativity, Paris, France, June 17 th 2016.− Jury Member for the Canada Media Fund competition in the Innovation and Experimental category,

7-8 December 2016.− Chair of the 5th International Workshop on Musical Metacreation (MUME, 2017), in conjunction with

The International Conference on Computational Creativity, Georgia Tech, Atlanta, USA, June 18 th and19th 2017.

− Jury member for the Canada Media Fund competition in the Innovation and Experimental category, 9-10 December 2017.

− Chair of the 6th International Workshop on Musical Metacreation (MUME, 2018), in conjunction with The International Conference on Computational Creativity, Salamanca, Spain, June 24 th and 25th 2018.

Research Memberships− 2001-2005 Participation in the Dialogue Research Group meetings (Trois Rivières 2001, Québec 2002,

Trois Rivières 2003). This research group was a collaborative effort by academics from AI (BrahimChaib-draa, Bernard Moulin) and philosophy (Daniel Vandervecken, Guy Paquette) toward thedesign of common models of dialogic activities.

− 2002-2005 Centor (http://www.centor.ulaval.ca/): network and organizational technology researchcentre.

− 2005-2007 Agentlab (http://www.cs.mu.oz.au/agentlab/): The Intelligent Agent Laboratory (Agentlab)is an active research group conducted jointly between the Departments of Computer Science andSoftware Engineering (CSSE) Information systems (DIS) of the University of Melbourne.

− 2005-2007 AgentVic (http://www.agents.org.au/): The Agents-in-Melbourne group formed in 1998 tofoster collaboration between industry and research groups using intelligent software agents.

− 2008-present ACM (Association for Computing Machinery, http://www.acm.org/).− 2008-present IEEE (Institute of Electrical and Electronics Engineers, http://www.ieee.org).− 2008-present Cognitive Science Society, http://cognitivesciencesociety.org.− 2008-present Metacreation Lab director, http://metacreation.net/.− 2012-present Moving Stories (SSHRC Partnership project lead by Pr. Thecla Schiphorst), Steering

Committee member, Chair of the Research Committee, and Chair of the Infrastructure Committee. − 2013-2015 Movement and Meaning (MnM), (Canarie Network project lead by Pr. Thecla Schiphorst),

Co-investigator.

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Industrial Leadership− 2014-present, CEO, Metacreative Technologies, http://metacreativetech.com/

Fun fact My Erdős number is 3.1. Paul Erdős co-authored with Richard K. Guy:

– Paul Erdős and Richard K. Guy. Distinct distances between lattice points. Elemente der Mathematik

vol. 25 (1970), no. 6, Nov., pp. 121—123.2. Brian Wyvill coauthored with Richard K. Guy:

– Zainab Meraj, Brian Wyvill, Tobias Isenberg, Amy Gooch, and Richard K. Guy. Mimicking Hand-

Drawn Pencil Lines. In Paul Brown, Douglas W. Cunningham, Victoria Interrante, and JonMcCormack, editors, Proceedings of the International Symposium on Computational Aesthetics inGraphics, Visualization, and Imaging (CAe 2008, June 18–20, 2008, Lisbon, Portugal),pages 73–80,Aire-la-Ville, Switzerland, 2008. Eurographics Association.

3. I co-authored with Brian Wyvill:– Justin Love*, Philippe Pasquier, Steve Gibson, Brian Wyvil, George Tzanetakis, Aesthetics Agents:

Swarm-based Non-photorealistic Rendering using Multiple Images, Proceedings of The seventhannual symposium on Computational Aesthetics in Graphics, Visualization, and Imaging (CAe'11),Vancouver, Canada, pp. 47-54, ACM and Eurographics Association, 2011.

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Artistic CVThe following sections give a quick view of previous and current artistic works and art related activities.A press and media kit is available upon request.

Administration and service to the artistic community

2001 Founding member and artistic director of P: research, creation, diffusion in media arts.

2001-2004 Founding member and artistic director of the audio art diffusion collective Machines:electronic sound abstractions.

2006 Founding member of MIJI dance company along with Soo Yeun You (Korea) and HamishFletcher (Australia).

2005-2008 Board member of BUS 117, a contemporary art gallery in Melbourne (2005-2008).

2003-2006 Board member of the Canadian audio and electronic art centre Avatar.

2008-2015 Board member of Vancouver New Music. Treasurer from October 2010 to end of service.

June 2009 Jury member, Canada Council for the Arts, New media and audio art.

February 2010 Jury member, Signal and Noise Festival, Video-In Video-Out art centre (VIVO),Vancouver, Canada.

2010 - ongoing Community Program Advisory Committee member, Surrey Art Gallery, Canada.

April 2012 Jury member, BCNet Digital Media Challenge, BCNet, Vancouver, Canada.

2009 - ongoing Honorary Member of Avatar, Quebec City, Canada.

2012 - ongoing Surrey Urban Screen Advisory Committee, Surrey, Canada.

August 2015 Director of the 22nd International Symposium of Electronic Arts, ISEA2015, theVancouver edition. The largest gathering of media art scholars and artists in Canadianhistory.

2016 - ongoing Member of the Board of Directors of the New Form Media Society, Vancouver, Canada.

Main exhibitions, installations and public art

17.06.1999Audience count: 67

The Wall of Sound, Blockhaus DY10, Nantes, FranceA wall of heteroclite speakers is used to diffuse the output of a network of vintageanalogue synthesizers. Each speaker broadcasts the sound of a single synthesizer. Thevarious synths are linked so as to make different parts of the wall interact; thus creatingan unusual spatial effect for the audience.

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28.01.1999and18.06.2001Audiencecount: 179

Nint&Do, Espace Delrue, Nantes, FranceIn this interactive audio installation the audience is invited to play with various vintagevideo games. The sounds made by these video games are processed, mixed and diffusedin real time. This installation thus proposes a ludic introduction to "musique concrète"and electronic music. Nint & Do was initially presented at Blockhaus D.Y.10 on28.01.1999.

1.09.2000to22.09.2000Audiencecount: 46,780

Escalophone, Beaulieu Shopping Mall, Nantes, France.In the context of the collective exhibition SBAM+, the Robonom collective presented aquadriphonic sound installation for two escalators located in a vast shopping mall inNantes. During three weeks, over two thousand daily passers-by crossed throughvarious sounds which were also going up and down the stairs.

8.11.2001to18.11.2001Audiencecount: 546

Transit, Coueron Bus terminal, Coueron, France.This installation was presented in the context of the collective exhibition “Ceux quim'aiment prendront le bus” (Those who love me will take the bus). The environment ofa bus terminal is analyzed through various sensors and re-organized as a sonic spacewithin a shipping container open to the audience. Outside conditions (wind, urbannoises, luminosity, traffic, temperature, ...) are regenerated in the sonic dimension insidethis small immersive environment.

12.02.2003Audiencecount: 267

Machines 08, Le chemin des machines (Machines' promenade), Machines 08, co-conceivedwith Émile Morin and Érick Dorion, Québec city, Canada.8 musicians playing improvised music from locations throughout the Méduse building, 4 audio artists streaming their material through the Internet and 4 electroacoustic composers (re)mixing and spatializing the result live. The audience was invited to a promenade between various listening points.

12.02.2004Audience count: 134 + 2 national radio broadcasts

Machines 12, Improvising automata and sonic aerodyne, for the multi-disciplinary artfestival "Le Mois Multi 2004", Québec, Canada. co-produced with Recto-Verso andAvatar in collaboration with Radio-Canada.This event consisted of four audio improvisations. Each improvisation brought togethera human improviser and an automated improviser (an autonomous artificial agentcapable of improvising music). The result was broadcast using an array of 25 speakers,suspended and balancing above the audience

20.09.2004to25.09.2004Audience count: 1,698

Survie, Phylm, Commissioned by the fifth International Video and Electronic ArtManifestation in Montréal (MIVAEM’04), Champ Libre, Canada.This installation is a collaboration with the French experimental film-maker EmmanuelLefrant. Following the steps of the experimental film maker Anthony McCall (LightDescribing A Cone), we developed an immersive installation which explores the spacebetween the film projector and the screen. This installation was also presented in 2005 atthe BétonSalon gallery (Paris).

22.08.2007to22.09.2007Audiencecount: 61,238

Auditory Tactics, Concordia University, Montréal, Canada.Auditory tactics are contextual listening attitudes. One does not listen the same way in abathroom or at a bus stop. This audio installation is concerned with the intrusion ofsounds from the private sphere into public spaces and their interferences with theaudience's auditory tactics. A collaboration with Philippe-Aubert Gauthier, AuditoryTactics has been produced during an artistic residency at Vidéographe and in the contextof the 2007 PureData Convention. The installation consists of a generative compositionbroadcast 24/7 through an array of speakers using the beam-forming technology

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11.01.2008to1.02.2008 Audiencecount: 2,361

Flying Falling Floating, Carriage Work, Sydney, Australia. A collaboration with Matthew Gingold, this 6-channel audio video installation showsbodies flying, falling and floating on architectural elements of the hosting building. Itwas presented for three weeks during the 2008 Sydney International Festival and for oneweek during the Melaka International Festival (HD remastered version).

18.03.2008to12.04.2008Audiencecount: 278

The crossing, Bus Gallery, Melbourne, Australia.This installation is a collaboration with physicist and visual artist Martina Mrongovius.Two "holographic films" containing 160 "holographic frames" each are disposed on thesides of a 5 meter long linear path. Walking along this path at normal pace unfolds thetwo three dimensional films and their sound track. The use of distance sensors allowsthe viewer to ‘scratch’ time. By going backward, the viewer can rewind images andsound, by standing still he can freeze both. This simple interactive setting entails that theviewer's movement is the motor of the audio-visual experience.

30.08.2008and 14-30.04.2009Audience count: N/A

NAOS, Montalvo Arts Center, Saratoga, CA and Root Division Gallery, San Francisco . This installation is a collaboration with Carlos Castellanos, Luther Thie and Kyu Che. Inthe line of the Acclair project, NAOS proposes a critical reflection on the growing use ofphysiological monitoring in our technophilic society. The installation is presented as abio-pod in which the audience, equipped with various biometric sensors, is confrontedwith selected images. After several iterations, machine learning algorithms are used toclassify the user's reactions into one of the four following categories: passive, aggressive,loyal, subversive.

Permanent.Inaugurated in 2009

Lingua Aqua, Bear Creek Park, City of Surrey, Canada A collaboration with Michael Filimowicz, Melanie Cassidy, Brady Marks and AlanStorey, Lingua Aqua is a public artwork combining sculptural, architectural, andaudiovisual media to materialize the original “bath of sounds” from which languageemerges. It is a self-enclosed fountain utilizing flowing water, single channel video, four-channel audio, and engraved transparent panels to create a space for contemplating thevariety and complexity of languages.

28.10.2010Audience Count: 48

L-VIZ: Paint with your effort, Surrey Art Gallery, City of Surrey, CanadaA collaboration with Pattarawut Subyen, Diego Maranan and Thecla Schiphorst.Generative visualization of audience movement quality using a glove equipped withaccelerometer sensors and bluetooth.

26-28.11.2010Audience count: 348

Mirror/Mirage, Melaka Art and Performance Festival, Melaka, Malaysia. A collaboration with video artist Matt Gingold and dancer Janette Hoe, this dance videois an experiment in synchronicity and multiplicity devised as a series of 9 take of a semi-improvised performance played back simultaneously.

24.01.2014-27.04.2014

Longing and Forgetting (LOF), Surrey Urban Screen, Surrey, Canada.A collaboration with video artist Matt Gingold and Choreographer Thecla Schiphorst,LOF is a generative video installation for facade projection using autonomous videoagents. LOF is also an interactive installation in which the agents can be controlled byparticipants gestures through their mobile devices.

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9.08.2014-25.08.2014

MediaScape: Seasons, Blurred Lines, Charles G Scott Gallery, ECUAD, Vancouver,Canada.This generative installation combines Bizzocchi’s recombinant ambient video angineRe:Cycle 3, with Thorogood/Pasquier’s soundscape generation system Audio Metaphor,and Eigenfeldt’s PAT (Probability and Tendency) generative music software. The systemproduces ambient video of natural landscapes, as well as four different soundtracks: adescriptive soundscape, a metaphorical soundscape, a contrapunctual soundscape and amusical accompaniment. The piece was also shown in the following exhibitions: – Hidden Pasts, Digital Futures: Generations SFU’s 50th Anniversary, SFU

Woodward’s, Vancouver, Canada.– International Symposium of Electronic Arts, Vancouver, 2015. – Exhibition of the Generative Art Conference, Venice, Italy, 2015.– Exhibition of the ELO conference, Victoria, Canada, 2016.

2.11.2014-12.11.2014

Dreaming Machine 3, ISEA2014, Dubai, UAE.A collaboration with Ben Bogart, the Dreaming Machine is an artificial agent thatobserve the world during the day and dreams about it during the night. The workimplement the most current theories of human dreaming in neuroscience. A moredetailed description of the system has been published.

18.09.2015 -15.11.2015

Longing and Forgetting (second iteration) , Generations, Woodward's Centre for theArts, Vancouver, CanadaGenerative audio-video installation.

10.12.2015 -12.12.2015

Seasons, Generative Arts, Venice, Italy.This piece was also displayed online as part of the 100 top pieces selected for the LumensPrice 2015.

10.03.2016-12.03.2016

Longing and Forgetting (third iteration) , Scores+Traces, Plus One Gallery, Tribeca,New York, USA. Generative video installation.

10.03.2016-12.03.2016

Pulse.Breath.Water - Kıvanç Tatar, Mirjana Prpa, Philippe Pasquier, and BernhardReicke, in the exhibition Scores+Traces: exposing the body through computation -Virtual Reality installation (head mounted display and headphones), generative audio,embodied interaction (via breath sensors), One Art Space, New York, USA.

29.09.2016-2.10.2016

Longing and Forgetting (fourth iteration) , Beyond Festival, Out of Control exhibition,curated by Ludger Pfanz and Vesna Petresin, ZKM, Karlsruhe, Germany. Generative video installation.

18.07.2016-21.08.2016

P.O.E.M.A. Kıvanç Tatar, Regina Miranda, Mirjana Prpa, Philippe Pasquier, Bernhard Reicke; Generative Audio (quadrophonic setup), Choreographic Installation, Virtual Reality (head mounted display and projection), Embodied Interaction (via respiration sensors), at the gallery Oi Futuro , as a part of the cultural program at OLYMPICS 2016, Rio de Janeiro, Brazil.

10.11.2016-15.11.2016

Pulse.Breath.Water - Kıvanç Tatar, Mirjana Prpa, Philippe Pasquier, Bernhard Reicke, in the VR exhibition at MUTEK_IMG, Montreal, Quebec, Canada.

10.05.2017 -14.05.2017

Never Alone, CHI art exhibition, Denver, Colorado, USA. A collaboration with video artist Matt Gingold and Choreographer Thecla Schiphorst,Never Alone is a generative video installation for facade projection using autonomousvideo agents.

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12.6.2017 -17.6.2017

PrayStation 2, EEG-based interactive installation, by Philippe Pasquier and Justin Love, Caldas Art Museum, ISEA2017 Exhibition, Manizales, Columbia.

22.09.2017 IOTA, audio-video projection mapping, collaboration with OUCHHH and Audiofil. Bucharest, Romania.Also presented January 18th to March 45th 2018 at ARTECHOUSE, Washington DC, USA.

24.10.2017 IOTA, audio-video projection mapping on the Bolchoi Theatre, collaboration with OUCHHH and Audiofil. Circle of light festival, Moscow.Also presented at IMAPP in Bucharest as a projection mapping on the National Congress building.

19.03.2018-12.04.2018

Ethernal Pink Machine, AI system generating noise music 24/7, collaboration with Kivanc Tatar, part of the collective exhibition Pink Noise Pop Up, curated by Instant Coffee, One and J Gallery, Seoul, Korea.

14.04.2018-16.04.2018

RESPIRE, interactive VR installation with breath sensor, collaboration with Kivanc Tatarand Mirjana Ppra, CHI 2018 Art Exhibition, Montréal.

Sound design for video and experimental cinema

23.11.2002 Phylm, (Philippe Pasquier & Emmanuel Lefrant, film maker), Vidéastes recherchés, LaBande Vidéo, Salle Multi de Méduse, Québec City, Canada.

15.05.2003 Videoman, real-time video processing illustrating sound performances (including live illustrators and musician footage), Machines 9, Salle Multi, Québec City, Canada.

14.06.2003 Videoman, real-time video processing illustrating sound performances by Martin Tetreault,Diane Labrosse, Érick Dorion, Aimé Dontigny and Samiland, Machines 9.01, Paraloeil, Rimouski, Canada.

12.09.2003 Phylm, Commissioned by Antitube, Salle Multi de Méduse, Québec City, Canada.

19.11.2006-29.11.2006

Falling, Floating and Flying, with Matthew Gingold, Stairwell Gallery, Melbourne,Australia. Audio-video installation.

2009 Falling, Floating and Flying, with Matthew Gingold, Melaka International Festival,Malaysia. HD remastered version of the above.

Radio and sound engineering

1997-1998 Limonade Ray Gun, weekly show on the LNA radio station, LLN/Bruxelles, Belgium.

June 1999 robonom - jingle for MTV Europe, diffused every days from September to December 1999for MTV Spankshow, Europe.

2001-2002 DDM [les Disques De Merkel], weekly show on Chyz FM radio, Laval University,Québec City, Canada.

2002-2004 Excavation sonore, monthly diffusion on CKIA radio and web streaming, Avatar, QuébecCity, Canada.

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Discography, publications and software

1999 robonom e.p., robonom, lp, vinyl, Vlan! Records, Paris

2000 robonom, Rond mais carré, CD, DDM [Les disques de Merkel], Nantes, France

2001 robonom, Pomelos, "Super Post electronica" compilation, CD, +CROSS, Osaka, Japan (re-edited by Instinct record, New York, USA)

2001 robonom, Blockhaus sessions, CD, DDM, Nantes, France

2001 monobor, Sex O Clock, lp, vinyl, Invasion Planète Records, IP005, Toulouse, France

2001 robonom, aesthetik gnatoflex, Plastiq magazine, number 1, CD, DDM, Paris, France

2001 robonom, r1 and r2, No war without tears, CD, The Age of Venus Records, Nantes,France

2002 monobor, Le monde gueule, MEHR, DDM: www.merh.fr.fm, Web release

2003 monobor, Fantaisie pour vinyles gondolés en funk majeur, CD, Alterflow/Déluge, QuébecCity, Canada

2003 robonom, Entre bleu clair et marron foncé, MP3 CD, Excavation Sonore, Avatar / OHM 32,Québec City, Canada

2003 Samiland, Capteur de brume, CD, Mutek 03, MUTEK_REC, Montréal, Canada

2003 Catalogue, Mois Multi Festival 2003.

2004 Machines, Machines-Motor V1.0, audio/video software, distributed by Panatone,Avatar/Locus Sonus, Web release.

2004 96 432 hours, Ten years of Avatar 1993-2004. DVD, Avatar / OHM Edition 035.

February 2004 Machine 12, in Catalogue, Mois Multi Festival 2004.

January 2005 Œuvres avouées – avatar, Catalogue and DVD, Avatar / Ohm Editions 036.

2005 Improvisor automata based on a cellular automata, Software.

February 2005 Degrés d’hybridité, Catalogue and DVD, Mois Multi 2005, Avatar / OHM Edition 037.

June 2005 Faisceau d’épingles de verre: Théatre d’arts médiatiques, P : recherche création et diffusion enarts médiatiques. Promotional DVD.

March 2008 Metamedia, proceedings of the symposium held in Québec city on 23 February 2007,DVD, OHM Edition 043

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Mixing and mastering

06.2001 Recording and editing for Village Bunker, Blockhaus DY.10 sound studio.

21.07.2002 Editing and Mastering for Milimetrik, personal studio.

12.09.2002 Mastering for Glider, personal studio.

22.01.2003 Recording, editing and mastering for TAP: Messe pour un temps mort. Avatar sound studio(with David Michaud).

2002-2004 Recording, editing and archiving for Machines concert series 01-12, Avatar sound studio.

11-12.09.2005 Recording of Pierre André Arcand, readings and sound poetry, Avatar sound studio.

Artistic residencies

March 2002 Avatar [Audio and electronic art center], Québec City, Canada. From the 2nd to the 22nd of March, audio production residency for the Excavation Sonore project robonom.

February 2003 GMEA [Electro-acoustic music group of Albi], Albi, France.From the 7th to the 21st of February, audio production residency of robonom working on sound spatialisation.

October 2003 Avatar [Audio and electronic art center], Québec City, Canada. Software production residency for the digital art project Panatone, produced by Avatar and Villa Arson (France).

January 2004 Recto Verso [Electronic and multidisciplinary art production center], from the 24 th of December to the 3rd of January 2004, Québec City, Canada.Research and production residency in Salle Multi of the Méduse complex for the creation of the flying loudspeakers of Machines 12.

March 2004 LANTISS, Laval University, Theatre Department, Québec City, Canada. Research residency to explore the 24-channel audio spatialisation system LCS [LevelControl System] of the LANTISS laboratory.

June 2004 Recto-Verso, Studio d'Éssais de Méduse, Québec City, Canada.Production residency with Machines collective for Faisceau d'épingles de verre.

November2004

Avatar [Audio and electronic art center], Québec City, Canada. Research residency for the development of a new interactive dance floor based on body conductivity.

December2004

LANTISS [Laboratoire des nouvelles technologies de l’image de la scène et du son],Université Laval, Québec City, Canada.Research and creation residency for the multidisciplinary project Faisceau d’épingles deverre.

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January 2005 TOHU [La cité des arts du cirque], Montréal, Canada.Research and creation residency for testing and developing creative ideas using theinteractive dance floor developed during the residency at Avatar in November 2004.

January 2005 Recto-Verso, Salle Multi de Méduse, Québec City, Canada.Production residency for the multidisciplinary project «Faisceau d’épingles de verre».

May-June2005

LANTISS [Laboratoire des nouvelles technologies de l’image de la scène et du son],Université Laval, Québec City, Canada.Research and creation residency for the development of a new type of sensors for bodycontacts.

Juillet 2005 GMEA [groupe de musique électronique d’albi], 12-30 July 2005, France. Production residency for the sound design of a show of the company Le Corps Indice.

August 2005 UQÀM [Université du Québec à Montréal], Canada.Production residency with the dance company « Le Corps Indice ».

March 2006 DanceHouse, Melbourne, Australia.Production residency with P: Media Art, for the multidisciplinary show Ray of GlassNeedles.

February 2007 Ausdance, Adelaide, Australia.Production residency with Gina Rings, Soo Yeun Lee and Hamish Fletcher for Reliquary.

July 2007 DanceHouse, Melbourne, Australia.Production residency with company Miji for the show Reliquary.

August 2007 Vidéographe, Montréal, Canada.Production residency with Philippe-Aubert Gauthier for the Auditory Tactics audioinstallation using the Beamforming technology.

June 2008 Montalvo Art Center, San Francisco, California, U.S.A.Production residency for project Naos (in collaboration with Carlos Castellanos and al.)

August 2008 Northcote Town Hall, Melbourne, Australia. Production residency with Miji (Soo Yeun Lee and Hamish Fletcher ) and Gina Rings(from Bangara Dance theater) for Reliquary.

Invited talks and workshops

02.07.1999 Analogue Electronic Music workshop (with David Riguaud and robonom), Challan music school, France.

14.06.2002 L’ironie comme viol d’une maxime de Grice, guest talk, Festival sur l’humour noir, IlôtFleuri, Québec City, Canada.

07.02.2003 Improvisation in analogue electronic music workshop, with robonom, Noctambule, Albi,France.

15.02.2003 and22.02.2003

Artificial Intelligence in Contemporary Arts practices, Computer Music Group of GMEA[Groupe de musique électro-acoustique d’Albi], Albi, France.

7-8.06.2003 Pure Data workshop, Avatar, Québec City. Given with David Michaud.

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1.04.2004 Faisceau d'épingle de verre, des hommes, des machines et du théatre. Guest talk for the openingceremony of LANTISS [Laboratoire des nouvelles technologies de l'image, du son et dela scène].

Fall 2004 Dance and New Technology workshop, six 3 hours laboratories and one publicpresentation, with Isabelle Choisnière, Ateliers de Danse Moderne, Inc. [ADMI],Montréal, Canada.

9.02.2005 Faisceau d'épingle de verre. Guest talk in « Nouvelles formes théâtrales de 1980 à nos jours» course of Laval University (Prof. Plourde).

10.02.2005 Faisceau d'épingle de verre. Guest talk, Collège Jésus-Marie, Québec City, Canada.

11.02.2005 Faisceau d'épingle de verre. Guest talk, Multimedia course, Collège Mérici, Québec City,Canada.

15.06.2005 Demonstration of a new contact sensor, LANTISS, Québec City.

19.04.2005 Technoscience and Contemporary Creation, guest talk, given at Vooruit during theCourtisane Festival, Gent, Belgium.

27.07.2008 Digital Media: a bidimensional analysis, invited talk, Dorkbot Melbourne, Australia.

14.10.2011 Workshop on Interactivity and Computational Creativity within New Media, given at theyearly Forum of the the FRIC (Fond des Réalisateurs Indépendants du Canada), CBCRadio-Canada, Vancouver, Canada.

3.10.2011 From AI to IA: generative music at the MAMAS lab. Guest talk, EarZoom Sonic ArtsFestival, IRZU, Lubjana, Slovenia.

15.09.2012 Interactive Arts and Technology panel, moderator, New Forms Festival, Vancouver, Canada.

14.01.2014 Vancouver Pro Musica and VCMM talks, moderator, Pro Musica 2014 ElectroAcousticFestival, Western Front, Vancouver, Canada.

12.09.2015 21 Years of Art, Group of X, Guest talk, Vancouver, Canada.

20.11.2015 Panel on Coding and Live Coding for Music Making. Moderator, Pro Musica 2015Electroacoustic Festival, Western Front, Vancouver, Canada.

8.12.2016 Talks of the 2016 Vancouver Electroacoustic Festival, Moderator and Presenter, ProMusica, Western Front, Vancouver, Canada.

Training and professional development

March 2002 Max/MSP workshop, David Michaud, Avatar, Québec City, Canada

April 2002 Basic Stamp workshop, Steeve Lebrasseur, Avatar, Québec City, Canada

December2003

ZeLab1, micro-controller workshop, Steeve Lebrasseur, Avatar, Québec City, Canada

Febr 2004 ZeLab2, Electronics workshop, Steeve Lebrasseur, Avatar, Québec City, Canada

August 2004 LCS (Level Control System), sound spatialization workshop, LANTISS, Laval University,Québec City, Canada

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January 2005 Sound spatialization workshop, Philippe Aubert-Gauthier, Avatar, Québec City, Canada.

Curation and Art direction

December2001November2004

Machines 1-12 Machines was a series of 12 experimental music evenings co-curated with Erick D'Orionwith the support of the audio art centre Avatar, Salle Multi, Méduse, Québec City.

June 2012 Where do we stop and where do they begin?Collective Exhibition on Machine Generated Art, Audain Gallery, Vancouver

August 2015 Curation of some of ISEA2015 academic and artistic program including:

• The first Algorave in BC.

• AV Disruption audio video program

• Hakanai, company Adrien M / Claire B (with Sarah Fdli Aloui)

• John McCormick dance piece.

• Soundscape Composition (with invited curator Barry Truax)

Concerts and sound design for live performances (selection)

06.01.1999 robonom, Blockhaus D.Y.10, Nantes, France.

03.03.1999 robonom for the exhibition Le Labo d'hiver, furniture music, Espace Delrue, Nantes,France.

06.04.1999 robonom, Festival Universitaire, Théâtre Universitaire , Nantes, France.

06.05.1999 robonom: Agrobonom (sound fertilizer), Va t'en Lapin exhibition, Atelier Alain Lebras,Nantes, France.

12.05.1999 robonom: Martine à la ferme, electronic music in rural environment, with Basile Ferriot(drums), Châteaubriant, France.

12.06.1999 robonom, Téléo festival, Salle L’Olympic, Nantes, France.

19.06.1999 robonom with Basile Ferriot (drums), l'homme qui rétrécit invite ses amis, Studio EcartDanse, Nantes, France.

09.10.1999 Robonom with David Rigaud (flute), Patricia Lupiery (soprano) and Manuela Ribeiro(dramaturgy), Source4 fashion show, Cité des congrès, Nantes, France.

26.11.1999 robonom, Zoo Galerie, Nantes, France.

01.01.2000 robonom, Wizz sur Loire, ETR*, Nantes, France.

11.03.2000 robonom, Introduction of Les Disques de Merkel, Zoo Galerie, Nantes, France.

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18.03.2000 robonom, Robonom and friends, ep album launch, with Nominoë (experimental cinema),ETR*, Nantes, France.

13.04.2000 robonom, Les Renc’Artistes, L’Olympic, Nantes, France.

21.05.2000 monobor, New Electro, with Invasion Planet and Rephlex/Braindance, Bikini, Toulouse,France.

19.06.2001 robonom, in the context of the event/launch of « PlastiQ », Nouveau Casino, Paris,France.

30.06.2001 robonom, Le lieu Unique, Nantes, France.

13.12.2001 monobor, Machines01, Salle Multi de Méduse, Québec City, Canada.

26.04.2002 IF (Steeve Lebrasseur, David Michaud, Philippe Pasquier, Raphaël Simard), Machines 03,Galerie Rouje, Québec City, Canada.

19.06.2002 monobor & milimetrik, Machine04, Salle multi de méduse, Québec City, Canada.

21.12.2002 Samiland, Machines07, Salle multi de Méduse, Québec City, Canada.

31.01.2003 Duo avec samuel Roy-Boy (contrebasse), galerie Rad'a, Montréal, Canada.

07.02.2003 robonom, GMEA[Groupe de musique électroacoustique d’Albi], Festival Rebond,Noctambule, Albi, France.

22.03.2003 Samiland, PRÉrien(13)b, Salle Beverley Webster Rolph — Musée d’art contemporain deMontréal, Canada.

22.03.2003 Samiland, galerie Rad'a, Montréal, Canada.

29.05.2003 Samiland, Festival Mutek, Montréal, Canada.

14.06.2003 Samiland, Machines 9.01, Paral'Oeil, Rimouski, Canada.

12.02.2004 Machines 12, Salle multi de Méduse, Québec City, Canada.Diffusion de ttàfnd, une pièce de robonom en ouverture de la soirée.

03.04.2004 Philippe Pasquier, présentation avec Christian Calon des résultats du laboratoire despatialisation sur le système 24 voies LCS(Level Control System), Avatar/LANTISS,Studio d'essais de Méduse, Québec City, Canada.

22.06.2004 Duo: Érick Dorion/Philippe Pasquier, Presentation of Machines-motor V1.0, audio video(two screens), produced by Avatar, Studio d'Essais de Méduse, Québec City, Canada.

27.08.2004 Philippe Pasquier, Présentation d'un automate cellulaire improvisateur audio avecvisualisation vidéo. Galerie La Chambre Blanche, Québec City, Canada.

10.02.2005 -11.02.2005

Faisceau d’épingles de verre, création multidisciplinaire de la pièce de Claude Gauvreaudu même nom (3 représentations). Dans le cadre du mois multi 2005, festival d’artmultidisciplinaire de Québec City, organisé par les productions Recto-Verso, Salle multide Méduse, Québec City, Canada.

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12.02.2005 Philippe Pasquier, Présentation de Machines-Motor V1.0 et performance audio-vidéodans le cadre de la soirée Soft Avatar présentée au Mois Multi 2005, Salle mutli deMéduse, Québec City, Canada.

03.2005 Command by TourDeBras / Paral'oeil, Rimouski, Canada. 12 min piece and visual scorefor the GGRIL (Gros Groupe Régional d'Improvisation Libre, directed by James Darling)electro-acoustic soundtrack: Philippe Pasquier; Films: James Darling, Thomy Laporte;Musicians: James Darling (self-made instruments, direction), Raphael Arsenault (violin),Catherine Savard-Massicotte (violin), Michèle Audrey Couture (alto sax), Éric Normand(double bass, objects), Martin Poirier (electric bass), Robin Servant (accordion, feet,motors), Brigitte Lacasse (accordion), Sébastien Dubé (clarinet), Mathieu Gosselin (altosax) , Louise Amyot (percussion), Brigitte Vincent (percussion, piano), Louis Pelletier(percussion, marimba), Patrick-Guy Desjardins (guitar), Alexandre St-Pierre (guitar).

03.06.2005 L’ensemble Bruno Panache et Philippe Pasquier (aka. Monobor), Musiques torrides endeux tons, performance audio présentée à la Gallerie Rouje dans le cadre de lamanifestation internationale d’art, Québec City, Canada.

19.09.2005 Présentation «work in progress» de la nouvelle création de la compagnie de dansecontemporaine Corps Indice. Co-concue avec Isabelle Choisnière et Jean Gervais, SalleClaude Gauvreau, UQAM, Montréal, Canada.

15.10.2005 Performance Danse et Nouvelles technologies, performance avec un quintette dedanseuses Montréalaise. Présenté par le centre des arts d’Enghiens les bains dans lecadre du symposium internationale danse et nouvelles technologies, Paris, France.

21.12.2005 White Widow, Audio / Body art performance, collaboration with Martin Renaud(performer) et Simone (acrobat), in the context of the White Christmas event of TheFoundry Gallery, Melbourne, Australia.

15-22.03.2006 Ray of Glass Needles, multidisciplinary show (Butoh dance, experimental theater, audioand video performance), produced by P:Media Art,DanceHouse (5 nights), Melbourne,Australia.

19.04.2006 Machines-Motor (audio-video performance), during the SoftAvatar performance, givenat Vooruit, Gent, Belgium.

21.04.2006 Performance audio quadriphonique, MexAppeal, Dormund, Germany.

14.02.2007 Performance ''Work in progress'' du projet avec les chorégraphes Soo Yeun Lee et GinaRings. Ausdance, Adelaide, South Australia, Australie

5-8.06.2007 Reliquary, dance show with Miji dance company, 45downstrairs, Melbourne, Australia

12.07.2007 Quadriphonic Audio Performance, Firstdraft Galley, Sydney, Australia

17.04.2008 Diffusion of an electro-acoustic pieces on 8-channels, Signal and Noise Festival 2008,VIVO art center, Vancouver, Canada

02.08.2008 Reliquary, sound design for a dance show, Miji dance company, NorthCote Townhall,Melbourne, Australia

06-08.06.2009 Reliquary, sound design for a dance show, Miji dance company, The Dreaming festival, 3nights, Woodford, Queensland, Australia.

26.10.2009 Improviser automaton, Emily Carr University, Vancouver, Canada.

28.10.2010 ReliK, quadriphonic electro-acoustic piece, Surrey Art Gallerie, Surrey, Canada.

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26-28.11.2010 Mirror/Mirrage, Melaka Art and Performance Festival, Malaysia.Sound Design for a performance by Jannette Hoe on a video by Matthew Gingold. 15minutes performance given twice a day for three days.

12-14.06.2011 Reliquary, sound design for a dance show, Miji dance company, 3 nights, Dance House,Melbourne, Australia.

1.10.2011 ReliK, quadriphonic electro-acoustic piece, 45 mins solo performance, EarZoom SonicArts Festival, Kino Sista concert hall, Irzu, Lubjana, Slovenia.

8.10.2011 Improvisation on Nicolas Boone's video “nothing is happening”, VIVO, Vancouver,Canada.

12.11.2013 Longing and Forgetting (Live Performance version), StonyBrooks University Theatre,New York, USA.

25.12.2016 Tatar and MASOM take the AID train , in the collective concertTake the AID Train by A.I.D, Istanbul, Turkey. MASOM is a musical agent designed and developed by Philippe Pasquier and Kivanc Tatar.

22.10.2016 A Conversation with AI, MASOM, in the collective concert Open to Enter by CoCreaTive, Vancouver, BC, Canada.

2.12.2016-3.12.2016

MadMethod by NOW Society, with Stefan Smulovitz, SammyChien, MASOM (Philippe Pasquier, Kivanc Tatar), Lisa Cay Miller, Jon Bentley, JP Carter, James Meger, Skye Brooks, at Orpheum Annex, Vancouver, BC, Canada.

19.06.2017 Patar, Trio composed of Kivanc Tatar, Philippe Pasquier, and the artificial musical agentMASOM, Mammal Gallery, Atlanta, USA.

11.09.2017-14.09.2017

IOTA, audio-visual performance, Deep Space 8K, Ars Electronica, Linz, Austria

18.04.2017 REVIVE, audio performance, La Traturo, Montreal, Canada.

20.04.2018-24.04.2018

REVIVE, audio-visual performance with musical and visual AI agents, Society for Artand Technology, Montreal, Canada.

Media Coverage (Web, Press, Radio, Tv)

12-12-2001 Scène Locale (Machines), Nicolas Houle, Voir, Press, Canada.

15-12-2001 Une étiquette virtuelle et vivante (Machines), David Cantin, Le Devoir, Press, Canada.

20-01-2002 L'imprévisible Mois Multi (Machines), David Cantin, Le Devoir, Press, Canada.

18-02-2002 Machines, La Voce del Popolo, winter 2002, page 2.

19-02-2002 Le Mois Multi dévoile sa programmation (Machines), Jean St-Hilaire, Le Soleil, Press, Canada.

21-09-2002 Interview by Richard Beaudry, Nouvelles Musiques, CKRL, Radio, Canada.

22-10-2002 Interview by André Marceau (Machines), Des monstres dans la gorge, CKRL, Radio, Canada.

15-12-2002 Le Navire Night, Chronique by Hélène Prévost, CBC radio-Canada, Radio, Canada.

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15-12-2002 L'art des machines (Machines), David Cantin, Let devoir, Press, Canada.

05-01-2003 Interview by Eric Provencher (Machines), Bande à part, CBC Radio-Canada (Première Chaine), Radio, Canada.

12-01-2003 Place au multidisciplinaire (Machines), David Cantin, Le Devoir, Press, Canada.

22-01-2003 BPM (Machines), Francois Gariépy, Voir, Press, Canada.

23-01-2004 Voyage vers le futur (Machines), Valerie Lesage, Le Soleil, Press, canada.

05-02-2004 BPM (Machines), Francois Gariépy, Voir, Press, Canada.

03-02-2004 Machines expérimentales (Machines), Vincent Bergeron, Impact Campus, Press, Canada.

11-02-2004 Interview by Matthieu Dugal (Machines), CKRL (Retour d'ascensseur), Radio, Canada.

08-02-2004 Interview by Hélène Prévost (Machines), Le Navire Night, CBC Radio-Canada (Première chaine), Radio, Canada.

07-02-2004 Interview by Natasha Pettigrew (Machines), L'ile aux trésors, CKIA, Radio, Canada.12-02-2004 Duos pour automotes (Machines), Pascale Guéricolas, Au fil des évènements, pages 5-6,

Press, Canada. 05-03-2004 Machines 12 au Mois Multi, Yves Tremblay, Convergence, numéro 26, pages 24-25, Press,

Canada.13-01-2005 De toutes les couleurs (P), Nicolas Houle, Le Soleil, Press, Canada.13-01-2005 Les promesses du sixième Mois Multi (P), Isabelle Porter, Le Devoir, Press, Canada.

13-01-2005 L'art électronique s'éclatera en Février (P), Pierre O. Nadeau, Le Journal de Québec, Press, Canada.

01-02-2005 Beauté Synthétique (P), Simon Éthier, Impact Campus, Press, Canada.

09-02-2005 Accouchement Multidisciplinaire (P), Jean St-Hilaure, Le Soleil, Press, Canada.11-02-2005 Interview (P), CKRL, Radio, Canada.

11-02-2005 Perplexité et Splendeur (P), Jean St-Hilaire, Le Soleil, Press, Canada.

13-02-2005 Faisceau d'épingles de verre (P), Helgi Piccinin, montheatre.qc.ca, Web, Canada.

02-02-2005 Syndrome pré-mensuel (P), Julie Bouchard, Voir, Press, Canada.

04-03-2007 Reliquary, review, The Age, Press, Australia.

12-08-2007 Interview on Interest-Based-Negotiation, Good Morning Dubai, City7, TV, United ArabsEmirates.

05-06-2008 The dimension of Perception, Amy Marjoram covers the “Beyond the window” exhibitionby Martina Mrongovius and Philippe Pasquier. Realtime, volume 85, Press, Australia.

10-11-2008 Artists in the city, Boaz Joseph reports on Lingua Aqua, Surrey North Delta Leader, Press,Canada.

06-06-2008 Reliquary, review, The Age, Press, Australia.

1-11-2010 Le Canada, eldorado des etudiants francais?, interview by Marie Estelle Pech, Le Figaro,Press, France.

2-06-2011 Reliquary – Cultures combine in choreography, review by Chloe Smethurst, The Age,Press, Australia.

6-06-2011 Reliquary – groundbreaking new dance work shatters cultural boundaries, by JuliaSutherland for TheatrePeople.com.au, Web, Australia.

8-9-2011 Le piratage : une bonne ou une mauvaise chose, Six Pieds sous Terre, Pierre-PhilippeBibeau, CBC Radio-Canada, Radio, Vancouver.

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6-11-2011 Villes-Mondes : Vancouver, interview by Hélène Frappat as part of a 1 hour longdocumentary about Vancouver through its creative scene, France Culture, Radio, France

4-12-2011 Musique et Intelligence Artificielle, Six Pieds sous Terre, interview by Pierre-PhilippeBibeau, CBC Radio-Canada, Radio, Vancouver.

April 2012 Philippe Pasquier: Helping Computer Learn, article by Sharon Proctor, AQ Magazine,Press, Canada.

Feb-2014 Subject on the presentation of installation Longing and Forgetting at the Surrey Urbanscreen, interview of Philippe Pasquier by Jen Muranetz, Shaw TV, TV, Canada.

Aug-2015 ISEA2015 Media and Press kit is too large to list all the entries here, but a consolidatedm e d i a r e p o r t i s a va i l a b l e h e r e : h ttp : / / p h i l i p p e p a s q u i e r . c o m / d l . p h p ?f=content/press/2015/ISEA2015_MEDIA_Report.pdf

Dec-2015 “Disruption” ISEA2015, Vancouver. Report by Alessandro Ludovico, Neural, Issue 52, 3p.

1-02-2016 Could Artificial Intelligence Become Conscious? 33 Researchers Contribute Their Opinion,by Daniel Faggela, TechEmergence.com.

13-03-2016 Putting the Art in Artificial Intelligence with Creative Computation – A Conversation withPhilippe Pasquier, interview by Daniel Faggela, 28mn, TechEmergence.com podcast.

30-06-2016 A Dance with algorithm, by Makeda Easter, Texas Advanced Computing Center.

10-03-2016 Hidden Past, short video documentary about the exhibition, by Alida Horsley. BothLonging and Forgetting and Seasons are featured in this video. The video was awarded thebest video award at ICCC2016.

15-10-2016 Ethical Machine, 30min interview by Samim Winiger and Roelof Pieters forethicalmachines.com.

10-10-2017 Automate This! How A.I. is taking over the entertainment industry, from pop hits toblockbuster films, Day 6, Bret Bambury, CBC Radio. Canada.

Artistic Grants and Awards (see page 19 for the scientific grants and awards)

2003-2004 CALQ [Conseil des Arts et des Lettres du Québec], multidisciplinary art project grant, special theme: research and creation of new artistic vocabulary and new technology. Project: Lecture informatisée et de systèmes interactifs adapté au langage exploréen de Claude Gauvreau (Interactive text-to-speech systems adapted to Claude Gauvreau Explorean language). Co-recipient with Martin Renaud. CAD$14,000

2004-2005 CCA [Canadian Council for the Arts], Inter-arts program: creation/production grant.Project: Faisceau d'épingles de verre (Ray of glass needles), an interdisciplinary project andresidence at LANTIS [Laboratory of New Technologies for Images and Sound]. Co-recipient with Martin Renaud. CAD$18,000

2005 FRIJQ [Forum Jeunesse de la Région de Québec], Production grant for Faisceaud'épingles de verre. CAD$12,000

2005 Service culturel de la mairie de Québec (Québec City Cultural Division). Creation anddiffusion grant for Faisceau d'épingles de verre. CAD$10,000

July 2005 CALQ [Conseil des Arts et des Lettres du Québec] ,Travel grant for a residency atGMEA (electro-acoustic research and creation centre, France). CAD$2,000

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September2005

Bourse Ubisoft-OFQJ. Travel grant for the Festival “Rencontres Professionnellesnationales et internationales de danse et arts technologiques du Centre des artsd'Enghien-les-Bains” 13, 14 and 15 October 2005 (Paris, France). Co-recipient with CorpsIndice dance company. CAD$22,000

2005-2008 CALQ [Conseil des Arts et des Lettres du Québec], research and creation grant for thevideo art project Claude Gauvreau, le langage en mutation (Claude Gauvreau: the mutationof language). CAD$20,000

2006 Australian Council for the Arts, Project Grant for BUS 117 art gallery, Melbourne,Australia, AUD$22,500

2007 City of Melbourne, Australia, Production Grant for a project of contemporary dance byCompany Miji (Soo Yeun You, Hamish Fletcher, Philippe Pasquier). AUD$10,000

2007 Puppet Lab (Federation Square, Melbourne) and Besen Family Foundation, Australia,Production Grant for the project of contemporary dance Reliquary by Company Miji (SooYeun You, Hamish Fletcher, Philippe Pasquier). AUD$11,000

2006-2008 CCA [Canadian Council for the Arts], Media art program: creation/production grant forthe video art project Gauvreau, le langage en mutation (Claude Gauvreau: the mutation oflanguage). CAD$20,000

2008 Art Victoria, Miji (Soo Yeun Yee, Hamish Fletcher, Philippe Pasquier), Australia.Creation Grant for the show Reliquary. AUD$20,000

2008 Australian Council for the Arts. Company Miji (Soo Yeun Yee, Hamish Fletcher,Philippe Pasquier). Production Grant for the show Reliquary by Company Miji (Soo YeunYou, Hamish Fletcher, Philippe Pasquier) . AUD$9,000

2008 South Australian Council for the Art, Production Grant for the show Reliquary by GinaRings and Company Miji (Soo Yeun You, Hamish Fletcher, Philippe Pasquier)AUD$20,000

2008-2010 City of Surrey, Lingua Aqua, Public art program, permanent installation, audio-videofountain in Bear Creek Park, CAD$100,000

2009 Arts Victoria, Australia. Presentation grant, Reliquary by Company Miji (Soo Yeun You,Hamish Fletcher, Philippe Pasquier). AUD$19,000

2009 Dreaming Festival, Presentation Grant for the show Reliquary by Company Miji (SooYeun You, Hamish Fletcher, Philippe Pasquier) and Gina Rings . AUD$15,000

2009 Australian Council for the Arts. Company Miji (Soo Yeun Yee, Hamish Fletcher,Philippe Pasquier). Production Grant for the show Reliquary by Company Miji (Soo YeunYou, Hamish Fletcher, Philippe Pasquier) . AUD$18,000

2015 French Consulate, Cultural Program, financial support to present the Dance pieceHakanai by french company Adrien M and Claire B during both the MOC O workshopand ISEA2015. 3,000Euros.

2015 Institut Francais, financial support to present the Dance piece Hakanai by frenchcompany Adrien M. and Claire B. during both the MOCO workshop and ISEA2015,4,000Euros.

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2017 Lumens Price - Awards for the Digital Arts, Short list selection in the ArtificialIntelligence Category with the VR piece Pulse.Breath.Water (PBR).