cultural policy reading group june 2015 presentation by belisa rodrigues

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Cultural Policy Reading Group JUNE 2015 Presentation by Belisa Rodrigues

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Page 1: Cultural Policy Reading Group JUNE 2015 Presentation by Belisa Rodrigues

Cultural Policy Reading Group

JUNE 2015

Presentation by Belisa Rodrigues

Page 2: Cultural Policy Reading Group JUNE 2015 Presentation by Belisa Rodrigues

Topics covered

• Brief introduction to African Arts Institute• Recap of the last CPRG : AU, Agenda

2063,ECOSOCC • Brief Feedback from AU’s Pan African Cultural

Congress (25-27 May 2015)• Cultural Entrepreneurship presentation

prepared for World Economic Forum side event (3 June 2015)

Page 3: Cultural Policy Reading Group JUNE 2015 Presentation by Belisa Rodrigues

African Arts Institute

The African Arts Institute (AFAI) is a South African (training and research) NGO based in Cape Town. Its overall objective is to promote participatory democracy, respect for fundamental human rights and freedoms and equitable social and human development in African countries by affirming the cultural dimension of development.

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African Union

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AGENDA 2063

=Vision, Strategy and Implementation plan for Africa

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ECOSOCC (www.auecosocc.org)

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AU’s Pan African Cultural Congress

• Organised by AUC - platform• Theme “Unity in Cultural Diversity for Africa’s

development”• Attendees: AU-CSO-Business• Complex programme covering numerous

subthemes• Many recommendations put forward from the

congress• Follow up meeting to be convened

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WEF for Africaside event

• Hosted by the DAC• Not part of the main WEF programme• 3 panel sessions• NAC, BASA, CCIFSA, AFAI + Minister• Main focus on the economic potential of the

arts• Conversation, not presentation

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Challenges, priorities and possibilities of Entrepreneurship models in the cultural sector in

Africa

Belisa RodriguesBusiness Development Manager

African Arts Institute

WEF Africa 2015

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Overall Context• Democracy

and human rights challenges

• Freedom of expression violations

• Lack of political will

• Poor institutional contexts

• Education and development

WEF Africa 2015

Page 11: Cultural Policy Reading Group JUNE 2015 Presentation by Belisa Rodrigues

WEF Africa 2015Nadine Botha graphics based on Mike van Graan Creative Economy lecture

IN GENERATIONAL TERMS

• 2 GENERATIONS ONLY

•1.5 GENERATIONS

•1.2 GENERATIONS

•1 GENERATION ONLY

•BIRTH

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African Development Context

• 51% live in poverty, on less than $2 per day• 50% of children not in school, are in Africa• 1 in 7 African children die by age of 5• African maternal mortality: 1 in 30 women• 2/3 of world’s 33m HIV-positive people live in

Africa• Child dies of malaria every 45 secs: 90%

Africa• Average life expectancy in Africa less than

55• 69% of sub-Saharan Africans lack basic

sanitation• Economic growth phenomenal according to

GDP figuresWEF Africa 2015

Page 13: Cultural Policy Reading Group JUNE 2015 Presentation by Belisa Rodrigues

IMF: Ten fastest-growing economies globally, 2001-2010

Annual GDP growth

Angola 11,1%China10,5%Myanmar 10,3%Nigeria* 8,9%Ethiopia 8,4%

Kazakhstan 8,2%Chad 7,9%Mozambique* 7,9%Cambodia 7,7%Rwanda 7,6%

*Distribution of wealth is a core issue (limitations of GDP indicator for sustainable / inclusive development)

WEF Africa 2015

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UNEMPLOYMENT RATE

50%+: Namibia, Mozambique, Zimbabwe40%+: Kenya, Senegal, Swaziland30%+: Equatorial Guinea20%+: Gabon, South Africa, Nigeria10%+: Algeria, Tunisia, Zambia9%-: Botswana, Ghana, Egypt

McKinsey Report: 28% of Africans have stable, wage paying jobs (implication: 72% unemployed, underemployed, engaged in informal sector)

WEF Africa 2015

Page 15: Cultural Policy Reading Group JUNE 2015 Presentation by Belisa Rodrigues

LIMITATIONS OF HDI

Libya ranked among highest, but had a dictatorship with limited human freedoms, hence the overthrow of the regime

Similarly, other highly ranked African countries – other than Mauritius – were North African – Tunisia and Algeria with limited human rights and freedoms

WEF Africa 2015Nadine Botha graphics based on Mike van Graan Creative Economy lecture

Page 16: Cultural Policy Reading Group JUNE 2015 Presentation by Belisa Rodrigues

Culture and Development

• Development as an act of culture• Culture as inhibitor and enabler• “The ongoing generation and application of

resources (financial, human, infrastructural, etc) to create the optimal conditions (political, cultural, social, economic, etc) in which all human beings enjoy the full range of human rights and freedoms enshrined in the Universal Declaration of Human Rights”.

• Arts as an expression of culture in development

WEF Africa 2015

Page 17: Cultural Policy Reading Group JUNE 2015 Presentation by Belisa Rodrigues

WEF Africa 2015Arterial Network Art Fundraising Toolkit

Page 18: Cultural Policy Reading Group JUNE 2015 Presentation by Belisa Rodrigues

African Cultural Leadership

Currently runs an African Cultural Leadership Programme with 5 regional partners (Courses range from Entrepreneurship, Train-the-trainer and Cultural Leadership)

• NEXT COURSE: Cultural Entrepreneurship 20-29 July 2015

Course is full – selected 22 Entrepreneurs from 14 African countries - however public forums will be held with local Capetonians during that week – email me: [email protected])

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Research question

“The Challenges, priorities and possibilities of entrepreneurship models in the cultural sector in my country, and what needs to be done in these areas to realise the sector’s potential.”

(1000 words max) 133 responses received in May 201586 responses analysed

WEF Africa 2015

Page 28: Cultural Policy Reading Group JUNE 2015 Presentation by Belisa Rodrigues

Research sample and limitations

• Research response rate 133 cultural entrepreneurs

• Countries covered: 24/53 = 44% of entire potential sample

• Limitations /challenges:

- Language bias targeting English-speaking countries

- Uneven response rate across countries ranges: 32 – 1

- Some unusable data sets

• Qualitative data

• Basic exploratory research using clustering technique focus

on 8 key countries with >5 responses (86

respondents analysed)

WEF Africa 2015

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WEF Africa 2015

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Gender ratio

• 67%

• 33%

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Country Spread

WEF Africa 2015

86 Respondents covering:

SOUTH AFRICA (21)ZIMBABWE (16)UGANDA (15)MALAWI (8)KENYA (8)ZAMBIA (8)CAMEROON (5)NIGERIA (5)

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CROSS CUTTING ISSUES

• Training for professionals / artists• Education• Value of arts• Role of media• Donor environment• Individual versus community / collective• Sustainable and inclusive growth

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"Splash" by Annemieke Mein

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ENTREPRENEURSHIP IN SA

• SEDA - >100 organisations / assistance programmes for women-owned SMMEs

• 2014 GEM Report = notes declining entrepreneurship rate in SA as compared to other similar SADC

• However female entrepreneurship increasing (mainly due to govt stimulus)

Page 38: Cultural Policy Reading Group JUNE 2015 Presentation by Belisa Rodrigues

(SOCIAL)INNOVATIONS / POTENTIAL

• Maayan Entrepreneuship model in Mali (Festival sur le Niger)

• Time/Art bank in Senegal• Heva - creatives accelerator Fund in Kenya• Maboneng Township Art Galleries in SA• Social Enterprise / Hybrid models : Pamberi Trust +

Book Cafe in Zimbabwe• Thunderfund – crowd fund in South Africa• Rise of social impact investment – artsculture

WEF Africa 2015

Page 39: Cultural Policy Reading Group JUNE 2015 Presentation by Belisa Rodrigues

Maaya Entrepreneurship - Mali

“Festival Sur Le Niger”Based on social valuesSustainability principlesDemocratising culture

The three community principles of Maaya Entrepreneurship:·Serve the community·Organize the company as a community ·Gain the community’s support for the company

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Artbank - Senegal

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CONCLUSION

Total holistic development (including economic development) requires that at the end PEOPLE & CULTURE are at the centre of development practice. This means that their well being, fundamental freedoms and human rights are protected and guaranteed. Creative Industries and cultural entrepreneurship strategies that have proven track record in global north contexts require interrogation and possibly alternative (socio-economic-cultural) innovations, hybridity structures, strategies and approaches in the varying and often trying African contexts as inferred through this exploratory paper.

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Fall states that: "Before a Renaissance, Africa might need a collective

continental Cultural Revolution: a radical change in state of mind, attitude and strategy. African Renaissance cannot and will not rise and shine without a complicit partnership between African governments, business related individuals and companies, creative thinkers and art communities across the continent."

N'Goné Fall, Independent Sengalese Art Curator (PACC4, May 2015)

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THANK YOU

Belisa Rodrigues, Business Development [email protected]

021 465 9027

WEF Africa 2015