culminating project
TRANSCRIPT
Jazz BowlCulminating Project for Aesthetic Education
By Lisa Titus
Jazz Bowl Photographs
Noticings
The bowl seemed as though it took a long time to make
It didn’t seem like it would have been used
The blue seemed to burst from the bowl
The drawings seemed to have a scratch pattern
There were clocks
A city skyline with stars (maybe nighttime)
Bottles of alcohol
Noticings con’t
Bubbles
Maracas’
Dice or dominoes
Champagne glass and wine glasses
Possibly a table viewed from above
Street lights emanating light
People’s heads with no bodies (probably men)
Noticing’s con’t
It seems like it should have a rough surface because of the scratching, but the glaze would make it smooth.
Probably textured
Follies marquee
Clock in 3:30 or 6:15
Ship in background
Clouds
Noisy if the scene was in real life
Cultural Context
The bowls depict
dancers, instruments, cigarettes, cocktail glasses, music
notes, bright lights – and coated in Egyptian Blue
Crackle glaze.
He picked the blue color because he said it reminded
him of the radiance from blue turquoise beads found in
Tutankhamen’s tomb.
He also explained that the strange blue color
illuminated the bowl and was similar to the night sky in
New York City.
Social Connection
Viktor Schreckengost created the jazz bowl between 1930-1931 in Ohio. The company he worked for was experiencing difficulty because of the Great Depression. It was also at the end of the Prohibition Era. Schreckengost took this opportunity to depict some anti-prohibition pictures on his piece. There were a series of bowls created with some having drawings of cigarettes, gambling, instruments, alcohol and wine glasses. There was a possibility that because of the sensitive topic the bowl wouldn’t have been produced.
Historical Context
The report is that Schreckengost was working for Cowan Potter Company in 1930 and didn’t have anything to do. He pulled a letter of a woman wanting a New York themed punch bowl. He had visited New York City and designed the bowl from his travels around Christmas. Viktor was impressed with the jazz theme of Radio City Music Hall and created the drawings around that theme.
He was also impressed with the Cotton Club in Harlem where he heard Cab Calloway and Duke Ellington perform. This is the reason the last thing he etched out on the piece was a drum with the word “Jazz” carved in it.
Historical Context
“Viktor Schreckengost created his now famous icons of
American Art Deco, the Jazz Series, at Cowan Pottery
located in Rocky River, Ohio in 1930-31, just as the
company was folding under the pressure of the Great
Depression. The first three Jazz Bowls – all bearing the
New Yorker design – were commissioned by Eleanor
Roosevelt in celebration of her husband's reelection as
governor of New York.”-
http://www.viktorsjazzbowl.com/history.html
Historical Context
Viktor Schreckengost came from a family of potters. He
studied at the Cleveland School of Art and trained in
Vienna. In 1930 he returned to the U.S. to teach at the
school. He taught in Cleveland while he enjoyed a 70
year career as an artist. The school is now called the
Cleveland Institute of Art where he founded the
industrial design program and taught for over 50 years.
He lived in Cleveland Heights until his death at age 101
in 2008.
Questions
How was the vase created with such a bright blue and
why doesn’t it lose its’ luster?
Why did the artist incorporate so many different scenes
instead of using just one?
If the artist had known who it was for would he have
changed his design?
Why did he feel a need to create a new form of
decorating a piece?
Personal Connection
When I first saw this piece in the Erie Art Museum it
spoke to me. I found myself drawn to it and went back
to see it five different times. I could almost hear the
music playing from the scene even though it wasn’t a
real scene. Every time I looked at the bowl I saw
something different and something more and more
interesting. The closer you look the more you can tell
the scratching of glaze must have been painstaking. I
can appreciate the way Viktor made a political
statement without knowing. I found it interesting that
Viktor came upon the project by chance.
Personal Connection con’t
Viktor pulled the job from the hopper and only knew that a woman had ordered a punch bowl with a New York theme. Later after the bowl was completed, that woman ordered three more bowls. It was then that Viktor found out the patron was Eleanor Roosevelt and the bowls were to celebrate her husbands re-election as governor. I also found out that at one point years later Viktor went to touch one of his bowls while it was in a museum, he was quickly told that this was not allowed. He decided to make a series of the jazz collection to be enjoyed and used by all people. This is a foreign concept to me since the entire semester we have been taught that art should be experienced to be enjoyed.
Curriculum Connection
Booth talks about how good writing will make people
feel the way the writer feels, but I think this piece of
art does the same thing. Booth also states that people
have an immediate and deeper connection if they are
willing to explore more. I know it may not seem logical
but this bowl called to me in the museum. I could feel
the excitement and repression at the same time. I
understood the sense of defiance for rules that seem to
make no sense while also expressing a need to have fun.
This artwork seems to sing without having music or a
voice.
Line of Inquiry
Pedagogical:
How did this piece of art make a political statement to
its generation while still invoking the beauty of its time
and is this work truly an expression of the positive and
negative feelings of the 1930s?
Aesthetic:
Why did the artist feel the need to create a new way to
decorate pottery when so many others already existed
and how does this piece use color and shading to change
the line of sight and invoke movement?
Key Ideas
Art as a political statement
Art as a soap box
Self-expression
Creating shadow and texture through design
Hidden details
Creating sound and movement through picture
arrangement
Activity Ideas
Music- Create a dance using jazz music from the
era, Count Baise, Louis Armstrong.
Art- Use crayon to create a sgraffiti drawing by
scribbling two colors and scratching to make a picture
by revealing the color underneath.
Science- Create punch bowl form using clay and wire
that will be able to hold a liquid
Social Studies – Research prohibition and Eleanor
Roosevelt, compare and contrast the era with today.
Mind Mapping
Resources
http://www.ceramicstoday.com/potw/schreckengost.ht
m
http://www.noalcohol.us/noalcohol/resources/theprohi
bition.phtml
http://blogs.smithsonianmag.com/art/2011/11/an-art-
deco-masterpiece-for-eleanor-roosevelt/
www.viktorsjazzbowl.com/history.html
https://bubbl.us/