FlF2

I,Page Twenty.flve

F3 F4

F5

Page Twenly.seven

F6

FB

Page Twen/y'eight

FlO Fl1

F12 F13

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FI4 FI5

FI6 FIT

Page Twenty-nine

FI9

F21

Page Thirly

View from coach-park focussed along CHAIN to Castle.

View of proposed coach-park seen from yacht harbour. By means of stone walls,rough plaming and trees the expanse is comained and has the same scale as thetimber yards behind. Foreshore left rough with gap to command view of Castle onarrival. Pub to right of gap.

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Page Thirty-one

Page Thlrty.two

Proposed new quadrangle of cortages east of St. Mary's Church looking fromrenovated building behind Parliament Square.

Proposed new quadrangle of cortage:; ease of St. Mary's Church.

Glacis retaining wall made horizontal so that grass flows into Parade level at top ofCastle Street which remains open to cars.

View looking back from Barbican level to hotel terrace and quay.

Page Thirty-three

,yLI •.lt>~Ic..A.l..-MooJUM oJT

Page Thirty.fou,

The use of monuments in the explanation of urban situation. The square itself isgiven its focal point by the centrally sited Doric Column (Phoro A 10). In this VIew theclimbing ramp of grass which forms the outer layer of the Castle (and which flowsinto the Square) is epitomised by the cylindrical monument whilst the actualpenetration outward to the undertow of the Castle is presided over by the resitedWar Memorial which stands poised in distant space over the deep moat which isreached by ramps. The simplicity of the situation is explained and not, ashererofore, confused by the positioning of monuments (see F16).

By the removal of clutter, the replacing or resiting of monuments and theflow of planes the true nature of the confrontation of Square and Castleis revealed.

Hotel terrace contained by Barbican. Fine anticipatory seaward view. Paint turretwhite?

The quay showing road wIdened and taken round Castle Arms Hote'- Steps lead tohotel terrace whilst most leading up to Parade peels off co the right.

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