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Contents

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Irish Chamber Orchestra...............6Calendar ........................................8Holliday Festival...........................12Soweto Gospel Choir..................14Faculty Tuesdays ........................24Artist Series donors .....................26Takács Quartet donors ...............30Eklund Opera donors ..................32Personnel lists .............................34

This program is published by The Publishing House,

Wesminster, CO.

Angie Flachman Johnson, PublisherTod Cavey, Director of Sales

Stacey Krull, Production ManagerMark Fessler, Press ManagerWilbur E. Flachman, President

For advertising, call 303-428-9529 or email [email protected]

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CU PresentsSabine Kortals, Editor

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Contents

Advertising Info

Irish Chamber Orchestra...............6Calendar ........................................8Holliday Festival...........................12Soweto Gospel Choir..................14Faculty Tuesdays ........................24Artist Series donors .....................26Takács Quartet donors ...............30Eklund Opera donors ..................32Personnel lists .............................34

This program is published by The Publishing House,

Wesminster, CO.

Angie Flachman Johnson, PublisherTod Cavey, Director of Sales

Stacey Krull, Production ManagerMark Fessler, Press ManagerWilbur E. Flachman, President

For advertising, call 303-428-9529 or email [email protected]

ColoradoArtsPubs.com

CU PresentsSabine Kortals, Editor

Mel Plett, Design and Layout

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Irish Chamber OrchestraOn Nov. 6, the “razor-sharp, fully-seasoned” Irish Chamber Orchestra (Chicago Tribune) returns to Boulder by popular demand, conducted by Gábor Takács-Nagy and featuring internationally renowned cellist István Várdai.

“I’m very happy that, after 23 years, I’m returning to Boulder where I lived for six years between 1986 and 1992,” says Hungarian-born violinist and conductor Takács-Nagy, a founding member in 1975 of the Takács Quartet—in-residence at the CU Boulder College of Music—and now Principal Artistic Partner of the Irish Chamber Orchestra since January 2013. (Of the original Takács Quartet, violinist Károly Schranz and cellist András Fejér remain.)

“I can hardly wait to be on stage in Boulder, and to meet with colleagues and friends,” continues Takács-Nagy. “I’m also very proud to perform with the ICO’s world-class musicians and the gifted Hungarian cellist, Várdai.”

Várdai, 30, has received prizes and awards at numerous international music competitions. He won the David Popper International Music Competition in Budapest three times, and was awarded top prizes at the Grand Prix Emanuel Feuerman in Berlin and the International Johannes Brahms Competition in Pörtschach, Austria. “His playing was commendable for its fluidity and virtuosity, distinguished by both a fleet-fingered lightness and a rich timbre,” wrote culture writer Vivien Schweitzer in The New York Times of Várdai's musicianship.

According to Takács-Nagy, “We’ll be performing a very exciting, energetic and colorful program in Boulder,” including Bach’s Cello Concerto in A Major, Wq. 172, and Haydn’s Cello Concerto in C Major—as well as Haydn’s Symphony No. 49 in F minor (“La passione”) and Bartók’s Divertimento for String Orchestra.

“Hungarians are not only proud of Bartók, but also Haydn,” says Takács-Nagy. “They consider Haydn to be a little bit Hungarian, too! For much of his career, he was musician and composer for the Hungarian noble family, the Esterházys.”

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Irish Chamber Orchestra, Gábor Takács-Nagy, conductorFriday, Nov. 6, 2015, 7:30 p.m.The “razor-sharp, fully-seasoned” Irish Chamber Orchestra (Chicago Tribune), returns to Boulder by popular demand, conducted by original Takács Quartet member Gábor Takács-Nagy and featuring internationally renowned cellist Istvan Várdai.

Soweto Gospel ChoirFriday, Dec. 11, 2015, 7:30 p.m.South Africa’s 24-voice Soweto Gospel Choir—“Nothing less than an international treasure” (JazzTimes)—will bring light and spirit to your holiday season with classic Christmas songs and moving African gospel.

DiavoloThursday, Jan. 21, 2016, 7:30 p.m.Equal parts Cirque de Soleil, brilliant choreography and “architecture in motion,” Diavolo turns death-defying dancers free in a super-sized playground of wheels, bowls and walls in a unique display of kinetic drama.

BODYTRAFFICSunday, Feb. 14, 2016, 7:30 p.m.Drop gritty, contemporary New York and European choreographers into the fast-paced, freeway world of Los Angeles, sprinkle with energetic young talent, and you get the “super-fast, super-sexy, super-expressive intensity” (Dance View Times) of BODYTRAFFIC.

Rising Stars of The Metropolitan OperaTuesday, March 1, 2016, 7:30 p.m.The Met has launched the careers of opera greats Renée Fleming, Thomas Hampson and many others. Don’t miss this chance to hear the brightest new stars performing arias, duets and ensembles by the world’s greatest composers.

Indigo Girls with the CU Symphony OrchestraThursday, March 31, 2016, 7:30 p.m.Amy Ray and Emily Saliers, the platinum-selling duo Indigo Girls, enrich a stellar quarter-century career with a symphonic performance of their moving, melodic music, including such hits as "Closer to Fine" and "Land of Canaan."

Pablo Ziegler and Lara St. John, Piazzolla Central Park Concert ReduxFriday, April 15, 2016, 7:30 p.m.Composer-pianist Ziegler and violinist St. John perform beloved tunes from tango maestro Astor Piazzolla’s famous 1987 Central Park concert and originals by Ziegler, who takes the tango to heights “undreamed of by Piazzolla.” (Chicago Tribune)

The Takács QuartetThe Grammy Award-winning chamber quartet has been moving audiences and selling out concerts for three decades at CU-Boulder. Their irresistible blend of virtuosic technique and engaging personality has led The Guardian (London) to proclaim, “The Takács Quartet are matchless, their supreme artistry manifest at every level.”

Sunday, Nov. 8, 2015, 4:00 p.m.Monday, Nov. 9, 2015, 7:30 p.m.Sunday, Jan. 10, 2016, 4:00 p.m.Monday, Jan. 11, 2016, 7:30 p.m.Monday, Feb. 29, 2016, 7:30 p.m.Sunday, April 24, 2016, 4:00 p.m.Monday, April 25, 2016, 7:30 p.m.


Holiday Festival 2015Dec. 4-6, 2015A lively program of seasonal music and festive holiday decorations in Macky Auditorium inspire sold-out audiences and make the Holiday Festival a beloved annual tradition. Choirs, orchestra, ensembles and faculty soloists from the CU-Boulder College of Music invite you to share the joy and warmth of the season with your family and friends.

Dialogues of the Carmelites, Sung in Englishby Francis PoulencMarch 11-13, 2016Francis Poulenc’s dark, intense 1957 opera—based on the persecution of nuns at the convent at Campiegne during the French Revolution—fearlessly grapples with such timeless human emotions as fear, despair and faith. “As rich as a vintage port, the opera delivers a soft and melodic score that undulates with (dark) and complex themes … as tragically current as (they are) old.” (Metro Weekly)

The Tender Land, Sung in Englishby Aaron CoplandApril 21-24, 2016Copland was inspired to write his only full-length opera by the Depression-era photographs of Walker Evans and James Agee’s "Let Us Now Praise Famous Men." This classic tale of small-town America evokes everything from "The Grapes of Wrath" to "Our Town" and "Oklahoma!" “Copland in his Americana mode.…(A)n affecting, honest and musically elegant work…bustling rhythmic intensity and pungent chromatic bite.” (The New York Times)

Fiddler on the Roof, Nov. 6-15, 2015Music by Jerry Bock, Book by Joseph Stein, Lyrics by Sheldon Harnick. Directed and choreographed by Gary John La Rosa, Roe Green Visiting Theatre ArtistDrawing on the richly humorous and humane tales of Sholem Aleichem, this musical tells the story of a poor, Jewish dairyman, his wife and their five daughters in a Russian village at the turn of the century.

The Current, April 15-17, 2016“The Current” showcases the varied works of CU dance faculty and guest artists, including Faye Driscoll, a Bessie Award-winning choreographer and director who investigates new forms of theatrical experience. Driscoll is the recipient of a 2013 Guggenheim Fellowship and a 2013 Creative Capital Performing Arts Award.

June 3-Aug. 7, 2016The Colorado Shakespeare Festival is a professional theatre company in association with the University of Colorado Boulder. Since 1958 the festival has celebrated and explored Shakespeare and his continuing influence and vitality through productions of superior artistic quality, education and community engagement.

Return to the Forbidden Planet, March 4-13, 2016by Bob Carlton. Directed by Cecilia PangIn a galaxy far away, a shadowy planet beckons our courageous team of travelers. “Shake, Rattle, and Roll" as Captain Tempest guides us through a cavalcade of golden era rock ’n roll hits.

2016 Lineup:Comedy of ErrorsEquivocationTroilus and CressidaCymbelineHenry VI, Part 2

Colorado Shakespere Festival

Plus much more! http://www.colorado.edu/theatredance/events

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Holiday Festival“The CU-Boulder Holiday Festival is a beloved annual tradition,” says Gregory Gentry, Director of Choral Studies. “Once again, we’ll present the outstanding vocal and instrumental students and faculty of the College of Music.”

As artistic director of the event featuring seasonal music and festive holiday decorations at Macky Auditorium, Gentry says this year’s celebration will include familiar music, including holiday favorites by John Williams (“Home Alone”) and Christophe Beck (“Frozen”).

“The audience will be invited to join the performers in singing carols, as well as the ‘Hallelujah Chorus’ from Handel’s ‘Messiah,’” he continues. “Everyone will delight in the music provided by the Holiday Festival Brass & Percussion, the CU Symphony Orchestra and combined choirs, the Holiday Festival Jazz Combo and the CU Women’s Chorus.

“And for the children in our audience, we’ll welcome a very special guest.”

Inspiring sold-out audiences year after year, this lively program of holiday favorites is sure to spark the joy and warmth of the season. Join us!

The Holiday Festival runs Dec. 4-6. Tickets are $15 and up. Holiday Festival revenues benefit the CU Music Scholarship Fund; no discounts are available for these performances.



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The Soweto Gospel Choir is generously co-sponsored by:

On Dec. 11, South Africa’s 24-voice Soweto Gospel Choir—“Nothing less than an international treasure” (JazzTimes)—will light up Macky Auditorium with a colorful, spirited performance of classic Christmas carols, moving African gospel and dance.

The tradition of Christmas was introduced to South Africa by missionaries around 1650, and remains an important holiday celebration among South Africans today. Indeed, Christianity is now entrenched in South African life with approximately 80 percent of the population following some variant of the religion—it’s a key aspect of family and community life, as is music, singing and dancing.

Since 2002, the Soweto Gospel Choir has demonstrated how all aspects of life can be expressed through song and dance. That year, their first album—“Voices of Heaven”—reached the No. 1 spot on Billboard’s World Music Chart. Numerous other international awards and honors quickly followed—including performances for birthday celebrations of their patron, Archbishop Desmond Tutu. They’ve also appeared on the “Today Show,” “The Tonight Show with Jay Leno” and “Late

Night with Conan O’Brien”—and the gospel group’s second album, “Blessed,” garnered their first Grammy Award in 2007.

Beyond their distinctive music making, the Soweto Gospel Choir founded its own AIDS orphans foundation, Nkosi’s Haven Vukani (which means “Outreach”), to assist organizations that receive little or no funding. The choir also performs for a variety of charitable causes.

In a mix of traditional and contemporary music and dance, the Soweto Gospel Choir will present in Boulder astunning affirmation of how South Africans celebrate, grieve, worship and tell stories. Song titles include “Hayo mathata,” “Ziyamaz’ umelusi,” “Calvary,” “Many Rivers” “Meadowlands” and “I Feel Good,” among several more songs and chants.

The program concludes with a handful of favorite Christmas carols—from “Oh! Holy Night” and “The LittleDrummer Boy” to “We Wish You a Merry Christmas”—in the group’s unique rendering of music and rhythms.

Join us for a pre-concert lecture with Assistant Professorof Ethnomusicology Austin Okigbo. The lecture begins at 6:45 p.m. in Room 102 at Macky Auditorium; seating is limited, so please arrive early.

Soweto Gospel Choir



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Opening NightSun., Sep. 13—7 PM at Macky Charles Wetherbee, violinGabriela Montero, pianoWorks by Ravel, Fujiwara & Rachmaninoff

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Portraits In Season Sat., Nov. 14—7:30 PM at Mackywith Boulder ChoraleCharles Denler, pianoWorks by Brahms & Denler

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Bach’s St. Matthew Passion Sat., April 23—7 PM at MackySun., April 24—2 PM in Denverwith Central City Opera, Boulder Bach Festival & CU Choruses

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Portraits In Season Sat., Nov. 14—7:30 PM at Mackywith Boulder ChoraleCharles Denler, pianoWorks by Brahms & Denlerwith choreographed images by nature photographer John Fielder

The Nutcracker BalletFri.-Sun., Nov. 27-29 at MackyBoulder’s favorite holiday tradition, with all-new scenery!

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Bach’s St. Matthew Passion Sat., April 23—7 PM at MackySun., April 24—2 PM in Denverwith Central City Opera, Boulder Bach Festival & CU Choruses

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Edward Dusinberre, violinKároly Schranz, violin

Geraldine Walther, violaAndrás Fejér, cello

String Quartet No. 1 in C Major, Op. 74 Franz Joseph Haydn (1732-1809)

Second selection to be announced from stage.

Intermission

String Quartet No. 3 in B-flat Major, Op. 67 Johannes Brahms I. Vivace (1833-1897) II. Andante III. Agitato (Allegretto non troppo) IV. Poco Allegretto con Variazioni

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Program NotesBy Marc Shulgold

The story of Haydn’s later years is truly a tale of two musical cities: Vienna and London. And how very different they were at the end of the 18th century– one holding on to a crumbling, fading aristocracy, the other embracing a cultural viewpoint where artists, as well as royals, were celebrated. Imagine a Sunday afternoon musicale in the home of Baron von Swieten, a city official who invited the best and brightest of Vienna’s composers (including Haydn, Mozart and Beethoven) to read through “ancient” works by Bach and Handel, and to offer some new chamber pieces of their own. How terribly civilized! Yes, the city had theaters, small concert halls and opera houses – but most of the chamber music was heard by Vienna’s privileged few in private homes, out of the general public’s reach. Haydn had lived in a similarly sheltered world for 30 years, as resident composer in the palace of Hungary’s Esterházy family, where his music was performed by in-house players for an in-house audience. But when he was released from those duties in 1790, he was able to accept freelance offers. It didn’t take long for an enterprising violinist and impresario named Johann Salomon to lure Haydn to London, where a music-crazy audience was eager to greet the famous composer and his latest works. No more of those private concerts enjoyed by tiny gatherings. London had become a place for public music, and the public simply adored the visiting Viennese master. The biggest splash on Haydn’s first visit in 1791 came with the premiere of six symphonies, presented to great acclaim in an 800-seat theater. So hungry were the Londoners to hear music by the great man that concerts of some of his string quartets and piano trios were programmed in the same hall. For the first time, chamber music

was being presented to ticket-buyers. That visit must have made quite an impression on the composer (who also pocketed some nice profits), because once back home in Vienna, Haydn gladly set to work fulfilling Salomon’s invitation for a return engagement in 1794-95. That meant writing more symphonies (another half-dozen) and six new string quartets. The composer had learned what the Brits liked, and he was happy to give it to them. Back home, and with the cheers of the Londoners still in his ears, he set out on a new approach in writing the three quartets of Opus 71 and the three of Opus 74 (Haydn had intended the six to be released together, but a publisher had other ideas). The composer knew that, in order to quiet his rambunctious and excited listeners, he needed to kick off each quartet with an attention-grabber – in the case of Opus 74, No. 1, employing two richly harmonized chords that would normally be used to end a piece. From there, the themes are clear and catchy, so that concert-hall newcomers wouldn’t get lost. For the more experienced music lovers, he provided plenty of subtle touches to be absorbed and admired. The steady stream of musical twists and turns must have thrilled them back then, and remind us today how Haydn never ran out of ideas. Think of it – each of his 104 symphonies offers new thoughts and terrific tunes, as do each of his 80 or so string quartets. Melodies seem to arrive effortlessly in this C-Major Quartet, which delivers numerous passages of sheer brilliance among the pages of endlessly charming, often deliciously witty music. And, as we hear in the drones of the spritely finale of Opus 74, No. 1, Haydn’s lovable folksiness and irrepressible danceablity are always just around the corner.

String Quartet No. 1 in C Major, Op. 74 Franz Joseph Haydn

No creative person likes being criticized, be they painter, poet, chef or composer. But when it comes to dealing with critics, Brahms was his own worst enemy. Early on in his career, he began a quest to follow Beethoven’s Symphonies with one of his own (the young man, after all, was dubbed The Next Beethoven). Brahms would spend decades of agonizing trial and error before he came up with the First Symphony. A similar struggle ensued when he tackled the string quartet – destroying some 20 or so attempts, since, in his view, he kept failing to measure up with You-Know-Who. Ever the brutal self-critic, Brahms didn’t try to hide the frustrations

he experienced. “It is not hard to compose,” he suggested in reference to writing a quartet, “but what is fabulously hard is to leave the superfluous notes under the table.” Even after completing his first two string quartets, he proceeded to spend almost 20 years polishing them before they were sent off to be published as Opus 51 in 1873. Clearly, it was the inescapable shadow of Beethoven that brought on such self-conscious discomfort here, since he’d already written other chamber pieces: piano quartet and quintet, plus two string sextets. Two years after the publication of Opus 51, Brahms tackled another string quartet, and again worried that it might not be

String Quartet No. 3 in B-flat Major, Op. 67 Johannes Brahms

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good enough. In the summer of 1875, he stayed in a lovely town not far from Heidelberg and wrote several pieces, mostly songs, as a way to avoid tackling that dreaded first symphony. Among these smaller pieces was a third string quartet, soon published as Opus 67. No surprise that the composer dismissed all of those summer works as “trifles.” But soon after, his fierce self-criticism seemed to soften. For one thing, the symphony was finally completed the following year (and designated Opus 68). For another, Brahms would come to admire that third string quartet and considered it his favorite. Nonetheless, Opus 67 became his final effort in that genre. Listening to the work, it’s easy to hear the influence of his idyllic warm-weather surroundings in the flowing melodies

of this sunny music. Quite a contrast to the intensity of the two Opus 51 quartets. Compared to the endless revising and fussing over those two, progress on Opus 67 went smoothly and relatively quickly. We hear a delightful polka-like hunting tune in the opening Vivace and a catchy little gavotte used as the theme of the concluding Poco Allegro con Variazioni–though that music would become more complex and difficult to follow as the movement unfolded (you may notice that the double-time seventh of the eight variations recalls the hunting theme from the opening Vivace). In between is the exquisitely serene Andante and a Scherzo-like Agitato that gives the viola plenty of time in the spotlight. Brahms had every reason to be proud.

The Takács Quartet Recognized as one of the world’s great ensembles, the Takács Quartet plays with a unique blend of drama, warmth and humor, combining four distinct musical personalities to bring fresh insights to the string quartet repertoire.

The Takács became the first string quartet to win the Wigmore Hall Medal on May 10, 2014. The medal, inaugurated in 2007, recognizes major international artists who have a strong association with the hall.

In 2012, Gramophone announced that the Takács was the only string quartet to be inducted into its first Hall of Fame. The ensemble also won the 2011 Award for Chamber Music and Song presented by the Royal Philharmonic Society in London.

Since 1988, the quartet has also made 16 recordings of works by Beethoven, Bartók, Borodin, Brahms, Chausson, Dvořák, Haydn, Mozart, Schubert and Smetana for the Decca label. The ensemble’s

recording of the six Bartók string quartets received the 1998 Gramophone Award for chamber music. The ensemble’s other Decca recordings include Dvořák’s String Quartet in E-flat Major, Op. 51 and Piano Quintet in A Major, Op. 81 with pianist Andreas Haefliger; Schubert’s Quartet in G Major and Notturno Piano Trio with Mr. Haefliger; the three Brahms string quartets and Piano Quintet in F minor with pianist András Schiff; and Mozart’s String Quintets, K515 and 516 with Gyorgy Pauk, viola.

The members of the Takács Quartet are Christoffersen Faculty Fellows at the University of Colorado Boulder, where the quartet has helped to develop a string program with a special emphasis on chamber music. The quartet’s commitment to teaching is enhanced by summer residencies at the Aspen Music Festival and at the Music Academy of the West, Santa Barbara. They are also Visiting Fellows at the Guildhall School of Music and Drama, London.

takacsquartet.com

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Wednesday, Nov. 11Symphonic Band 7:30 p.m., Macky Auditorium

Jazz Combos 7:30 p.m., Old Main Theater

Thursday, Nov. 12Wind Symphony 7:30 p.m., Macky Auditorium

Japanese and Gamelan Ensembles 7:30 p.m., Grusin Music Hall

Saturday, Nov. 14Early Music Ensemble: Italian Journey 4:30 p.m., Chamber Hall

Jazz Ensembles I & IIwith special guest Tia Fuller 7:30 p.m., Grusin Music Hall

Sunday, Nov. 15University Choir & University Singers 7:30 p.m., Grusin Music Hall

Monday, Nov. 16Latin Jazz and Bateria Ensembles 7:30 p.m., Grusin Music Hall

Thursday, Nov. 19CU Symphony Orchestra 7:30 p.m., Macky Auditorium

Wednesday, Dec. 2Pendulum New Music 7:30 p.m., Grusin Music Hall

Opera Scenes: Eklund Opera Program 7:30 p.m., Music Theatre

Monday, Dec. 7Campus Band and Campus Orchestra 7:30 p.m., Grusin Music Hall

Upcoming ensemble performances:

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100 Years of a MasterpieceRachmaninoff, Vespers – October 9 & 10

A Colorado Holiday TraditionHappiness and Cheer – December 12, 13, 17, 18

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Faculty Tuesday recitals are held throughout the academic year at 7:30 p.m. in Grusin Music Hall of the Imig Music Building on the CU-Boulder campus.

Performances are free and open to the public.

Spring Faculty Tuesday Preview

Nov. 10 Soprano Jennifer Bird-Arvidsson and pianist Alexandra Nguyen: Cabaret Songs Grusin Music Hall will be transformed into a cabaret nightclubfor this intimate performance featuring standards of the cabaret genre interpreted through the lens of traditional classical composers such as Schoenberg and Britten. The evening won’t be complete without an engaged audience, so come join us for an unforgettable soirée!

Nov. 17 Cellist David Requiro and pianist Margaret McDonald: A Folk-Inspired Evening Join new faculty cellist David Requiro and pianist Maragaret McDonald for Kodaly’s Sonata for Cello and Piano, Op. 4, “Five Pieces on Folk Themes” by Tsintsadze and Brahms’ Cello Sonata No. 2 in F-Major, Op. 99.

Dec. 1 Violinist Harumi Rhodes and pianist David Korevaar: First Ventures Harumi Rhodes and David Korevaar embark on an exploration of “first ventures” featuring first sonatas for violin and piano by Beethoven and Bartok. Also on the program is Messiaen’s “Thème et variations,” a mystical work like none other in the repertoire.

Jan. 12 Mutsumi Moteki and Tamara Goldstein “My Song Book: songs without singers”Jan. 19 Erika Eckert, Margaret McDonald, Abby Nims (poetry theme)Jan. 26 David KorevaarFeb. 2 Doug WalterFeb. 9 CU Symphony OrchestraFeb. 16 Voice Faculty (Mutsumi Moteki coordinating)Feb. 23 Andrew CooperstockMarch 8 Mike Barnett works performed by David Korevaar and Chas WetherbeeMarch 15 Alexandra Nguyen and friendsMarch 29 Abby Nims, Alexandra Nguyen, Bob Spillman



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Artist SeriesThe Artist Series presents performances of fine music and performing arts to which the community would otherwise not have access. The highest quality emerging and internationally recognized artists provide worldclass performances and residency activities that enhance the learning environment at the University of Colorado Boulder and the cultural life of the community. The Artist Series includes a variety of presentations from many cultures and traditions.

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SupporterGil and Nancy BermanMark and Margaret CarsonCarson-Pfafflin Family FoundationCenter Copy Printing Boulder, Inc.Carol and Michael GallucciLori Lucas and Bob SchuylerHeidi and Jerry LynchRobert and Sandra McCalmonJudy and Alan MegibowJerry and Jamie OrtenRandy ParellaMikhy and Michael RitterAlicia and Juan RodriguezTheodore and Ruth SmithLarry and Ann Thomas

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Artist SeriesAdvisory BoardGil BermanRudy BetancourtJoan McLean BraunJohn DavisDiane DunnMike GallucciLissy GarrisonLaima HaleyDaryl James, PresidentMaryan K. JarossRuth KahnJerry OrtenLouise PearsonErika RandallRobert ShayGregory SilvusEllen TaxmanNicholas Vocatura

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Takács SocietyThe Takács Society, formed by the College of Music, provides the critical resources to support the work of the Takács Quartet—to advance their teaching endeavors, provide scholarships that are essential to attract and retain exceptionally gifted young artists, and sponsor guest artists in the Takács performance series.

If you would like to name a seat in Grusin Music Hall, please call the College of Music Development Office at 303-735-6070.

Make all gifts payable to the University of Colorado Foundation and mail to:

Takács SocietyCU College of Music, 301 UCB, Boulder, CO 80309-0301

For credit card payments, questions or additional information, please call the College of Music Development Office at 303-735-6070.

BenefactorAlbert and Nancy BoggessLyle Bourne and Rita YaroushSam ErsanNorma Johnson in memory of Fay ShwayderGary and Judith Judd in memory of Fay ShwayderThe Takács Quartet

SponsorPamela Decker and Beth SapersteinCarol Lena KovnerDavid and Janet RobertsonMarion Thurnauer and Alexander Trifunac

PatronThomas and Carol CechChris and Barbara ChristoffersenAnne Heinz and Ran YaronRay and Margot LaPanseKathleen SullivanJohn and Carson Taylor

SupporterPatricia ButlerRobert R. KehoeWalter and Eileen KintschVirginia M. NewtonNewton Family Fund, Inc.Neil and Martha PalmerMikhy and Michael RitterDavid and Susan SeitzLawrence and Ann ThomasJames and Lena Wockenfuss

ContributorVirginia and Stanley BoucherWilliam and Alice BradleyKevin and Diana BunnellMarda BuchholzBob and Lennie DamrauerCarolyn and Don EtterSteve Goldhaber and Mariana VertensteinHarold and Joan LeinbachPaul and Nancy LevittPatricia and Robert LisenskyAnthony and Randi StrohBerkley TaguePatricia Thompson

MemberAnonymousLois AbbottChristine Arden and David NewmanNeil Ashby and Marcia GeissingerMaria and Jesse AweidaChristopher and Margot BrauchliShirley CarnahanPenny CheneryNoel A. and Pauline A. ClarkHelen Dorsey CorbettCharlotte CorbridgeRichard and JoAnn CrandallBarbara and Carl DiehlCarolyn and Don EtterBob and Jean FischerLloyd and Mary GelmanKen and Dianne HackettRichard and Catharine Harris

Doree and Jerry HickmanRuth and Richard IrvinRichard Jessor and Jane MenkenBruce and Kyongguen JohnsonPatricia L. JohnsonJennifer and Bob KamperMireille Key Marion and Frank KreithAlice and Judah LevineAlbert and Virginia LundellHeidi and Jerry LynchKamilla MacarJohn and Nancy MalvilleRalph and Nancy MannMaxine MarkJ. Richard and Marjorie McIntoshPeter and Doris McManamonChristopher Mueller and Martha WhittakerJoan and Ronald NordgrenAlison and Graham OddieAntonia and Timothy Piwonka-CorleRichard Replin and Elissa SteinMark and Joanna RosenblumRuth Shanberge in memory of Carol SeidemanTodd and Gretchen SlikerGrietje SloanCarol and Art SmootHelen StoneArthur and Laurie TraversMary and Peter Van EttenBetty Van ZandtThomas VanZandt and Natalie HedbergJames and Nurit WolfBill Wood



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Friends of the Eklund OperaThe Eklund Opera Program is recognized nationwide as one of the finest programs of its kind in the country. Its success is a reflection of outstanding faculty, exceptionally gifted students, professional production standards, and, ultimately, the successful placement of students after graduation in the professional world. You are invited to be a part of the tradition of excellence that has come to characterize Eklund Opera. Your support is pivotal to maintaining the stature of this seminal program. To explore the role you can take in supporting Eklund Opera, please contact our Development Office at 303-735-6070.

About the Eklund Opera ProgramRecognizing the importance of the arts and live vocal performance in an increasingly distracted world, long-time Boulder resident Paul Eklund made a generous gift in October 2014 to help establish a $2 million endowment at the CU-Boulder College of Music. Funding from the endowment helps support three opera productions each academic year, the CU New Opera Workshop and an opera-scenes program for new students.

From left: Paul Eklund Leigh Holman, Director of OperaRobert Shay, College of Music Dean

BenefactorAnonymousDavid Allen and Carol DeBacaBoulder Rotary ClubPaul EklundAnn OglesbyAlan and Martha StormoThe Academy Charitable Foundation, Inc.

PatronChris and Barbara ChristoffersenLloyd and Mary GelmanAlbert and Betsy HandBob and Mikee KapelkeAntoinette and Douglas Shaller

SupporterAnonymousMark and Margaret CarsonCarson-Pfafflin Family FoundationWalter DuncanMarty Coffin Evans and Robert TremblyMikhy and Mike RitterTheodore and Ruth SmithLawrence and Ann ThomasKen and Ruth Wright in memory of Mayme LacyWright Family Foundation

ContributorJim and Judith BowersRobert and Lenore DamrauerMaryann Dimand and Sheeyun ParkMartha Coffin Evans and Robert TremblyHarold and Joan LeinbachJanet and Scott MartinDenise McCleary and Paul Von BehrenDave and Ann PhillipsRichard and Caroline Van PeltPeter WallMichael and Linda Weatherwax in memory of Allene Cash

GrantsDenver Lyric Opera Guild Galen & Ada Belle Spencer Foundation Louis and Harold Price Foundation Roser Visiting Artist Endowment The Schramm Foundation

MemberShannon Bee in memory of Allene CashSara-Jane and Bill CohenCatherine Compton in honor of Tom RobbinsEleanor DePuyDonald and Beverly EklundJoseph and Beverly ElinoffEllen and John GilleJanet HanleyDavid and Janet HummerFrank and Marion KreithMelinda Leach and David BallKenneth L. Levinson and Shauna Titus LevinsonPatricia and Robert LisenskyHeidi and Jerry LynchBruce MackenzieMarian MathesonByron and Cathy McCalmonCorinne McKay and Daniel UristRichard and Donna MeckleyKathleen and John NessRobert and Marilyn PeltzerKim and Rich PlumridgeGail Promboin and Robert BurnhamByron and Sylvia RileyJuan and Alicia RodriguezRuth SchoeningRuth ShanbergeCarol and Randall ShinnCarol and Art SmootHelen StoneWalter TaylorJames and Nurit Wolf



Every Day is an Adventure in Learning

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BOULDER BALLET and BOULDER PHILHARMONIC ORCHESTRA

See it again ... for the first time!

New Sets, New Dancers, New Production

November 27–29 ● Macky AuditoriumBox office: 303-449-1343 ext. 2 ● www.BoulderNutcracker.org

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1421 P E A R Lb o u l d e r a r t s a n d c r a f t s . c o m

G l a s s P a p e r w e i g h t • T o m P h i l a b a u m

Personnel

Patron Info CU Presents Box Officecupresents.org303-492-8008

College of Music CabinetRobert Shay, DeanJames Austin, Associate Dean for U.G. StudiesJames Brody, Interim Dean for U.G. StudiesSteven Bruns, Associate Dean for Grad. StudiesJohn Davis, Associate Dean for AdministrationJoan McLean Braun, Assistant Dean for Concerts and Strategic CommunicationsLissy Garrison, Assistant Dean for AdvancementAlexander George, Executive Assistant to the Dean

Honorary Directors:Dean Boal, Bob Charles, Eileen Cline, Donna Erismann and Dave Grusin

StaffJoan McLean Braun, Executive DirectorLaima Haley, Marketing and P.R. DirectorSabine Kortals, Interim Director of CommunicationsDaniel Leonard, Marketing ManagerJessie Bauters, Assistant Director of Communications and Web AdministratorMel Plett, Publications ManagerZachary Barger, Publications AssistantP.R. Assistants: Abbey Engrav, Helen Slivinski, Colin Wichman, Jackson Xia Nick Vocatura, Operations DirectorAndrew Metzroth, Box Office ManagerMichael Casey, Box Office Services ManagerBox Office Assistants: Ciara Glasheen-Artem, Elise Campbell, Starla Doyal, Adrienne Havelka, Chris Ruiz, Melanie Shaffer Kevin Harbison, Recording EngineerNancy Quintanilla, Financial ManagerTed Mulcahey, Piano Technician

Macky Auditorium StaffRudy Betancourt, DirectorJohn Jungerberg, Operations ManagerSara Krumwiede, Assistant DirectorJP Osnes, Technical DirectorRhett Snyder, Assistant Technical DirectorRojana Savoye, House ManagerNicole Anderson, Assistant House Manager

Program Editor: Sabine KortalsProgram Design/Layout: Mel Plett

Accessibility and ParkingMacky Auditorium is fully wheelchair accessible; ADA-accessible parking is available nearby. Please call the Box Office as early as possible to make arrangements.

Paid parking is available in the Euclid Avenue auto-park, Lot 310 and Lot 204. Contact the Box Office, or check the CU Presents website for more information.

Photography and video recordings of any type are strictly prohibited during the performance.

Food is permitted in the seating areas of Macky Auditorium, but is prohibited in other campus venues unless otherwise noted.

Smoking is not permitted anywhere. CU-Boulder is a smoke-free campus!

Ticket Sales are final; no refunds.Exchanges are subject to availability and must be made at least one business day prior to the day of performance. Subscribers may exchange tickets for free. Single ticket exchanges are subject to a $3 exchange fee. Upgrade fees may apply in all cases. Please return your tickets to the Box Office prior to the performance, if you are unable to use them.

College of Music Advisory BoardRobert Shay, DeanChris BrauchliBob BuntingJan BurtonPaul EklundBill ElliottMartha Coffin EvansJonathan FoxDavid FulkerGrace GammLloyd GelmanDoree Hickman

David HummerDaryl JamesCaryl KassoyRobert KorenblatErma ManteyJoe NeglerSusan OlenwineMikhy Ritter, co-chairBecky Roser, co-chairMark TezakJeanne ThompsonJack Walker


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cu presents magazine takács quartet winter 2015, nov. 8-9, 2015

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